Editorial Lucas Muñoz Material Oriented Ontology Ignacio Borrego
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Arquitecturas Al Margen AÑO 2018
20 18 ARQUITECTURAS AL MARGEN 18 arquitecturas al margen arquitecturas N18 EDITORIAL UNIVERSIDAD DE SEVILLA AÑO 2018. ISSN 2171–6897 – ISSNe 2173–1616 / DOI http://dx.doi.org/10.12795/ppa ARQUITECTURAS AL MARGEN 18 EDITORIAL UNIVERSIDAD DE SEVILLA AÑO 2018. ISSN 2171–6897 ISSNe 2173–1616 DOI: http://dx.doi.org/10.12795/ppa REVISTA PROYECTO PROGRESO ARQUITECTURA N18 arquitecturas al margen PROYECTO PROGRESO ARQUITECTURA GI HUM–632 UNIVERSIDAD DE SEVILLA EDITORIAL UNIVERSIDAD DE SEVILLA AÑO 2018. ISSN 2171–6897 ISSNe 2173–1616 DOI: http://dx.doi.org/10.12795/ppa PROYECTO, PROGRESO, ARQUITECTURA. N18, MAYO 2018 (AÑO IX) arquitecturas al margen DIRECCIÓN COORDINADORES DE LOS CONTENIDOS DEL NÚMERO Dr. Amadeo Ramos Carranza. Escuela Técnica Superior de Dr. Rosa María Añón Abajas. Escuela Técnica Superior de Arquitectura. Arquitectura. Universidad de Sevilla. Universidad de Sevilla. Dr. Amadeo Ramos Carranza. Escuela Técnica Superior de Arquitectura. SECRETARIA Universidad de Sevilla. Dr. Rosa María Añón Abajas. Escuela Técnica Superior de Arquitectura. Universidad de Sevilla. COMITÉ CIÉNTIFICO Dr. Gonzalo Díaz Recaséns. Catedrático Proyectos Arquitectónicos. Escuela EQUIPO EDITORIAL Técnica Superior de Arquitectura. Universidad de Sevilla. España. Edición: Dr. José Manuel López Peláez. Catedrático Proyectos Arquitectónicos. Dr. Rosa María Añón Abajas. Escuela Técnica Superior de Escuela Técnica Superior de Arquitectura. Universidad Politécnica de Madrid. Arquitectura. Universidad de Sevilla. España. España. Dr. Miguel Ángel de la Cova Morillo–Velarde. Escuela Técnica Dr. Víctor Pérez Escolano. Catedrático Historia, Teoría y Composición Superior de Arquitectura. Universidad de Sevilla. España. Arquitectónicas. Escuela Técnica Superior de Arquitectura. Universidad de Juan José López de la Cruz. Escuela Técnica Superior de Sevilla. España. -
Approaching the Paraguayan Craftsman As a Contemporary Builder Jose Luis Uribe
226 RA 22 10 Engagement’ presented eleven projects and works located on the five continents at the Museum of Modern Art in New York (USA). The exhi- bition was curated by Andres Lepik and was made up of architectures He Who Listens to that promoted a new way of living in the built environment of peripheral and neglected communities. The design and construction process Matter: Approaching the exhibitions were developed through collaborative work between the architects and the communities. Both the architect and the inhabitants Paraguayan Craftsman as a of the community are recognized as co-creators of social, economic and political transformation, as shaped by small-scale works. Contemporary Builder It’s interesting to study these three exhibitions since they display and contrast three unique states of architecture exhib- Jose Luis Uribe ited within the same space, but shown with more than thirty years This article focuses on the formation of a cultural portrait of the between them. The first state is characterized by the universality of Paraguayan craftsman, a key component in the development of functional architecture that seeks a common architectural language, the architectural style of this small Latin American country. In determined by the uniformity of smooth, polished, unadorned a totally precarious social, political and economic context, the surfaces, where architecture does not assume information that the abundant material culture of Paraguay has led to the emergence immediate context can provide. The second state is characterized of the figure of the artisan who can manipulate abundant, locally by geographical, landscape and material particularities that are rec- available materials and transform it into architecture. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Dossier 2021Award.Pdf
Contents Fundació Mies van der Rohe The Pavilion The Prize Organisation Role of the Nominators Criteria for the Proposal of Works General Information Proposal Procedure For more information, please contact Ivan Blasi, EUMiesAward Coordinator Jordi García, EUMiesAward Secretary Fundació Mies van der Rohe Provença 318, pral. 2 08037 Barcelona e-mail: [email protected] phone: +34 932 151 011 www.eumiesaward.com Fundació Mies van der Rohe Fundació Mies van der Rohe is a platform whose core mission is to inspire through architecture. It encourages and sponsors activities related to good architecture on the basis of the values represented by Ludwig Mies van der Rohe, advocating its role as a strategic thrust for the improvement of our cities – the quality of life of our people and their cultural enrichment. The Pavilion The Foundation has also been a driving force behind the Pavilion, originally built by Mies van der Rohe himself in Barcelona for the 1929 International Exposition, a veritable living icon of global significance, regarded as one of the four canonical works of modern architecture. This symbol has become an obligatory destination for architects from around the world and all those who appreciate rigour and quality. The programme of interventions in the Pavilion has created a highly valuable space for cultural exchanges, research, opportunities and international visibility for emerging architectural and artistic talents. The Prize The Foundation has organised the prestigious “European Union Prize for Contemporary Architecture – Mies van der Rohe Award” with the support of the European Commission since 1988. It allows a unique insight into the evolution of architecture in Europe over the past 32 years. -
April 4 INMUNDO CHAPTER
INMUNDO: ARCHITECTURAL METAPHORS FROM THE EDGE OF THE WORLD Ingrid Quintana Guerrero – University of Los Andes Abstract The metaphor used by Paraguayan Augusto Roa Bastos for referring to his country as “an island surrounded by ground” reveals not only the geographic condition of Paraguay (as it lacks a coastline) but also its isolation from the rest of the Southern Cone, in economic and cultural terms. Actually, there are two coexisting systems of reasoning in its territory: the official one, following the canons of the Western World, and the aboriginal one, totally ignored by neighboring countries. These differences would also explain the country’s disconnection with architectural discourses on local modernity and critical regionalism in Latin America. That is why in 2014, Paraguayan architect Javier Corvalán published an article titled “Un fin del mundo: fragmento del libro negro”, which aimed to contextualize his country’s contemporary architecture. The publication coincides with the recent international interest on Paraguay´s architectural production. In his text, Corvalán compared the mundus to the Inmundo, a Latin voice used for defining everything unrelated to the mundus system (enclosed by the walls of the urbs). As the meaning given to the “inmundo” term in Spanish is “unclean”, the Guaraní meaning of Inmundo could be fundamental for decoding architectural practices in Paraguay. This chapter discusses the notion of Inmundo not only as a metaphor to understand Paraguayan architecture but also as a possible framework for other metaphors supporting the emerging architectural production in similar South American countries such as Ecuador and Bolivia – countries which frame a theoretical “edge of the world” –. -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
UNIVERSITY of CALIFORNIA Los Angeles the Makings of Marginality: Land Use Intensification and the Diffusion of Rural Poverty In
UNIVERSITY OF CALIFORNIA Los Angeles The Makings of Marginality: Land Use Intensification and the Diffusion of Rural Poverty in Eighteenth and Nineteenth Century Uruguay A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Geography by Samuel Brandt 2019 ABSTRACT OF THE THESIS The Makings of Marginality: Land Use Intensification and the Diffusion of Rural Poverty in Eighteenth and Nineteenth Century Uruguay by Samuel Brandt Master of Arts in Geography University of California, Los Angeles, 2019 Professor Stephen Andrew Bell, Chair This thesis examines the historical-geographical processes that led to the marginalization of a rural underclass in Uruguay and to the formation of rural informal settlements, or rancheríos. In doing so, it brings forth three main ideas. The first is that of the pastoral city-state as a metaphor for the excessive centrality of Montevideo in a territory dominated by extensive livestock raising. The second and third look at the makings of rural marginality and the gradual transformation of Uruguay’s rural proletariat from semi-nomadic gauchos to sedentary peons as the result of the closing of two frontiers; a spatial frontier in the colonial period, and a technological frontier in the latter half of the nineteenth century. In both cases, the intensification of land use resulted in the consolidation of Montevideo’s primacy. ii The thesis of Samuel Brandt is approved. Judith A. Carney Cesar J. Ayala Stephen Andrew Bell, Committee Chair University of California, Los Angeles 2019 iii TABLE OF CONTENTS Introduction: The Pastoral City-State and Rancheríos as Symbols of Uruguay’s 1 Urban-Rural Inequalities Chapter 1: Closing the Spatial Frontier: Emerging Ranching Latifundia and an 12 Urban-Rural Binary in Colonial Uruguay Chapter 2: Closing the Technological Frontier: Consolidating Rural Marginality in 37 Late Nineteenth Century Uruguay Conclusion 61 Bibliography 64 iv LIST OF FIGURES Figure 1 Map of Uruguay for the reader’s reference, showing Montevideo, p. -
Participants
La Biennale di Venezia 16th International Architecture Exhibition FREESPACE Participants 1. 6a architects (London, UK) Tom Emerson; Stephanie Macdonald; John Ross; Owen Watson 2. Alison Brooks Architects (London, UK) Alison Brooks 3. Álvaro Siza 2 – Arquitecto, SA (Porto, Portugal) Álvaro Siza Vieira 4. Amateur Architecture Studio (Hangzhou, China) Wang Shu; Lu Wenyu 5. andramatin (Jakarta, Indonesia) Andra Matin 6. Angela Deuber Architect (Chur, Switzerland) Angela Deuber 7. architecten de vylder vinck taillieu (Ghent, Belgium) Jan de Vylder; Inge Vinck; Jo Taillieu 8. Arrea architecture (Ljubljana, Slovenia) Maruša Zorec 9. Assemble (London, UK) Jane Issler Hall; Mathew Leung; Alice Edgerley; Adam Willis; Fran Edgerley; Amica Dall; Giles Smith; James Binning; Paloma Strelitz; Lewis Jones; Joseph Halligan; Louis Schulz; Maria Lisogorskaya; Karim Khelil; Anthony Engi Meacock 10. Atelier Peter Zumthor & Partner (Haldenstein, Switzerland) Peter Zumthor 11. Aurelio Galfetti (Lugano and Bellinzona, Switzerland) 12. Barclay & Crousse (Lima, Peru) Sandra Barclay; Jean-Pierre Crousse 13. BC architects & studies (Brussels, Belgium) Ken De Cooman; Nicolas Coeckelberghs; Wes Degreef; Laurens Bekemans 14. Benedetta Tagliabue - Miralles Tagliabue EMBT (Barcelona, Spain; Shangai, China) Benedetta Tagliabue; Elena Nedelcu; Joan Callís 15. BIG - Bjarke Ingels Group (New York, USA; Copenhagen, Denmark; London, UK) Bjarke Ingels; Sheela Maini Søgaard; Finn Nørkjær; Thomas Christoffersen; Kai-Uwe Bergmann; Andreas Klok Pedersen; David Zahle; Jakob Lange; Beat Schenk; Daniel Sundlin; Brian Yang; Jakob Sand 16. Burkhalter Sumi Architekten (Zürich, Switzerland) Marianne Burkhalter; Christian Sumi with Marco Pogacnik (Venice, Italy) 17. Carla Juaçaba (Rio de Janeiro, Brazil) 18. Caruso St John Architects (London, UK) Adam Caruso; Peter St John 19. Case Design (Mumbai, India) Anne Geenen; Samuel Barclay 20. -
Studying Ideas.Pdf
1 2 3 Studying ideas. A conversation from the South about the life of ideas and the reconfiguration of a disciplinary space 4 Studying ideas. A conversation from the South about the life of ideas and the reconfiguration of a disciplinary space Eduardo Devés Andrés Kozel ISBN: 978-956-6095-01-9 Santiago de Chile, agosto 2020 Primera edición en inglés Título original: Estudios Eidéticos. Una conservación desde el Sur sobre la vida de las ideas y la reconfiguración de un espacio disciplinar, 2018 URI http://library.oapen.org/handle/20.500.12657/29516 Traducción: María Alejandra Bravo Alfaro Diseño de portada: Matías Villa Gestión editorial: Ariadna Ediciones http://ariadnaediciones.cl/ Obra bajo Licencia Creative Commons Atribución-NoComercialSinDerivadas 4.0 Internacional. 5 CONTENTS Introduction ........................................................... 7 Andrés Kozel 1. Itineraries, topics, relationships ...................... 11 2. Eidetic Studies as a Proposal for Disciplinary Reconfiguration ............................. 29 3. Entities and eidetic systems: definitions and ways to classify………………………....55 4. Ideas, Reality and Society: A Symbiotic Relationship?.................................90 5. Thinking of Changes at the Eidetic Level…106 6. Intellectual Networks and Eidetic Circulation .................................. 133 7. Eidetic Development and Applied Eidology .................................... 161 8. Beyond the Center ......................................... 177 9. Immersion in the Future .............................. -
The Museum of Modern Art
The Museum of Modern Art Second Floor, 1970-Present 2nd Fl: 201, Public Images Dara Birnbaum Technology/Transformation: Wonder Woman 1978-79 Video (color, sound) 5:50 min. Committee on Media Funds 1161.2007 Fall 19 - Fall 22 Louise Lawler Does Andy Warhol Make You Cry? 1988 Silver dye bleach print (Cibachrome) and Plexiglas wall label with gilded lettering Photograph: 27 1/4 × 39" (69.2 × 99.1 cm) Label: 4 3/8 × 6 3/8" (11.1 × 16.2 cm) Courtesy the artist LN2019.344 Fall 19 - Fall 22 Cindy Sherman Untitled Film Still #1 1977 Gelatin silver print 9 7/16 × 7 9/16" (24 × 19.2 cm) Grace M. Mayer Fund 810.1995 Spring 21 - Winter 22 Cindy Sherman Untitled Film Still #5 1977 Gelatin silver print 6 3/4 × 9 7/16" (17.2 × 24 cm) Horace W. Goldsmith Fund through Robert B. Menschel 814.1995 Spring 21 - Winter 22 5/6/2021 Page 1 of 68 Second Floor, 1970-Present 2nd Fl: 201, Public Images Cindy Sherman Untitled Film Still #11 1978 Gelatin silver print 7 1/16 × 9 7/16" (17.9 × 24 cm) Acquired through the generosity of Sid R. Bass 820.1995 Spring 21 - Winter 22 Cindy Sherman Untitled Film Still #12 1978 Gelatin silver print 7 1/2 × 9 7/16" (19.1 × 24 cm) Grace M. Mayer Fund 821.1995 Spring 21 - Winter 22 Cindy Sherman Untitled Film Still #17 1978 Gelatin silver print 7 1/2 × 9 7/16" (19.1 × 24 cm) Grace M. Mayer Fund 826.1995 Spring 21 - Winter 22 Cindy Sherman Untitled Film Still #25 1978 Gelatin silver print 7 9/16 × 9 7/16" (19.2 × 24 cm) Horace W. -
Curating the Library
2008-2009 architectuur theater dans muziek LTENTOONSTELLINGEZINGENREEKS deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur CURATING THE LIBRARY www.desingel.be MAANDELIJKS, SINDS 2003 [email protected] T +32 (0)3 248 28 28 SPREKERS EN GEKOZEN BOEKEN, UPDATE OKTOBER 2008 F +32 (0)3 248 28 00 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors DE LEZER ACHTER HET BOEK In 2003 werd op initiatief van Moritz Küng, curator tentoonstellingen, het bibliotheek- en lezingenproject ‘Curating the Library’ opgestart. Sindsdien vinden maandelijks telkens twee lezingen op dezelfde avond plaats, waar uiteenlopende persoonlijkheden - architecten, choreografen, componis- ten, filosofen, kunstenaars, schrijvers, scenografen, wetenschappers - hun favoriete boeken presenteren. Het betreft publicaties die inspirerend voor hun werk of bepalend voor hun leven (geweest) zijn. De lezingen worden op dvd opgenomen en maken samen met de boeken deel uit van een gestaag groeiend archief dat zich bevindt in de ruimte van ‘Curating the Library’. Oorspronkelijk werd deze ruimte - een mobiele, hermetisch geslo- ten ogende en spiegelende sculptuur -door beeldend kunstenaar Richard Venlet ontworpen voor de vijfentwintigste biënnale van Sao Paulo (2002). De boekenverzameling telt tot op heden meer dan veertienhonderd titels, gekozen door meer dan honderd sprekers. U vindt zowel proza als encyclopedieën, vakliteratuur, tijdschriften en unica, gaande van Jorge Luis Borges ‘Historia de la eternidad’ tot Stephen Hawking ‘The Universe in a Nuthshell’, Louis Paul Boon ‘De Kapellekensbaan’ tot Lewis Baltz ‘The New Industrial Parks near Irvine’, Raymond Carver ‘What we talk about when we talk about love’ tot Stanley Cavell ‘Must we mean what we say?’, Adolf Loos ‘Ins Leere Gesprochen’ tot Marshall McLuhan ‘The medium is the massage’. -
12-SIACOT-TERRA-2012-Peru-2012
TERRA 2012 | 12th SIACOT PROCEEDINGS 11th International Conference on the Study and Conservation of Earthen Architectural Heritage 12th Iberian-American Seminar on Earthen Architecture and Construction TERRA 2012 | 12th SIACOT PROCEEDINGS 11th International Conference on the Study and Conservation of Earthen Architectural Heritage 12th Iberian-American Seminar on Earthen Architecture and Construction Lima, Peru, April 22-27, 2012 Edited by Mariana Correia Escola Superior Gallaecia, ICOMOS-ISCEAH, PROTERRA Pamela Jerome Columbia University GSAPP, ICOMOS-ISCEAH Marcial Blondet Pontificia Universidad Católica del Perú, PROTERRA Maddalena Achenza Università degli Studi di Cagliari DICAAR, ICOMOS-ISCEAH Published in Lisbon, Portugal TERRA 2012 | 12th SIACOT PROCEEDINGS 11th International Conference on the Study and Conservation of Earthen Architectural Heritage 12th Iberian-American Seminar on Earthen Architecture and Construction PROOF READING Pamela Jerome, Jacob Merten EDITORS Mariana Correia, Pamela Jerome, Marcial Blondet, Maddalena Achenza TRANSLATION Sandra Rocha e Sousa AUTHORS GRAPHIC LAYOUT Inês Jaloto Akemi Hijioka Guillermo Rolon Natalia Jorquera Silva COLABORATORS Malena Serrano, Melissa Madge, Teresa Meneses Akemi Ino Hossam Mahdy Nestor José Ali Malekabbasi Hubert Guillaud Obede Faria PRINTING ACDPrint Álvaro Rubiños Hugo Houben Olga Mendoza Shimada Amel Chabbi Isabel Kanan Olga Paterlini Ana González-Serrano Jacinto Canivell Pablo Picca PUBLISHING DIRECTOR Filipe Jorge Ana Vaz Jake Barrow Pamela Jerome André Tomé Jeff Allen