Some Aspects on Flexographic Ink-Paper and Paperboard Coating Interaction
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Effects of Moisture on the Biaxial Strength of Wood-Based Composites
EFFECTS OF MOISTURE ON THE BIAXIAL STRENGTH OF WOOD-BASEDCOMPOSITES J. C. Suhling* J.M. Considine ** K. C. Yeh* * Department of Mechanical Engineering Auburn University Auburn, AL36849-5341 ** U.S.D.A. Forest Products Laboratory One Gifford Pinchot Drive Madison,WI 53705-2398 ABSTRACT applications such as corrugated containers where it is subjected to complicated biaxial stress states, In the present work, the effects of moisture on including shear. At present, lack of accurate the biaxial strength of wood-based composite materials constitutive relations and reliable strength has been examined. Experiments have been performed on predictions under biaxial loading and variable paperboard to measure the uniaxial and biaxial input environments hampers analysis of such problems. parameters of the tensor polynomial criterion at Therefore, it has been common practice in the paper several levels of relative humidity. With these data, industry to use trial and error, and empirical the dependence of the zero shear biaxial failure approaches for optimizing the designs of paperboard envelope on humidity level has been predicted and products. The current lack of technology limits trends have been observed. creative design improvements which could curtail the excess use of materials and energy. Accurate predictions of material strength under 1. INTRODUCTION general biaxial normal loading plus shear are needed by the design engineer when considering typical Unlike laminated fiber-reinforced composite structural applications of paperboard. Examples of materials, paper (paperboard) is a multiphase important current applications where biaxial stress composite composed of moisture, fibers, voids, and states exist in paperboard include the quality control possibly chemical additives. The fibers in paperboard burst test (bulged plate), material handling are typically organic with cellulose fibers from wood operations during the papermaking process, and stacked being the chief material. -
Cardboard and Brown Paper Bags Office Paper, Newspaper, Junk Mail, Magazines, and Catalogs
Recycling Center 801 Diamond Valley Drive Open: Daily to the public during daylight hours This guide will help you properly prepare your recyclable materials for drop-off at the Town of Windsor Recycle Center. This is a drop-off facility. It does not have a buy-back option and is for use by residents and small businesses. Following this information will help maintain the facility and the recycling program for the benefit of the community. IMPORTANT… • Do not leave your recyclables in plastic bags. Plastic bags are NOT recyclable! • The plastic item must be a BOTTLE or JAR. with a #1 or #2 on the bottom. • 99 percent of these will have a screw-on plastic lid (which isn’t recyclable). • Plastic containers with a #3 - #7 on the bottom are NOT acceptable. • Tubs, buckets, deli plates, microwave/fast food trays, wrappers, Styrofoam, toys, patio furniture, etc. are NOT acceptable. • Plastic bottles larger than 2.5 gallons are NOT acceptable. • Syringes and other medical supplies are NOT acceptable. Cardboard and Brown Paper Bags Corrugated cardboard is easy to recognize. It is made of paper and has an arched layer called “fluting” between smooth sheets called “liners”. The drop-off site has two 40-yard hydraulic compactor units for collecting corrugated cardboard and brown paper bags. The compaction system is self-activated by depositing the prepared materials into a six-inch tall slot. Flatten boxes. Cut or tear large boxes into sections no larger than 4 feet by 4 feet to prevent jamming the machine. No wet, waxed-coated or food-contaminated boxes. -
The EMA Guide to Envelopes and Mailing
The EMA Guide to Envelopes & Mailing 1 Table of Contents I. History of the Envelope An Overview of Envelope Beginnings II. Introduction to the Envelope Envelope Construction and Types III. Standard Sizes and How They Originated The Beginning of Size Standardization IV. Envelope Construction, Seams and Flaps 1. Seam Construction 2. Glues and Flaps V. Selecting the Right Materials 1. Paper & Other Substrates 2. Window Film 3. Gums/Adhesives 4. Inks 5. Envelope Storage 6. Envelope Materials and the Environment 7. The Paper Industry and the Environment VI. Talking with an Envelope Manufacturer How to Get the Best Finished Product VII. Working with the Postal Service Finding the Information You Need VIII. Final Thoughts IX. Glossary of Terms 2 Forward – The EMA Guide to Envelopes & Mailing The envelope is only a folded piece of paper yet it is an important part of our national communications system. The power of the envelope is the power to touch someone else in a very personal way. The envelope has been used to convey important messages of national interest or just to say “hello.” It may contain a greeting card sent to a friend or relative, a bill or other important notice. The envelope never bothers you during the dinner hour nor does it shout at you in the middle of a television program. The envelope is a silent messenger – a very personal way to tell someone you care or get them interested in your product or service. Many people purchase envelopes over the counter and have never stopped to think about everything that goes into the production of an envelope. -
FAQ About Recycling Cartons
FREQUENTLY ASKED QUESTIONS ABOUT CARTONS WHAT IS A CARTON? » Cartons are a type of packaging for food and beverage products you can purchase at the store. They are easy to recognize and are available in two types—shelf-stable and refrigerated. Shelf-stable cartons (types of products) Refrigerated (types of products) » Juice » Milk » Milk » Juice » Soy Milk » Cream » Soup and broth » Egg substitutes » Wine You will find these You will find these products in the chilled products on the shelves sections of grocery stores. in grocery stores. WHAT ARE CARTONS MADE FROM? » Cartons are mainly made from paper in the form of paperboard, as well as thin layers of polyethylene (plastic) and/or aluminum. Shelf-stable cartons contain on average 74% paper, 22% polyethylene and 4% aluminum. Refrigerated cartons contain about 80% paper and 20% polyethylene. ARE CARTONS RECYCLABLE? » Yes! Cartons are recyclable. In fact, the paper fiber contained in cartons is extremely valuable and useful to make new products. WHERE CAN I RECYCLE CARTONS? » To learn if your community accepts cartons for recycling, please visit RecycleCartons.com or check with your local recycling program. HOW DO I RECYCLE CARTONS? » Simply place the cartons in your recycle bin. If your recycling program collects materials as “single- stream,” you may place your cartons in your bin with all the other recyclables. If your recycling program collects materials as “dual-stream” (paper items together and plastic, metal and glass together), please place cartons with your plastic, metal and glass containers. WAIT, YOU JUST SAID CARTONS ARE MADE MAINLY FROM PAPER. Don’t I WANT TO PUT THEM WITH OTHER PAPER RECYCLABLES? » Good question. -
Paper and Board Packaging Recyclability Guidelines
FOR THE FU IGN TU ES R D E PAPER AND BOARD PACKAGING RECYCLABILITY GUIDELINES PAPER AND BOARD PACKAGING RECYCLABILITY GUIDELINES Helping retailers and brands specify and design packaging that can be reprocessed in paper mills 2 PAPER AND BOARD PACKAGING RECYCLABILITY GUIDELINES 3 CONTENTS PAPER AND BOARD PACKAGING RECYCLABILITY GUIDELINES Paper is a sustainable, renewable and ecologically sound choice for packaging DE because almost all paper and board is recyclable. In practice, the recyclability of 4 Plastic SIG packaging products will be determined by composition and design, and the way N they are collected and presented for reprocessing. The vast majority of paper- based products are easily recyclable. 8 Coatings FO R Paper recycling in the UK is a success story, with over 80% of paper and board 9 Peelable Solutions T packaging recovered for recycling. Paper for Recycling (PfR) is collected primarily H for use in manufacturing processes and is used as an alternative to virgin materials e.g. wood pulp. When presented it should therefore be of adequate quality and 10 Varnishes and Curable Varnishes E Recyclability of paper-based packaging economically viable to use. F As society evolves, different applications are found for paper and board which 11 Adhesives U sometimes require changes to its functionality. This is often achieved by combining 11 Alternative Barriers T the fibre substrate with another material to form a composite multi-layer laminate, U providing properties such as water resistance or a gas barrier to extend product life. These changes provide challenges for recycling, and in many instances can R 97% 12 Paper Products 3% increase the costs of reprocessing and of waste disposal. -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Corrugated 101! ! !Corrugated Vs
Corrugated 101! ! !Corrugated vs. Cardboard! • The term "cardboard box" is commonly misused when referring to a corrugated box. The correct technical term is "corrugated fiberboard carton.”! • Cardboard boxes are really chipboard boxes, and used primarily for packaging lightweight products, such as cereal or board games.! • Corrugated fiberboard boxes are widely utilized in retail packaging, shipping cartons, product displays and many other applications ! requiring lightweight, but sturdy materials.! !Corrugated Composition! Corrugated fiberboard is comprised of linerboard and heavy paper medium. Linerboard is the flat, outer surface that adheres to the medium. The medium is the wavy, fluted paper between the liners. Both are made of a special kind of heavy paper called !containerboard. Board strength will vary depending on the various linerboard and medium combinations.! • Single Face: Medium glued to 1 linerboard; flutes exposed! • Single Wall: Medium between 2 liners! • Double Wall: Varying mediums layered between 3 liners! !• Triple Wall: Varying mediums layered between 4 liners! !Flute Facts! !Corrugated board can be created with several different flute profiles. The five most common flute profiles are:! • A-Flute: Original corrugated flute design. Contains about 33 flutes per foot.! • B-Flute: Developed primarily for packaging canned goods. Contains about 47 flutes per foot and measures 1/8" thick! • C-Flute: Commonly used for shipping cartons. Contains about 39 flutes per foot and measures 5/32" thick! • E-Flute: Contains about 90 flutes per foot and measures 1/16" thick! • F-Flute: Developed for small retail packaging. Contains about 125 flutes per foot and measures 1/32" thick! • Generally, larger flute profiles deliver greater vertical compression strength and cushioning. -
Manufacturing of Paperboard and Corrugated Board Packages
Lecture 9: Manufacturing of paperboard and corrugated board packages Converting operations: printing, die-cutting, folding, gluing, deep-drawing After lecture 9 you should be able to • describe the most important converting operations in paper and paperboard package manufacturing • discuss important runnability considerations in paperboard package handling • relate factors affecting runnability to pppaperboard app earance and pyphysical performance quality parameters 1 Literature • Pulp and Paper Chemistry and Technology - Volume 4, Paper Products Physics and Technology, Chapter 10 • Paperboard Reference Manual, p. 157-225 • Fundamentals of packaging technology Chapters 4, 6, 15 and 18 Paperboard Packaging Design is the result of • Personal creativity plus – Knowledge and understanding of packaging materials, including: • Structural properties • Graphic capabilities • Converting processes and converting properties • Customer packaging systems • Marketing objectives • Distribution requirements • Retail outlet expectations • Needs and desires of end user • How end user will use the product • Many people may contribute to the design 2 Overall, the design must provide: • Containment of product • Protection of product • Ease in handling through distribution • Prevention of product spoilage • Tamper evidence • Consumer convenience • Brand identification • Communications for the consumer: – Instructions for product use – Coding for quality assurance, expiration dates – Dietary and nutritional information The design should consider: 1. Converting -
4. Printing and Converting Performance
4. Printing and converting performance Paperboard converting 147 Clean edges and surfaces 155 Handling paperboard 158 Offset lithography 160 UV-offset 161 Waterless offset 162 Hybrid offset 162 Flexography 163 Screen printing 164 Digital printing 165 Gravure printing 166 Hot foil stamping 169 Embossing 171 Die-cutting & creasing 174 Lasercutting 178 Scoring 182 Creasabilty & foldability 186 Gluing 194 Binding in practice - the last link 199 Heat sealing 206 Packaging operation 203 Deep drawing 212 146 Reference Manual | IGGESUND PAPERBOARD Paperboard converting Paperboard converting Paperboard has the ability to achieve or exceed the same The increasing demands in the brand promotion process excellent image reproduction as for the best fine papers. for graphic design and the use of non-print surface enhance- Paperboard offers equal possibilities to achieve new, ment are creating innovative shapes and multi-sensory ex- challenging shapes as competing packaging materials. periences for the consumer or user who hand les the product. However, increasing demands on performance of the An understanding of the interaction between paper- material in various converting processes have become board properties and converting effi ciency is essential for evident when speeds in both printing processes and post- designers and converters, since the ultimate design of the press converting have increased. Additionally, the accept- product together with the choice of paperboard will impact ance level for impurities or slight deviations in quality in the on crucial conversion factors like printability, fl atness, and fi nal product has dropped noticeably as a result of both creasing/folding properties. Considering all the variables, end-user demands and the use of modern quality control it is probably true to say that consistency in the behaviour equipment in the various converting machines. -
ARTWORK Guidelines for Medical Packaging Graphic Design
6153C West Mulford St. Niles, IL 60714 USA Our Quality, Our Performace, Toll Free Phone: 855-966-6100 Fax: 847-966-6168 Your Success. peelmaster.com ARTWORK Guidelines for Medical Packaging Graphic Design • Background • Print in the heat seal area – Avoid if possible • Close registration and “traps” – Discouraged, but possible • Screens and halftones – Recommended screen: 80 line; gradients/vignettes discouraged • Small type – 6 pt. or larger recommended • Color specifications – Use Pantone uncoated for paper, Tyvek®; Pantone coated for films • Large solids – Large solid area of print are discouraged • Metallic Inks – Discouraged, and may incur extra expense • Electronic artwork – Vector based format (see page 2 for further details) Background: Because medical packaging materials (particularly Tyvek®) can be of uneven thicknesses, there are some limitations on printing that graphic designers should take into consideration when designing artwork for medical packaging. PeelMaster is one of the best printers in the medical packaging business, and can provide expert assistance in your design process. No matter what the challenge, we will give our best efforts. However, often it is possible to reduce or eliminate potential problems with proper design in the first place. For this reason, to assist you, we have assembled the following guidelines: 1. PeelMaster uses a web-fed (roll-to-roll) flexographic printing process. 2. We can print up to 4 colors in register on one side of the web, or can print in register on both sides, 2 colors on one side, one color on the other. (Note: Most medical packaging is one or two colors. If more colors are needed, up to 4 colors can be printed on each side of the web–in two print passes–but the image on one side will randomly located on the package.) 3. -
PACKAGING Folding Carton & Corrugated
WEDNESDAY, NOV. 4, 2020 GUIDE TO DAY EIGHT: PACKAGING Folding Carton & Corrugated INSIDE: CONNECTED PACKAGING DELIVERING GENUINE CONSUMER ENGAGEMENT IS YOUR BRAND READY? THE STATE OF THE FOLDING CARTON & CORRUGATED MARKETS FIVE PACKAGING AND DESIGN TRENDS FOR 2020 TODAY’S SPONSOR: POWERED BY: WELCOME Welcome to this special publication for attendees of the 2020 PRINTING United Digital Experience. In June, PRINTING United announced the decision to transition from an in-person event in Atlanta, Ga. to a comprehensive digital platform. The PRINTING United Digital Ex- perience, taking place Oct. 26 – Nov. 12, o ers attendees three weeks of live, guided programming, educational sessions, and panel discussions with the experts; along with access to a complete online exhibitor showcase featuring information about the newest industry technology, case studies, whitepapers, the chance to speak with exhibitor repre- sentatives, and more. Today is Day Eight of this 14-day event. Focused on the package printing market — spe- cifi cally the folding carton and corrugated segments — attendees have a packed sched- ule of content and product demos (see the detailed agenda on page 4). According to the Digital Printing for Folding Carton Converting study by PRINTING United Alliance and Keypoint Intelligence, the folding carton segment represents about $18 billion in annual print value in the U.S. and Canada. The Fibre Box Association reports that the U.S. corrugated packaging market represents about $35.2 billion in annual print value. For both of these markets, however, it is estimated that 99% of the products are printed via analog technologies. There is a signifi cant amount of opportunity for digital printing going forward. -
Tyvek ® Printing Guide
, China 兽桃 Mask Bag, designed by Shou Tao Tao Mask Bag, designed by Shou DuPont™ Tyvek ® Graphics EMEA Printability Guide Water Resistant Paper-like Light Tear Resistant Recyclable Printable DuPont™ Tyvek ® Graphics EMEA Printability Guide DuPont™ Tyvek® is a popular printing substrate due to its light weight, smooth surface, high dimensional stability, opacity, toughness and durability. Uncoated Tyvek® can be printed using most digital and commercial printing processes. Some digital presses and some aqueous ink jet printers require a special coating. Tyvek® can be printed either sheet or web-fed. Tyvek® can be printed the same way as paper, although some of its physical properties do require special attention. To achieve excellent print quality, both the designer and printer must understand the unique properties and characteristics of Tyvek®. Tyvek® is made of continuous high-density polyethylene filaments. By using heat and pressure, these filaments are bonded into a base material for printing which turns out to be neither paper, cloth nor plastic film, but it integrates the advantages of those three materials. Tyvek® material has a melting point of 135°C and is a water-resistant and non-absorbent material with superior dimensional stability, high strength, and a smooth matt surface. Most traditional printing technologies can be used for Tyvek® printing, as well as some digital printing. The following Tyvek® printing quick reference guidelines have been summarized based on our current knowledge and the relevant contents will be updated