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Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Dossier 2021Award.Pdf
Contents Fundació Mies van der Rohe The Pavilion The Prize Organisation Role of the Nominators Criteria for the Proposal of Works General Information Proposal Procedure For more information, please contact Ivan Blasi, EUMiesAward Coordinator Jordi García, EUMiesAward Secretary Fundació Mies van der Rohe Provença 318, pral. 2 08037 Barcelona e-mail: [email protected] phone: +34 932 151 011 www.eumiesaward.com Fundació Mies van der Rohe Fundació Mies van der Rohe is a platform whose core mission is to inspire through architecture. It encourages and sponsors activities related to good architecture on the basis of the values represented by Ludwig Mies van der Rohe, advocating its role as a strategic thrust for the improvement of our cities – the quality of life of our people and their cultural enrichment. The Pavilion The Foundation has also been a driving force behind the Pavilion, originally built by Mies van der Rohe himself in Barcelona for the 1929 International Exposition, a veritable living icon of global significance, regarded as one of the four canonical works of modern architecture. This symbol has become an obligatory destination for architects from around the world and all those who appreciate rigour and quality. The programme of interventions in the Pavilion has created a highly valuable space for cultural exchanges, research, opportunities and international visibility for emerging architectural and artistic talents. The Prize The Foundation has organised the prestigious “European Union Prize for Contemporary Architecture – Mies van der Rohe Award” with the support of the European Commission since 1988. It allows a unique insight into the evolution of architecture in Europe over the past 32 years. -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Participants
La Biennale di Venezia 16th International Architecture Exhibition FREESPACE Participants 1. 6a architects (London, UK) Tom Emerson; Stephanie Macdonald; John Ross; Owen Watson 2. Alison Brooks Architects (London, UK) Alison Brooks 3. Álvaro Siza 2 – Arquitecto, SA (Porto, Portugal) Álvaro Siza Vieira 4. Amateur Architecture Studio (Hangzhou, China) Wang Shu; Lu Wenyu 5. andramatin (Jakarta, Indonesia) Andra Matin 6. Angela Deuber Architect (Chur, Switzerland) Angela Deuber 7. architecten de vylder vinck taillieu (Ghent, Belgium) Jan de Vylder; Inge Vinck; Jo Taillieu 8. Arrea architecture (Ljubljana, Slovenia) Maruša Zorec 9. Assemble (London, UK) Jane Issler Hall; Mathew Leung; Alice Edgerley; Adam Willis; Fran Edgerley; Amica Dall; Giles Smith; James Binning; Paloma Strelitz; Lewis Jones; Joseph Halligan; Louis Schulz; Maria Lisogorskaya; Karim Khelil; Anthony Engi Meacock 10. Atelier Peter Zumthor & Partner (Haldenstein, Switzerland) Peter Zumthor 11. Aurelio Galfetti (Lugano and Bellinzona, Switzerland) 12. Barclay & Crousse (Lima, Peru) Sandra Barclay; Jean-Pierre Crousse 13. BC architects & studies (Brussels, Belgium) Ken De Cooman; Nicolas Coeckelberghs; Wes Degreef; Laurens Bekemans 14. Benedetta Tagliabue - Miralles Tagliabue EMBT (Barcelona, Spain; Shangai, China) Benedetta Tagliabue; Elena Nedelcu; Joan Callís 15. BIG - Bjarke Ingels Group (New York, USA; Copenhagen, Denmark; London, UK) Bjarke Ingels; Sheela Maini Søgaard; Finn Nørkjær; Thomas Christoffersen; Kai-Uwe Bergmann; Andreas Klok Pedersen; David Zahle; Jakob Lange; Beat Schenk; Daniel Sundlin; Brian Yang; Jakob Sand 16. Burkhalter Sumi Architekten (Zürich, Switzerland) Marianne Burkhalter; Christian Sumi with Marco Pogacnik (Venice, Italy) 17. Carla Juaçaba (Rio de Janeiro, Brazil) 18. Caruso St John Architects (London, UK) Adam Caruso; Peter St John 19. Case Design (Mumbai, India) Anne Geenen; Samuel Barclay 20. -
Curating the Library
2008-2009 architectuur theater dans muziek LTENTOONSTELLINGEZINGENREEKS deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur CURATING THE LIBRARY www.desingel.be MAANDELIJKS, SINDS 2003 [email protected] T +32 (0)3 248 28 28 SPREKERS EN GEKOZEN BOEKEN, UPDATE OKTOBER 2008 F +32 (0)3 248 28 00 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors DE LEZER ACHTER HET BOEK In 2003 werd op initiatief van Moritz Küng, curator tentoonstellingen, het bibliotheek- en lezingenproject ‘Curating the Library’ opgestart. Sindsdien vinden maandelijks telkens twee lezingen op dezelfde avond plaats, waar uiteenlopende persoonlijkheden - architecten, choreografen, componis- ten, filosofen, kunstenaars, schrijvers, scenografen, wetenschappers - hun favoriete boeken presenteren. Het betreft publicaties die inspirerend voor hun werk of bepalend voor hun leven (geweest) zijn. De lezingen worden op dvd opgenomen en maken samen met de boeken deel uit van een gestaag groeiend archief dat zich bevindt in de ruimte van ‘Curating the Library’. Oorspronkelijk werd deze ruimte - een mobiele, hermetisch geslo- ten ogende en spiegelende sculptuur -door beeldend kunstenaar Richard Venlet ontworpen voor de vijfentwintigste biënnale van Sao Paulo (2002). De boekenverzameling telt tot op heden meer dan veertienhonderd titels, gekozen door meer dan honderd sprekers. U vindt zowel proza als encyclopedieën, vakliteratuur, tijdschriften en unica, gaande van Jorge Luis Borges ‘Historia de la eternidad’ tot Stephen Hawking ‘The Universe in a Nuthshell’, Louis Paul Boon ‘De Kapellekensbaan’ tot Lewis Baltz ‘The New Industrial Parks near Irvine’, Raymond Carver ‘What we talk about when we talk about love’ tot Stanley Cavell ‘Must we mean what we say?’, Adolf Loos ‘Ins Leere Gesprochen’ tot Marshall McLuhan ‘The medium is the massage’. -
Editorial Lucas Muñoz Material Oriented Ontology Ignacio Borrego
Editorial P. 189 Lucas Muñoz Material Oriented Ontology P. 189 01. Ignacio Borrego Gómez-Pallete Matter and Mutability P. 192 02. Wilfried Wang Calidad versus economía, o cómo dar forma a la basura y que resulte atractiva P. 195 03. Erez Nevi Pana El animal que llevamos dentro P. 198 04. Cristina Freire Decisiones conscientes sobre materiales. Un enfoque sistémico para re-enmarcar nuestra relación con los materiales y acelerar un futuro de impacto positivo P. 203 05. Manuel Quirós The Circular Nature of Materials: Emulating Nature P. 206 06. Joel Blanco Consuming Signifiers P. 210 07. María Villanueva Fernández, Héctor García-Diego Villarías Imagining Recycling, Recycling Designing, Designing the Image: Reutilisation as a Design Strategy P. 216 08. Eduardo de Miguel, Enrique Fernández-Vivancos Ceramics. The Protective Matter P. 221 09. Juan Domingo Santos , Carmen Moreno Álvarez What is Architecture Made of? Contiguities and Serendipities with Regard to Water in the Modern Project P. 226 10. Jose Luis Uribe He Who Listens to Matter: Approaching the Paraguayan Craftsman as a Contemporary Builder P. 230 11. Luis Pancorbo, Inés Martín-Robles Pioneer Materiality. Material Experimentation in the Domestic Architecture of A. Lawrence Kocher P. 235 12. Blanca Lleó Steiff Factory, 1903. The Story of a Pioneer P. 242 13. Silvia Alvite Material Quality in Organic Architecture. Enrico Tedeschi’s Building for the Faculty of Architecture in Mendoza P. 245 14. Ana Tostões, Jaime Silva Rescatando la Machine à habiter: la villa palladiana en la segunda vida de los grands-ensembles transformados de Lacaton y Vassal RA 22 189 Editorial 01 Material Oriented Ontology Matter and mutability Lucas Muñoz Ignacio Borrego Gómez-Pallete If we shift the discourse to the ontological level, as the approach This year has set itself as the beginning of a new rhythm. -
2021 Laureates Anne Lacaton and Jean-Philippe Vassal France Media
2021 Laureates Anne Lacaton and Jean-Philippe Vassal France Media Kit For images, videos, and more information, please visit pritzkerprize.com Use #pritzkerarchitectureprize for social media Contents Contact Media Release . 2 Eunice Kim Jury Citation . 5 Director of Communications Jury Members . 7 Pritzker Architecture Prize Biography . 8 [email protected] Fact Summary . .. 11 +1 240 401 5649 Previous Laureates . 15 About the Medal . 19 History of the Prize . 20 Evolution of the Jury . 21 Ceremonies Through the Years . 23 © 2021 The Hyatt Foundation 2021 Pritzker Architecture Prize Media Kit Media Release Announcing the 2021 Laureates Anne Lacaton and Jean-Philippe Vassal Receive the 2021 Pritzker Architecture Prize Chicago, IL (March 16, 2021) – Anne Lacaton and Jean-Philippe Vassal, of France, have been selected as the 2021 Pritzker Architecture Prize Laureates, announced Tom Pritzker, Chairman of The Hyatt Foundation, which sponsors the award that is known internationally as architecture’s highest honor . “Good architecture is open—open to life, open to enhance the freedom of anyone, where anyone can do what they need to do,” says Lacaton . “It should not be demonstrative or imposing, but it must be something familiar, useful and beautiful, with the ability to quietly support the life that will take place within it ”. Through their design of private and social housing, cultural and academic institutions, public spaces, and urban developments, Lacaton and Vassal reexamine sustainability in their reverence for pre- existing structures, conceiving projects by first taking inventory of what already exists . By prioritizing the enrichment of human life through a lens of generosity and freedom of use, they are able to benefit the individual socially, ecologically and economically, aiding the evolution of a city . -
Derek Parfit – Logic and Philosophy Derek Parfit
Rolf Schock Prizes 2014 Photo: Gerard Vong Derek Parfit – Logic and Philosophy Derek Parfit “for his ground-breaking contributions concerning personal identity, regard for future generations and analysis of the structure of moral theories” What is morally right, what is wrong? How do we act responsibly in relation to future generations? Can rational thinking provide answers to these and other moral matters? With the publication of his ground-breaking work Reasons and Persons in the mid-1980s, Derek Parfit set the direction for the mainstream of moral theory. The book’s impact was momentous, not only by virtue of the ideas put forward, but also by its style, characterized by numerous examples appealing to the reader’s intuitions about moral matters. To begin with, Parfit shows how the prescriptions issued by moral theories may defeat the objectives these theories put forward. Common-sense morality, for instance, requires a particular consideration for our nearest and dearest; however, if practised by everyone, it may well lead to an outcome that will be suboptimal for everyone concerned. The same goes for self-interest theory which prescribes exclusive attention to our self-interest, but as this theory does not purport to be a moral code – a code for the collective – it has to be criticized in another way. Parfit argues that self-interest theory is inconsistent; it privileges the self but not the present. It gives the same weight to preferences one holds at different times – in the present and in the future. The temporal aspect is also important in relation to personal identity, because, as Parfit argues, there is no underlying “I” that survives time passage. -
In/Disciplina In/Discipline Visitas Orientadas Conferências, Conversas E Mesa-Redonda Guided Visit Conferences, Talks and Debates
IN/DISCIPLINA IN/DISCIPLINE VISITAS ORIENTADAS CONFERÊNCIAS, CONVERSAS E MESA-REDONDA GUIDED VISIT CONFERENCES, TALKS AND DEBATES 06 OUT OCT | Dom Sun | 12h00 12 pm 21 SET SEP | Sáb Sat | 17h00 5 pm Por By Inês Caetano, Serviço Educativo A IN/DISCIPLINA DE ÁLVARO SIZA Educational Service Álvaro Siza em conversa com Nuno Grande e Carles Muro, curadores da exposição 26 OUT OCT | Sáb Sat | 17h00 5 pm THE (IN)DISCIPLINE OF ÁLVARO SIZA Por By Nuno Grande, co-curador da Álvaro Siza in conversation with Nuno Grande exposição co-curator of the exhibition and Carles Muro, exhibition curators Auditório de Serralves Serralves Auditorium 23 NOV | Sáb Sat | 17h00 5 pm Por By Carles Muro, co-curador da exposição 23 OUT OCT | Qua Wed | 18h30 6:30 pm co-curator of the exhibition MESA-REDONDA: RELAÇÕES E CUMPLICIDADES ENTRE ÁLVARO SIZA E OS FOTÓGRAFOS DA SUA OBRA 08 DEZ DEC | Dom Sun | 12h00 12 pm ROUND-TABLE: RELATIONS AND COMPLICITY BETWEEN Por By Carles Muro, co-curador da exposição ÁLVARO SIZA AND THE PHOTOGRAPHERS OF HIS WORK co-curator of the exhibition Conversa com os fotógrafos Conversation with the photographers: 05 JAN | Dom Sun | 12h00 12 pm Sofia Augusto, André Cepeda, Mark Durden, Luís Ferreira Por By João Almeida e Silva, Serviço Educativo Alves, José Manuel Rodrigues e and João Morgado Educational Service Moderação Moderator: Pedro Leão Neto 01 FEV FEV | Sáb Sat | 17h00 5 pm Co-organização Co-organiser: Por By Nuno Grande, co-curador da CCRE/FAUP, Universidade do Porto exposição co-curator of the exhibition Biblioteca de Serralves Serralves -
The Daylight Award 2020, the Dual Prize for Research and Architecture, Is Now Open for Nominations
The Daylight Award 2020, the dual prize for research and architecture, is now open for nominations COPENHAGEN, 1st of August, 2019. The nominations for The Daylight Award 2020, are now open. The exciting opportunity for the global community of researches and architects, to consider and nominate their fellow professionals, will stay open until 1st of November 2019 One name, two prizes This dual prize is organised under the common name with the purpose of creating a closer correlation between the daylight research and architecture, emphasising the dependency of theory and practice and connecting the two worlds that can learn from each other and create better living conditions. The nominations of the researchers working with daylight as one the key elements of nature, could come from the areas of natural science, human science or social science. The Daylight Award in Research will be given to an individual or a group of researches, whose work puts special emphasis on the effects of daylight on human health, well-being and performance. The Daylight Award for Architecture is awarded to individuals or a group of architects whose projects showcase unique use of daylight. Special emphasis will be put on architecture that considers the overall quality of human life and its value to society. The previous laureates Since 1980, The Daylight Award has been rewarded to a distinguished professionals from all over the world. From Danish architects Jørn Utzon and Henning Larsen, to Swiss architects Bob Gysin, Peter Zumthor,and Gigon & Guyer to Richard Perez and James Carpenter from USA, French Lacaton & Vassal, and Japanese Kazuyo Sejima + Ryue Nishizawa (SANAA) to name a few. -
Proceedings of the 3Rd Momowo International Conference - Workshop
Proceedings of the 3rd MoMoWo International Conference - Workshop University of Oviedo, 2–4 October 2017, Oviedo Ljubljana 2018 Proceedings of the 3rd MoMoWo International Conference-Workshop University of Oviedo, 2–4 October 2017, Oviedo Collected by Ana María Fernández García, Helena Seražin, Caterina Franchini and Emilia Garda MoMoWo Scientific Committee: POLITO (Turin/Italy) Emilia GARDA, Caterina FRANCHINI IADE-U (Lisbon/Portugal) Maria Helena SOUTO UNIOVI (Oviedo/Spain) Ana María FERNÁNDEZ GARCÍA VU (Amsterdam/Netherlands) Marjan GROOT ZRC SAZU (Ljubljana /Slovenia) Helena SERAŽIN UGA (Grenoble/France) Alain BONNET SiTI (Turin/Italy) Sara LEVI SACERDOTTI © 2018, MoMoWo © 2018, ZRC SAZU, France Stele Institute of Art History, Založba ZRC Issued by ZRC SAZU, France Stele Institute of Art History Represented by Barbara Murovec Published by Založba ZRC Represented by Oto Luthar Editor-in-chief Aleš Pogačnik Layout: Helena Seražin The collected papers were submitted prior the 3rd MoMoWo International Conference-Workshop and written as preliminary versions of articles, which will be published in a separate, edited and peer- reviewed volume Women Designers, Architects and Enigneers betwwen 1969 and 1989 in the series Women’s Creativity. The collected papers have not been peer-reviewed. The authors hold responsibility for English language proof-reading. Abstracts are published at http://www.momowo.eu/momowos-3rd-international- conference-workshop/. Publication of the Project MoMoWo (Women’s Creativity since the Modern Movement) http://www.momowo.eu This project has been co-funded with support from the European Commission. This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. -
Architecture Program Report 2015 NAAB Visit for Continuing Accreditation
University at Buffalo, State University of New York Department of Architecture, School of Architecture and Planning Architecture Program Report 2015 NAAB Visit for Continuing Accreditation M.Arch Track I (preprofessional degree plus 64 graduate credit hours) Track II (undergraduate degree plus 112 graduate credit hours) Year of the Previous Visit: 2012 Current Term of Accreditation: Three-year term of accreditation Submitted to: The National Architectural Accrediting Board Date: Sept 10, 2014 University at Buffalo Architecture Program Report September 2014 ____________________________________________________________________________________ Program Administrator: Omar Khan (Chair) Chief administrator for the academic unit in which the program is located: Robert G. Shibley (Dean) Chief Academic Officer of the Institution: Charles F. Zukoski (Provost) President of the Institution: Satish K. Tripathi Individual submitting the Architecture Program Report: Omar Khan Name of individual to whom questions should be directed: Omar Khan 1 University at Buffalo Architecture Program Report September 2014 ____________________________________________________________________________________ TABLE OF CONTENTS Section Page Part One. Institutional Support and Commitment to Continuous Improvement 1. Identity and Self-Assessment ..................................................................................... 6 1. History and Mission ................................................................................................. 6 A. University at Buffalo-