The Vegetable Orchestra(Teacher's Notes)
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The Hell Harp of Hieronymus Bosch. the Building of an Experimental Musical Instrument, and a Critical Account of an Experience of a Community of Musicians
1 (114) Independent Project (Degree Project), 30 higher education credits Master of Fine Arts in Music, with specialization in Improvisation Performance Academy of Music and Drama, University of Gothenburg Spring 2019 Author: Johannes Bergmark Title: The Hell Harp of Hieronymus Bosch. The building of an experimental musical instrument, and a critical account of an experience of a community of musicians. Supervisors: Professor Anders Jormin, Professor Per Anders Nilsson Examiner: Senior Lecturer Joel Eriksson ABSTRACT Taking a detail from Hieronymus Bosch’s Garden Of Earthly Delights as a point of departure, an instrument is built for a musical performance act deeply involving the body of the musician. The process from idea to performance is recorded and described as a compositional and improvisational process. Experimental musical instrument (EMI) building is discussed from its mythological and sociological significance, and from autoethnographical case studies of processes of invention. The writer’s experience of 30 years in the free improvisation and new music community, and some basic concepts: EMIs, EMI maker, musician, composition, improvisation, music and instrument, are analyzed and criticized, in the community as well as in the writer’s own work. The writings of Christopher Small and surrealist ideas are main inspirations for the methods applied. Keywords: Experimental musical instruments, improvised music, Hieronymus Bosch, musical performance art, music sociology, surrealism Front cover: Hieronymus Bosch, The Garden of Earthly -
Creative Musical Instrument Design
CREATIVE MUSICAL INSTRUMENT DESIGN: A report on experimental approaches, unusual creations and new concepts in the world of musical and sound instruments. A thesis submitted to the SAE Institute, London, in fulfillment of the requirements for the degree in Recording Arts, awarded by Middlesex University. Author: Andrea Santini Student: 42792 Intake: RAD0503X Project Tutors: Christopher Hayne Darren Gash London, August 2004 c r e a t i v e m u s i c a l i n s t r u m e n t d e s i g n Abstract The following document presents the results of an investigation into the current reality of creative musical-instrument and sound-instrument design. The focus of this research is on acoustic and electro-acoustic devices only, sound sources involving oscillators, synthesis and sampling, be it analogue or digital, have therefore been excluded. Also, even though occasional reference will be made to historical and ‘ethnical’ instruments, they will not be treated as a core issue, the attention being primarily centered on contemporary creations. The study includes an overview of the most relevant “sonic creations” encountered in the research and chosen as representative examples to discuss the following aspects: o Interaction between body and instrument. o Sonic Space o Tuning and layout of pitches o Shapes, materials and elements o Sonic objects, noise and inharmonic sources o Aesthetics: sound instruments as art objects o Amplification and transducer technologies These where chosen to provide some degree of methodology during the research process and a coherent framework to the analysis of a subject which, due to its nature and to the scarcity of relevant studies, has unclear boundaries and a variety of possible interdisciplinary connections. -
Hands-On Engineering Experience, a Liberal Arts Case
Paper ID #29699 Hands-on Engineering Experience, a Liberal Arts Case Dr. Niloofar Kamran, Cornell College Mr. Qingbao Wang, Cornell College Mr. Andy Grove William Nitschke Dragon II, Cornell College c American Society for Engineering Education, 2020 Hands-on Engineering Experience, a Liberal Arts Case Will Dragon, Qingbao Wang, Andy Grove, Niloofar Kamran Abstract Our project was a part of the 2019 Cornell College Summer Research Institute (CSRI), where Cornell College students and faculty work in close collaboration on a research project for eight weeks during summer. The program includes one faculty member and one or two students per each research topic. As the educational goals of the program, we expect our students to commit to the eight-week timeline, and we hope to get them ready for their future workplace and give them some ideas of the graduate school experience. They practice to learn how a research project is done from the literature review to the built, and we hope to encourage them to be independent thinkers. To satisfy the educational goals of the program, the students were given the flexibility to lead the project in the direction they wished, and the supervisor provided a guiding hand, emulating a graduate-level research work. In addition, the students presented their work for their peers and public audience multiple times during the project that helped them with their presentation skills. We chose the project based on the students' background and passion and with having their degree, general engineering, in mind. Students at Cornell College are heavily involved in artistic and athletic activities. -
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
Currently –Year 2009– We Still Are Sailing "Our" Black Oceans, Id Est, We Surf Blindly the Waters of the Web, by A
The black oceans of the deep web, and the crystal clear databases by Alejandro Ochoa G. Guadalajara, State of Jalisco, Mexico Wednesday, June 24, 2009 The web is opaque. Currently –June, 2009– we are still sailing "our" black oceans. Or, we are surfing somewhat blindly the waters of the web. We accept and rely on what search engines like yahoo.com, bing.com, ask.com, google.com, kosmix.com, hakia.com, lexxe.com, answers.com/bb, wolframalpha.com, cuil.com, deeppeep.org, clusty.com, http://blindsearch.fejus.com, duckduckgo.com, yauba, hunch.com, oneriot, scoopler, powerset, et cetera, retrieve from the internet by using their web crawlers, bots or robots, ants, automatic indexers, worms, spiders, or Web scutters, and then delivering the results of their searches to us through the links their software creates. I think the time has come for someone to tell the Internet Corporation for Assigned Names and Numbers (ICANN) that soon there will be a need to create at least three new top-level domains (TLDs): .odb, .sdb, and .fdb (open databases, shareable databases, and free databases). There are several well-known TLDs: .aero, .asia, .biz, .cat, .com, .coop, .gov, .gob [in Spanish], .info, .int, .jobs, .mil, .mobi, .museum, .name, .net, .org, .pro, .tel, .travel, .tv, et cetera. I believe it would be ideal, “perfect” or good for many of us internet surfers to stop being surfers, and become internet divers or crew members of a submarine or a bathyscaphe. We would be better if we could leave the surfboard or the clipper or the yacht, and enter a submarine or a bathyscaphe in order to see directly what the deep oceans of the web conceal. -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
Experimental Music Since 1970 Free Download
EXPERIMENTAL MUSIC SINCE 1970 FREE DOWNLOAD Jennie Gottschalk | 304 pages | 11 Aug 2016 | Bloomsbury Publishing PLC | 9781628922479 | English | New York, United States Experimental musical instrument John Cage — was an American composer who pioneered the fields of chance musicelectronic music and unorthodox use of musical instruments. Post to Cancel. For a long time. Through such focused attention, the music asks us to listen actively to what usually is passively endured, whether this latter consists of the natural or built environment, the acoustic properties of physical spaces and living beings, the spatial distribution of sound, the sonic qualities of everyday objects and materials, or the temporal dimension of sound. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting Experimental Music Since 1970 state of uncertainty. Jennie Gottschalk takes a fresh and independent look at experimental music of the last forty years, finding both Experimental Music Since 1970 of continuation from the previous era and many novel and heartening developments. The Experimental Music Since 1970 "experimental" in the former cases "is apt, providing it is understood not as descriptive Experimental Music Since 1970 an act to be later judged in terms of success or failure, but simply as of an act the outcome of which is unknown" Experimental Music Since 1970 Uakti WAHK-chee is a Brazilian instrumental musical group active in the s known for using custom-made instruments built by the group. Founded inThe Vegetable Orchestra use instruments made entirely from fresh vegetables. It is a wind instrument or aerophoneclassifiable as Experimental Music Since 1970 woodwind rather than brass instrument despite being made of metal, because it has a reed cf. -
Jose Vasco Carvalho Tese.Pdf
UNIVERSIDADE CATÓLICA PORTUGUESA ESPAÇOS SONOROS: A EXPERIÊNCIA SÓNICA NO CONTEXTO DA ARTE PÚBLICA Tese apresentada à Universidade Católica Portuguesa para obtenção do grau de Doutor em Ciência e Tecnologia das Artes Arte Interativa por José Vasco Gaio Monteiro Barroco Carvalho ESCOLA DAS ARTES Outubro 2019 i ii UNIVERSIDADE CATÓLICA PORTUGUESA ESPAÇOS SONOROS: A EXPERIÊNCIA SÓNICA NO CONTEXTO DA ARTE PÚBLICA Tese apresentada à Universidade Católica Portuguesa para obtenção do grau de Doutor em Ciência e Tecnologia das Artes Arte Interativa Por José Vasco Gaio Monteiro Barroco Carvalho Sob orientação de Luís Gustavo Martins ESCOLA DAS ARTES Outubro 2019 iii iv Esta Investigação foi parcialmente financiada pela Fundação para a Ciência e Tecnologia (FCT) com a atribuição da Bolsa de doutoramento SFRH/BD/71416/2010. v vi “... na escrita a música está em primeiro lugar. Toda a arte tende para a música e a música tende para o silêncio. ...” António Lobo Antunes vii viii Para a Juaninha Feliz ix x Agradecimentos A escrita desta tese decorreu num tempo de grandes desafios pessoais e profissionais superados com o apoio e generosidade de quem de modo institucional ou emocional para ela contribuiu. A todos os que por ação ajudaram a este desfecho envio a minha gratidão. Começo por agradecer ao meu orientador o Professor Luís Gustavo Martins pelo apoio, confiança e contributo. Ao colega de doutoramento e incansável parceiro André Perrotta o meu agradecimento. A todos os colegas do programa de doutoramento em Ciência e Tecnologia das Artes em particular ao André Baltazar, Joana Gomes, José Gomes, João Cordeiro, Luís Sarmento, Mailis Rodrigues, Samuel Van Ransbeek e Vitor Joaquim o meu agradecimento por dividirem palco, pelas opiniões, contributos, ideias e apoio. -
Natural Interfaces for Musical Expression: Physiphones and a Physics-Based Organology
Natural Interfaces for Musical Expression: Physiphones and a physics-based organology Steve Mann B.aaaaaaaaaIaaaaaaaaaaaaaaaaaaaaaaa C.aaaaaaaaaaaaaaaaaaaaa Fluidly Limitless User Interfaces Devices (FL UI D) Laboratory Paaaaaaaaaa 123 aaaaaaaa University of Toronto, Department of Electrical and Computer Engineering Daaaaaaaaaa 43017-6221 aaaaaaaaaaaaaa 10 King’s College Road, Toronto, Ontario, Canada, M5S 3G4 [email protected] [email protected] ABSTRACT 1. SEPARATING TOUCH FROM SOUND Modern technology has made it possible to separate the This paper presents two main ideas: user-interface from the sound production mechanism of an (1) Various newly invented liquid-based or underwater instrument. For example, the harpsichord (and later the pi- musical instruments are proposed that function like woodwind ano) is often regarded as an improvement over the harp, be- instruments but use water instead of air. These \woodwater" cause it re-arranges the user interface (keyboard) in a more instruments expand the space of known instruments to in- optimal manner than direct interaction with a harp. A series clude all three states of matter: solid (strings, percussion); of mechanical levers, linkages, and other mechanisms allow liquid (the proposed instruments); and gas (brass and wood- the user-interface and sound production medium to each be winds). Instruments that use the fourth state of matter separately optimized at opposite ends of an intricate chain (plasma) are also proposed. of cause and effect. (2) Although the current -
A Worksheet) Activity 1 Discuss the Questions with Your Partner
Skyteach.ru The Vegetable Orchestra (a worksheet) Activity 1 Discuss the questions with your partner. 1. Do you play any musical instrument? If not, would you like to? 2. Why is it good to learn to play a musical instrument? 3. What musical instruments are unique to your country or culture? Activity 2 Match the pictures and the instruments. 1.___tambourine 10.___chimes 2.___musical triangle 11.___french horn 3.___drum set 12.___harp 4.___trumpet 13.___violin 5.___trombone 14.___clarinet 6.___flute 15.___oboe 7.___xylophone 16.___cello 8.___tuba 17.___double bass 9.___saxophone 18.___cymbals Now listen and guess which instrument is playing! 1. _______________________________________ 11. ______________________________________ 2. _______________________________________ 12. ______________________________________ 3. _______________________________________ 13. ______________________________________ 4. _______________________________________ 14. ______________________________________ 5. _______________________________________ 15. ______________________________________ 6. _______________________________________ 16. ______________________________________ 7. _______________________________________ 17. ______________________________________ 8. _______________________________________ 18. ______________________________________ 9. _______________________________________ 19. ______________________________________ 10. ______________________________________ 20. ______________________________________ Created by Kristina Shabo for Skyteach, 2019 © Skyteach.ru -
Medium of Performance for Music: Working List of Terminology
Medium of Performance for Music Working List of Terminology Revised February 2013 Terms listed here are from Library of Congress Subject Headings (LCSH). The status LCMPT indicates that the Library of Congress (LC) and the Music Library Association (MLA) have agreed that the term is eligible, if not necessarily as a main term or in the form shown in this list, for LCMPT, Library of Congress Medium of Performance Thesaurus for Music, which being developed by these two collaborators. The status LCSH means the term will not be added to LCMPT. For a complete list of medium of performance terms LC and MLA have agreed on for LCMPT, see http://www.loc.gov/catdir/cpso/medprf_lcmla.pdf.