Rabelais: Gargantua and Pantagruel, Five Volumes, Complete
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Card-Sharpers, Thff ,Ffl?,I|?I}Ffi|||Fifl
12.47 ••TJ'''' CORNELL UNIVERSITY LIBRARY FROM Date Due V/^A''^7 >^i^Jlf - iny-ft- i: 1974 P -eeti ^^mw7t j iw*isa^^ DE€ 1 197Q l P¥ liian <jS5& Cornell University Library GV 1247.R64 1891 Card-sharpers, thff ,ffl?,i|?i}ffi|||fifl 3 1924 026 470 801 Cornell University Library The original of tliis book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026470801 CARD-SHARPERS — — TWO SPORTING BOOKS. Imp. i6tHff, cloth extra. Illustrated^ price 3s". td. {^postage 5^.). Or, with hand-coloured Plates and superior binding, js. 6d. NEWTON DOGVANE: A Story of English Country Life. By FRANCIS FRANCIS, Author op ^'Sporting Sketches with Pen and Pencil" etc. etc. With Illustrations, engraved on Steel, by John Leech. " ' When it is said that ' Newton Dogvane is written by the late Mr. Francis Francis, and illustrated by John Leech, assurance has been given of a handsome and entertaining book." ^ Baily's Magazine. Crown %vo, picture hoards, 2s. Cloth extra, 35-. 6d. {postage ^d.). HARD HELD. A Sporting Novel. By SIR RANDAL H. ROBERTS, Bart. " The descriptions of sporting scenes—of trout-fishing, partridge, shooting (with dogs), and a run with fox-hounds, on a false scent insidiously furnished by a 'drag'—are decidedly good." Ilhcstrated London News. LONDON: SPENCER BLACKETT, 35, ST. BRIDE STREET, LUDGATE CIRCUS, E.C. And of all Booksellers and Raihvay Bookstalls. CARD-SHARPERS THEIR TRICKS EXPOSED OR THE ART OF ALWAYS WINNING TRANSLATED FROM THE FRENCH ^^ ROBERT-HOUDIN BY JOSEPH FORSTER WITH EXPLANATORY DIAGRAMS LONDON SPENCER BLACKETT CIRCUS, E.G. -
Proquest Dissertations
Joyce Mansour's poetics: A discourse of plurality by a second-generation surrealist poet Item Type text; Dissertation-Reproduction (electronic) Authors Bachmann, Dominique Groslier Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 06:15:18 Link to Item http://hdl.handle.net/10150/280687 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
The Image of the Turk in Early Modern Board Games and Playing Cards
THE IMAGE OF THE TURK IN EARLY MODERN BOARD GAMES AND PLAYING CARDS ÖMER FATİH PARLAK PHD THESIS Directed by DR. MARÍA JOSÉ VEGA RAMOS and DR. LARA VILÀ TOMAS Literary Theory and Comparative Literature Department of Spanish Literature Faculty of PhiLosophy and Arts BarceLona 2019 In memory of my father, Adem Parlak (1949-2014) TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 TABLE OF FIGURES ........................................................................................................ 8 LIST OF TABLES ............................................................................................................... 9 ABSTRACT ....................................................................................................................... 10 RESUMEN ......................................................................................................................... 11 ACKNOWLEDGEMENTS .............................................................................................. 12 INTRODUCTION ............................................................................................................. 15 GAMES INDEX ................................................................................................................... 23 Germany ...................................................................................................................... 23 Italy ............................................................................................................................. -
Rabelais' Pantagruel and Gargantua As Instruction Manuals
FROM POPULAR CULTURE TO ENLIGHTENMENT: RABELAIS’ PANTAGRUEL AND GARGANTUA AS INSTRUCTION MANUALS Ashley Robb A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August: 2012: Committee: Dr. Beatrice Guenther, Advisor Dr. Robert Berg ii ABSTRACT Dr. Beatrice Guenther, Advisor Popular references are a defining feature of François Rabelais’ Pantagruel and Gargantua. One cannot read either of these narratives without being exposed to a barrage of popular characters, imagery, and events. This study serves to elucidate Rabelais’ use of popular characters within Pantagruel and Gargantua by arguing that the author used these characters as instructional tools. The first component of this thesis will analyze the manner in which Rabelais makes use of his mythical protagonists in order to denounce the ideological use of myth. This study will also demonstrate how Rabelais uses popular characters in his second narrative, Gargantua, to evoke Erasmian evangelism. The final chapter of this thesis will examine several narrative techniques employed by Rabelais in order to transmit to his readers lessons on wisdom and truth. The culmination of these examples serves to show how Rabelais’ Pantagruel and Gargantua function as instruction manuals, by redefining and reclaiming what it means to be a Christian, and informing readers how to live a better, more evangelical, life. iii TABLE OF CONTENTS Page INTRODUCTION .............................................................................................................. -
Protéisme Du Diable Dans Le Théâtre Et La Publicistique Au Tournant Du Xviie Siècle : Les Exemples De Heinrich Julius Von Br
Cahiers d’Études Germaniques 62 | 2012 Diables et spectres. Croyances et jeux littéraires (Volume 1) Protéisme du diable dans le théâtre et la publicistique au tournant du XVIIe siècle : les exemples de Heinrich Julius von Braunschweig et de Jakob Ayrer Die Vielgestalt des Teufels auf der Bühne und in der Publizistik an der Wende zum 17. Jahrhundert: die Beispiele von Heinrich Julius von Braunschweig und von Jakob Ayrer The 1000 faces of the devil on stage and the Publicismk at the turn of the 17th century: the examples of Heinrich Julius von Braunschweig and Jakob Ayrer Florent Gabaude Édition électronique URL : https://journals.openedition.org/ceg/11702 DOI : 10.4000/ceg.11702 ISSN : 2605-8359 Éditeur Presses Universitaires de Provence Édition imprimée Date de publication : 1 avril 2012 Pagination : 119-149 ISBN : 0751-4239 ISSN : 0751-4239 Référence électronique Florent Gabaude, « Protéisme du diable dans le théâtre et la publicistique au tournant du XVIIe siècle : les exemples de Heinrich Julius von Braunschweig et de Jakob Ayrer », Cahiers d’Études Germaniques [En ligne], 62 | 2012, mis en ligne le 12 octobre 2020, consulté le 04 juin 2021. URL : http:// journals.openedition.org/ceg/11702 ; DOI : https://doi.org/10.4000/ceg.11702 Tous droits réservés Protéisme du diable dans le théâtre et la publicistique au tournant du XVIIe siècle : les exemples de Heinrich Julius von Braunschweig et de Jakob Ayrer Florent GABAUDE Université de Limoges Au moment où l’épidémie européenne de sorcellerie bat son plein en Allemagne, dans les années 1560-1630, l’espace médiatique regorge de récits consacrés au diable et à ses méfaits, ressortissant à la littérature catéchétique ou prédicative1. -
Les Jeux À Lyon Au Xviiie Siècle : Pratiques, Métiers, Discours
Diplôme national de master Domaine - sciences humaines et sociales Mention - histoire, histoire de l’art et archéologie Spécialité - cultures de l’écrit et de l’image Les jeux à Lyon au XVIIIe siècle : pratiques, métiers, discours. Mémoire de recherche / juin 2010 2010 juin / derecherche Mémoire Agnès BAJARD Sous la direction d’Olivier Zeller Professeur d'histoire moderne - Université Lyon II, UMR 5600 Environnement, ville, société. Remerciements Je tiens à remercier en premier lieu Pauline Beneteau, sans qui ce travail de recherche aurait été long et solitaire. Sa bonne humeur, son soutien, ses conseils, sa présence ainsi que son accompagnement dans les différents musées tout au long de cette année de recherche m’ont été d’une aide précieuse. J’adresse un grand merci à mon directeur de recherche, Olivier Zeller, pour les orientations de recherche qu’il m’a données, ainsi que les conseils et renseignements qu’il a pu me fournir durant toutes les étapes de mon travail. Mes remerciements vont également à Rémi Ferrandez qui a su mettre ses compétences à ma disposition au bon moment avec beaucoup de patience et d’attention. Merci enfin au personnel des Archives municipales et départementales pour leur gentillesse et leur aide dans mes recherches. BAJARD Agnès | Diplôme national de Master | Mémoire de recherche | juin 2010 - 3 - Droits d’auteur réservés. Résumé : Cette étude propose d’explorer le XVIIIe siècle lyonnais sous l’angle des jeux, activité pratiquée par toutes les catégories de la société, très souvent de manière illicite, et conduisant à l’existence d’acteurs spécifiques tels que les tenanciers de tripot, les cartiers ou encore la police des jeux. -
The Construction of Time and Space in Gargantua Et
THE CONSTRUCTION OF TIME AND SPACE IN GARGANTUA ET PANTAGRUEL AND GRAVITY’S RAINBOW by CRAIG EKLUND B.A., American University, 2003 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Comparative Literature Graduate Program 2011 This thesis entitled: The Construction of Time and Space in Gargantua et Pantagruel and Gravity’s Rainbow written by Craig Eklund has been approved for the Comparative Literature Graduate Program Christopher Braider Jeffrey Cox Date 4/20/2011 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Eklund, Craig (MA, Comparative Literature Graduate Program) The Construction of Time and Space in Gargantua et Pantagruel and Gravity’s Rainbow Thesis directed by Professor Christopher Braider François Rabelais‟s Gargantua and Pantagruel and Thomas Pynchon‟s Gravity’s Rainbow are works of literature separated by several centuries characterized at once by astounding resemblances and no less telling differences. This thesis proposes that both the similarities and disparities are grounded in a common conceptualization of time and space, specifically as they relate to human beings. It examines each work in its turn, drawing out the ontology that these conceptions entail, an ontology firmly situated within a vision of humanity‟s place in the world. It then turns in the final section to compare the two works, taking up the implications for several different histories that pass in the intervening centuries. -
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Les Cartes a Jouer Et La Cartomancie
THE HISTORY OF PLAYING CARDS AND CARD-CONJURING. LES CARTES A JOUER ET LA CARTOMANCIE PAR P. BOITEAU D^AMBLY. (ILLUSTRATED WITH FORTY CURIOUS WOODCUTS.) LONDON : JOHN CAMBEN HOTTEN, 9ntii)uaiian fiooftsdler. PICCADILLY. 1859. Digitized by Google s <3- .U'I UNIVEI'lS: i . LIBRAkY O ‘Z ^ y ^ ; i I Digitized by Google , PRÉFACE. LETTRE A BÉRANGER. Mon bien cher et excellent maître Je mets ce volume sous le patronage de votre nom. Ce n’est pas que je l’en croie digne; c’est parce que vous avez bien voulu paraître curieux de le lire. Il faut avouer que je suis content de dire au public que vous avez encouragé l’auteur à l’écrire, et que vous avez jugé intéressant le sujet dont il s’est occupé. Si le public n’est pas de votre avis , me voilà autorisé à lui reprocher son indifférence. Par-dessus le marché, vous êtes un joueur acharné, et, à ce titre, vous devez me servir de parrain. La l’apprendra cette épître : postérité par Béranger , en sa verte vieillesse , a joué un nombre incalculable de piquets à écrire; ce jeu l’ennuyait fort et il revenait , y tous les soirs. Élevé à votre école je sais le prix du bon sens et , de la clarté désir est qu’on s’en aperçoive ici ma ; mon ; crainte qu’on ne s’en aperçoive pas assez. , Digitized by Google , , II PRÉFACE. Je m’excuserai en alléguant la peine que j’ai eue à marcher droit au milieu des broussailles de l’érudi- tion. Et ce n’est pas là une excuse pour la forme. -
Satire and the Corpus Mysticum During Crises of Fragmentation
UNIVERSITY OF CALIFORNIA Los Angeles The Body Satyrical: Satire and the Corpus Mysticum during Crises of Fragmentation in Late Medieval and Early Modern France A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Christopher Martin Flood 2013 © Copyright by Christopher Martin Flood 2013 ABSTRACT OF THE DISSERTATION The Body Satyrical: Satire and the Corpus Mysticum during Crises of Fragmentation in Medieval and Early Modern France by Christopher Martin Flood Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2013 Professor Jean-Claude Carron, Chair The later Middle Ages and early modern period in France were marked by divisive conflicts (i.e. the Western Schism, the Hundred Years’ War, and the Protestant Reformation) that threatened the stability and unity of two powerful yet seemingly fragile social entities, Christendom and the kingdom of France. The anxiety engendered by these crises was heightened by the implicit violence of a looming fragmentation of those entities that, perceived through the lens of the Pauline corporeal metaphor, were imagined as corpora mystica (mystical bodies). Despite the gravity of these crises of fragmentation, ii each met with a somewhat unexpected and, at times, prolific response in the form of satirical literature. Since that time, these satirical works have been reductively catalogued under the unwieldy genre of traditional satire and read superficially as mere vituperation or ridiculing didacticism. However, when studied against the background of sixteenth- century theories of satire and the corporeal metaphor, a previously unnoticed element of these works emerges that sets them apart from traditional satire and provides an original insight into the culture of the time.