Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Newsletter November 2007
November 2007 Newsletter ------------------------------------ Yesterday & Today Records 255A Church St Parramatta NSW 2150 Phone/fax: (02) 96333585 Email: [email protected] Web: www.yesterdayandtoday.com.au --------------------------------- Post 1 cd $2/2cd $3/ 3-4 cds $6.00 1 dvd $4.50 2-3 dvds $6.00 ------------------------------------------- The year ends and there are so many great releases herein that I’d almost declare it the best newsletter I’ve had. It may very well be the last as well, but as I used to say in my previous career “nothing is certain on the waterfront” and nothing is certain here as well. It has been just shy of 19 years and it doesn’t get easier. It is like the old adage “between a rock and a hard place” in that there have never been a better lot of artists than there are now: Dale Watson, Justin Trevino, Amber Digby, Ron Williams etc yet the major label music scene is, for a lack of a better word stuffed. Yet some people are impossible to convince. Some people refuse to take anything but the CMT route. It wouldn’t matter if I said Ron Williams’ is the best cd I have had this year and is right up there with the best ever of Mark Chesnutt, Keith Whitley and co. If you watch CMT and enjoy it then I will sell you a share in the Sydney Harbour Bridge. If you watch it and question its merit we have the answers for you. Please read on. ----------------------------------- Ron Williams – “Texas Style” $32 If anything beats this as album of the year I will be very surprised. -
Demorest's Family Magazine. August 1881. Vol. 17, No. 8
NO. CXCIX. AUGUST, 1881. VOL. XVII. NO. 8. BY ELLA WHEELER ELEN and Sara Rivera, the village “ Oh, of course,” Helen replied a little I The father was a little more difficult to ■ merchant's daughters at Berryville, abashed; “ I knew that of course, but it seems reconcile. sat out on the pleasant veranda I too bad to be tied down to this little town all “ I meant you and your mother should both I one mild May afternoon. your life when there are so many larger places. | go away this summer,” he said. “ Helen was H Or rather Sara sat in a little But then you have always been here, and 1 gone half the winter, and I thought it but fair rocker, sewing. She was making a dress for | don't suppose it seems to you as it does to me. that she should stay at home and let you go her baby brother. And Helen lounged in the I I know I am spoiled for a quiet life, and I j now.” hammock with a novel. must go to the sea-shore. Badie, try and make “ Mother can go all the same,” Sara re Suddenly Helen closed her book, and spoke. papa see that a great deal depends upon it! 1 sponded. * * She could not go before the last “ Sadie dear,” she began. “ I want you to shall meet so many people, you know—my of July any way. And I do not care at all tease papa to let me go to the sea-sliore with kind of people who will all be of social benefit about a change. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Yesterday and Today Records March 2007 Newsletter
March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Osobní Přínos George Bensona V Oblasti Jazzu
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Studijní obor hra na kytaru Osobní přínos George Bensona v oblasti jazzu Bakalářská práce Autor práce: Dis. art. Erik Kováč Vedoucí práce/školitel: doc MgA. Vilém Spílka Konzultant práce doc MgA. Vilém Spílka Oponent práce: MgA. Jan Dalecký Brno 2018 1 Bibliografický záznam Kováč,Erik. Osobní přínos Georga Bensona v oblasti jazzu. [George Benson´s personal contribution to jazz ]. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra jazzové interpretace, 2018. 36 stran. Vedoucí diplomové práce doc MgA. Vilém Spílka. Anotace Diplomová práce „Osobní přínos George Bensona v oblasti jazzu“ se zaměřuje v první části na vokální techniky a projev George Bensona. Pojednává stručně o živote a uměleckém působení George Bensona. V druhé části se zabývá podrobní analýzou instrumentálního projevu a technik hry George Bensona. Detailně se zabývá analýzou dvou transrikpcí sól skladby Ready And Able z alba Cookbook(1966) a skladby Breezin s alba Breezin(1976). Annotation Diploma thesis „Benson´s personal contribution to jazz“ focuses on vocal techniques and George Benso n's expression. Dealth with George Benson's life and artistic work. The second part deals with a detailed analysis of instrumental expression and techniques of George Benson's play. It deals in detail with the analysis of two solo transcriptions Ready And Able with albums Cookbook (1966) and Breezin with Breezin (1976). Klíčová slová George Benson, vokální projev, instrumentální projev, improvizace, sketování Keywords George Benson, vocal expression, instrumental expression, improvisation, scat 2 Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
AMERICAN HOSTA SOCIETY Includes 2019 Registrations 2020 Simplified Classification List
AMERICAN HOSTA SOCIETY Includes 2019 Registrations 2020 Simplified Classification List Section- Section- Section- Variety Variety Variety Class Class Class 1st and Ten I-2 Abba Ready III-4b Abiqua Parasol I-2 A 1-A-Day Delight I-7 Abba Rough II-2 Abiqua Recluse II-3 A B-1 Bomber I-7 Abba Soul Mate IV-6b Abiqua Trumpet IV-2 A Big Splash I-7 Abba Spellbinder III-5b Abiqua Zodiac III-3 A Blue Streak II-7 Abba Tops IV-5b Abracadabra III-5b A Burgh Thing II-2 Abba Windows III-5b Abraham Lincoln II-2 A Dog of Flanders III-1 Abbey Pond Cascades II-1 Abundant Love II-2 A Lady in Blue III-5b Abbey Road III-4b Academy Ametrine II-3 A Many-splendored Thing II-5b Abby IV-5b Academy Another IV-4b A Passion for Purple IV-1 Abiqua Ambrosia IV-1 Academy Aureate Piffle II-3 A Step Beyond II-5b Abiqua Ariel III-8 Academy Beech Leaf Stack III-3 A Very Good Boy I-4b Abiqua Aries III-3 Academy Blue Funnel II-2 Aachen III-4b Abiqua Big Sky I-2 Academy Blue Titan I-2 Aardvark II-6a Abiqua Blue Crinkles III-2 Academy Blushing Chartreuse IV-5b Abana IV-6a Abiqua Blue Edger IV-2 Academy Blushing Recluse III-5b Abba Alive IV-4b Abiqua Blue Hearts IV-2 Academy Bonfire Glade IV-1 Abba Aloft III-5b Abiqua Blue Jay III-2 Academy Brobdingnagian Viridity I-1 Abba at Large III-6a Abiqua Blue Madonna III-2 Academy Celeborn II-2 Abba Blue Plus III-4b Abiqua Blue Shield I-2 Academy Chetwood III-1 Abba Dabba Do II-5b Abiqua Delight IV-4b Academy Cockcrow III-4b Abba Dew II-5b Abiqua Drinking Gourd III-2 Academy Cratered Blue III-2 Abba Diana Reeck IV-6a Abiqua Elephant Ears -
Rahsaan Roland Kirk Blacknuss Mp3, Flac, Wma
Rahsaan Roland Kirk Blacknuss mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Blacknuss Country: US Released: 1972 Style: Fusion, Jazz-Funk MP3 version RAR size: 1562 mb FLAC version RAR size: 1363 mb WMA version RAR size: 1601 mb Rating: 4.1 Votes: 952 Other Formats: DXD FLAC RA MIDI AA MP3 ASF Tracklist Hide Credits Ain't No Sunshine A1 2:26 Written-By – Bill Withers What's Goin' On A2a 3:46 Written-By – Cleveland*, Gaye*, Benson* Mercy Mercy Me (The Ecology) A2b Written-By – Marvin Gaye Take Me Girl, I'm Ready A3 2:48 Written-By – Chris Allen*, Johnny Cameron I Love You Yes I Do A4 3:19 Written-By – Bristol*, Ware*, Sawyer* My Girl A5 3:06 Written-By – Ronald White, William Robinson* Which Way Is It Going A6 2:24 Written-By – Rahsaan Roland Kirk* One Nation A7 3:40 Written-By, Vocals – Princess Patience Burton Never Can Say Goodbye B1 4:00 Vocals – Cissy HoustonWritten-By – Clifton Davis Old Rugged Cross B2 7:14 Arranged By – Rahsaan Roland Kirk*Written-By [Release Credit] – Trad.* Make It With You B3 4:50 Written-By – David Gates Blacknuss B4 5:13 Vocals – Cissy HoustonWritten-By – Rahsaan Roland Kirk* Companies, etc. Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Remixed At – Atlantic Studios Recorded At – Regent Sound Studios, New York City Remixed At – Regent Sound Studios, New York City Mastered At – Atlantic Studios Pressed By – Presswell Recorded At – Atlantic Studios Credits Artwork – Haig Adishian Bass – Henry Pearson (tracks: A1, B1, B4), Bill Salter* -
Coltrane Live at Birdland Mp3, Flac, Wma
Coltrane Live At Birdland mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live At Birdland Country: US Released: 1973 Style: Modal MP3 version RAR size: 1163 mb FLAC version RAR size: 1977 mb WMA version RAR size: 1711 mb Rating: 4.7 Votes: 508 Other Formats: MP4 RA APE DTS AU VOX AHX Tracklist Hide Credits A1 Afro Blue 10:40 I Want To Talk About You A2 8:05 Written-By – Billy Eckstine B1 The Promise 8:04 B2 Alabama 5:05 B3 Your Lady 6:35 Companies, etc. Recorded At – Birdland Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Designed At – Viceroy Credits Bass – Jimmy Garrison Design [Cover] – Robert Flynn Design [Liner] – Joe Lebow Drums – Elvin Jones Engineer – Rudy Van Gelder Liner Notes – Leroi Jones Photography By [Cover Photograph] – Joe Alper Photography By [Liner Photos] – Bob Ghiraldini Piano – McCoy Tyner Producer – Bob Thiele Tenor Saxophone, Soprano Saxophone – John Coltrane Written-By – John Coltrane (tracks: A1, B1 to B3) Notes Tracks A1, A2 & B1 recorded live at Birdland, New York on October 8, 1963. Tracks B2 & B3 recorded in the studio on November 18, 1963. Stereo A-50 on spine and cover. AS-50 on labels. Black w/ red ring Impulse! labels. "A Product of ABC Records Inc. C 1971" Thin vinyl, non-laminated sleeve w/ "A Product of ABC-Paramount Records, INC." Van Gelder stamped in runout. Other versions Category Artist Title (Format) Label Category Country Year Live At Birdland AS-50 Coltrane* Impulse! AS-50 US 1964 (LP, Album) Impulse!, AS-50, A / John Live At Birdland AS-50, A / Impulse!, ABC France 1976 AS-50, AS 50 Coltrane (LP, RE, Gat) AS-50, AS 50 Impulse! Live At Birdland A-50 Coltrane* Impulse! A-50 Europe 1964 (LP, Album) Impulse!, Live At Birdland Sparton A-50 Coltrane* (LP, Album, Mono, A-50 Canada 1964 Impulse! Gat) Records Live At Birdland A-50, Impulse!, A-50, Coltrane* (LP, Album, Club, US 1964 SMAS-90232 Impulse! SMAS-90232 Gat) Comments about Live At Birdland - Coltrane Zeus Wooden Why is it listed as AS-50 while the cover says A-50? Original Mine doesn't have a sticker. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.