Rabelais' Pantagruel and Gargantua As Instruction Manuals
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Proquest Dissertations
Joyce Mansour's poetics: A discourse of plurality by a second-generation surrealist poet Item Type text; Dissertation-Reproduction (electronic) Authors Bachmann, Dominique Groslier Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 06:15:18 Link to Item http://hdl.handle.net/10150/280687 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Anthony Tropolle Life of Cicero
ANTHONY TROPOLLE LIFE OF CICERO VOLUME I 2008 – All rights reserved Non commercial use permitted HE LIFE OF CICERO BY ANTHONY TROLLOPE _IN TWO VOLUMES_ VOL. I. CONTENTS OF VOLUME I. CHAPTER I. INTRODUCTION. CHAPTER II. HIS EDUCATION. CHAPTER III. THE CONDITION OF ROME. CHAPTER IV. HIS EARLY PLEADINGS.--SEXTUS ROSCIUS AMERINUS.--HIS INCOME. CHAPTER V. CICERO AS QUAESTOR. CHAPTER VI. VERSES. CHAPTER VII. CICERO AS AEDILE AND PRAETOR. CHAPTER VIII. CICERO AS CONSUL. CHAPTER IX. CATILINE. CHAPTER X. CICERO AFTER HIS CONSULSHIP. CHAPTER XI. THE TRIUMVIRATE. CHAPTER XII. HIS EXILE. * * * * * APPENDICES. APPENDIX A. APPENDIX B. APPENDIX C. APPENDIX D. APPENDIX E. THE LIFE OF CICERO. CHAPTER I. INTRODUCTION. I am conscious of a certain audacity in thus attempting to give a further life of Cicero which I feel I may probably fail in justifying by any new information; and on this account the enterprise, though it has been long considered, has been postponed, so that it may be left for those who come after me to burn or publish, as they may think proper; or, should it appear during my life, I may have become callous, through age, to criticism. The project of my work was anterior to the life by Mr. Forsyth, and was first suggested to me as I was reviewing the earlier volumes of Dean Merivale's History of the Romans under the Empire. In an article on the Dean's work, prepared for one of the magazines of the day, I inserted an apology for the character of Cicero, which was found to be too long as an episode, and was discarded by me, not without regret. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Wine.Kittlehouse Wine List 8.10
! The Story of the Wine Cellar at Crabtree’s Kittle House Restaurant and Inn The year was 1988 and John Crabtree’s idea was to create one of the greatest restaurant wine lists in the world. Grounded in the belief that great winemakers make great wine, we set out to learn who the world’s greatest winemakers were - the talented people making the most compelling and delicious wines of their type, creating the greatest expressions of a special place, the grapes that grow there and that winemaker’s vision of how that wine should taste. When we started our wine journey, the Kittle House wine list had about 150 selections and the wine cellar held a few thousand bottles and took up a small fraction of the space compared to what it is today. Both the list and the cellar grew very fast. We invited winemakers to the Kittle House for winemaker dinners and travelled to meet them on their estates and in their vineyards. We started in California with the wines from legendary producers like Robert Mondavi, Caymus, Groth and Dunn and from the new guard like Marcassin, Peter Michael, Bryant, Colgin and Turley. We then went to France and procured wines from the big boys in Bordeaux and Burgundy – Lafite, Latour, Margaux, Mouton, DRC, Coche-Dury, Leflaive, Dujac and Drouhin. Then we moved on to the Rhone Valley, the Loire, Alsace, Champagne and the rest of France, then on to Italy, Spain, Germany, Austria, Australia, New Zealand and the Pacific Northwest. So many great winemakers, so many great wines! In each place we would ask those great winemakers who, besides them, were making the best wines in the region. -
View of Race and Culture, Winter, 1957
71-27,438 BOSTICK, Herman Franklin, 1929- THE INTRODUCTION OF AFRO-FRENCH LITERATURE AND CULTURE IN THE AMERICAN SECONDARY SCHOOL . CURRICULUM: A TEACHER'S GUIDE. I The Ohio State University, Ph.D., 1971 Education, curriculum development. I i ( University Microfilms, A XEROKCompany, Ann Arbor, Michigan ©Copyright by Herman Franklin Bostick 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE INTRODUCTION OF AFRO-FRENCH LITERATURE AND CULTURE IN THE AMERICAN SECONDARY SCHOOL CURRICULUM; A TEACHER'S GUIDE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Herman Franklin Bostick, B.A., M.A. The Ohio State University Approved by College of Education DEDICATION To the memory of my mother, Mrs. Leola Brown Bostick who, from my earliest introduction to formal study to the time of her death, was a constant source of encouragement and assistance; and who instilled in me the faith to persevere in the face of seemingly insurmountable obstacles, I solemnly dedicate this volume. H.F.B. 11 ACKNOWLEDGEMENTS To list all of the people who contributed in no small measure to the completion of this study would be impossible in the limited space generally reserved to acknowledgements in studies of this kind. Therefore, I shall have to be content with expressing to this nameless host my deepest appreciation. However, there are a few who went beyond the "call of duty" in their assistance and encouragement, not only in the preparation of this dissertation but throughout my years of study toward the Doctor of Philosophy Degree, whose names deserve to be mentioned here and to whom a special tribute of thanks must be paid. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
The Construction of Time and Space in Gargantua Et
THE CONSTRUCTION OF TIME AND SPACE IN GARGANTUA ET PANTAGRUEL AND GRAVITY’S RAINBOW by CRAIG EKLUND B.A., American University, 2003 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Comparative Literature Graduate Program 2011 This thesis entitled: The Construction of Time and Space in Gargantua et Pantagruel and Gravity’s Rainbow written by Craig Eklund has been approved for the Comparative Literature Graduate Program Christopher Braider Jeffrey Cox Date 4/20/2011 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Eklund, Craig (MA, Comparative Literature Graduate Program) The Construction of Time and Space in Gargantua et Pantagruel and Gravity’s Rainbow Thesis directed by Professor Christopher Braider François Rabelais‟s Gargantua and Pantagruel and Thomas Pynchon‟s Gravity’s Rainbow are works of literature separated by several centuries characterized at once by astounding resemblances and no less telling differences. This thesis proposes that both the similarities and disparities are grounded in a common conceptualization of time and space, specifically as they relate to human beings. It examines each work in its turn, drawing out the ontology that these conceptions entail, an ontology firmly situated within a vision of humanity‟s place in the world. It then turns in the final section to compare the two works, taking up the implications for several different histories that pass in the intervening centuries. -
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Satire and the Corpus Mysticum During Crises of Fragmentation
UNIVERSITY OF CALIFORNIA Los Angeles The Body Satyrical: Satire and the Corpus Mysticum during Crises of Fragmentation in Late Medieval and Early Modern France A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Christopher Martin Flood 2013 © Copyright by Christopher Martin Flood 2013 ABSTRACT OF THE DISSERTATION The Body Satyrical: Satire and the Corpus Mysticum during Crises of Fragmentation in Medieval and Early Modern France by Christopher Martin Flood Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2013 Professor Jean-Claude Carron, Chair The later Middle Ages and early modern period in France were marked by divisive conflicts (i.e. the Western Schism, the Hundred Years’ War, and the Protestant Reformation) that threatened the stability and unity of two powerful yet seemingly fragile social entities, Christendom and the kingdom of France. The anxiety engendered by these crises was heightened by the implicit violence of a looming fragmentation of those entities that, perceived through the lens of the Pauline corporeal metaphor, were imagined as corpora mystica (mystical bodies). Despite the gravity of these crises of fragmentation, ii each met with a somewhat unexpected and, at times, prolific response in the form of satirical literature. Since that time, these satirical works have been reductively catalogued under the unwieldy genre of traditional satire and read superficially as mere vituperation or ridiculing didacticism. However, when studied against the background of sixteenth- century theories of satire and the corporeal metaphor, a previously unnoticed element of these works emerges that sets them apart from traditional satire and provides an original insight into the culture of the time. -
INSANE’ RORC CARIBBEAN 600 See Regatta News on Page 12 TIM WRIGHT / APRIL 2017 CARIBBEAN COMPASS PAGE 2 INGA BEITZ
C A R I B B E A N On-line C MPASS APRIL 2017 NO. 259 The Caribbean’s Monthly Look at Sea & Shore ‘INSANE’ RORC CARIBBEAN 600 See Regatta News on page 12 TIM WRIGHT / WWW.PHOTOACTION.COM APRIL 2017 CARIBBEAN COMPASS PAGE 2 INGA BEITZ ’ The Caribbean’s Monthly Look at Sea & Shore www.caribbeancompass.com APRIL 2017 • NUMBER 259 OFFSHORE PASSAGE OPPORTUNITIES Coral Group Bay Better in Barbuda ................. 30 ANNA LANDRY DEPARTMENTS Info & Updates ......................4 Readers’ Forum .....................38 Business Briefs .......................10 Meridian Passage .................40 Regatta News........................ 12 What’s On My Mind ..............40 Y2A ......................................... 18 Caribbean Market Place .....41 Appreciation! Look Out For… ......................33 Calendar of Events ...............44 Dominica’s Yacht Week ........... 8 The Caribbean Sky ...............34 Classified Ads ....................... 45 Cooking with Cruisers ..........36 Advertisers Index ..................46 Cuba, at Last Getting there ........................ 20 Caribbean Compass is published monthly by Compass Publishing Ltd., The Valley, P.O. Box 727, APRIL 2017 CARIBBEAN COMPASS PAGE 3 SUZANNE WENTLEY Anguilla, British West Indies. Tel: (784) 457-3409, Fax: (784) 457-3410, [email protected], www.caribbeancompass.com Publisher..................................Tom Hopman Art, Design & Production.........Wilfred Dederer [email protected] [email protected] Editor...........................................Sally -
Pantagruel and Gargantua
Pantagruel and Gargantua Pantagruel and Gargantua François Rabelais Translated by Andrew Brown ALMA CLASSICS alma classics an imprint of alma books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom www.almaclassics.com Pantagruel first published in French in 1532 Gargantua first published in French in 1534 This translation first published by Hesperus Press Ltd in 2003 This revised version first published by Alma Classics in 2018 Translation, Introduction and Notes © Andrew Brown 2003, 2018 Cover design: nathanburtondesign.com Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-740-6 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction vii Pantagruel 1 Gargantua 135 Note on the Text 301 Notes 301 Introduction On 3rd August 1546 (his birthday: he was thirty-seven years old), Étienne Dolet, the great Humanist poet, philologist, publisher and translator, having been tortured, was taken out to the Place Maubert in Paris, within sight of Notre-Dame. Here, he was strangled and burnt. Copies of his books accompanied him to the flames. His crime? Greek. More specifically, he had been found guilty of producing and publishing a translation from Plato which attributed to Socrates the heretical words “After death you will be nothing at all (plus rien du tout)”.