Evolution of a Modern American Architecture: Adding to Square Shadows
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
2016 Calendar of Events
CALENDAR OF EVENTS OF EVENTS CALENDAR FEBRUARY 2 — MARCH 30, 2016 2 — MARCH 30, FEBRUARY EIGHT INSPIRED WEEKS OF DISCUSSIONS, PERFORMANCES, AND FILMS 2016 FEATURED TITLES FEATURED 2016 WELCOME 2016 FEATURED TITLES pg 2 WELCOME FROM THE CHAIR pg 3 YOUTH COMPANION BOOKS pg 4 ADDITIONAL READING SUGGESTIONS pg 5 DISCUSSION GROUPS AND QUESTIONS pg 6-7 FILM SCREENINGS pg 8-9 GENERAL EVENTS pg 10 EVENTS FOR CHILDREN, TEENS, AND FAMILIES pg 21 COMMUNITY PARTNERS pg 27 SPONSORS AND ACKNOWLEDGEMENTS pg 30 The centerpiece of 2016 One Book, One Philadelphia is author Charles Frazier’s historical novel Cold Mountain. Set at the end of the Civil War, Cold Mountain tells the heartrending story of Inman, a wounded Confederate soldier who walks away from the horrors of war to return home to his beloved, Ada. Cold Mountain BY CHARLES FRAZIER His perilous journey through the war-ravaged landscape of North Carolina Cold Mountain made publishing history when it topped the interweaves with Ada’s struggles to maintain her father’s farm as she awaits New York Times bestseller list for 61 weeks and sold 3 million Inman’s return. A compelling love story beats at the heart of Cold Mountain, copies. A richly detailed American epic, it is the story of a Civil propelling the action and keeping readers anxiously turning pages. War soldier journeying through a divided country to return Critics have praised Cold Mountain for its lyrical language, its reverential to the woman he loves, while she struggles to maintain her descriptions of the Southern landscape, and its powerful storytelling that dramatizes father’s farm and make sense of a new and troubling world. -
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. -
Iceland Coin Laundry Superfund Site, City of Vineland, Cumberland
SDMS Document f^viyuJ- QiAuod Li 5^7 - n^r^ Q^^^ 111737 D Iceland Coin Laundry Superfund Site City of Vineland, D Cumberland County, New Jersey Stage lA Cultural Resources Survey D 0 n jafinMilner Assodates McMiects^J^cheotogis^^ August 2002 DRAFT 301558 ICELAND COIN LAUNDRY SUPERFUND SITE CITY OF VINELAND, CUMBERLAND COUNTY, NEW JERSEY STAGE 1A CULTURAL RESOURCES SURVEY Prepared for CDM Federal Programs Corporation 13135 Lee Jackson Memorial Highway Suite 200 Fairfax, Virginia 22033 (Subcontract Number 3320-039-006-HS) and the United States Environmental Protection Agency (Region II) (Prime Contract Number 68-W98-210) By Patrick J. Heaton, RPA Joel L Klein, Ph.D., RPA Douglas C. McVarish John Milner Associates, Inc. 1 Croton Point Avenue Suite B Croton-on-Hudson, New York 10520 August 2002 El 301559 fe n MANAGEMENT SUMMARY n^ MANAGEMENT SUMMARY John Milner Associates, Inc. (JMA) conducted a Stage lA cultural resources survey of the Iceland Coin Laundry Superfund Site, located in the City of Vineland, Cumberland County, New Jersey. The Stage lA survey was conducted on behalf of CDM Federal Programs Corporation (CDM). CDM is conducting a remedial investigation/feasibility study at the Iceland Coin Laundry Site on behalf of Region II of the United States Environmental Protection Agency (EPA). This report has been prepared to assist EPA in fulfilling their obligations under Section C 106 of the National Historic Preservation Act. The Iceland Coin Laundry Superfund Site (the Project Area) is a 1.48-acre property located at '•• 1888 South Delsea Drive (New Jersey State Route 47) in a commercial/residential area of ^ Vineland. -
Finding Aid for the Mellor, Meigs & Howe Collection in The
George Howe, P.S.F.S. Building, ca. 1926 THE ARCHITECTURAL ARCHIVES OF THE UNIVERSITY OF PENNSYLVANIA MELLOR, MEIGS & HOWE COLLECTION (Collection 117) A Finding Aid for The Mellor, Meigs & Howe Collection in The Architectural Archives, University of Pennsylvania © 2003 The Architectural Archives of the University of Pennsylvania. All rights reserved. The Architectural Archives, University of Pennsylvania Mellor, Meigs & Howe Collection Finding Aid Archival Description Descriptive Summary Title: Mellor, Meigs & Howe Collection, 1915-1975, bulk 1915-1939. Coll. ID: 117 Origin: Mellor, Meigs & Howe, Architects, and successor, predecessor and related firms. Extent: Architectural drawings: 1004 sheets; Photographs: 83 photoprints; Boxed files: 1/2 cubic foot. Repository: The Architectural Archives, University of Pennsylvania 102 Meyerson Hall Philadelphia, Pennsylvania 19104-6311 (215) 898-8323 Abstract: The Mellor, Meigs & Howe Collection comprises architectural records related to the practices of Mellor, Meigs & Howe and its predecessor and successor firms. The bulk of the collection documents architectural projects of the following firms: Mellor, Meigs & Howe; Mellor & Meigs; Howe and Lescaze; and George Howe, Architect. It also contains materials related to projects of the firms William Lescaze, Architect and Louis E. McAllister, Architect. The collection also contains a small amount of personal material related to Walter Mellor and George Howe. Indexes: This collection is included in the Philadelphia Architects and Buildings Project, a searchable database of architectural research materials related to architects and architecture in Philadelphia and surrounding regions: http://www.philadelphiabuildings.org Cataloging: Collection-level records for materials in the Architectural Archives may be found in RLIN Eureka, the union catalogue of members of the Research Libraries Group. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
MUSEUM of ROMAN ART in Mérida (SPAIN) 1986
RAFAEL MONEO MUSEUM OF ROMAN ART in Mérida (SPAIN) 1986 The construction of the National Museum of Roman Art in Mérida coincided with the celebration of the bimillennium of the city in 1975. The Museum contains the museum the collections and the archaeological remains and ruins from the Roman city of Emerita Augusta excavated on the site where it was due to be located. From a figurative point of view, this is, without a doubt, one of Moneo's most traditional accomplishments. In it he creates an architectural language that reformulates the past in terms of techniques, meanings and contents without forgetting the present The architect Rafael Moneo designed two buildings which are separated by the remains of a Roman road and joined above by a solid elevated walkway. One of the buildings contains the museum and its storage rooms, and the other the restoration workshops, library, function room and offices. The first building has a main nave and various parallel and perpendicular cross galleries, illuminated by the midday sun and with elements (arches, buttresses) inspired by the Roman architecture of Mérida. The most outstanding feature of the second building is its south façade: and arch with a lintel and a niche which forms the entrance to the The South elevation: In the front on calle J. Ramón Mélida the only element of museum. The door contains bronze bas-reliefs by composition there is an arch, which surrounds the main access of the museum and is topped by a white marble lintel and a niche. Francisco López and the niche holds a replica of a Roman sculpture. -
William Lescaze Reconsidered
Syracuse University SURFACE The Courier Libraries Spring 1984 William Lescaze Reconsidered William H. Jordy Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the Architectural History and Criticism Commons Recommended Citation Jordy, William H. "William Lescaze Reconsidered." William Lescaze and the Rise of Modern Design in America. Spec. issue of The Courier 19.1 (1984): 81-104. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES CO URI ER THE RISE OF MODERN DESIGN IN AMERICA A BRIEF SURVEY OF THE SYRACUSE UNIVERSITY A R. CHI TEe T U R A L H 0 L 0 I N GS VOLUME XIX 1 SPRING 1 984 Contents Foreword by Chester Soling, Chairman of the Syracuse University 5 Library Associates WILLIAM LESCAZE AND THE RISE OF MODERN DESIGN IN AMERICA Preface by Dennis P. Doordan, Assistant Professor of Architecture, 7 Tulane University, and Guest Editor William Lescaze and the Machine Age by Arthur ]. Pulos, Pulos Design Associates, Inc., and 9 Professor Emeritus, Syracuse University William Lescaze and Hart Crane: A Bridge Between Architecture and Poetry by Lindsay Stamm Shapiro, Parsons School of Design 25 The "Modern" Skyscraper, 1931 by Carol Willis, Parsons School of Design 29 William Lescaze and CBS: A Case Study in Corporate Modernism by Dennis P. Doordan, Assistant Professor of Architecture, 43 Tulane University European Modernism in an American Commercial Context by Robert Bruce Dean, Assistant Professor of Architecture, 57 Syracuse University William Lescaze Symposium Panel Discussion Respondents: Stuart Cohen, University of Illinois 67 Werner Seligmann, Syracuse University Robert A. -
Exhibition of Architecture for the Modern School
^B-MUSEUM OF MODERN ART lt WEST 53RD STREET, NEW YORK ,, FPHONE: CIRCLE 5-8900 TgLE FOR IMMEDIATE RELEASE MUSEUM OP MODERN ART OPENS EXHIBITION OF ARCHITECTURE FOR THE MODERN SCHOOL The latest development in elementary school architecture embodies the intimate and personal qualities of the little red school- house of our forefathers. The importance of modern architecture in meeting a child1s psychological as well as physical needs will be shown in an exhibition Modern Architecture for the Modern School which opens to the public Wednesday, September 16, at the Museum of Modern Art, 11 West 53 Street. The exhibition has been designed by Elizabeth Mock for the Department of Circulating Exhibitions, which will send it on a tour of schools, colleges and museums throughout the country after it closes at the Museum of Modern Art on October 18, The exhibition consists of 40 enlargements of the best modern schools for the elementary grades, a scale model, and 30 panels with drawings, photographs and explanatory labels which contrast the old and the new methods of elementary education and show the contribution modern architecture can make to modern education. Examples of good modern design are shown not only in schoolhouses of the United States but in those of Brazil, England, France, Sweden and Switzerland. A few non-elementary schools are shown, which present different problems but similar principles of design. Solutions of the problems of school-building brought about by priorities in materials and stoppage of non-essential construction are also considered. Mrs. Mock, designer of the exhibition, comments on its purpose as follows: "Educators today are very much concernod with child psychology, but they often forget that the child's sense of unity and security, his appreciation of honesty and beauty, are affected by his school surroundings as well as by his school activities. -
Neighborhood Preservation Center
Landmarks Preservation Commission January 27, 1976, Number 1 LP-0898 LESCAZE HOUSE, 211 East 43th Street Borough of Manhattan. Built 1933-34; archite~t William Lescaze. ' Landl'.lark Site: Borough of Manhattan Tax Map Block 1322, Lot 107. On September 23, 1975, the Landmarks Preservation Cor.~ission held a public hearing on the proposed designation as a Land~ark of the Lescnze House and the proposed designation of the related Landmark Site (Item No.2). 1be hearing was continued to November 25, 1975 (Item No. 1). B'oth hearings had been duly ~vertised in accordance with the provisior.s of law. A total of three Wltnesses spoke in favor of designation at the two hearings. ~~ry Lescaze, owner of the house, has given her approval of the designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Lescaze House of 1933-34, desi~ed by William Lescaze for his own use as a co~bined residence and architectural office, is an ernbodiDent of the theory and practice of one of the most influential exponents of modern archi tecture in the United States. His go~l -- the creation of an architecture expressive of the spirit and life of the 20th century and of each client•s' indi vidual roquirements -- is fully r~aiizcd in this house by an ha~onious - design of deceptive siEplicity, dete~ined by a rational, functional plan, and developed through the use of the newest available technology, materials and Ee~ods of co~struction. The sudden appearance on East 48th Street of this startlingly "raodern" facade of 1934, set between deteriorating brownstones of the post-Civil War period, had a drama. -
Agnes Scott College Bulletin: Catalogue Number 1916-1917
SERIES 14 NUMBER 3 AGNES SCOTT COLLEGE BULLETIN CATALOGUE NUMBER 1916-1917 ENTERED AS SECOND-CLASS MATTER AT THE POST OFFICE. DECATUR, GEORGIA I AGNES SCOTT COLLEGE BULLETIN CATALOGUE NUMBER 1916-1917 BOARD OF TRUSTEES J. K. Orr, Chairman Atlanta F. H. Gaines Decatur C, M. Candler Decatur J. G. Patton Decatur George B. Scott Decatur W. S. Kendrick Atlanta John J. Eagan Atlanta L. C. Mandeville Carrollton, Ga. D. H. Ogden Atlanta K. G. Matheson Atlanta J. T. LuPTON Chattanooga, Tenn. J. P. McCallie Chattanooga, Tenn. W. C. Vereen Moultrie, Ga. L. M. Hooper Selma, Ala. J. S. Lyons Atlanta Frank M, Inman Atlanta EXECUTIVE AND ADVISORY COMMITTEE C. M. Candler John J. Eagan J. K. Orr F. H. Gaines (r. "R. ScOTT FINANCE COMMITTEE Frank M. Inman J. T. Lupton G. B. Scott W. C. Vereen L. C. Mandeville Agnes Scott College CALENDAR 1917—September 18, Dormitories open for reception of Students. September 19, 10 A. M., Session opens. September 18-20, Registration and Classification of Students. September 21, Classes begin. November 39, Tranksgiving Day. December 19, 1:20 P. M., to January 3, 8 A. M., Christmas Eecess. 1918—January 15, Mid-Year Examinations begin. January 26, Second Semester begins. January 28, Classes Resumed. February 22, Colonel George W. Scott's Birthday. March 29, 1:20 P. M., to April 2, 8 A. M., Spring Vacation. April 26, Memorial Day. May 14, Final Examinations begin. May 26, Baccalaureate Sermon. May 28, Alumnae Day, May 29, Commencement Day. Officers and Instructors OFFICERS OF INSTRUCTION AND GOVERNMENT 1916-1917 (arranged in order of appointment) F.