First Name Last Name Title Company Country Anouk Florencia Aaron Warner Bros
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EDITOR’S NOTE: Hallmark Channel has Breaking News, go to www.crownmediapress.com for more images and more information. TWITTER: @HallmarkChannel, @TillmanSkates, @NormanScooter, #TillmanTV, #WLTDO January 29, 2013 HALLMARK CHANNEL PRESS RELEASE – ENTERTAINMENT FRIDAY ON ‘WHO LET THE DOGS OUT’ (Friday, February 1) . CHARLIE SHEEN, GARY SINISE, DICK VAN PATTEN AND JIMMY VAN PATTEN APPEAR ALONGSIDE SKATEBOARDING DOG TILLMAN AND HIS FRIENDS IN THE HALLMARK CHANNEL NEW ORIGINAL SERIES PREMIERE ‘WHO LET THE DOGS OUT’ FRIDAY, FEB. 1 (1 PM ET/PT, 12C). Today on “Who Let The Dogs Out,” Tillman and the gang make a stop at Fiesta Parade Floats where they see for the first time and test the 2013 Rose Parade float that salutes and honors the heroism and service of the brave canine members who are part of America’s armed forces. The float features a floral depiction of the U.S. Military Working Dog Teams Monument, the first ever monument in history that honors and elevates a dog to National Monument status by U.S. Congressional Law. After the test run, Tillman and his owner Ron are off to the Los Angeles International Airport where Tillman gets the once in a life opportunity to skateboard down the American Airlines Terminal. Tillman and his friends board their flight and head to Dallas where they meet Lucca, a Marine working dog and American hero who made a miraculous recovery after losing her leg in an explosion during the war in Afghanistan. While in Dallas, Tillman skates and participates in Sky Ball X, an event that honors America’s military service members, veterans and their families. -
Globale Aktier 1 Page 1 ISIN Navn US0378331005 APPLE INC
Globale aktier 1 ISIN Navn US0378331005 APPLE INC US02209S1033 ALTRIA GROUP INC US5949181045 MICROSOFT CORP US20030N1019 COMCAST CORP-CLASS A US92826C8394 VISA INC-CLASS A SHARES US8288061091 SIMON PROPERTY GROUP INC DK0060534915 NOVO NORDISK A/S-B US9497461015 WELLS FARGO & CO US4370761029 HOME DEPOT INC US46625H1005 JPMORGAN CHASE & CO US4612021034 INTUIT INC US4781601046 JOHNSON & JOHNSON US92343V1044 VERIZON COMMUNICATIONS INC US30231G1022 EXXON MOBIL CORP NL0000009355 UNILEVER NV-CVA US5486611073 LOWE'S COS INC US03076C1062 AMERIPRISE FINANCIAL INC US17275R1023 CISCO SYSTEMS INC US1266501006 CVS HEALTH CORP US91324P1021 UNITEDHEALTH GROUP INC NL0010672325 KONINKLIJKE AHOLD NV US14149Y1082 CARDINAL HEALTH INC US03073E1055 AMERISOURCEBERGEN CORP US26138E1091 DR PEPPER SNAPPLE GROUP INC FR0000120578 SANOFI FI0009013403 KONE OYJ-B US3755581036 GILEAD SCIENCES INC US87612E1064 TARGET CORP DE000BAY0017 BAYER AG-REG JP3726800000 JAPAN TOBACCO INC US3703341046 GENERAL MILLS INC US8825081040 TEXAS INSTRUMENTS INC JP3735400008 NIPPON TELEGRAPH & TELEPHONE US0311621009 AMGEN INC JP3942400007 ASTELLAS PHARMA INC US6541061031 NIKE INC -CL B US0231351067 AMAZON.COM INC Page 1 Globale aktier 1 US3696041033 GENERAL ELECTRIC CO US58155Q1031 MCKESSON CORP US0970231058 BOEING CO/THE GB0007980591 BP PLC US12572Q1058 CME GROUP INC US22822V1017 CROWN CASTLE INTL CORP CA8911605092 TORONTO-DOMINION BANK JP3633400001 TOYOTA MOTOR CORP US6937181088 PACCAR INC US44107P1049 HOST HOTELS & RESORTS INC IT0000072618 INTESA SANPAOLO US8243481061 SHERWIN-WILLIAMS -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Propaganda, «Fake News» Y La Nueva Geopolítica De La Información
Documento de trabajo 8/2019 14 de mayo de 2019 La sociedad de la desinformación: propaganda, «fake news» y la nueva geopolítica de la información Ángel Badillo La sociedad de la desinformación: propaganda, «fake news» y la nueva geopolítica de la información Documento de trabajo 8/2019 - 14 de mayo de 2019 - Real Instituto Elcano La sociedad de la desinformación: propaganda, «fake news» y la nueva geopolítica de la información Ángel Badillo | Investigador principal, Real Instituto Elcano | @angelbadillo Índice Tema ............................................................................................................................ 3 Resumen ...................................................................................................................... 3 Introducción .................................................................................................................. 3 Información y desinformación en la esfera pública ........................................................ 4 Propaganda: construyendo el consenso social .......................................................... 5 Los efectos sociales de los medios ........................................................................... 6 La revolución no será televisada: medios y política ................................................... 7 La sociedad de la (des)información ......................................................................... 12 Un modelo integral de desinformación ....................................................................... -
Copyright by Patrick Warren Eubanks 2019
Copyright by Patrick Warren Eubanks 2019 The Report Committee for Patrick Warren Eubanks Certifies that this is the approved version of the following Report: “There’s No Guidebook for This”: Black Freelancers and Digital Technologies APPROVED BY SUPERVISING COMMITTEE: S. Craig Watkins, Supervisor Kathleen McElroy “There’s no Guidebook for This”: Black Freelancers and Digital Technologies by Patrick Warren Eubanks Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2019 Abstract “There’s no Guidebook for This”: Black Freelancers and Digital Technologies Patrick Warren Eubanks, MA The University of Texas at Austin, 2019 Supervisor: S. Craig Watkins Freelancing has become increasingly common in a variety of industries due to the continued economic restructuring of post-industrial capitalism. While writing has traditionally been a precarious profession characterized by low pay and intermittent work, once secure forms of employment, such as newspaper work, have experienced a precipitous decline within the past few decades. As the number of writers engaged in standard employment contracts has sharply decreased, an increasing number of individuals must engage in freelance work to earn a living as writers. While all freelance writers face precarity at the hands of digital media outlets due to exploitative and unstable labor and business practices, black freelancers experience distinct forms of precarity, such as a lack of access to professional networks and mentors. This report aims to identify the ways in which digital technologies allow black freelancers to insulate themselves from the risks inherent to the digital media ecosystem, ending with recommendations for education systems, digital media organizations and freelancers seeking to promote equity in digital publishing. -
ANALYSIS of PROPOSED CONSENT ORDER to AID PUBLIC COMMENT I. Introduction the Federal Trade Commission (“Commission”) Has
ANALYSIS OF PROPOSED CONSENT ORDER TO AID PUBLIC COMMENT I. Introduction The Federal Trade Commission (“Commission”) has accepted for public comment from America Online, Inc. (“AOL”) and Time Warner Inc. (Time Warner”) (collectively “Proposed Respondents”) an Agreement Containing Consent Orders (“Proposed Consent Agreement”), including the Decision and Order (“Proposed Order”). The Proposed Respondents have also reviewed a draft complaint. The Commission has now issued the complaint and an Order to Hold Separate (“Hold Separate Order”). The Proposed Consent Agreement intends to remedy the likely anticompetitive effects arising from the merger of AOL and Time Warner. II. The Parties and the Transaction AOL is the world's leading internet service provider (“ISP”), providing access to the internet for consumers and businesses. AOL operates two ISPs: America Online, with more than 25 million members; and CompuServe, with more than 2.8 million members. AOL also owns several leading Internet products including AOL Instant Messenger, ICQ, Digital City, MapQuest, and MoviePhone; the AOL.com and Netscape.com portals; the Netscape 6, Netscape Navigator and Communicator browsers; and Spinner.com and NullSoft’s Winamp, leaders in Internet music. Time Warner is the nation’s second largest cable television distributor, and one of the leading cable television network providers. Time Warner’s cable systems pass approximately 20.9 million homes and serve approximately 12.6 million cable television subscribers, or approximately 20% of U.S. cable television households. Time Warner, or its principally owned subsidiaries, owns leading cable television networks, such as HBO, Cinemax, CNN, TNT, TBS Superstation, Turner Classic Movies and Cartoon Network. Time Warner also owns, directly or through affiliated businesses, a wide conglomeration of entertainment or media businesses. -
DIVERSITY ANNUAL REPORT 2016–17 Contents
EQUITY AND DIVERSITY ANNUAL REPORT 2017 Black Comedy, Photo: ABC TV AUSTRALIAN BROADCASTING CORPORATION EQUITY AND DIVERSITY ANNUAL REPORT 2016–17 Contents PLANNING AND REPORTING 2 INDIGENOUS 15 PERFORMANCE MONITORING 3 NON-ENGLISH SPEAKING BACKGROUND 17 PERFORMANCE 4 DISABILITY 18 DIVERSITY AND INCLUSION HIGHLIGHTS 8 CONTENT HIGHLIGHTS 21 GENDER 13 Contents 1 Planning and reporting The Australian Broadcasting Corporation (ABC) About the Equity and is Australia’s national broadcaster and was established as a statutory corporation under Diversity Program the Australian Broadcasting Corporation Act This program has been designed to eliminate 1983 (the ABC Act). The ABC Act, which includes discrimination and promote equal opportunity the ABC Charter, sets out the functions and for women, Aboriginal and Torres Strait Islander duties of the Corporation. people, people from a non-English speaking As a Commonwealth authority employer, background and people with disabilities. the ABC is bound by the provisions of the: The ABC is a member of a number of key national • Equal Employment Opportunity diversity organisations, including the Diversity (Commonwealth Authorities) Act 1987 Council of Australia. • Racial Discrimination Act 1975 ABC Managing Director, Michelle Guthrie, • Sex Discrimination Act 1984 is a member of the Leadership Council on • Australian Human Rights Commission Cultural Diversity which is chaired by the Act 1986 Race Discrimination Commissioner, Tim Soutphommasane. The Council is committed to • Disability Discrimination Act -
Broadcasting for Qualified Talent Graham Media Group Takes Recruiting to the Next Level with Ihire
CASE STUDY Broadcasting for Qualified Talent Graham Media Group Takes Recruiting to the Next Level with iHire Background COMPANY Graham Media Group, a subsidiary of Graham Graham Media Group Holdings Company (NYSE: GHC), has been a fixture in the broadcasting industry for 70 years. Previously known as Post-Newsweek Stations, Graham Media Group owns WEBSITE seven local television stations, each in a top-70 market. Stations include KPRC– www.grahammedia.com Houston, WDIV–Detroit, and WSLS–Roanoke (NBC); KSAT–San Antonio (ABC); WKMG–Orlando (CBS); WJXT–Jacksonville (fully local); and WCWJ–Jacksonville (CW), in addition to the company’s Social News Desk. Graham Media also operates a host INDUSTRY of digital channels, websites, and mobile apps delivering breaking news, weather, Broadcasting / Media and community news to millions of users. With multiple organizations under its brand, Graham Media consistently hires a variety of talent. This not only includes reporters, multimedia journalists, anchors, HEADQUARTERS producers, and photographers, but also administrative, HR, IT, advertising, and Chicago other personnel critical to carrying out the company’s mission: To be involved in local initiatives and public service projects designed to serve, inform, and improve their respective communities. iHIRE SOLUTIONS Job Wrap Branded job postings Challenges Multiuser features Hiring for approximately 15 positions a month across its stations in six cities and Chicago headquarters, Graham Media sought a more efficient way to recruit qualified talent. While each station has an HR administrator, recruiting is just one of the many priorities of busy staff, alongside payroll, employee relations, benefits RESULTS management, training, and more. Saved time in the recruiting process With a growing talent pool and an increasingly competitive job market, Graham Media knew it was time to expand its recruiting toolbox to simplify the hiring Freed up HR staff to process. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Curtains up the Making of a High School Musical
For Release: June 17, 2019 Contact: Josh Beauchamp Senior Executive Producer of Local Programming 4 Broadcast Place Jacksonville, Florida 32207 904-393-9886 j eauchamp @wjxt.com B WJXT Presents: Curtains Up The making of a High School Musical Jacksonville, FL: WJXT Channel 4 takes you behind the curtain with the Summer Musical Theatre Experience at Florida State College at Jacksonville as they prepare and present numbers from Disney’s Newsies. The hour-long special will incorporate behind-the-scenes and live performances from some of the most talented students in Northeast Florida starting at 8 p.m. on July 18. The Local Station has teamed with FSCJ to produce a documentary-style special showing how the cast and crew are preparing for the shows at the end of summer. The documentary includes exclusive footage of auditions, callbacks, rehearsals, set development, and a special look at the training behind one of the choreographed fight scenes. The program will also have live performances of popular Newsies songs: “Carrying the Banner,” “The Bottom Line,” “The World Will Know,” “Something to Believe In,” and “King of New York.” Over seventy 7th-12th grade students are cast in this production as dancers, performers and technicians to recreate Disney’s iconic 1992 motion picture. “The Local Station loves to highlight the artistic talent seen in our community’s younger generations,” WJXT General Manager and Vice President, Bob Ellis said. “We can’t wait to see their hard work pay off.” About WJXT Channel 4 WJXT Channel 4 and News4JAX.com provides news, information and entertainment to the Northeast Florida and Southeast Georgia region. -
Adolescents, Virtual War, and the Government-Gaming Nexus
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 Why We Still Fight: Adolescents, Virtual War, and the Government Gaming Nexus Margot A. Susca Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION WHY WE STILL FIGHT: ADOLESCENTS, VIRTUAL WAR, AND THE GOVERNMENT- GAMING NEXUS By MARGOT A. SUSCA A dissertation submitted to the School of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Degree Awarded: Spring Semester, 2012 Margot A. Susca defended this dissertation on February 29, 2012. The members of the supervisory committee were: Jennifer M. Proffitt Professor Directing Dissertation Ronald L. Mullis University Representative Stephen D. McDowell Committee Member Arthur A. Raney Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my mother iii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to my major professor, Jennifer M. Proffitt, Ph.D., for her unending support, encouragement, and guidance throughout this process. I thank her for the endless hours of revision and counsel and for having chocolate in her office, where I spent more time than I would like to admit looking for words of inspiration and motivation. I also would like to thank my committee members, Stephen McDowell, Ph.D., Arthur Raney, Ph.D., and Ronald Mullis, Ph.D., who all offered valuable feedback and reassurance during these last two years. -
Catholic United Investment Trust Annual Report
CATHOLIC UNITED INVESTMENT TRUST ANNUAL REPORT (AUDITED) December 31, 2015 CATHOLIC UNITED INVESTMENT TRUST TABLE OF CONTENTS Page REPORT OF INDEPENDENT AUDITORS 1-2 Statement of Assets and Liabilities 3-4 Schedule of Investments: Money Market Fund 5-7 Short Bond Fund 8-11 Intermediate Diversified Bond Fund 12-21 Opportunistic Bond Fund 22-27 Balanced Fund 28-38 Value Equity Fund 39-41 Core Equity Index Fund 42-48 Growth Fund 49-52 International Equity Fund 53-56 Small Capitalization Equity Index Fund 57-73 Statements of Operations 74-76 Statements of Changes in Net Assets 77-79 NOTES TO FINANCIAL STATEMENTS 80-92 FINANCIAL HIGHLIGHTS 93-95 Crowe Horwath LLP Independent Member Crowe Horwath International INDEPENDENT AUDITOR'S REPORT To the Members of the Board of Trustees and Unit-holders of Catholic United Investment Trust Report on the Financial Statements We have audited the accompanying financial statements of Catholic United Investment Trust – Money Market Fund, Short Bond Fund, Intermediate Diversified Bond Fund, Opportunistic Bond Fund, Balanced Fund, Value Equity Fund, Core Equity Index Fund, Growth Fund, International Equity Fund, and Small Capitalization Equity Index Fund (the “Trust”), which comprise the statement of assets and liabilities as of December 31, 2015, the schedule of investments as of December 31, 2015, the related statements of operations and statements of changes in net assets for the periods ended December 31, 2015 and 2014, and the financial highlights for the periods ended December 31, 2015 and 2014, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error.