Biblioteca Pública De Alicante Biblioteca Pública De Alicante

Total Page:16

File Type:pdf, Size:1020Kb

Biblioteca Pública De Alicante Biblioteca Pública De Alicante BIBLIOTECA PÚBLICA DE ALICANTE BIBLIOTECA PÚBLICA DE ALICANTE EARTH, WIND & FIRE ■ BIOGRAFÍA Earth, Wind & Fire (esp. Tierra, Viento y Fuego), conocidos también como EWF; es un grupo musical estadounidense, formado en Chicago, Illinois, en 1969, fundado por Maurice White. Utiliza varios géneros de música, una fusión de Música disco, funk con el jazz, soul, gospel, pop, blues, psicodelia, folk, música africana y del rock and roll. Durante su carrera han sido 20 veces candidatos a los Grammy, ganando 6 premios Fuente: http://es.wikipedia.org/wiki/Earth,_Wind_%26_Fire ■ ENLACES DE INTERÉS • http://www.earthwindandfire.com/ • http://www.ewffanclub.com/ BIBLIOTECA PÚBLICA DE ALICANTE ■ DISCOGRAFÍA 1970 Earth, Wind and Fire 1971 The Need of Love 1972 Last Days and Time 1973 Head to the Sky 1974 Open Our Eyes 1974 Another Time 1975 That's the Way of the World 1976 Spirit 1977 All 'N All 1979 I Am 1980 Faces 1981 Raise! 1983 Powerlight 1983 Electric Universe 1987 Touch the World 1990 Heritage 1993 Millennium 1997 In the Name of Love 2003 The Promise 2005 Illumination ■ DISCOGRAFÍA EN LA BIBLIOTECA EARTH, Wind and Fire (Grupo musical) Earth Wind & Fire [Grabación sonora] [s.l.] : Columbia, p 2008. -- 5 discos compactos : Estéreo ; 12 cm Contiene: CD 1: That's the way of the world -- CD 2. Gratitude -- CD 3. Spirit -- CD 4. All in All -- CD 5. I Am 1. Música pop 2. Funk I. Título RD. 7344 Azul 2.EAR 80 Número de Título: 1317589 1317589 ALI R.C.D. 7344 Azul BIBLIOTECA PÚBLICA DE ALICANTE GEORGE BENSON ■ BIOGRAFÍA George Benson (Pittsburgh, 22 de marzo de 1943) es un guitarrista estadounidense de jazz; ha hecho también algunas exitosas aportaciones al jazz vocal (su voz es grave y su canto similar en su manierismo al de artistas como Stevie Wonder y Donny Hathaway). Se trata de uno de los artistas de jazz más populares de las últimas décadas, habiendo recibido además encendidos elogios por parte de la crítica. Niño virtuoso de la guitarra, grabó su primer single "It should have been me" a la edad de los 10 años. Su música ha abarcado tanto el swing y el bop como el hard bop, el quiet storm y la fusión del jazz con el pop y el soul; en Benson se pueden reconocer las influencias de Charlie Christian y Wes Montgomery. Es un guitarrista con un gran dominio de la velocidad de ejecución y del swing. Benson comenzó su carrera artística como cantante, actuando en nightclubs a los ocho años y grabando cuatro caras para el sello X de RCA en 1954; formó también una banda de rock a los 17 en la que ya tocaba la guitarra. Su audición de las grabaciones de Christian, Montgomery y Charlie Parker le llevaron a interesarse en el jazz y, hacia 1962, empezó a tocar en la banda de Brother Jack McDuff. Tras formar su grupo en 1965, Benson grabó dos discos de soul jazz y hard bop para Columbia y colaboró en otros discos con artistas como Miles Davis, en Miles in the Sky. Firmó con Verve en 1967 y, tras la muerte de Montgomery, el productor Creed Taylor le hizo grabar con grandes conjuntos en A&M (1968-1969) y CTI (1971-1976). Estos discos le convirtieron en una estella dentro del mundo del jazz, popularmente empezó a adquirir resonancia tras prodigarse más en lo vocal tras firmar con Warner Bros. en 1976. Su primer disco para esta compañía, Breezin', se convirtió en un éxito gracias a su solo vocal en la canción "This Masquerade" lo que le llevó a frecuentar la fusión con el pop, cuya culminación fue el disco producido por Quincy Jones, Give Me the Night (1980). Durante los ochenta frecuentó material comercial dejando su guitarra únicamente como acompañamiento. A finales de los ochenta, volvió a terrenos jazzísticos grabando un disco de estándares, Tenderly, y otro con la banda de Basie, en los que su guitarra volvió a tener protagonismo. Su oscilación entre el jazz y el pop ha sido frecuente desde entonces. fuente: http://es.wikipedia.org/wiki/George_Benson ■ ENLACES DE INTERÉS • http://georgebenson.com/ BIBLIOTECA PÚBLICA DE ALICANTE ■ DISCOGRAFÍA 1964: George Benson/Jack McDuff • 1964: The New Boss Guitar • 1965: Benson Burner • 1965: It's Uptown • 1966: The George Benson Cookbook • 1966: Willow Weep for Me • 1967: Blue Benson • 1968: Giblet Gravy • 1968: Goodies • 1969: Shape of Things to Come • 1969: Tell It Like It Is • 1969: The Other Side of Abbey Road • 1970: I Got a Woman & Some Blues • 1971: Beyond the Blue Horizon • 1972: White Rabbit • 1973: Jazz on a Sunday Afternoon, Vol. 1 • 1973: Jazz on a Sunday Afternoon, Vol. 2 • 1973: Witchcraft • 1974: Body Talk • 1975: Bad Benson • 1976: Good King Bad • 1976: Benson & Farrell • 1976: Breezin' • 1977: In Concert-Carnegie Hall • 1977: In Flight • 1978: Space Album • 1978: Weekend in L. A. • 1979: Livin' Inside Your Love • 1979: Take Five • 1980: Cast Your Fate to the Wind • 1980: Give Me the Night • 1981: GB • 1981: The George Benson Collection • 1983: In Your Eyes • 1983: Pacific Fire • 1984: 20/20 • 1984: Live in Concert • 1985: The Electrifying George Benson • 1986: While the City Sleeps... • 1987: Collaboration (con Earl Klugh) • 1988: Twice the Love BIBLIOTECA PÚBLICA DE ALICANTE • 1989: Tenderly • 1990: Big Boss Band • 1991: Midnight Moods • 1992: The Essence of George Benson • 1993: Love Remembers • 1994: The Most Exciting New Guitarist on the Jazz Scene • 1995: The Best of George Benson • 1996: California Dreamin' • 1996: Lil Darlin' • 1996: That's Right • 1998: Standing Together • 1998: Masquerade • 1999: The Masquerade Is Over • 2000: Live at Casa Caribe • 2000: Absolute Benson • 2001: All Blues • 2002: Blue Bossa • 2002: After Hours • 2003: Irreplaceable • 2003: The Greatest Hits of All • 2004: Golden Legends Live • 2005: Jazz After Hours with George Benson • 2005: Best of George Benson Live • 2006: Givin' It Up (con Al Jarreau) • 2006: Givin' It Up (con Al Jarreau) • 2007: Live from Montreux • 2009: Songs And Stories • 2011: Guitar Man BIBLIOTECA PÚBLICA DE ALICANTE ■ DISCOGRAFÍA EN LA BIBLIOTECA BENSON, George (1943-) Big boss band [grabación sonora] / George Benson New York : Warner Bros, cop. 1990. -- 1 disco compacto (41 min., 48 seg.) : AAD ; 12 cm Featuring, the Count Basie Orchestra 1. Jazz I. Título 1.BEN Número de Título: 21878 RCD. 0518 Rojo 21878 ALI R.C.D. 518 Rojo BENSON, George (1943-) Standing together [Grabación sonora] / George Benson [S.l.] : GRP Records, p 1998. -- 1 disco compacto (51 min., 41 seg.) : DDD ; 12 cm 1. Jazz fusión I. Título 1.BEN 70 Número de Título: 240806 RCD. 1460 Rojo 240806 ALI R.C.D. 1460 Rojo BENSON, George (1943-) Irreplaceable [grabación sonora] / George Benson [EU] : The verve music group, cop. 2003. -- 1 disco compacto (41 min., 32 seg.) + 1 folleto ([1]h. pleg.) Contiene: Six play ; Whole man ; Irreplaceable ; Loving is better than leaving ; Strings of love ; Cell phone ; Black rose ; Stairway to love ; Reason for breathing ; Missing you 1. Jazz I. Título RCD. 3371 Rojo 1.BEN 60 Número de Título: 685803 685803 ALI R.C.D. 3371 Rojo BIBLIOTECA PÚBLICA DE ALICANTE BENSON, George (1943-) The Essential [Grabación sonora] / George Benson [S.l.] : Sony, p 2006. -- 2 discos compactos (ca. 74, 75 min.) : digital ; 12 cm Contiene: Disco 1: 1. Rock candy ; 2. Shadow dancers ; 3. Clockwise ; 4. Willow weep for me ; 5. Foggy day ; 6. The Borgia stick ; 7. Paraphernalia ; 8. Sugar ; 9. So what ; 10. Ode to a RCD. 4667 Rojo kudu ; 11. California dreamin' -- Disco 2: 1. White rabbit ; 2. Body talk ; 3. Take five ; 4. Summertime ; 5. Breezin' ; 6. This masquerade ; 7. On Broadway ; 8. Give me the night ; 9. Hip skip ; 10. Gotham city 1. Jazz I. Título 1.BEN 60 Número de Título: 902307 902307 ALI R.C.D. 4667 Rojo BIBLIOTECA PÚBLICA DE ALICANTE BIBLIOTECA PÚBLICA DE ALICANTE CONCHA BUIKA ■ BIOGRAFÍA Concha Buika (Palma de Mallorca, 1972) es una cantante afroespañola. Nació en las Islas Baleares donde vivía su familia, originaria de Guinea Ecuatorial.Hija de expolitico Guineano Juan Balboa Boneke Colaboró con Mariza en un dúo incluido en su disco "Terra (Pequeñas Verdades)" y con Elefteria Arvanitakis en el tema "Mírame". En septiembre de 2009 salió al mercado una colaboración realizada con Nelly Furtado, en el tema llamado «Fuerte», todo un himno a la fuerza de la mujer. Cantó junto a Tomeu Penya en su tema Ho feim. El 20 de octubre de 2009 salió a la venta mundialmente su disco “El Último Trago”, un homenaje a Chavela Vargas y a Bebo Valdés en sus 90 cumpleaños, grabado en directo en Cuba en los Estudios Abdala con Chucho Valdés y su cuarteto. El 5 de noviembre de 2010 un artículo publicado online en la publicación nrg.com la definió como la «Voz de la libertad» agrupándola con otras 50 voces en una lista llamada 50 Great Voices. fuente: http://es.wikipedia.org/wiki/Concha_Buika ■ ENLACES DE INTERÉS • http://buikamusic.com/ ■ DISCOGRAFÍA • En mi piel, 2011 • El último trago, 2009 • Niña de fuego, 2008 (Edición de lujo: 2cd's + Libro de poemas), • Niña de fuego, 2008 • Mi niña Lola (Edición especial), 2006 • Mi niña Lola, 2006 • Buika, 2005 • Mestizüo, 2000, junto al pianista Jacob Sureda. BIBLIOTECA PÚBLICA DE ALICANTE ■ DISCOGRAFÍA EN LA BIBLIOTECA BUIKA El último trago [Grabación sonora] / Buika ; Chucho Valdés Madrid : Warner Music Spain, D.L. 2009. -- 1 disco compacto (45 min.) : digital ; 12 cm + 1 folleto ([12] p.). -- (Casa Limón ; 9) Letra de las canciones en folleto Contiene : 1. Soledad ; 2. Sombras ; 3. Las ciudades ; 4. Cruz de olvido ; 5. El andariego ; 6. En el último trago ; 7. Se me RCD. 6276 Rojo hizo fácil ; 8.
Recommended publications
  • The Ghikas House on Hydra: from Artists’ Haven to Enchanted Ruins
    The Ghikas House on Hydra: From Artists’ Haven to Enchanted Ruins HELLE VALBORG GOLDMAN Norwegian Polar Institute We sat on the terrace under the starry sky and talked about poetry, we drank wine, we swam, we rode donkeys, we played chess—it was like life in a novel. (Ghikas, quoted in Arapoglou 56) Introduction The Greek island of Hydra has become known for the colony of expatriate painters and writers that became established there in the 1950s and 60s (Genoni and Dalziell 2018; Goldman 2018). Two ‘literary houses,’ the homes of several of the island’s most well-known foreign residents during that era—the Australian couple, writers George Johnston and Charmian Clift, and Canadian singer-songwriter Leonard Cohen—have become places of pilgrimage for aficionados of Australian literature and popular music. Visitors wend through the maze of car- less, stone-paved lanes, asking for directions along the way, in order to stand outside the objects of their quests. Standing in the small public courtyard in front of the Johnstons’ house, or the tight laneway fronting the Cohen house, there is not much to see—the houses are quiet, the doors closed, the stone and white-washed walls surrounding the properties, which are typical of Hydra, are high. This doesn’t keep people from coming. They can picture in their minds’ eyes what is on the other side of the walls, having seen photographs of the writers at work and leisure inside the houses, and having read the books and listened to the songs that were written while the Johnstons and Cohen were in residence.
    [Show full text]
  • Osobní Přínos George Bensona V Oblasti Jazzu
    JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Studijní obor hra na kytaru Osobní přínos George Bensona v oblasti jazzu Bakalářská práce Autor práce: Dis. art. Erik Kováč Vedoucí práce/školitel: doc MgA. Vilém Spílka Konzultant práce doc MgA. Vilém Spílka Oponent práce: MgA. Jan Dalecký Brno 2018 1 Bibliografický záznam Kováč,Erik. Osobní přínos Georga Bensona v oblasti jazzu. [George Benson´s personal contribution to jazz ]. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra jazzové interpretace, 2018. 36 stran. Vedoucí diplomové práce doc MgA. Vilém Spílka. Anotace Diplomová práce „Osobní přínos George Bensona v oblasti jazzu“ se zaměřuje v první části na vokální techniky a projev George Bensona. Pojednává stručně o živote a uměleckém působení George Bensona. V druhé části se zabývá podrobní analýzou instrumentálního projevu a technik hry George Bensona. Detailně se zabývá analýzou dvou transrikpcí sól skladby Ready And Able z alba Cookbook(1966) a skladby Breezin s alba Breezin(1976). Annotation Diploma thesis „Benson´s personal contribution to jazz“ focuses on vocal techniques and George Benso n's expression. Dealth with George Benson's life and artistic work. The second part deals with a detailed analysis of instrumental expression and techniques of George Benson's play. It deals in detail with the analysis of two solo transcriptions Ready And Able with albums Cookbook (1966) and Breezin with Breezin (1976). Klíčová slová George Benson, vokální projev, instrumentální projev, improvizace, sketování Keywords George Benson, vocal expression, instrumental expression, improvisation, scat 2 Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu.
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • Singer Kendra Shank Pays Tribute to Spirited Music of Abbey Lincoln
    Photo by John Abbott Photo by John Kendra Shank will bring the music of Abbey Lincoln to Lincoln June 5. Singer Kendra Shank pays tribute ○○○○○○○○○○○○○○○○○○○○○ to spirited music of Abbey Lincoln ○○○○○○○○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○○ April 2007 Vol. 12, Number 2 With her new release, “A Spirit File Photo Free: Abbey Lincoln Songbook,” singer Kendra Shank has taken on a daunting task—interpreting the music of one of the most idiosyn- cratic jazz singer-songwriters in his- ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ tory. In this issue of Jazz.... She and her longtime ensemble will bring the music of Lincoln to Prez Sez.........................................................2 Lincoln, Neb., June 5 in the open- Abbey Lincoln John Pizzarelli review........................6 ing concert of this year’s Jazz in Giacomo Gates/NJO review..................7 June series. this record were created there, on In a recent interview, Shank the gigs at that club. We would just Chick Corea/Gary Burton review...........8 talked about the recording and the try stuff and see what worked well Maria Schneider Orchestra review.....9 years it took to bring to fruition. and what didn’t work well,” she Mac McCune/NJO review......................10 Unlike many jazz musicians liv- said, pretty much describing the cre- Tomfoolery: Generous jazz calendar......11 ing in New York City, Shank has a ative process inherent in jazz mu- regular gig where she and the band sic. Harry “The Hipster” Gibson..................12 can work up new material and hone To Shank’s knowledge, no one Jazz on Disc reviews...........................14 their music to a fine edge. One Fri- else has ever attempted a full-length Discorama reviews..............................18 day a month, they appear at the 55 tribute to Lincoln’s very personal Letters to the Editor...............................19 Bar, Shank’s home away from music, although some of her tunes home for five years.
    [Show full text]
  • Public Song List 06.01.18.Xlsx
    Title Creator 1 Instrument Setup Department Cover Date Issue # ... River unto Sea Acoustic Classic Jun‐17 294 101 South Peter Finger D A E G A D Off the Record Mar‐00 87 1952 Vincent Black Lightning Richard Thompson C G D G B E, Capo III Feature Nov/Dec 1993 21 '39 Brian May Acoustic Classic May‐15 269 500 Miles Traditional For Beginners Mar/Apr 1992 11 9th Variaon from "20 Variaons and Fugue onManuel Ponce Lesson Feature Nov‐10 215 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 A Day at the Races Preston Reed D A D G B E Feature Jul/Aug 1992 13 A Grandmother's Wish Keola Beamer F Bb C F A D Private Lesson Sep‐01 105 A Hard Rain's A‐Gonna Fall Bob Dylan D A D G B E, Capo II Feature Dec‐00 96 A Night in Frontenac Beppe Gambetta D A D G A D Off the Record Jun‐04 138 A Tribute to Peador O'Donnell Donal Lunny D A D F# A D Feature Sep‐98 69 About a Girl Kurt Cobain Contemporary Classic Nov‐09 203 AC Good Times Acoustic Classic Aug‐15 272 Addison's Walk (excerpts) Phil Keaggy Standard Feature May/Jun 1992 12 After the Rain Chuck Prophet D A D G B E Song Craft Sep‐03 129 After You've Gone Henry Creamer Standard The Basics Sep‐05 153 Ain't Life a Brook Ferron Standard, Capo VII Song Craft Jul/Aug 1993 19 Ain't No Sunshine Bill Withers Acoustic Classic Mar‐11 219 Aires Choqueros Paco de Lucia Standard, Capo II Feature Apr‐98 64 Al Di Meola's Equipment Picks Al Di Meola Feature Sep‐01 105 Alegrias Paco Peña Standard Feature Sep/Oct 1991 8 Alhyia Bilawal (Dawn) Traditional D A D G B E Solo Jul/Aug 1991 7 Alice's Restaurant
    [Show full text]
  • Public Song List 06.01.18.Xlsx
    Title Creator 1 Instrument Setup Department Cover Date Issue # The 2nd Law Michael Hedges A A D G B D Feature Mar‐97 51 Ferry Cross the Mersey Gerrard Marsden A D G C E A Off the Record Oct‐04 142 Klimbim Don Ross B F# C# F# B F# Off the Record Sep‐99 81 Embaixador Paolo Bellinati B F# D G B E Solo May‐98 65 The Bells of Rhymney Idris Davies Bb F Bb Eb G C Feature Jul‐02 115 Brother Bill Frisell C A D G B E Feature Sep‐97 57 Studying Stones Ani DiFranco C F Bb Eb G C Feature May‐05 149 From the Morning Nick Drake C F C F C F Feature Jan‐99 74 Lovely Joan Traditional C G C D G A Feature Mar/Apr 1992 11 Nothing Ever Lasts Clive Gregson C G C E G C Song Craft Jul‐99 79 If You Love Somebody Guy Davis C G C E G C Song Craft Sep‐98 69 Georgie Traditional C G C F C D Feature Mar‐04 135 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 I Can't Keep from Crying Sometimes Traditional C G C F C D Private Lesson May‐04 137 Bottle of Blues Beck Hansen C G C F C E Feature Jan‐99 74 Ciara Luka Bloom C G C F G C Song Craft Apr‐00 88 Canadee‐I‐O Nic Jones C G C G C D Off the Record Nov‐00 95 Wolf at the Door Patty Larkin C G C G C D Feature Jan‐98 61 Sunflower River Blues John Fahey C G C G C E Feature Oct‐01 106 Requiem for John Hurt John Fahey C G C G C E Feature Oct‐06 166 Gone Peter Case C G C G C E Feature Nov‐02 119 Swanee River Boogie (Old Folks at Home) Stephen Foster C G C G C E Solo Sep/Oct 1991 8 I Am a Pilgrim Traditional C G C G C E Private Lesson Apr‐00 88 Eye of the Hurricane David Wilcox C G C G C E, Capo III Feature
    [Show full text]
  • Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept
    JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations.
    [Show full text]
  • George Benson
    GEORGE BENSON BIOGRAPHY From hard bop guitarist to R&B/pop superstar, George Benson has worn a wide variety of hats over the years. R&B lovers know him as the guitar-playing vocalist who is responsible for such hits as "Give Me The Night" and "Turn Your Love Around", while the jazz world continues to treasue his classic instrumental albums of the 1960s and early 1970s. And it goes without saying that Benson's million-selling Breezin' album of 1976 practically defined the NAC, quiet storm, and contemporary jazz radio formats. Because the guitarist/singer is so diverse and unpredictable, one never knows what he will do from one album to the next - and on his latest GRP release, Absolute Benson, the eight- time GRAMMY®-winner surprises us once again by emphasizing instrumental music. While Benson's last album, 1998's Standing Together, was full of R&B/pop singing, only three of Absolute Benson's nine songs find him providing vocals: his rendition of Ray Charles's "Come Back Baby", an infectious remake of the late Donny Hathaway's soul classic "The Ghetto", and Benson's Latin-flavored "El Barrio" (a companion piece to "The Ghetto"). Everything else on the album is instrumental, and this time, Benson's distrinctive guitar playing takes center stage. Though Benson is still quite capable of playing straight-ahead hard bop, Absolute Benson isn't a bop album. Blending jazz with R&B and pop, Absolute Benson aims for accessibility and recalls Benson's albums of the early-to-mid 1970s. From the haunting "Deeper Than You Think", the intriguing "Medicine Man", and the slightly Wes Montgomery-ish "One On One" to the funky "Hipping The Hop" and a thoughtful version of Stevie Wonder's "Lately", Absolute Benson illustrates Benson's virtuosity without sacrificing his commitment to the groove, the beat and the melody.
    [Show full text]
  • Top 5 Chieftains Albums
    JazzWeek with airplay data powered by jazzweek.com • January 8, 2007 Volume 3, Number 7 • $7.95 World Music Q&A: The Chieftains’ PADDY MOLONEY On The Charts: #1 Jazz Album – Diana Krall #1 Smooth Album – Benson/Jarreau #1 College Jazz – Madeleine Peyroux #1 Smooth Single – George Benson #1 World Music – Lynch/Palmieri JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger anuary 10-13 marks the 2007 International Association MUSIC EDITOR Tad Hendrickson fo Jazz Education Annual Conference. Here’s a quick Jplug for the events JazzWeek is sponsoring each day CONTRIBUTING WRITER/ from 10:00 a.m. to noon: PHOTOGRAPHER Tom Mallison Thursday Workshop: Jazz Radio In Crisis: Why That’s A Good Thing PHOTOGRAPHY Barry Solof This session will focus on why some stations are disappearing or seeing big drops in audience, whie other stations with more progressiveapproaches are Contributing Editors seeing audience increases. Panelists will discuss the adoption of more youth- Keith Zimmerman oriented music, the realization that there’s a younger demographic during lat- Kent Zimmerman er hours, and the success stations programming for that audience are seeing. Founding Publisher: Tony Gasparre Panelists: Bob Rogers, Bouille & Rogers consultants; Jenny Toomey, Future of Music Coalition; Gary Vercelli, KXJZ; Linda Yohn, WEMU; Rafi Za- ADVERTISING: Devon Murphy bor. Location: Riverside Ballroom, Sheraon 3rd Fl. Call (866) 453-6401 ext. 3 or email: [email protected] Friday Workshop: Jazz Radio and the Community: How to Make Your Station More Relevant. Stations around the country have made their pro- SUBSCRIPTIONS: gramming more in tune with the local community by reaching out to arts Free to qualified applicants Premium subscription: $149.00 per year, organizations, schools, colleges and universities.
    [Show full text]
  • 1 Marvin Gaye What's Going on 2 Otis Redding
    1 Marvin Gaye What's going on 2 Otis Redding (Sittin' on) The dock of the bay 3 Amy Winehouse Back to black 4 Marvin Gaye Let's get it on 5 Kyteman Sorry 6 Bill Withers Ain't no sunshine 7 Stevie Wonder Superstition 8 John Legend All of me 9 Aretha Franklin Respect 10 Miles Davis So what 11 Sam Cooke A change is gonna come 12 Curtis Mayfield Move on up 13 Al Green Let's stay together 14 James Brown It's a man's man's man's world 15 Michael Jackson Billie Jean 16 Gregory Porter Be good (lion's song) 17 Temptations Papa was a rollin' stone 18 Beyonce ft. Jay-Z Crazy in love 19 Dave Brubeck Take five 20 Earth Wind & Fire September 21 Erykah Badu Tyrone (live) 22 Gregory Porter 1960 what 23 Stevie Wonder As 24 Daft Punk ft. Pharrell & Nile RodgersGet lucky 25 Gladys Knight & The Pips Midnight train to Georgia 26 James Brown Sex machine 27 Michael Kiwanuka Home again 28 Michael Jackson Don't stop 'till you get enough 29 B.B. King The thrill is gone 30 Luther Vandross Never too much 31 Stevie Wonder Sir Duke 32 Michael Jackson Off the wall 33 Donny Hathaway A song for you 34 Bobby Womack Across 110th street 35 Earth Wind & Fire Fantasy 36 Bill Withers Grandma's hands 37 Roots ft. Cody Chesnutt The seed (2.0) 38 Billy Paul Me and mrs Jones 39 Marvin Gaye I heard it through the grapevine 40 Etta James At last 41 Chaka Khan I'm every woman 42 Bill Withers Lovely day 43 Giovanca How does it feel 44 Isaac Hayes Theme from Shaft 45 Alicia Keys Empire state of mind (part 2) 46 Chic Le freak 47 Dusty Springfield Son of a preacher man 48 Pharrell Happy
    [Show full text]
  • The Second Century Series July 9, 23 & 30
    A Mirror and Focus for the Jazz Community July 2015 Vol. 31, No. 07 EARSHOT JAZZSeattle, Washington Jazz: The Second Century Series July 9, 23 & 30 Photo illustration by Daniel Sheehan LEttER FROM THE DIREctOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community Boom Town Jazz Executive Director John Gilbreath Managing Director Karen Caropepe Programs Assistant Caitlin Peterkin Earshot Jazz Editors Schraepfer Harvey, Caitlin Peterkin Contributing Writers Steve Griggs, Jeff Janeczko, Andrew Luthringer, Peter Monaghan Calendar Editor Caitlin Peterkin Calendar Volunteer Tim Swetonic Photography Daniel Sheehan Layout Caitlin Peterkin Distribution Dan Wight and volunteers send Calendar Information to: email [email protected] or go to www.earshot.org/Calendar/data/ gigsubmit.asp to submit online Board of Directors Ruby Smith Love (president), Diane Wah (vice president), Sally Nichols (secretary), Sue Coliton, John W. Comerford, Chris Icasiano, Hideo Makihara, Yeah, Seattle jams – traffic. You confluence, one can see potential Viren Kamdar, Danielle Leigh don’t have to stew in one of our in- for all of the facets of our increas- Emeritus Board Members Clarence Acox, tense daily traffic jams to see that ingly diverse community. Kenneth W. Masters, Lola Pedrini, Paul Toliver, Cuong Vu the popularity and population of In this exciting mix, we feel really this beautiful city is growing expo- good about increased possibilities Founded in 1984 by Paul de Barros, nentially. for our vibrant jazz community. Gary Bannister, and Allen Youngblood. Seattle’s jazz scene is already one of Earshot Jazz is published monthly by Recent studies have rated Seattle Earshot Jazz Society of Seattle and is at, or near, the top of the fastest America’s most interesting and re- available online at www.earshot.org.
    [Show full text]
  • Brecker Sideman Disco
    If you have any additions, please mail me at [email protected] Updated March 1, 2007 1 Original Motion Picture Soundtrack) Wiz, The 1978 MCA 2-MCA6010 2 (Original Motion Picture Soundtrack) Warriors, The 1979 A&M SP-3151 3 (Original Motion Picture Soundtrack) Footloose 1984 Columbia JS39242 4 (Original Motion Picture Soundtrack) 9 1/2 1986 Capitol CDP46722 5 (Original Motion Picture Soundtrack) Bright Lights, Big City 1988 W.P. 25688-1 6 (Original Motion Picture Soundtrack) Midnight In The Garden Of Good And Evil 7 (Original TV Soundtrack) A House Full Of Love (Bill Cosby Show) 1986 8 ACOM Cozmopolitan 1981 East World/EMI EWJ-80193 9 Abercrombie, John Night 1984 ECM 8232122(ECM1272) 10 Abercrombie, John Getting There 1988 ECM 8334942(ECM1321) 11 Abercrombie, John Works (Compilation) 1988 ECM ECM 837 275-2 12 Acogny, Georges Guitars On The Move 1983 String 33855 13 Aerosmith Pandora's Box (Compilation) 14 Aerosmith Get Your Wings 1974 Columbia PC32847 15 Air Air 1971 Embryo SD-733 16 Akkerman, Jan 3 1979 Atlantic K50664 17 Alessi All For A Reason 1978 A&M 4657 18 Allison, Luther Motown Years 1972-1976 (Compilation) 19 Allison, Luther Night Life 1979 Gordy G-974V1 20 Ambrosetti, Franco Wings 1983 Enja 4068 21 Ambrosetti, Franco Tentets 1985 Enja 22 Ambrosetti, Franco Gin And Pentatonic (Compilation) 1992 Enja 4096 2 23 Arista All Stars Blue Montreux 1978 Arista AB-4224 24 Arista All Stars Blue Montreux II 1978 Arista AB-4245 25 Arista All Stars Blue Montreux (CD Compilation) 1988 BMG 6573-2-RB 26 Artful Doger Artful Doger
    [Show full text]