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Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro blems of cleaning up radioactive substances left by the re cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant. -
Randy Nataraj-Allen Piano and Voice
Randy Nataraj-Allen Piano and Voice Formal Education: Master’s Degree: curriculum & Instructional / Technology - Grand Canyon University – Phoenix, AZ Bachelor of Church Music: Samford University – Birmingham, AL Major: Voice, Minor: Piano Awards / Accolades: Voted “Educator of the Year 2002-2003” Experience / Performances: August 1995 – Present: Music Teacher, Pinellas County Schools – Largo, FL 2007 Elementary All county chorus conductor 2002-2003 Elementary Music Educator of the Year James B. Sanderlin PK-8 IB World School: grades K-5 and two classes Fairmount Park Elementary: K-5 Music Itinerate Northwest Elementary K-5 Music Itinerate Lakewood Elementary K-5 Music Itinerate Starkey Elementary: K-5 Music Itinerate Cypress Woods Elementary: K-5 two choruses and recorder South Ward Elementary: K-5 and two choruses Orange Grove Elementary: k-3, SLI and SLD (195-1996 only) January 1991-Present: Voice and Piano Instructor: Marcia P Hoffman School of the Arts William Cusick Piano, Vocal Instruction, Accompanist, Music Director for Stage productions Formal Education: Bachelor Degree in Music Education from State University of New York and Fredonia One semester abroad in Antwerp, Belgium studying music and art at the Royal Flemish Conservatory of Music Master Degree in Piano Performance from University of South Florida Awards / Accolades: Voted Favorite Musical Director six times by the Grapevine Theater Publication. Statement of philosophy: Even your smallest experiences can open doorways to greater learning. Experience / Performances: As a Music Director he has worked at Bartk’e Dinner Theatre in Tampa, the Show Boat Dinner Theatre in Clearwater, Hudson, community Theaters throughout Pinellas County, various high schools and instructs and accompanies for the Marcia P. -
Apr-May 1980
MODERN DRUMMER VOL. 4 NO. 2 FEATURES: NEIL PEART As one of rock's most popular drummers, Neil Peart of Rush seriously reflects on his art in this exclusive interview. With a refreshing, no-nonsense attitude. Peart speaks of the experi- ences that led him to Rush and how a respect formed between the band members that is rarely achieved. Peart also affirms his belief that music must not be compromised for financial gain, and has followed that path throughout his career. 12 PAUL MOTIAN Jazz modernist Paul Motian has had a varied career, from his days with the Bill Evans Trio to Arlo Guthrie. Motian asserts that to fully appreciate the art of drumming, one must study the great masters of the past and learn from them. 16 FRED BEGUN Another facet of drumming is explored in this interview with Fred Begun, timpanist with the National Symphony Orchestra of Washington, D.C. Begun discusses his approach to classical music and the influences of his mentor, Saul Goodman. 20 INSIDE REMO 24 RESULTS OF SLINGERLAND/LOUIE BELLSON CONTEST 28 COLUMNS: EDITOR'S OVERVIEW 3 TEACHERS FORUM READERS PLATFORM 4 Teaching Jazz Drumming by Charley Perry 42 ASK A PRO 6 IT'S QUESTIONABLE 8 THE CLUB SCENE The Art of Entertainment ROCK PERSPECTIVES by Rick Van Horn 48 Odd Rock by David Garibaldi 32 STRICTLY TECHNIQUE The Technically Proficient Player JAZZ DRUMMERS WORKSHOP Double Time Coordination by Paul Meyer 50 by Ed Soph 34 CONCEPTS ELECTRONIC INSIGHTS Drums and Drummers: An Impression Simple Percussion Modifications by Rich Baccaro 52 by David Ernst 38 DRUM MARKET 54 SHOW AND STUDIO INDUSTRY HAPPENINGS 70 A New Approach Towards Improving Your Reading by Danny Pucillo 40 JUST DRUMS 71 STAFF: EDITOR-IN-CHIEF: Ronald Spagnardi FEATURES EDITOR: Karen Larcombe ASSOCIATE EDITORS: Mark Hurley Paul Uldrich MANAGING EDITOR: Michael Cramer ART DIRECTOR: Tom Mandrake The feature section of this issue represents a wide spectrum of modern percussion with our three lead interview subjects: Rush's Neil Peart; PRODUCTION MANAGER: Roger Elliston jazz drummer Paul Motian and timpanist Fred Begun. -
Charlie Parr Louisiana Red Crack the Sky Butch Thompson & Pat
the highly successful Aqualung album better. Parr’s “tours” consist of sleeping The 19 tracks range from Blind Blake’s with the progressive rock classic, Thick in highway rest stops, cooking meals on “Poker Woman” to James P. Johnson’s As A Brick. It was written as a spoof his mini-van’s exhaust manifold, and “You Can’t Lose A Broken Heart,” sev- in response to the critical reception playing his music each night with serious eral Carr classics, and a variety of tunes of Aqualung, which was proclaimed passion. Talk about commitment. by Thompson’s mentor, Little Brother a concept album (it was not), and a He employs a wood-bodied National Crack the Sky Montgomery. parody of prog rock bands like Yes and resonator, a Fraulini 12-string guitar Ostrich Donohue plays like he has Southern Genesis. And Thick As A Brick remains made by Todd Cambio, and a Kevin Aluminum Cat Recordings soil under his fingernails, despite the fact the only album in history to reach #1 Enoch fretless banjo. The album was Crack the Sky never gives up. Their that he hails from St. Paul, Minnesota. on the Billboard charts containing only cut live to tape with no tracking, Parr music is by turns funky, industrial, His fingerpicking interweaves with the one song. playing in a trio with Mikkel Beckmen crunchy, and occasionally just weird. And piano lines, offering counterpoint and At 43 minutes, the album centers on washboard and Dave Hundreiser on their lyrics are cynical, biting, goofy, and syncopation. He plays a masterful slide, on a poem by a fictional eight-year- harmonica. -
St. Nick Spotted Near Campus
October 12, 2009 WWW.UNEWS.COM Vol. 77, Issue 8 St. Nick spotted near campus Continuing campus crime posses threat Tyler Allen Assistant News Editor Crime is a looming problem on campus. Last year alone, there were 142 crimes reported at UMKC. “Even though UMKC is sur- rounded by some bad streets I always felt safe here,” student Kelsey Gos- sen said, “but now that I’m hearing about everything going on, I worry and I try to watch my back.” Other students are not too wor- ried. “I’m not concerned about crime on campus, quite simply because I know exactly how to avoid it,” stu- dent Rachael Herndon said. Unfortunately, not everyone on campus can avoid crime. In the past month, there have been two burglaries at 4747 Troost Ave., the building that houses the In- Blistery, cold weather blew into Kansas City stitute for Entrepreneurship and In- novation. The first incident occurred on Saturday morning and along with it around noon on Sept. 21 when a victim’s money was stolen out of his came a jolly Christmas spirit. desk. painted interior and exterior walls, laid The second incident occurred on Alexia Stout-Lang News Editor carpet, pulled weeds and even moved Sept. 25 and involved Cary Clark, some furniture. Sam Walton Fellow and director of pproximately 20 stu- “This is just such a blessing,” Freddie Students in Free Enterprise. dents, staff and faculty from UMKC bundled up Slaughter, one of the homeowners, said and faced the chill to par- as tears ran down her cheeks. “I just don’t “It’s just sort of random ticipate in the second an- know how to thank you all.” crime. -
An Examination of Halloween Literature and Its Effect on the Horror Genre
An Examination of Halloween Literature And its Effect on the Horror Genre WYLDE, Benjamin Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26103/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26103/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Faculty of Development and Society An Examination of Halloween Literature And its Effect on the Horror Genre By Benjamin Wylde April 2019 Supervised by: Shelley O’Brien and Dr Ana-Maria Sanchez-Arce A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of English by Research Acknowledgements I would like to thank Sheffield Hallam University for allowing me a place on the course and for giving me the opportunity to write about a subject that I am deeply passionate about. I would like to thank Shelley O’Brien, firstly for the care and attention to which she has paid, not only to my work, but also my well-being and for the periods in which she was, by circumstance, forced to conduct periods of supervision alone. I would like to thank my second supervisor Ana-Maria Sanchez- Arce, for her care, duty and attention in helping me to write my work. -
Soul Hits of the 80S
Soul hits of the 80s click here to download A budget three-CD set, Soul Hits of the 80's collects some of that awkward decade's soul moments from the Columbia/Sony catalog. Note the author's use of "moments" and the title's use of "hits," because they are, in fact, talking about the same songs. Not everything here was a hit, with some of the songs just squeaking into. Song List: www.doorway.ru Midnight Soul Collection: www.doorway.ru Love 80s music? Visit http. One and a half hour of non-stop soul 80's. Old Skool Funk Soul Classics - 80's Greatest Hits - Memories of The 80's Soul Funk. Song List: www.doorway.ru -- Visit: www.doorway.ru for more great 80s music. Video Description. Find a Various - Soul Hits Of The 80's first pressing or reissue. Complete your Various collection. Shop Vinyl and CDs. Find a Various - The Best Soul Hits Of The 80's first pressing or reissue. Complete your Various collection. Shop Vinyl and CDs. The Top Soul/Funk/Disco Singles. Author: goldwax I put this list together based on data from the Billboard R&B singles chart. To determine the rankings, I came up with a point system based on a song's peak position and weeks on the chart. Ranked in order of the most popular one-hit soul song wonders to the least popular, you can see which dance songs are favorites by viewers just like you. Feel free to place your votes for your favorite one-hit soul songs as well, including the best hits from the '70s and '80s. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
'DAVID GEST's SOUL SPECTACULAR!' 3 POP-UP ROLLER BANNERS SOUTHPORT THEATRE.Indd 1 25/09/2010 17:58
18 SOUL LEGENDS ARE COMING TO SOUTHPORT FOR ONE NIGHT ONLY THE CONCERT EVENT OF THE DECADE!!! David Gest’s Soul Spectacular Starring Live In Concert: THE TEMPTATIONS REVIEW FEATURING DENNIS EDWARDS THE ORIGINAL GRAMMY-WINNING LEAD SINGER OF THEIR CLASSIC HITS ‘Papa Was A Rollin’ Stone’ • ‘Ball Of Confusion’ • ‘Cloud Nine’ ‘I Can’t Get Next To You’ • ‘Psychedelic Shack’ • Other Hits Include: ‘My Girl’ • ‘Get Ready’ • ‘Beauty Is Only Skin Deep’ RUSSELL THOMPKINS, JR & THE NEW STYLISTICS ORIGINAL LEAD SINGER OF THE STYLISTICS HITS ‘I Can’t Give You Anything (But My Love)’ • ‘Sing Baby Sing’ ‘You Make Me Feel Brand New’ • ‘Can’t Help Falling In Love’ ‘Na-Na Is The Saddest Word’ • ‘Rock’N’Roll Baby’ PEABO BRYSON ‘Tonight, I Celebrate My Love’ • ‘Beauty and The Beast’ ‘A Whole New World (Aladdin’s Theme)’ LAMONT DOZIER ‘Why Can’t We Be Lovers’ • ‘This Old Heart Of Mine (Is Weak For You)’ ‘My World Is Empty Without You’ • ‘Baby Love’ ‘Stop! In The Name Of Love’ • ‘You Keep Me Hangin’ On’ ‘Fish Ain’t Bitin’ • ‘Reach Out I’ll Be There’ ASHFORD & SIMPSON ‘Solid’ • ‘Ain’t No Mountain High Enough’ • ‘Found A Cure’ ‘Ain’t Nothing Like The Real Thing’ • ‘You’re All I Need To Get By’ BILLY PAUL ‘Me And Mrs. Jones’ • ‘Let ‘Em In’ • ‘Your Song’ HOSTED BY THE TYMES DAVID GEST ‘Ms Grace’ • ‘You Little Trustmaker’ • ‘People’ FREDA PAYNE BRENDA HOLLOWAY ‘Band Of Gold’ • ‘Bring The Boys Home’ ‘Every Little Bit Hurts’ • ‘When I’m Gone’ DOROTHY MOORE DEE DEE SHARP ‘Misty Blue’ • ‘I Believe You’ ‘Mashed Potato Time’ • ‘Ride’ EDDIE FLOYD CANDI STATON ‘Knock On -
76 the Pot of Gold at the End of the Rainbow – Bring Back the Dream October 12Th, 2011
76 The Pot of Gold at the end of the Rainbow – Bring back the dream October 12th, 2011 Before I come to the title of this post I must conclude the last. In my last post I said there was money around to pay for things that the Government never puts its hands on, namely the value of the land we work on. I showed that this is an old idea whose time has actually begun to arrive in some parts of the world. Scroll back to the last post and you will see what I mean. In this post I want to talk about how we pay for health and how we pay for education, one tax too few and one tax too many -the tax on our gifted and talented students if they are successful and have to repay their student loans. First Health. There are two questions when it comes to Health. How do you deliver it? And, how do you pay for it? Politicians make the huge mistake of continually to address the first, but never addressing the second. Because of that, they never get the first one totally right. Let me explain. We need health provision from the day we are born to the day we die, and most of it at the beginning and end and of our lives, but an important part of it during our working lives to make sure we can earn a living. But we pay for it only during our working lives, in our National Insurance contributions and income tax. -
Download Michael Franks Discography LOSSLESS 19732011 8
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NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.