DOCSLIB.ORG

LP Inventory

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LP Inventory Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie Count With Illinois Jacquet & Jimmy Rushing Saga $ 5 Baxter Billy B.B.& His Carnaby Street Vaudeville Band ABC $ 5 Bechet Sidney Bechet Bunk and Boston 1945 Jazz Archives Records $ 5 Bechet Sidney Bechet! Crescendo Records $ 5 Bechet Sidney Best Of Fabbri Editori $ 5 Bechet Sidney Blue Bechet $ 5 Bechet Sidney Ji Grandi Del Jazz Fabbri Editori $ 5 Bechet Sidney Savor Café Fat Cat Jazz $ 5 Bechet Sidney Sidney Bechet of New Orleans $ 5 Bechet Sidney Storyville Master of Jazz Series $ 5 Bechet Sidney With Bob Wilber $ 5 Bechet Sidney Bechet Featuring Bunk Johnson Boston $ 5 Beiderbecke Bix Bix and His Gang $ 5 Beiderbecke Bix Bix and His Gang VOL I Columbia $ 5 Beiderbecke Bix Bix and Tram VOL 2 Colombia $ 5 Beiderbecke Bix Bixology VOL 1 Joker Records (Italy) $ 5 Beiderbecke Bix Bixology VOL 10 Joker Records (Italy) $ 5 Beiderbecke Bix Bixology VOL 11 Joker Records (Italy) $ 5 Beiderbecke Bix Everest Records Archive $ 5 Beiderbecke Bix Legend $ 5 Beiderbecke Bix Sounds Like Bix $ 5 Beiderbecke Bix The Bix Story VOL 1 $ 5 Beiderbecke Bix The Bix Story VOL 2 $ 5 Beiderbecke Bix The Bix Story VOL 3 $ 5 Beiderbecke Bix The Great Bix $ 5 Beiderbecke Bix The Unheard Bix $ 5 Beiderbecke Bix The Whiteman Days VOL 3 Columbia $ 5 Beiderbecke Bix Victorious Bix VOL 1 $ 5 Beiderbecke Bix Victorious Bix VOL 2 $ 5 Bellafonte Harry Sings the Blues RCA $ 5 Bellson Louie Air Mail Special Heritage Jazz $ 5 Bennett Tony All Time Greatest Hits Columbia $ 5 Bennett Tony Astoria Columbia $ 5 Bennett Tony Just One of Those Things $ 5 Bennett Tony Tony Makes It Happen Columbia $ 5 Berrigan Bunny Bunny RCA Camden $ 5 Berry Chu Chu $ 5 Berry Chu Sittin In Commodore $ 5 Robinson Jim Big Jim Little Six GHB Records $ 5 Bilk Acker Stranger on the Shore ATCO Records $ 5 Blake Eubie With Friends $ 5 Blakey Art Big Band featuring John Coltrane & Donald Byrd Bethlehem $ 5 Bolcom William The Piano Music of George Gershwin $ 5 Boll Weevil Jass Band VOL 5 GHB $ 5 Bolling Claude Bolling Boogie Mercury $ 5 Bolling Claude Concerto For Guitar & Piano Angel Digital $ 5 Bolling Claude Suite for Flute & Jazz Piano Columbia $ 5 Bolling Claude Suite for Violin & Jazz Piano $ 5 Boswell Connie With the Original Memphis Five $ 5 Braff Ruby Adoration of the Melody $ 5 Braff Ruby Hi Fi Salute to Bunny RCA $ 5 Braff Ruby International Quartet featuring Dick Hyman Chiaroscuro $ 5 Braff Ruby Swinging featuring Marty Napoleon Jazztone Society $ 5 Brookmeyer Bob Today's Jazz w Zoot Sims Jazztone Society Classic $ 5 Brubeck Dave Plays Music from West Side Story Columbia $ 5 Brubeck Dave Jazz Goes To College $ 5 Brubeck Dave Live at Newport $ 5 Brubeck Dave Red Hot and Cool $ 5 Brubeck Dave Storyville 1954 $ 5 Brubeck Dave With Jay and Kai $ 5 Brubeck Dave Live at Berlin w Gerry Mulligan Columbia $ 5 Brubeck Dave 1975 Duets w Paul Desmond Horizon $ 5 Burrell Kenny Monday Stroll w Frank Wess Savoy $ 5 Bushkin Joe Skylight Rhapsody $ 5 Bushkin Joe With Teddy Wilson Galaxy $ 5 Butterfield Billy Swinging at the Elks Fat Cat Jazz $ 5 Butterfield Billy Rapport w Dick Wellstood 77 Records $ 5 Byrd Charlie Midnight Guitar Arista $ 5 Canadian Brass Band Fats Waller’s Greatest Hits RCA $ 5 Carmichael Judy Pearls Statiras Records $ 5 Carr Richard & The Pro String Vibration Progressive Records $ 5 Carroll Barbara Lullabies in Rhythm RCA $ 5 Carroll Barbara It's A Wonderful World RCA $ 5 Carter Bennie Best Of Pablo $ 5 Carter Benny Cookin' At Carlos One Jazz Heritage $ 5 Carter Benny Harlem Renaissance Heritage Jazz $ 5 Carter Benny The King $ 5 Celestin Papa Papa Celestin’s Golden Wedding GHB $ 5 Cheatham Doc feat. Dick Wellstood Parkwood $ 5 Cheatham Doc In New Orleans w Sammy Price GHB $ 5 Cherry Don Art Deco A&M $ 5 Christy June Fair and Warmer Capitol $ 5 Christy June The Misty Miss Christy Capitol $ 5 Chrysanthemum Ragtime Band Come and Hear Stomp Off Records $ 5 Chrysanthemum Ragtime Band Preserves Stomp Off Records $ 5 Chrysanthemum Ragtime Band Come On And Hear Stomp Off $ 5 Chrysanthemum Ragtime Band Preserves Stomp Off Records $ 5 Clark Sisters Sing Sing SIng! Dot $ 5 Clark Spencer Sweet and Hot Audiophile $ 5 Classic Jazz Quartet Classic Jazz Q’tet Jazzology Records $ 5 Clayton Buck Buck Clayton Jam Session Chiaroscuro $ 5 Clayton Buck Meet Buck Clayton Jazztone Society $ 5 Clayton Buck & His Swing Band Stash $ 5 Cohn Al Al Cohn Biograph Records $ 5 Cohn Al Al Cohn’s America Xanadu $ 5 Cohn Al From A to Z w Zoot Sims RCA $ 5 Cole Nat At the Sands: His Only Onstage Recordings Capitol $ 5 Cole Nat Best Of VOL 1 Capitol $ 5 Cole Nat Just One of Those Things Capitol $ 5 Cole Nat Tell Me All About Yourself Capitol $ 5 Cole Nat This Is Nat “King” Cole Capitol $ 5 Cole Nat Unforgettable Capitol $ 5 Collier Jim 30 Trumpet Favorites Wyncote Records $ 5 Colyer Ken Colyer Jazzman @ the 100 Club GHB Records $ 5 Condon Eddie Bixieland Columbia $ 5 Condon Eddie Bixieland Columbia Hi Fi Records $ 5 Condon Eddie Jamming at Condon’s Columbia $ 5 Connick Harry Jr. Intro To Columbia $ 5 Connick Harry Jr. 20 Columbia $ 5 Cornell Don Don’s Greatest Hits Dot Records $ 5 Crawford Hank Mr. Chips Milestone Records $ 5 Criss Sonny Warm and Sunny Impulse Records $ 5 Crosby Bing Bing With A Beat $ 5 Crosby Bing Crosby Classics Harmony Records $ 5 Crosby Bing Early Gold Columbia $ 5 Crosby Bing Couple Song & Dance Men w Fred Astaire United Artists $ 5 Crosby Bing Fancy Meeting You Here w Rosemary Clooney RCA $ 5 Cullen Jim Zacatecas Happy Jazz Records $ 5 Dapogny James Music of Jelly Roll Morton Smithsonian $ 5 Davern Kenny The Blue Three $ 5 Davern Kenny & Bob Wilber Soprano Summit Chiaroscuro $ 5 Davidson Wild Bill Live at the Rainbow Room Chiaroscuro $ 5 Davis Eddie Lockjaw JATP 1983 Pablo $ 5 Davis Eddie Lockjaw with Shirley Scott Bethlehem $ 5 Davis Miles Greatest Hits Columbia $ 5 Davis Miles Kind of Blue Columbia $ 5 Dean Peter Radio $ 5 Dearie Blossom May I Come In? $ 5 Dearie Blossom Winchester in Apple Blossom Time $ 5 DeFranco Buddy feat Tal Farlow Like Someone In Love $ 5 DeJohnette Jack Audio Visualscapes Impulse $ 5 DeParis Sidney Sidney DeParis $ 5 DeParis Wilber Over and Over Again $ 5 Desmond Paul Easy Living RCA Records $ 5 Desmond Paul Pure Desmond Motown $ 5 Desmond Paul Summertime A&M $ 5 Desmond Paul Finesse w MJQ $ 5 Dodds Johnny RCA Victor $ 5 Dorough Bob Yardbird Suite Bethlehem $ 5 Dorsey Brothers Roaring 20s and All That Jazz Riverside $ 5 Down Home Jazz Band Yerba Buena Style Stomp Off Records $ 5 Eldridge Roy Dale's Wail Verve $ 5 Eldridge Roy GMP Vintage Series $ 5 Ellington Duke ’55 Capitol $ 5 Ellington Duke 2nd Sacred Concert Prestige $ 5 Ellington Duke also Fletcher Henderson (each side) Riverside $ 5 Ellington Duke Blues In Orbit $ 5 Ellington Duke Eastbourne: The Last Official Concert RCA $ 5 Ellington Duke Four Symphonic Works MHS $ 5 Ellington Duke In A Mellotone RCA $ 5 Ellington Duke Indigos Columbia $ 5 Ellington Duke Johnny Come Lately $ 5 Ellington Duke Live at Newport 1956 Columbia (2) $ 5 Ellington Duke Masterpieces Columbia $ 5 Ellington Duke Monologue Columbia Special Projects $ 5 Ellington Duke Music of Duke Ellington Columbia $ 5 Ellington Duke Never Before Released ’65 - 72 Heritage Records $ 5 Ellington Duke Piano in the Foreground Columbia $ 5 Ellington Duke Presents Ivie Anderson Columbia $ 5 Ellington Duke The Bethlehem Years VOL 1 Bethlehem $ 5 Ellington Duke The Bethlehem Years VOL 2 Bethlehem $ 5 Ellington Duke The Duke and His Men RCA $ 5 Ellington Duke This is Duke Ellington $ 5 Ellington Duke Time-Life Giants of Jazz (3 with booklet) Time-Life Giants of Jazz $ 10 Ellington Duke With Rosemary Clooney Columbia $ 5 Ellington Duke Such Sweet Thunder Columbia $ 5 Ervin Booker The Book Cooks Bethlehem $ 5 Erwin Pee Wee Accent in Dixieland Urania Records $ 5 Evans Bill A Tribute Palo Alto $ 5 Evans Bill Alone Fantasy $ 5 Evans Bill The Second Trio $ 5 Evans Bill Trio, Duo Verve $ 5 Ewell Don Chicago 1957 Stomp Off Records $ 5 Ewell Don Chicago 1957 Stomp Off Records $ 5 Fat Cat and the Bearcats FCJ Records $ 5 Firehouse Five
Load more

Recommended publications
  • Hedenstromspr11.Pdf (1.367Mb)
    Big Band Jazz and 20th C. Art Music: The Historical Relationship Documented Aaron Hedenstrom Music Composition University of Wisconsin-Eau Claire Faculty Mentor: Ethan Wickman, DMA The Premise Data Analysis: Timeline of Events The art music tradition (music stemming from the European Classical tradition) and the jazz tradition have had major impacts on one another throughout the 20th and 21st 1920s 1922: Darius Milhaud composes composes Trois rag caprices centuries. This project was designed to lay out history's events to show the 1923: Darius Milhaud premieres La création du monde 1924: Gershwin premieres "Rhapsody in Blue" 1926: Duke Ellington's 10-piece band records "East St. Louis Toodle-oo" which was their first recording progression of 20th century music as it relates to the big band and art music traditions. 1927: Ellington's 10-piece band records "Black and Tan Fantasy" 1928: Ravel tours North America and composes Sonata for Violin and Piano, which has a slow movement called Blues. American press notes Ravel's love of jazz The importance of this relationship is evident in the immense popularity of jazz-art and blues music hybrids like Rhapsody in Blue and also in the vast range of possibilities to be 1929: Gershwin premieres "An American in Paris" found in future musical creations. 1930s 1930: Duke Ellington's 12-piece band appears in film Check and Double Check and records the famous Mood Indigo. 1930: Gershwin writes "I Got Rhythm" 1932-1942: Ellington band enlarges to become 6 brass, 4 reeds, and rhythm section 1933-1938:
    [Show full text]
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • 1 the ERROL BUDDLE STORY (PART TWO) by Eric
    THE ERROL BUDDLE STORY (PART TWO) by Eric Myers ______________________________________________________________ [The following appeared in two editions of Jazz Magazine, January/February, 1983 and May/June 1983.] At the conclusion of The Errol Buddle Story (Part One), Buddle was in the United States in 1954, leading his own quintet at Klein’s jazz club, Detroit. Other than Buddle the group included Barry Harris (piano), Pepper Adams (baritone sax), Major Holley (bass), and Elvin Jones (drums). On Saturday nights, Billy Mitchell (tenor sax) was booked for a three-way battle of the saxes. NOW READ ON… e used to get a lot of people sitting in at Klein’s,” Errol remembers , “Stan Getz used to come in some times. An unknown bass player, a young guy, used to “W come in and stand up in front of the bandstand, almost begging to sit in. His name was Paul Chambers [who later made historic recordings with Miles Davis.] I think he’d only been playing several months at that time.” Buddle remembers meeting Miles Davis himself when the trumpeter was at the Blue Bird Lounge, one of Detroit’s jazz clubs. Miles invited Errol and Don Varella up to his room, where the two Australians were fascinated to see about 40 paperbacks — all Westerns — lining the mantelpiece. They asked Miles why he liked cowboy stories. He replied: “Man, I love horses”, and explained that his father had bred horses on a ranch in the South. This was shortly before Miles Davis, in a supreme act of self-will, kicked the heroin habit. “Miles told us how he was really hooked on drugs”, says Errol, “that he didn’t dig heroin, and wanted to get off it.” One night Buddle had a choice between hearing the Stan Kenton band with Zoot Sims on tenor, or Charlie Parker, who was in Detroit for one night playing at a black dance.
    [Show full text]
  • Discography of the Mainstream Label
    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • NSBA Convention Performances.Xlsx
    NSBA Performances 1 Title Composer/ Arranger Publisher Grade Performing Group Director(s) Year Russian Christmas Music Alfred Reed, arr. James Curnow Hal Leonard 3.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 December Sky Erik Morales FJH Music 1.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 But for the Love of Ireland James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Burma Patrol Karl King, ed. James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Torrents of Fire Larry Neeck C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Pandora Randall Strandridge Grand Mesa Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 An Irish Jig for Young Feet Travis J. Weller FJH Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Girl from Ipanema Antonio Carlos Jobim/arr. Roger Holmes Hal Leonard Kearney High School Jazz Ensemble Nathan LeFeber 2015 Old Black Magic Arlene and Mercer/arr. Jerry Dotson Unpublished Kearney High School Jazz Ensemble Nathan LeFeber 2015 Pick up the Pieces arr. Victor Lopez Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Misty Burke and Garner/arr. Mike Lewis Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Blue Hue Dominic Spera C.L. Barnhouse Company Kearney High School Jazz Ensemble Nathan LeFeber 2015 Everlasting Gordon Goodwin Belwin Kearney High School Jazz Ensemble Nathan LeFeber 2015 Bottom Line Blues Jon Phelps Kendor Music Publications Kearney High School Jazz Ensemble Nathan LeFeber 2015 All of Me Marks and Simon/arr.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
    THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St.
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • JREV3.8FULL.Pdf
    JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc.
    [Show full text]
  • Upcoming Events
    Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band.
    [Show full text]
  • The Descending Diminished 7Ths in the Brass in the Intro
    VCFA TALK ON ELLINGTON COMPOSITION TECHNIQUES FEB.2017 A.JAFFE 1.) Clarinet Lament [1936] (New Orleans references) https://www.youtube.com/watch?v=FS92-mCewJ4 (3:14) Compositional Techniques: ABC ‘dialectical’ Sonata/Allegro type of form; where C = elements of A + B combined; Diminution (the way in which the “Basin St. Blues” chord progression is presented in shorter rhythmic values each time it appears); play chord progression Quoting with a purpose (aka ‘signifying’ – see also Henry Louis Gates) 2.) Lightnin’ [1932] (‘Chorus’ form); reliance on distinctively individual voices (like “Tricky Sam” Nanton on trombone) – importance of the compositional uses of such voices who were acquired by Duke by accretion were an important element of his ‘sonic signature’ – the opposite of classical music where sonic conformity in sound is more the rule in choosing players for ensembles. https://www.youtube.com/watch?v=3XlcWbmQYmA (3:07) Techniques: It’s all about the minor third (see also discussion of “Tone Parallel to Harlem”) Motivic Development (in this case the minor 3rd; both harmonically and melodically pervasive) The descending diminished 7ths in the Brass in the Intro: The ascending minor third motif of the theme: The extended (“b9”) background harmony in the Saxophones, reiterating the diminished 7th chord from the introduction: Harmonic AND melodic implications of the motif Early use of the octatonic scale (implied at the modulation -- @ 2:29): Delay of resolution to the tonic chord until ms. 31 of 32 bar form (prefigures Monk, “Ask Me Now”, among others, but decades earlier). 3.) KoKo [1940]; A tour de force of motivic development, in this case rhythmic; speculated to be related to Beethoven’s 5th (Rattenbury, p.
    [Show full text]