Manuscript Studies Volume 4 Issue 1 Article 6 2019 Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000 Anais Da Fonseca School of Oriental and African Studies Follow this and additional works at: https://repository.upenn.edu/mss_sims Part of the Asian Art and Architecture Commons, Asian History Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Da Fonseca, Anais (2019) "Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000," Manuscript Studies: Vol. 4 : Iss. 1 , Article 6. Available at: https://repository.upenn.edu/mss_sims/vol4/iss1/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/mss_sims/vol4/iss1/6 For more information, please contact
[email protected]. Replication and Innovation in the Folk Narratives of Telangana: Scroll Paintings of the Padmasali Purana, 1625–2000 Abstract In the Southern Indian state of Telangana, itinerant storytellers narrate genealogies of the local castes using a scroll painting on cloth as a visual aid to their performance. These scrolls are the only archive of these otherwise oral narratives; hence key markers of their evolution. Once a scroll commission has been decided, performers bring an old scroll to the painters and request for a ‘copy.’ Considered as such by both performers and painters, a closer look at several scrolls of the same narrative highlights a certain degree of alteration. This paper focuses on the Padmasali Purana that narrate the origin of the weavers’ caste of Telangana. On the basis of five painted scrolls of this same narrative, ranging from 1625 to 2000, this article explores the nature and degree of modification undergone by the narrative.