Down Beat’S 18Th Bly Be Extended Until at Least Jan
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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
La Famiglia Canterina
Anita Camarella & Davide Facchini Duo la famiglia canterina Honored with the "LadyLake Indie Music Awards" Best Album 2013 U.S.A. Anita Camarella and Davide Facchini new album “La famiglia canterina” collects some of the greatest hits from the repertoire of Swing Italian. Draw a line of continuity in their music- historical research of early modern Italian music and is thought of as a natural evolution of their first recording, “Quei motivetti che ci piaccion tanto” (2002). This CD is full of swing, songs, quotes, curiosities, guitars, special guests. Each arrangement draws liberally from the many experiences, expertise and varied musical influences of the two artists. Just within this CD has been possible to gather after 60 years, two Italian guitarists as legendary who have experienced first hand this music: Franco Cerri (1926), a famous jazz guitarist and Raf Montrasio (1929), legendary guitarist of the legendary Renato Carosone sextet in the 50s, by which Anita Camarella and Davide Facchini have been collaborating for several years. “La famiglia canterina” (1941) is a song that carries with it many stories... It’s a tribute to the radio, whose first broadcasts reached Italy in 1924; its lyrics mention some of the most famous Italian singers, musicians and orchestras from the '30s and '40s - among them Ernesto Bonino and the Trio Lescano, original performers of this song - and hint at other songs of that era. All this is told through the story of a singing family in which the mother, father and their little daughter are racing to sing their favorite songs. For over 10 years Anita Camarella and Davide Facchini carry and tell around the world this wonderful music, a ‘fresco’ of Italian history that fascinates all generations, thanks to a show devoted to this repertoire, its performers and musicians. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Ernesto Bonino Nel 94° Anniversario Della Nascita
Archivio del sito http://www.trio-lescano.it/ Omaggio a Ernesto Bonino nel 94° anniversario della nascita 16 Gennaio 2016 Contributi inseriti in ordine di arrivo 2 Paolo Piccardo Bonino nacque nel posto sbagliato. Mi sento di fare questa affermazione perché è evidente che un cantante con il suo stile che nasce in Italia nel 1922 non può fare a meno di trovarsi una carriera – potenzialmente a livello di un Sinatra – irrimediabilmente sbarrata da un regime nemico dell’innovazione in genere, e di quella musicale in particolare. Durante il fascismo, comincia a maturare la “canzone all’italiana”, carat-terizzata da un’esecuzione e una struttura formale a metà strada fra la “romanza” e la “ballata” di tradizione folklorica. Tale stile influenzerà a lungo la nostra tradizione canora e i suoi divi: da Oscar Carboni a Claudio Villa, da Giorgio Consolini a Luciano Tajoli, fino ai più recenti Al Bano e Andrea Bocelli. Ciò che prevale, nel suddetto genere musicale, è un sentimentalismo melodrammatico, tipico della canzone italo-napoletana di fine Ottocento e primo Novecento, le cui origini risalgono alle feste di Piedigrotta. La grande fortuna che tale canzone conosce «durante il Ventennio fascista si deve al fatto che, pur in assenza di un genere specifico del regime, esso tende a promuovere quelle opere che esaltano i buoni sentimenti e la laboriosità degli italiani. Si pensi al successo di canzoni strappalacrime come Mamma di Bixio-Cherubini o Balocchi e profumi di E. A. Mario, portata al successo da Luciano Tajoli» (dal saggio di Roberto Leombroni Gli anni del fascismo e della radio , 2011). -
Ernesto Bonino
http://www.trio-lescano.it/ Biografie dei cantanti che hanno collaborato col Trio Lescano di Alessandro Rigacci Sono vietati l’uso e la riproduzione di testi e immagini presenti in questo documento senza un’esplicita autorizzazione dell’Autore Ernesto Bonino Vero nome: Ernesto Pietro Bonino Torino, 16 Gennaio 1922 - Milano, 29 Aprile 2008 Ultimo di cinque figli, rimase orfano di padre in tenera età per cui, finite le scuole elementari, fu costretto a impiegarsi nel negozio di primizie materno per provvedere al sostentamento della famiglia. Parallelamente, un po’ per vocazione e un po’ per necessità, iniziò a cantare nei locali della sua città. Nel 1940 si arruolò volontario nei Battaglioni G.I.L., partecipando alla Marcia della Giovinezza e dilettandosi ad esibirsi negli spettacoli allestiti per le Forze Armate. Le cronache dell’epoca riportarono che era eccelso sia nel canto che nelle imitazioni di Totò, dei De Rege e di Caterinetta Lescano. Fu durante una di queste rappresentazioni, allestita per l’occasione al Carignano di Torino in favore delle famiglie dei richiamati, che venne notato dal M° Carlo Alberto Prato. Dopo avergli impartito alcune lezioni di canto, il grande talent scout torinese gli fece fare un’audizione e lo spinse poi a debuttare, il 5 gennaio 1941, durante un Concerto Cora dove, accompagnato dall’orchestra Semprini, intonò Tango argentino . Passato nella formazione di Pippo Barzizza e successivamente in quella di Carlo Zeme, in breve tempo divenne uno degli interpreti più apprezzati ed amati dal grande pubblico, cogliendo una serie di successi con motivi come Se fossi milionario (1941), La Paloma (1941, con il Duo Fiorenza), Macariolita (1941), La famiglia canterina (1941, con il Trio Lescano), Vieni sul mar (1941, assieme a Lina Termini), Non passa più (1942), A zonzo (1942), Violette nei capelli (1942, con Dea Garbaccio), Maria Gilberta (1942), Musica maestro (1942), Genovesina (1942, accompagnato dal Trio Aurora) e Il giovanotto matto (1943, prima composizione di un giovanissimo Lelio Luttazzi). -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20. -
Bob Gordon Discography
BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs -
En Guise D'avant-Propos
En guise d’avant-propos WEST COAST JAZZ — « La West Coast, qu’est‑ce que c’est ? » (Lee Konitz). — « C’est une étiquette, rien de plus. » (Hampton Hawes). — « Ça a été un pur accident. » (Chet Baker). L’appellation « Jazz West Coast » a toujours posé un problème à ceux‑là mêmes qui étaient censés l’avoir créée. Une étiquette rejetée plus ou moins violemment que quelques‑uns ont fini par accepter de guerre lasse. « On a toujours besoin d’un label », reconnaissait Shelly Manne. Apposer une estam‑ pille n’est guère difficile, les problèmes surgissent à partir du moment où il s’agit de préciser ce qu’elle est supposée recouvrir. Dans ce cas précis, s’agit‑il d’une forme de jazz inventée par des Californiens ? Certainement pas : le gros des musiciens venait de l’Est. Alors d’une variante jouée uniquement sur les bords du Pacifique ? Faux, il en existe des équivalents à New York, Boston, Chicago, en Suède et ailleurs encore. Peut‑ ISBN 978-2-86364-665-6 être un style pratiqué exclusivement par des jazzmen de race blanche ? Certes, / ils étaient majoritaires — et l’on verra pourquoi —, mais que deviennent Chico Jazz Hamilton, Buddy Collette, Curtis Counce, Leroy Vinnegar, Hampton Hawes et quelques autres ? Existe‑t‑il seulement une spécificité dans la musique inter‑ Coast prétée en Californie au cours des années 1952‑1965 ? Plus on en approfondit West l’étude, plus le doute s’installe. — Cette difficulté à appréhender globalement le «Jazz West Coast » ne lui appartient pas en propre. De semblables ambiguïtés se retrouvent Tercinet à propos de tous les styles dûment catalogués. -
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T. Sullivan for Research Assistance Vido Musso, tenor saxophone on all tracks: Benny Goodman (cl) and His Orchestra: Pee Wee Erwin, Sterling Rose, Gordon Griffin, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Dick Clark, Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** Hollywood, CA, August 21, 1936 97748-1 St. Louis Blues* Victor 25411 97750-1 Love Me or Leave Me* Victor 25406 97751-2 Bugle Call Rag Victor LP LPM-10022 Teddy Wilson (pno) and His Orchestra: Gordon Griffin, tpt; Benny Goodman, cl*; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Lionel Hampton, vibes; Helen Ward (as Vera Lane), vcl**; Red Harper, vcl*** Los Angeles, August 24, 1936 LA-1158-A You Came To My Rescue*/** Brunswick 7739 LA-1159-A Here's Love In Your Eyes*/** - LA-1160-A You Turned The Tables On Me*** Brunswick 7736 LA-1161-A Sing, Baby, Sing*** - Benny Goodman (cl/as#) and His Orchestra: Gordon Griffin, Zeke Zarchy, Ziggy Elman, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** New York City, October 7, 1936 0798-1 When a Lady Meets a Gentleman Down South*** Victor 25434 0799-1 You're Giving Me a Song and Dance*** - 02101-1 Organ Grinder's Swing Victor 25442 02102-1 Peter -
Stardigio Program
スターデジオ チャンネル:445 モダンジャズ 放送日:2020/01/27~2020/02/02 「番組案内 (3時間サイクル)」 開始時間:4:00~/7:00~/10:00~/13:00~/16:00~/19:00~/22:00~/25:00~ 楽曲タイトル 演奏者名 ■ウィンタージャズセレクション(5) ~クール&ウェストコーストジャズの魅力:Pacific Jazz Records~ BERNIE'S TUNE <mono> Gerry Mulligan Quartet (Gerry Mulligan, Chet Baker, Bob Whitlock, Chico Hamilton) WALKIN' (mono) BUD SHANK QUARTET (Bud Shank, Claude Williamson, Don Prell, Chuck Flores) SOME GOOD FUN BLUES JACK MONTROSE SEXTET LOVE ME OR LEAVE ME JOHN LEWIS MOOD INDIGO JOE PASS I'M GLAD THERE IS YOU (mono) CHET BAKER ZING ZANG <mono> THE BILL PERKINS OCTET Crazy Day GERRY MULLIGAN SPECTACULAR CHICO HAMILTON QUINTET CASA DE LUZ (mono) Bud Shank & Shorty Rogers Illusao Bud Shank & Clare Fischer AMOR FLAMENGO (mono) Laurindo Almeida Quartet (Laurindo Almeida, Bud Shank, Harry Babasin, Roy Harte) REVELATION CHET BAKER BONES FOR JONES CLIFFORD BROWN feat. ZOOT SIMS YOU'RE DRIVING ME CRAZY (mono) ZOOT SIMS PORCH LIGHT (mono) The Chico Hamilton Trio DJANGO GIL EVANS THESE FOOLISH THINGS Lee Konitz & The Gerry Mulligan Quartet Morning Clare Fischer Orchestra For Miles And Miles CHET BAKER & ART PEPPER NUAGES [雲] JOE PASS Wistful Samba Bud Shank & Clare Fischer SWEET AND LOVELY (mono) BILL PERKINS, ART PEPPER & RICHIE KAMUCA I'M BEGINNING TO SEE THE LIGHT <mono> Gerry Mulligan Quartet (Gerry Mulligan, Chet Baker, Bob Whitlock, Chico Hamilton) Sonny Boy CHET BAKER, ART PEPPER FLUTED COLUMNS (mono) Bud Shank & Bill Perkins FEELIN' LIKE BLUES Don Randi Trio (Don Randi, Hershey Hamel, Gene Stone) Brasamba Bud Shank, Clare Fischer, Joe Pass NOCTAMBULISM (mono) Laurindo Almeida Quartet (Laurindo Almeida, Bud Shank, Harry Babasin, Roy Harte) LITTLE MAN YOU'VE HAD A BUSY DAY (mono) CHET BAKER When Your Lover Has Gone Gerry Mulligan with Chet Baker DJANGO'S CASTLE [ジャンゴの城] JOE PASS SAY WHEN RUSS FREEMAN & CHET BAKER BLUES FOR TWO BILL PERKINS & RICHIE KAMUCA DEEP IN A DREAM JIM HALL TRIO (Jim Hall, Carl Perkins, Red Mitchell) TOPSY CHICO HAMILTON QUINTET LET ME BE LOVED CHET BAKER & BUD SHANK *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。.