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Homenaje-Ricardo-Olmos.Pdf HOMENAJE A RICARDO OLMOS Per speculum in aenigmate Miradas sobre la Antigüedad P. Bádenas de la Peña, P. Cabrera Bonet, M. Moreno Conde, A. Ruiz Rodríguez, C. Sánchez Fernández, T. Tortosa Rocamora (eds.) ANEJOS DE ERYTHEIA Estudios y Textos 7 ACHH Estudios y textos de Erytheia, 7 Asociación Cultural Hispano-Helénica Madrid 2014 Ed. en papel ISBN-10 84-87724-04-3 ISBN-13 978-84-87724-04-6 Ed. electrónica ISBN-10 84-87724-05-1 ISBN-13 978-84-87724-05-3 ISSN: 0213-1986 Depósito Legal: M-34882-2014 © ACHH © Pedro Bádenas de la Peña, Paloma Cabrera Bonet, Margarita Moreno Conde, Arturo Ruiz Rodríguez, Carmen Sánchez Fernández, Trinidad Tortosa Rocamora (Editores) © De los textos, sus autores © De las imágenes, sus autores Maquetación y diseño de cubierta: Sara Olmos Impresión: Artes Gráficas Gala, S.L. Impreso en España. Printed in Spain. Pedro Bádenas de la Peña, Paloma Cabrera Bonet, Margarita Moreno Conde, Arturo Ruiz Rodríguez, Carmen Sánchez Fernández, Trinidad Tortosa Rocamora (Editores). Homenaje a Ricardo Olmos. Per speculum in aenigmate. Miradas sobre la Antigüedad. Erytheia. Estudios y Textos nº 7 670 páginas. Homenaje celebrado el 27 de junio de 2014 en el Museo Arqueológico Nacional, Madrid. “… hay momentos felices para dejarse ser en amistad…” (J. GIL DE BIEDMA, Amistad a lo largo) Ricardo Olmos ha ejercido su actividad profesional en diferentes organismos: 2006-2011: Director de la Escuela Española de Historia y Arqueología en Roma (CSIC). 2003-2006: Profesor de Investigación en el Centro de Estudios Históricos- Instituto de Historia (Madrid, CSIC). 1987-2003: Investigador Científico en el Centro de Estudios Históricos- Instituto de Historia (Madrid, CSIC). 1973-1986: Conservador en el Museo Arqueológico Nacional de Madrid. 1970-1972: Profesor en el Instituto de Enseñanza Media Beatriz Galindo. Ricardo Olmos: su obra LIBROS OLMOS, R., TORTOSA, T. y BELLÓN, J.P. (eds.) 2010: Re- de Noviembre de 1993). Universidad Autónoma pensar la Escuela del CSIC en Roma: Cien años de de Madrid-CSIC, Madrid. memoria, CSIC, Madrid. OLMOS, R. y TORTOSA, T. (eds.) 1997: La Dama de El- OLMOS, R., PEREA, A. y WILLIAMS, D. 2007: El Héroe y el che. Lecturas desde la diversidad, Colección Lynx, Monstruo, Museo Arqueológico Nacional, Ministe- nº 2, Arqueología de la mirada, Madrid. rio de Cultura, Madrid. OLMOS, R. (ed.) 1996: Al otro lado del espejo. La arqueo- OLMOS, R., RÍSQUEZ, C. y RUIZ, A. (coords.) 2007: Ex- logía de la mirada. Colección Lynx, nº 1, Pórtico votos Ibéricos: El Instituto de Don Juan, vol. 1, Ins- Librerías, Madrid. tituto de Estudios Gienneneses, Diputación de OLMOS, R. y ROUILLARD, P. (eds.) 1996: Formes Archaï- Jaén, Jaén. ques et Arts Ibériques, Collection de la Casa de OLMOS, R., CABRERA, P. y MONTERO, S. (coords.) 2005: Velázquez, 59, Madrid. Paraíso cerrado y jardín abierto: el reino vegetal en CAbrERA, P., OLMOS, R. y SANMArtÍ, E. (eds.) 1994: el imaginario religioso del Mediterráneo. Ed. Poli- Griegos e Iberos: lecturas desde la diversidad. Actas femo, Madrid. del Simposio Internacional, (Ampurias 2-4 Abril OLMOS, R. y ROUILLARD, P. (eds.) 2004: La vajilla ibé- de 1991), Huelva Arqueológica XIII, 2 vols. Di- rica en época helenística (siglos IV-III al cambio de putación Provincial de Huelva, Huelva. era). Casa de Velázquez (22-23 de enero de 2001), OLMOS, R. 1993: Catálogo de los Vasos Griegos del Mu- Casa de Velázquez, vol. 89, Madrid. seo Nacional de Bellas Artes de La Habana. Insti- IZQUIERDO, I., MAYORAL, V., OLMOS, R. y PEREA, A. 2004: tuto de Conservación y Restauración de Bienes Diálogos en el país de los iberos, Ministerio de Cul- Culturales, Madrid. tura, Madrid. OLMOS, R. (coord.) 1992: Coloquio sobre Teseo y la Copa CABRERA, P. y OLMOS, R. (eds.) 2003: Sobre la Odisea. de Aison. CSIC, Madrid. Visiones desde el mito y la arqueología. Editorial OLMOS, R. y ARCE, J. (coord.) 1991: Historiografía de la Polifemo, Madrid. arqueología y de la historia antigua en España: si- OLMOS, R. y SANTOS, J.A. (eds.) 1997: Iconografía ibéri- glos XVIII-XX, Congreso Internacional, Madrid, 13- ca, iconografía itálica. Propuestas de interpretación 16 diciembre 1988, Instituto de Conservación y y lectura. Simposio Internacional, (Roma, 11-13 Restauración de Bienes Culturales, Madrid. 5 ricardo olmos: su obra Homenaje a Ricardo Olmos OLMOS, R. 1989: Le culture Iberiche e il Mediterraneo. nismo e della storiografia artistica. Universitá, Mostra Fotografica. A cura dell’Istituto per la sto- Museo delle Escuderie Aldobrandini, 13-14, ria e l’archeologia della Magna Grecia, Taranto. Universitalia, 1, 245-277. OLMOS, R. 1989: Vasos Griegos Colección Condes de CABRERA, P., OLMOS, R. 2012: “Historiografía de la ar- Lagunillas. Museo Nacional de Bellas Artes de La queología griega en la Península Ibérica”, Iberia Habana (Cuba), Akanthus Verlag, Zürich. Graeca. El legado arqueológico griego en la Penín- OLMOS, R. y SÁNCHEZ, C. 1988: Imágenes de la Antigua sula Ibérica. Ampurias, 32-42. Atenas. Dirección de los Museos Estatales, Madrid. OLMOS, R. 2011: “En los umbrales de la muerte. Itine- FERNÁNDEZ-MIRANDA, M. y OLMOS, R. 1986: Las Rue- rarios del Más Allá en la imagen ibérica”, ¿Hom- das de Toya y el origen del carro en La Península bres o dioses?: una nueva mirada a la escultura del Ibérica. Subdirección General de Arqueología y mundo ibérico. Comunidad de Madrid, Museo Etnología, Madrid. Arqueológico Regional, Madrid, 107-132. DE GRIÑÓ, B., OLMOS, R. y ARCE, J. 1982: Estudios de OLMOS, R. 2011: “Heracles y Orfeo. Una relación de por Iconografía I: La pátera de Santisteban del Puerto vida (sobre OF 1018 I)”, M. Herrero de Jáuregui et (Jaén). Ministerio de Cultura, Madrid. alii (eds.), Tracing Orpheus: Studies of Orphic Frag- ments in Honour of Alberto Bernabé. De Gruyter OLMOS, R. 1980: Catálogo de los Vasos Griegos del Museo (col. Sozomena, 10), Berlin-New York, 325-332. Arqueológico Nacional: Las lécitos áticas de fondo blanco. Museo Arqueológico Nacional, Madrid. OLMOS, R. y PEREA, A. 2011: “Microcosmos en oro: ¿un programa iconográfico ibérico?”, Perea, A. (ed.), OLMOS ROMERA, R. 1978: Cerámica Griega. Guías del La fíbula de Braganza. Las fíbulas bilingües en torno Museo Arqueológico Nacional, 1, Madrid. a la excepcionalidad. CSIC, Madrid, 109-126. OLMOS, R., RUEDA, C., RUIZ, A., MOLINOS, M., RÍSQUEZ, ARTÍCULOS EN LIBROS Y REVISTAS CIENTÍFICAS C. y GÓMEZ, F. 2011: “Imágenes para un linaje: vida, muerte y memoria ritual en la Cámara prin- OLMOS, R. y RUEDA, C. (e.p.): “La pátera de Perotito (Santisteban del Puerto, Jaén)”, en A. Ruiz y M. cipesca de Piquía (Arjona, Jaén)”, S. Angiolillo, Molinos, Jaén, tierra ibera. 40 años de investiga- M. Giuman e C. Pilo (a cura di): Atti del Conveg- ción y transferencia, Universidad de Jaén. no Internazionale di Studi: Il sacro e il profano. Dinamiche di stratificazione culturale nella periferia RUEDA, C. y OLMOS, R. (e.p.): “Las crateras áticas de la greca e romana. Bretschneider: 89-104. cámara principesca de Piquía (Arjona): los vasos de la memoria de uno de los últimos linajes ibe- OLMOS, R. 2010: “Expectativas desde la situación ac- ros”, en A. Ruiz y M. Molinos, Jaén, tierra ibera. tual de la Escuela Española en 2010”, R. Olmos, 40 años de investigación y transferencia, Universi- T. Tortosa y J.P. Bellón (eds.), Repensar la Escuela dad de Jaén. del CSIC en Roma: Cien años de memoria. CSIC, Madrid, 783-810. OLMOS, R. y MORENO CONDE, M., (con la col. de CABRE- RA, P. y CARDETE Mª C.) 2012: “Animaux et plan- OLMOS, R. 2010: “Francisco de Paula Nebot, arquitecto, tes dans la religion grecque”, ThesCRA VIII, dibujante y pensionista de la Junta, entre Roma y Getty Publications, Los Angeles, 385-426. España”, R. Olmos, T. Tortosa y J.P. Bellón (eds.), Repensar la Escuela del CSIC en Roma: Cien años OLMOS, R. y TORTOSA, T. 2012: “El orientalismo a de memoria. CSIC, Madrid, 215-228. través de los viajes y la escultura ibérica en el tránsito del siglo XIX al XX”, B. Palma (ed.), Il co- OLMOS, R. 2010: “La Escuela Española de Historia y llezionismo di antichità classiche e orientali nelle Arqueología en Roma. Una posible lectura in- formazione dei musei europei. Serie Horti hespe- troductiva, entre otras muchas”, R. Olmos, T. ridum. Fascicolo I. Studi di storia del collezio- Tortosa y J.P. Bellón (eds.), Repensar la Escuela 6 Per speculum in aenigmate ricardo olmos: su obra del CSIC en Roma: Cien años de memoria. CSIC, OLMOS, R. 2008: “Las imágenes de un Orfeo fugitivo Madrid, 33-60. y ubicuo”, A. Bernabé y F. Casadesús (coord.), Orfeo y la tradición órfica: un reencuentro. Ed. OLMOS, R. 2010: “La Ninfa Ilike”, T. Tortosa, S. Ce- Akal, vol. 1. Madrid, 137-178. lestino, (eds.), Debate en torno a la religiosidad protohistórica, Anejos de Archivo Español de Ar- OLMOS, R. 2008: “La simbolización del espacio sagra- queología LV, Mérida, 49-64. do en la iconografía ibérica”, X. Dupré, S. Ribi- chini y S. Verger (coords.), Saturnia Tellus: defini- OLMOS, R. 2010: “Una golondrina no hace verano”, S. zioni dello spazio consacrato in ambiente etrusco, Montero, S. y Cardete Mª C. (eds.), Naturaleza itálico, fenicio-punico, ibérico e celtico. Consiglio y religión en el mundo clásico. Usos y abusos del Nazionale delle Ricerche, Roma, 251-266. medio rural, Colección Thema Mundi 3, Madrid, 27-39. OLMOS, R. 2008: “Iconographical notes on the orphic tablets”, A. Bernabé y A.I. Jiménez (eds.), In- OLMOS, R. 2010: “Viajes iniciáticos en Grecia y en structions for the neverworld: the Orphic gold tab- Iberia: un recorrido iconográfico hacia el reino lets. Brill, Leiden, 273-326. de lo desconocido”, F. Marco, F. Pina y R. Re- mesal (coord.), Viajeros, peregrinos y aventureros OLMOS, R. 2008: “Lecturas iconográficas de la Odi- en el mundo antiguo.
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