El Croquis 177-178 - Lacaton & Vassal 1993- 2015 Post Media Horizon Pdf

Total Page:16

File Type:pdf, Size:1020Kb

El Croquis 177-178 - Lacaton & Vassal 1993- 2015 Post Media Horizon Pdf FREE EL CROQUIS 177-178 - LACATON & VASSAL 1993- 2015 POST MEDIA HORIZON PDF EL CROQUIS SL | 374 pages | 01 Apr 2015 | El Croquis | 9788488386847 | English | El Escorial, Spain Lacaton Vassal - AbeBooks Seller Rating:. About this Item: Revue. Contacter le vendeur. Condition: Bon. More information about this seller Contact this seller 1. Published by Editions Jean-Michel Place. Paris, Editions Jean-Michel Place, Seller Inventory More information about this seller Contact this El Croquis 177- 178 - Lacaton & Vassal 1993-2015 Post Media Horizon 2. Published by Archibooks et Sautereau, Paris About this Item: Archibooks et Sautereau, Paris, Condition: Neuf. Neuf, dans son emballage plastique. More information about this seller Contact this seller 3. More information about this seller Contact this seller 4. Published by ED. About this Item: ED. BR [BE]. More information about this seller Contact this seller 5. Published by Sternberg Press About this Item: Sternberg Press, Softcover, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory AnLaSt More information about this seller Contact this seller 6. From: Gallix Gif sur Yvette, France. More information about this seller Contact this seller 7. From: Chapitre. Condition: NEUF. Seller Inventory N More information about this seller Contact this seller 8. About this Item: Paperback. Condition: Brand New. Width: 14 cm. Height: 21cm. English text. More information about this seller Contact this seller 9. Width: 24 cm. Height: 30cm. More information about this seller Contact this seller Trade Paperback. Condition: Used - Very Good. Corner is bent. Book has minor shelf wear. Condition: Used - Like New. From: De blinde reiziger Gent, Belgium. Very fine copy. Couverture souple. Condition: bon. RO Classification Dewey : Seller Inventory RO Condition: New. Consultenos por libros que busca que se lo conseguimos. Seller Inventory Home About this Item: Archibooks. In Stock. Seller Inventory zk Width: 23 cm. Height: 31cm. Japanese text. Published by ListLab About this Item: ListLab, El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon Published by El Croquis About this Item: El Croquis, No aceptamos pedidos con destino a Ceuta y Melilla. Published by 2G About this Item: 2G, Condition: Very good. No jacket. In Spanish and English. Condition: Nuevo. Dust Jacket Condition: Nuevo. Published by El Croquis, Spain About this Item: El Croquis, Spain, Language: Spanish. Brand new Book. Seller Inventory TRL About this Item: Hardcover. Width: 25 cm. Height: 34cm. Seller Inventory AZT From: Okmhistoire Montrouge, France. Condition: Comme neuf. Edition originale. Paris It gathers all the projects designed by their firm into thematic groups beginnings, landscape, dreaming, freedom, dwelling, transformation, enchanting and city and weaves them into a story that challenges their proposals. Their approach, involving an in-depth reflection on the ethical dimension of architecture, is founded upon both the generosity of the dwelling and the pleasure of the dweller. In El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon the obvious, they seek in its place what is essential and specific to each situation and context; Lacaton and Vassal propose architecture that allows us greater freedom. Seller Inventory yaw. Published by Editorial Gustavo Gili, S. From: castlebooksbcn Barcelona, Spain. With this book we present in hardcover book format a new, enlarged and updated edition of 2G issue devoted to the French architects Anne Lacaton and Jean Philippe Vassal, published in While at the beginning of their professional career they were known for their innovatory schemes in the realm of single-family housing, through their daring use of materials and technologies at odds with the traditional discipline of architectural design their work has evolved in the direction of projects of a wider scope which keep faith with their original aims. Their work is not based upon a preoccupation with form. This is not an a priori aim but the outcome of a design process nourished by issues like typological research, the maximising of built surface for a given budget, energy optimisation and adapting to the programme requested by the client. Technological innovation and materials polycarbonate, industrial greenhouses are used to ensure El Croquis 177-178 - Lacaton & Vassal 1993- 2015 Post Media Horizon most suitable price, one that allows the biggest possible spaces to be constructed with a forceful, modern image and no concessions to prototypical solutions. This, then, is a singular way of doing things that opens up new horizons for architectural methodology. This book provides an overview of their work from its beginnings to as yet unseen projects, thus leading to a global vision of their career. Products – Page 15 – Uro Publications Livres de lecture en ligne. Blog Archive Could not stop. Don DeLillo's interest about scenarios of immanent death was the catalyst of their reviews. Perhaps a bit too much. I hope this novel soon enters our European neoliberal market, it will transform the reader from page 1 onwards, peu important if in English, French, El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon, Italian. Are there already translations? The book commences with one of the strongest entrance paragraphs I have read, I would love El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon say in a century, starting with a fatherly quote, "Everybody wants the end of the world" In five careful sentences he opens more than existential problems, he starts to dissect you, it will make you feel as part of Byzantium again. Don't bother reading the synopsis, it keeps you away, fear of death. Invest in it and you will be ignited. Bon courage. Il contient pages et disponible sur format. Vous devez prendre Zero K: A Novel que votre liste de lecture ou vous serez regretter parce que vous ne l'avez pas lu encore dans votre vie. Il contient pages et disponible sur format E-Book, Hardcover. Il contient 39 pages et disponible sur format E-Book, Hardcover. Vous devez prendre Pluie de cendres que votre liste de lecture ou vous serez regretter parce que vous ne l'avez pas lu encore dans votre vie. Nom de fichier : pluie-de-cendres. Il contient 39 pages et disponible sur format. Il contient 23 pages et disponible sur format. Vous devez prendre L'Oiseau de pluie que votre liste de lecture ou vous serez regretter parce que vous ne l'avez pas lu encore dans votre vie. Vous devez prendre Confession sexuelle d'un anonyme russe que votre liste de lecture ou vous serez regretter parce que vous ne l'avez pas lu encore dans votre vie. Postingan Lama Beranda. Langganan: Postingan Atom. Pages Beranda. + Best el croquis images | croquis, architecture, architecture magazines El Croquis is currently considered a "single author. El Croquis is composed of 5 names. You can examine and separate out names. Home Groups Talk More Zeitgeist. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Your use of the site and services is subject to these policies and terms. Main page Picture gallery 1 Rating statistics If you like El Croquis. Enric Miralles, 23 copies, 2 reviews. El Croquis 79 Oma Rem Koolhaas 19 copies. El Croquis Toyo Ito 19 El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon, 1 review. Toyo Ito El Croquis Monographs, 71 18 copies. El Croquis… 18 copies, 2 reviews. Rafael Moneo, 18 copies. El Croquis 78 Steven Holl - 16 copies. El Croquis No. El Croquis Caruso St. John English and Spanish Edition 13 copies, 3 reviews. El Croquis - John Pawson El Croquis - Sanaa 12 copies, 3 reviews. El Croquis 87 David Chipperfield 12 copies, 2 reviews. El croquis 77 I 12 copies. El Croquis Xaveer De Geyter 10 copies. El Croquis Work Systems 10 copies. Dominique PerraultThe Violence of Neutral. El El Croquis 177-178 - Lacaton & Vassal 1993-2015 Post Media Horizon 10 copies. GEHRY 8 copies. El Croquis Ben Van Berkel 8 copies. Worlds Three El Croquis 73i, Zaha Hadid, 7 copies. El croquis 99 7 copies. El Croquis I 7 copies, 1 review. El Croquis 2vol Sauerbruch Hutton Ar 7 copies. El croquis I 6 copies, 2 reviews. De arquitectura y de diseno 6 copies. El Croquis 6a Architects 6 copies, 1 review. El Croquis Sou Fujimoto 6 copies. El Croquis Architectural Practice 6 copies. El Croquis, Vol. Spanish architecture - from the deep plan towards anamorphic plan 5 copies. El Croquis, vol 80, 5 copies. El Croquis: Louis I. Escritos, Conferencias, Entrevistas 4 copies. El Croquis 4 copies. Poetic Abstraction English… 4 copies. El Croquis Zaha Hadid: 4 copies. El Croquis - Domesticating Architecture 4 copies. El Croquis 20 Rafael Moneo 3 copies. El Croquis, vol 47, 3 copies. El Croquis 2 copies. Numero 29 2 copies. Numero 27 2 copies. Aires Mateus 2 copies, 1 review. Tadao Ando: 2 copies. El Croquis Cero. El Croquis 42 Mark Mack 2 copies. Souto de Moura : domesticar la arquitectura [domesticating… 1 copy, 1 review. Kazuyo Sejima, Ryue Nishizawa : sistemas de continuidad… 1 copy, 1 review. Steven Holl Architects : conceptos y melodias El Croquis 177- 178 - Lacaton & Vassal 1993-2015 Post Media Horizon and… 1 copy, 1 review. El Croquis 1 copy, 1 review. El… 1 copy, 1 review. Christian Kerez: Smiljan Radic : el juego de los contrarios [the game of opposites]. John Pawson : la voz de la materia [the voice of matter]. Kazuyo Sejima, Ryue Nishizawa : arquitectura inorganica… 1 copy, 1 review. Studio Mumbai Aires Mateus : construir el molde del espacio [building the… 1 copy, 1 review. Sou Fujimoto : teoria e intuicion, marco y experiencia [theory… 1 copy, 1 review. Experimentos colectivos [Collective experiments]: arquitectos espanoles… 1 copy, 1 review. Valerio Olgiati Bevk Perovic : condicionalismo [conditions].
Recommended publications
  • Pritzker Architecture Prize Laureate
    For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C.
    [Show full text]
  • Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
    Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972.
    [Show full text]
  • Six Canonical Projects by Rem Koolhaas
    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
    [Show full text]
  • The Things They've Done : a Book About the Careers of Selected Graduates
    The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm.
    [Show full text]
  • MUSEUM of ROMAN ART in Mérida (SPAIN) 1986
    RAFAEL MONEO MUSEUM OF ROMAN ART in Mérida (SPAIN) 1986 The construction of the National Museum of Roman Art in Mérida coincided with the celebration of the bimillennium of the city in 1975. The Museum contains the museum the collections and the archaeological remains and ruins from the Roman city of Emerita Augusta excavated on the site where it was due to be located. From a figurative point of view, this is, without a doubt, one of Moneo's most traditional accomplishments. In it he creates an architectural language that reformulates the past in terms of techniques, meanings and contents without forgetting the present The architect Rafael Moneo designed two buildings which are separated by the remains of a Roman road and joined above by a solid elevated walkway. One of the buildings contains the museum and its storage rooms, and the other the restoration workshops, library, function room and offices. The first building has a main nave and various parallel and perpendicular cross galleries, illuminated by the midday sun and with elements (arches, buttresses) inspired by the Roman architecture of Mérida. The most outstanding feature of the second building is its south façade: and arch with a lintel and a niche which forms the entrance to the The South elevation: In the front on calle J. Ramón Mélida the only element of museum. The door contains bronze bas-reliefs by composition there is an arch, which surrounds the main access of the museum and is topped by a white marble lintel and a niche. Francisco López and the niche holds a replica of a Roman sculpture.
    [Show full text]
  • C:\Users\Gutschow\Documents\CMU Teaching\Postwar Modern
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Class #5 DISCUSSION: WHAT IS POSTWAR MODERN? Discuss: Joedicke, J. “Introduction,” Architecture Since 1945 (1969) Goldhagen & Legault, “Introduction: Critical Themes of Postwar Modernism,” in Anxious Modernisms Goldhagen, “Coda: Reconceptualizing Modernism,” in Anxious Modernisms Ockman: “Introduction,” in Architecture Culture, 1943-1968 Differentiate: Prewar Modernism; Postwar Modernism; Postmodernism Critical Themes of Postwar Modernism: Anxiety, Popular Culutre, Consumer Culture, Everyday Life, Anti- Architecture, Democratic Freedom, Homo Ludens (play), Primitivism, Authenticity, Architecture’s History, Regionalism, Place, Skepticism & Infatuation with Technology. Postwar Modern Architects & Pritzker Architecture Prize Laureates 2010: SANAA, Kazuyo Sejima + Ryue Nishizawa of Japan. 2009: Peter Zumthor of Switzerland 2008: Jean Nouvel of France 2007: Richard Rogers of the United Kingdom 2006: Paulo Mendez da Rocha of Brazil 2005: Thom Mayne of the United States 2004: Zaha Hadid of the United Kingdom 2003: Jorn Utzon of Denmark 2002: Glenn Murcutt of Australia 2001: Herzog and de Meuron of Switzerland 2000: Rem Koolhaas of The Netherlands 1999: Norman Foster of the United Kingdom 1998: Renzo Piano of Italy 1997: Sverre Fehn of Norway 1996: Rafael Moneo of Spain presented 1995: Tadao Ando of Japan 1994: Christian de Portzamparc of France 1993: Fumihiko Maki of Japan 1992: Alvaro Siza of Portugal 1991: Robert Venturi of the United States 1990: Aldo Rossi of Italy 1989: Frank O. Gehry of the United States 1988: Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil 1987: Kenzo Tange of Japan 1986: Gottfried Boehm of Germany 1985: Hans Hollein of Austria 1984: Richard Meier of the United States 1983: Ieoh Ming Pei of the United States 1982: Kevin Roche of the United States 1981: James Stirling of Great Britain 1980: Luis Barragan of Mexico 1979: Philip Johnson of the United States.
    [Show full text]
  • Message from the Dean Response to the Systems of the Urban Setting, the Histori- Brenda Case Scheer, AIA, AICP Studies
    university of utah 2003 Newsletter AGRADUATERCHITECTURE SCHOOL OF VOLUME 16 Message From the Dean response to the systems of the urban setting, the histori- Brenda Case Scheer, AIA, AICP studies. The University of Utah is well known for cal and cultural vernacular, and the natural innovation in digital technology and our faculty is (beautiful/delicate/dangerous) environment. We want to It is an auspicious year for the known for advances in applications of digital media. be known as a school that brings human values to the Graduate School of What is less well known is our strength in traditional forefront. Architecture. Every few media like modeling and sketching. Several faculty On urbanism, we will be active in several fronts. years there is a chance, write and research in this area and our students, First, we intend to reconnect with the community to through the naming of a unlike in many schools of architecture, receive as actively offer our expertise for current problems. Second, new dean, to reenergize, much training in hand media as they do in digital. We we are exploring the possibility of offering an accredited to think about what has are particularly proud of the excellent use made of graduate degree in urban planning. We hope that by come before and what will new digital media, but as I look out my window today, housing such a program in the college we will be able to happen now. I am honored I see students arrayed around the courtyard learning to make synergies between architecture and planning that to have been selected to visualize with hand and eye - by sketching.
    [Show full text]
  • The Design of New Buildings in Historical Urban Context: Formal Interpretation As a Way of Transforming Architectural Elements of the Past
    THE DESIGN OF NEW BUILDINGS IN HISTORICAL URBAN CONTEXT: FORMAL INTERPRETATION AS A WAY OF TRANSFORMING ARCHITECTURAL ELEMENTS OF THE PAST A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ELİF BEKAR IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE SEPTEMBER 2018 Approval of the thesis: THE DESIGN OF NEW BUILDINGS IN HISTORICAL URBAN CONTEXT: FORMAL INTERPRETATION AS A WAY OF TRANSFORMING ARCHITECTURAL ELEMENTS OF THE PAST submitted by ELİF BEKAR in partial fulfillment of the requirements for the degree of Master of Architecture in Architecture Department, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar _________________ Dean, Graduate School of Natural and Applied Sciences Prof. Dr. Cânâ Bilsel _________________ Head of Department, Architecture Prof. Dr. Aydan Balamir _________________ Supervisor, Architecture Dept., METU Examining Committee Members: Assoc.Prof. Dr. Haluk Zelef _________________ Department of Architecture, METU Prof. Dr. Aydan Balamir _________________ Department of Architecture, METU Prof. Dr. Esin Boyacıoğlu _________________ Department of Architecture, Gazi University Date: 07.09.2018 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Elif Bekar Signature : ____________________ iv ABSTRACT THE DESIGN OF NEW BUILDINGS IN HISTORICAL URBAN CONTEXT: FORMAL INTERPRETATION AS A WAY OF TRANSFORMING ARCHITECTURAL ELEMENTS OF THE PAST Bekar, Elif M.Arch., Department of Architecture Supervisor: Prof.
    [Show full text]
  • Dossier Arquitectura Cambio De Clima DEF.Indd
    IV INTERNATIONAL CONGRESS ARQUITECTURA: CAMBIO DE CLIMA ARCHITECTURE: CHANGE OF CLIMATE REM KOOLHAAS PIERRE DE MEURON KJETIL TRÆDAL THORSEN JEAN-PHILIPPE VASSAL ÁBALOS+SENTKIEWICZ LOUISA HUTTON DIETMAR EBERLE WINY MAAS BJARKE INGELS RELATORES RELATORS RICHARD INGERSOLL LLÀTZER MOIX ANTONIO LUCAS PETER BUCHANAN VICENTE VERDÚ IV Congreso Internacional de Arquitectura Baluarte de Pamplona, 29 de junio - 1 de julio de 2016 Tras el primer congreso, celebrado en el Baluarte de Pamplona en junio de 2010 con el lema ‘Arquitectura: más por menos’, el segundo, que se reunió en el mismo lugar en junio de 2012 bajo la rúbrica ‘Arquitectura: lo común’, y el tercero, organizado de nuevo allí en junio de 2014 con el título ‘Arquitectura necesaria’, el cuarto congreso internacional de la Fundación Arquitectura y Sociedad se desarrollará una vez más en la capital navarra para discutir el ‘Cambio de clima’ en la arquitectura. Esta se enfrenta hoy a una profunda transformación en sus actitudes y procesos, y al tiempo las urgencias del cambio climático exigen pensar de nuevo la forma de construir edifi cios y ciudades: la arquitectura cambia para cambiar el mundo. El congreso inicial contó con la presencia de Renzo Piano, Jacques Herzog y Glenn Murcutt (tres premios Pritzker, el equivalente al Nobel en arquitectura) junto a los decanos de Harvard y Columbia o el fi lósofo Slavoj Zizek, para completar participantes de los cinco continentes. En el segundo intervinieron otros tres premios Pritzker, Norman Foster, que inauguró el evento, y dos maestros ibéricos que lo cerraron, Rafael Moneo y Eduardo Souto de Moura, además de un nutrido grupo de arquitectos internacionales.
    [Show full text]
  • Untitled (Forever), 2017
    PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986).
    [Show full text]
  • Dossier 2021Award.Pdf
    Contents Fundació Mies van der Rohe The Pavilion The Prize Organisation Role of the Nominators Criteria for the Proposal of Works General Information Proposal Procedure For more information, please contact Ivan Blasi, EUMiesAward Coordinator Jordi García, EUMiesAward Secretary Fundació Mies van der Rohe Provença 318, pral. 2 08037 Barcelona e-mail: [email protected] phone: +34 932 151 011 www.eumiesaward.com Fundació Mies van der Rohe Fundació Mies van der Rohe is a platform whose core mission is to inspire through architecture. It encourages and sponsors activities related to good architecture on the basis of the values represented by Ludwig Mies van der Rohe, advocating its role as a strategic thrust for the improvement of our cities – the quality of life of our people and their cultural enrichment. The Pavilion The Foundation has also been a driving force behind the Pavilion, originally built by Mies van der Rohe himself in Barcelona for the 1929 International Exposition, a veritable living icon of global significance, regarded as one of the four canonical works of modern architecture. This symbol has become an obligatory destination for architects from around the world and all those who appreciate rigour and quality. The programme of interventions in the Pavilion has created a highly valuable space for cultural exchanges, research, opportunities and international visibility for emerging architectural and artistic talents. The Prize The Foundation has organised the prestigious “European Union Prize for Contemporary Architecture – Mies van der Rohe Award” with the support of the European Commission since 1988. It allows a unique insight into the evolution of architecture in Europe over the past 32 years.
    [Show full text]
  • S21-DAP-Catalogue.Pdf
    PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986).
    [Show full text]