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Esoteric Buddhist Traditions in Medieval Japan Matthew D
issn 0304-1042 Japanese Journal of Religious Studies volume 47, no. 1 2020 articles 1 Editor’s Introduction Esoteric Buddhist Traditions in Medieval Japan Matthew D. McMullen 11 Buddhist Temple Networks in Medieval Japan Daigoji, Mt. Kōya, and the Miwa Lineage Anna Andreeva 43 The Mountain as Mandala Kūkai’s Founding of Mt. Kōya Ethan Bushelle 85 The Doctrinal Origins of Embryology in the Shingon School Kameyama Takahiko 103 “Deviant Teachings” The Tachikawa Lineage as a Moving Concept in Japanese Buddhism Gaétan Rappo 135 Nenbutsu Orthodoxies in Medieval Japan Aaron P. Proffitt 161 The Making of an Esoteric Deity Sannō Discourse in the Keiran shūyōshū Yeonjoo Park reviews 177 Gaétan Rappo, Rhétoriques de l’hérésie dans le Japon médiéval et moderne. Le moine Monkan (1278–1357) et sa réputation posthume Steven Trenson 183 Anna Andreeva, Assembling Shinto: Buddhist Approaches to Kami Worship in Medieval Japan Or Porath 187 Contributors Japanese Journal of Religious Studies 47/1: 1–10 © 2020 Nanzan Institute for Religion and Culture dx.doi.org/10.18874/jjrs.47.1.2020.1-10 Matthew D. McMullen Editor’s Introduction Esoteric Buddhist Traditions in Medieval Japan he term “esoteric Buddhism” (mikkyō 密教) tends to invoke images often considered obscene to a modern audience. Such popular impres- sions may include artworks insinuating copulation between wrathful Tdeities that portend to convey a profound and hidden meaning, or mysterious rites involving sexual symbolism and the summoning of otherworldly powers to execute acts of violence on behalf of a patron. Similar to tantric Buddhism elsewhere in Asia, many of the popular representations of such imagery can be dismissed as modern interpretations and constructs (White 2000, 4–5; Wede- meyer 2013, 18–36). -
The Origins of Japanese Culture Uncovered Using DNA ―What Happens When We Cut Into the World of the Kojiki Myths Using the Latest Science
The Origins of Japanese Culture Uncovered Using DNA ―What happens when we cut into the world of the Kojiki myths using the latest science Miura Sukeyuki – Professor, Rissho University & Shinoda Kenichi – Director, Department of Anthropology, Japanese National Museum of Nature and Science MIURA Sukeyuki: The Kojiki (Records of Ancient Matters) has one distinguishing feature in the fact it includes a mixture of both Southern and Northern style myths. This is proof that Japanese culture was originally not only one culture, but rather came into existence while being influenced by its various surroundings; but when it comes to trying to seek out the origins of that culture, as we would expect, there are limits to how far we can get using only an arts and humanities-based approach. That’s where your (Professor Shinoda’s) area of expertise— molecular anthropology—comes in and corroborates things scientifically for us. Miura Sukeyuki , Professor, Rissho By analyzing the DNA remaining in ancient human skeletal remains, University your research closing in on the origins of the Japanese people is beginning to unravel when the Jomon and Yayoi peoples and so on came to the Japanese archipelago, where they came from, and the course of their movements, isn’t it? In recent times we’ve come to look forward to the possibility that, by watching the latest developments in scientific research, we may be able to newly uncover the origins of Japanese culture. SHINODA Kenichi: Speaking of the Kojiki , during my time as a student my mentor examined the bones of O-no-Yasumaro, who is regarded as being the person who compiled and edited it. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Apotheosis, Sacred Space, and Political Authority in Japan 1486-1599
QUAESTIONES MEDII AEVI NOVAE (2016) THOMAS D. CONLAN PRINCETON WHEN MEN BECOME GODS: APOTHEOSIS, SACRED SPACE, AND POLITICAL AUTHORITY IN JAPAN 1486-1599 In 1486, the ritual specialist Yoshida Kanetomo proclaimed that Ōuchi Norihiro was the Great August Deity of Tsukiyama (Tsukiyama daimyōjin 築山大明神), and had this apotheosis sanctioned by Go-Tsuchimikado, the emperor (tennō 天皇) of Japan. Ōuchi Norihiro would not seem to be a likely candidate for deifi cation. Although he was an able administrator, and a powerful western warlord, he left few traces. Save for codifying a few laws, and promoting international trade, his most notable act was the rebellion that he initiated against the Ashikaga, the shoguns, or military hegemons of Japan, in the last weeks of his life. Early in this campaign, Norihiro succumbed to illness and died on a small island in Japan’s Inland Sea, leaving his son Masahiro to continue the confl ict against the Ashikaga. This deifi cation, which was formalized some two decades after Norihiro’s demise, was in and of itself not something unique. Japan’s emperors had long been known to have sacerdotal authority, with several sovereigns in the 7th century being referred to as manifest deities (akitsumigami 現神), although this moniker fell out of favor in the 8th century1. To be made a god, the court and its constituent ritual advisors had to recognize one as such. The court and its offi cials, who had long asserted the authority to bestow ranks and titles to gods, could transform men, most notably those who died with a grudge, into gods as well. -
Vol. 21 • 2016 • Cultures of War • Liturgy
www.vistulana.pl 2016 www.qman.com.pl • vol. 21 vol. vol. 21 • 2016 • Cultures of War • Liturgy issn 1427‒4418 ISBN 978-83-65548-15-3 vol. 21 • 2016 • Cultures of War • Liturgy Fundacja Centrum Badań Historycznych Warszawa 2016 QUAESTIONES MEDII AEVI NOVAE Journal edited by Wojciech Fałkowski (Warsaw) – Editor in Chief Marek Derwich (Wrocław) Wiesław Długokęcki (Gdańsk) Tomasz Jasiński (Poznań) Andrzej Radzimiński (Toruń) Paweł Derecki (Warsaw) – Assistant Editor Editorial Board Gerd Althoff (Münster) Philippe Buc (Wien) Patrick Geary (Princeton) Sergei Karpov (Moscow) Rosamond McKitt erick (Cambridge) Yves Sassier (Paris) Journal accepted in the ERIH PLUS list. Articles, Notes and Books for Review shoud be sent to: Quaestiones Medii Aevi Novae, Instytut Historyczny Uniwersytetu Warszawskiego; Krakowskie Przedmieście 26/28, PL 00-927 Warszawa; Tel./Fax: (0048 22) 826 19 88; [email protected] (Editor in Chief); www.qman.com.pl Published and fi nanced by: • Faculty of History of Gdańsk University • Ministry of Science and Higher Education (no. 0163/NPRH4/H3b/83/2016) © Copyright by Center of Historical Research Foundation, 2016 ISSN 1427-4418 ISBN 978-83-65548-15-3 Printed in Poland Subscriptions: Published in December. The annual subscriptions rate 2016 is: in Poland 38,00 zł; in Europe 32 EUR; in overseas countries 42 EUR Subscriptions orders shoud be addressed to: Wydawnictwo Towarzystwa Naukowego “Societas Vistulana” ul. Garczyńskiego 10/2, PL 31-524 Kraków; E-mail: [email protected]; www.vistulana.pl Account: Deutsche Bank 24 SA, O/Kraków, pl. Szczepański 5 55 1910 1048 4003 0092 1121 0002 Impression 550 spec. Contents I. Cultures of War ........................................................................................... -
Most Wanted Furs Omic Well-Being Restored
^ • A .-T?* i Hi •;> I i ''W ED N ESD AT, NOVEMBER T, 194* The Weather M anchester " Evening Herald 1 Average Daily Circulation ForMSst of C. a. WesUMT Barisu For the Maath of October, ISU Moctijr embody sad eentlssta Staff Sergeant .Frederick Sla- The Fellowcraft' Club of Man odld wltfi sofne tog toBlght; Fri der, of 51 Avondale road, received chester Lodge of Masons wilKmeet 8,995 day partb' doody, eoatinood mild, I Lend A Hand his honorable discharge from the toraor'rvw evening at 8 o’clock iq (oDowed bjr scattered showers. About Town Mamber of the AoAt the Masonic Temple, This meet Army st Mitchel Field, N. Y., on Biness of Olceaistloos The family of Fred McKenney. Monday. ing is in preparation for the New Mrnicheater— A CUy of VUIage Chamt victims of a fire in their home on Britain participation, November RiMlI M. HcNein. of 330 Mount Nebo Place Monday night. I^OliKar atreet, haa received hie hon- Corporal Richard G. Hollemam 13. All members of the club are (FOURTEEN PAGES) PRICE THREE CENTS de.sire a home for their three hcil- urged to be present. MANCHESTER, CONN., THURSDAY, NOVEMBER 8,1945 ‘^ omble Oaclierfe from the United of 74 Drive B. ha.s been honorably (Ofaiasiasd Advertiatog os U) ■ Mu'___________ dren for about five days until the discharged at Camp Edwards,! VOL. L X V ., NO. S4 -Mates ifarlac Cbrpi and ie el hie lesidence can be cleaned up and Itome here. A graduate of Man- Mass. j Second Lieut. Robert Samuel! dried out. The children are two, Sherman of the Air Corps has! eheeter lUgb School, he enlisted in three and five' years of age. -
Tokyo to Osaka: Subduction by Slow Train*
TOKYO TO OSAKA: SUBDUCTION BY SLOW TRAIN* Wes Gibbons 2020 This Holiday Geology guide offers an alternative approach to train travel between Tokyo and the Osaka/Kyoto/Nara area. The journey takes it slow by using the extensive network of local trains, giving time to enjoy the scenery and sample a taste of everyday life in Japan. Instead of hurtling from Tokyo to Osaka by Shinkansen bullet train in three hours, our route takes over a week as we meander from the suburbs of Greater Tokyo to the peaceful shrines of Kamakura and the spa-town of Atami, skirting Mount Fuji to pass Nagoya on the way to the isolated splendours of the Kii Peninsula before reconnecting with the urban masses on the approach to Osaka. For those with extra time to spend, we recommend finishing the trip off with a visit to Nara (from where Kyoto is less than an hour away). The journey is a very Japanese experience. You will see few non-Japanese people in most of the places visited, and it is difficult not to be impressed with the architecture, history, scenery and tranquillity of the many shrines passed on the way. The Kii Peninsula in particular offers a glimpse into Old Japan, especially because the route includes walking along parts of the Kumano Kudo ancient pilgrimage trail (Days 5-7). *Cite as: Gibbons, W. 2020. Holiday Geology Guide Tokyo to Osaka. http://barcelonatimetraveller.com/wp- content/uploads/2020/03/TOKYO-TO-OSAKA.pdf BARCELONA TIME TRAVELLER COMPANION GUIDE Background. The route described here offers a slow and relatively cheap rail journey from Tokyo to Osaka. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan. -
The Inventory of Intangible Cultural Heritage in Japan As of March 2009
111I1/11111111/1111I11111 0040500007 The Inventory of Intangible Cultural Heritage in Japan as of March 2009 1 . Important Intangible Cultural Properties (a) Individual Recognition ( i ) PerformingArts ( ii) Craft Techniques (b) Holders (Collective Recognition)/Holding Groups ( i ) Performing Arts (Holders (Collective Recognition» ( ii) Craft Techniques (Holding Groups) 2 . Important Intangible Folk Cultural Properties Important Intangible Folk Cultural Properties 3 . Selected Conservation Techniques (a) Holders (b) Preservation Organizations %: Highlighted in yellow are the elements nominated for Inscription on the Representative List, 2010. 1. Important Intangible Cultural Properties (a) Individual Recognition ( i ) Performing Arts 1. Imoortant Intangible Cultural Prooerties (a) Individual Recognition (.)PI erliarmmg Arts I i Genre Name of Property I Date of Selecton Holders Name Other Name Date of Designation Fh-gaku Noh Shite-kata 'February 15, 1955 J§ayama Hirotarou Katayamakurouzaemon July 12, 2001 awa lzumi July 10, 2003 Noh Waki-kata June 27, 1994 Houshou Kan June 27, 1994 i Noh Hayashi-kata Kotsuzumi June 8, 1998 Sowa Hiroshi June 8, 1998 I Kitamura Osamu July 10, 2003 Noh Hayashi-kata Ohtsuzumi June 8, 1998 Yasufuku Tatsuo June 8, 1998 Kamei Tadao July 8,2002 Noh Hayashi-kata Taiko May 15, 1992 Komparu Souichi Komparu Souemon May 15, 1992 Kyougen April 10, 1967 Sigeyama Shime Shigeyama Sensaku May 6,1989 Nomura Taro Nomura Man June 6, 1997 I Nomura Jiro Nomura Mansaku September 6, 2007 Bunraku Ningyo Jyoruri Bunraku Tayu April -
Temple Treasures of Japan
5f?a®ieiHas3^ C-'Vs C3ts~^ O ft Digitized by the Internet Archive in 2016 with funding from Getty Research Institute https://archive.org/details/ternpletreasureso00pier_0 Bronze Figure of Amida at Kamakura. Cast by Ono Goroyemon, 1252 A. D. Foundation-stones of Original Temple seen to left of Illustration. Photographed by the Author. TEMPLE TREASURES OF JAPAN BY GARRETT CHATFIELD PIER NEW YORK FREDERIC FAIRCHILD SHERMAN MCMXIV Copyright, 1914, by Frederic Fairchild Sherman ILLUSTRATIONS Bronze Figure of Amida at Kamakura. Cast by Ono Goroyemon, 1252 A. D. Foundation- stones of Original Temple seen to left of Illustration Frontispiece Facing Pig. Page 1. Kala, Goddess of Art. Dry lacquer. Tempyo Era, 728-749. Repaired during the Kamakura Epoch (13th Century). Akishinodera, Yamato .... 16 2. Niomon. Wood, painted. First Nara Epoch (711 A. D.). Horyuji, Nara 16 3. Kondo or Main Hall. First Nara Epoch (71 1 A. D.). Horyuji, Nara 16 4. Kwannon. Copper, gilt. Suiko Period (591 A. D.). Imperial Household Collection. Formerly Horyuji, Nara 16 5. Shaka Trinity. Bronze. Cast by Tori (623 A. D.) Kondo Horyuji 17 6. Yakushi. Bronze. Cast by Tori (607 A. D.). Kondo, Horyuji 17 7. Kwannon. Wood. Korean (?) Suiko Period, 593-628, or Earlier. Nara Museum, Formerly in the Kondo, Horyuji 17 8. Kwannon. Wood, Korean (?) Suiko Period, 593-628, or Earlier. Main Deity of the Yumedono, Horyuji . 17 9. Portable Shrine called Tamamushi or “Beetle’s Wing” Shrine. Wood painted. Suiko Period, 593- 628 A. D. Kondo, Horyuji 32 10. Kwannon. Wood. Attributed to Shotoku Taishi, Suiko Period, 593-628. Main Deity of the Nunnery of Chuguji. -
Video Catalogue (VHS, DVD) – Live Action & Anime - Detailed Listing Ordered by Title Japan Foundation, Sydney, Library
• Live action titles start on page 1 • Anime titles start on page 29 CALL NUM: 778.21 MII 1 videodisc (DVD)(117 min.) + 1 booklet (13 p.).DVD (Region 13 ASSASSINS / DIRECTED BY TAKASHI MIIKE. 4, PAL); dual layer; anamorphic wide screen (16:9) presentation; [Newtown, N.S.W.] : Icon Film Distribution, [2012]. Japanese soundtrack in Dolby Digital mono. 1 videodisc (DVD)(124 min.)DVD (Region 2 and 4, PAL); Soundtrack in Japanese. Optional English subtitles. aspect ratio (2.35:1); soundtrack in Dolby Digital 5.1. OFLC rating: M, including Violence and mature themes. Soundtrack in Japanese. Optional English subtitles: This wildly melodramatic tale of a kabuki female impersonator OFLC rating: MA15+, including Strong violence. who exacts a long-delayed revenge on the men who drove his Thirteen brave samurai must face overwhelming odds in an parents to suicide is played out against a backdrop of comic epic battle against a sadistic lord and his army of 200 to prevent rivalries between thieves in the Tokyo underworld. him from plunging Japan into war. CALL NUM: 778.21 CHI CALL NUM: 778.21 INA ALIEN VS NINJA : AVN / WRITTEN, EDITED AND DIRECTED BY SEIJI THE 47 RONIN / PRODUCED BY SANEZUMI FUJIMOTO, TOMOYUKI CHIBA. TANAKA, HIROSHI INAGAKI ; SCREENPLAY BY TOSHIO YASUMI ; [Collingwood, Vic.] : Madman Entertainment, [2011], c2010. DIRECTED BY HIROSHI INAGAKI. 1 videodisc (DVD)(90 min.)DVD (Region 4, PAL); dual layer; [Collingwood, Vic.] : Madman Entertainment, [2007], c1962. anamorphic wide screen (16:9) presentation; Japanese 1 videodisc (DVD)(199 min.)DVD (Region 4, PAL); dual layer; soundtrack options in 5.1 and 2.0 Dolby Digital, English 16:9 anamorphic wide screen (2.35:1) presentation; Japanese soundtrack in 5.1 Dolby Digital. -
The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-Sworded Men from the Fifteenth to the Twenty-First Centuries
The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-sworded Men from the Fifteenth to the Twenty-first Centuries. Anatoliy Anshin Ph.D. Dissertation UNSW@ADFA 2009 ACKNOWLEDGEMENTS This thesis would not have seen the light without the help of more people than I can name individually. I am particularly grateful to Professor Stewart Lone, UNSW@ADFA, and Professor Sandra Wilson, Murdoch University, for their guidance and support while supervising my Ph.D. project. All of their comments and remarks helped enormously in making this a better thesis. A number of people in Japan contributed significantly to producing this work. I am indebted to Ōtake Risuke, master teacher of Tenshinshō-den Katori Shintō-ryū, and Kondō Katsuyuki, director of the Main Line Daitō-ryū Aikijūjutsu, for granting interviews and sharing a wealth of valuable material during my research. I thank Professor Shima Yoshitaka, Waseda University, for his generous help and advice. I would like to express my infinite thankfulness to my wife, Yoo Sun Young, for her devotion and patience during the years it took to complete this work. As for the contribution of my mother, Margarita Anshina, no words shall convey the depth of my gratitude to her. 1 CONTENTS Acknowledgements…………..…………………………………………………….……1 Contents…………………………..……………………………………………………...2 List of Illustrations……………………………………………………………………….5 Conventions……………………………………………………………………………...6 List of Author’s Publications…………………………………………………………….8 INTRODUCTION……………………………………………………………………….9