DOCSLIB.ORG

Weddings at the Buccaneer As Seen in Bridal Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Weddings at the Buccaneer As Seen in Bridal Guide Embrace warm, mellow days in romantic gowns graced with Paradise ultrafeminine tiers, lace Found and embroideries. HAND IN HAND A sophisticated gown of tiered silk mikado is your first step toward happily ever after. Featuring a plunging V-neck empire bodice and a shapely trumpet skirt, the design’s simplicity belies its breathtaking effect. Gown, about $700, by Pallas Athena by Venus; call 626-285-5796 for store listings. Feather hairpin by MEG Jewelry. Earrings and bracelet by Liz Claiborne Jewelry. Shoes by Jour & Nuit. His singular style is self- evident in a light tan wedding suit in an island-appropriate linen blend. Worn with a sky- blue luxe microfiber shirt, it makes him look coolly casual. Tuxedo by Destinations Collection by Platinum Formals. Shirt by Andrew Fezza for Ascot LLC. Shoes by Colonial PHOTOGRAPHY: LUCIANA PAMPALONE. HAIR AND MAKEUP: GREG CLARK, USING LAURA MERCIER COSMETICS, HALLEY RESOURCES. Shoe Company. TWO TO TANGO Together, you’ve got all the right moves—show them off in this flirty two-piece ensemble that’s the perfect mix of sweet and saucy. The strapless, corseted bodice is made of embroidered eyelet lace; a satin ribbon, bedecked with an organza flower, encircles the waist. The organza skirt, with a sassy fit- and-flare silhouette, features ruffled tiers that fashion a chapel-length train. Gown, about $390, by Amelie Bridal; go to ameliebridal.com for store listings. Hair sticks by Cheryl King Couture. Earrings by The Bead Lady Designs. Necklace, worn as a bracelet, by Dasha Boutique. He’ll be dancing under the stars in an ivory dinner jacket with black formalwear trousers. A marine-blue bow tie and cummerbund, both with a distinctive foulard pattern, complete the look. Tuxedo by Fabian Couture. Accessories by Geoffrey Beene. Shoes by Colonial Shoe Company. 000000000000000 FIRST BLUSH A frothy concoction of duchesse organza and embroidered tulle puts you right in the pink. Appliqués of Venetian lace, embellished with Swarovski crystals, iridescent pink sequins and silver bugle beads, adorn the empire bodice; the pleated tulle midriff and full ballgown skirt get a touch of whimsy from embroidered polka dots. In back, a posy of pink organza blooms and cascading organza streamers complement the effervescent vibe. Gown, about $1,250, by Maggie Sottero; go to maggiesottero.com for store listings. Headpiece by Dianna Castner. Earrings by Sophia and Chloe. Shoes by David’s Bridal. He’ll be cool in every sense in a white shantung tuxedo featuring a one-button jacket with a shawl collar. Add in a pink luxe microfiber shirt, and he truly befits the tropical mood. Tuxedo by After Hours. Shirt by Andrew Fezza for Ascot, LLC. 000000000 SCHOOL OF LOVE It doesn’t take a village to know that you have style—it’s obvious when you’re wearing a gown this chic. Made of Lyon lace appliqués, it features a figure-flattering mermaid silhouette with a flouncy, tiered skirt. Pretty, off- the-shoulder straps and a V- neckline complement the shape, while an allover dusting of sparkling crystals, sequins and bugle beads mirrors your happy glow. Gown, about $998, by Casablanca Bridal; go to casablancabridal.com for store listings. Headpiece and earrings by Ti Adoro Jewelry by Maria Ruggieri. He’s well suited for the tropics in this chocolate-brown tuxedo with a sophisticated tone- on-tone stripe. The jacket’s notch collar and satin lapels are a nod to tradition, while the retro-inspired coordinating vest and long tie keep things modern. Tuxedo by Jean Yves Designer. Accessories by Mel Howard Elite. Shoes by Colonial Shoe Company. Bouquets and boutonnieres, this story, by Margie’s Blossoms, St. Croix, U.S. Virgin Islands. LUCIANA PAMPALONE 237 TEE FOR TWO You’re just right “fore” each other in this sweet sheath made of a lacy organza with heart-shaped embroidery and silver stitching. Highlighting the empire bodice is a satin band adorned with sequins and rhinestones and, at the center, a pearl- encircled cameo. Pouf bell sleeves and a prettily scalloped hemline enhance the romantic charm. Gown, about $850, by Sarah Danielle; call 845- 369-7768 for store listings. Hair combs by The Tiara Room. Earrings by Ti Adoro Jewelry by Maria Ruggieri. Shoes by Blue Tux. He’ll score a fashion hole-in- one in this tan linen wedding suit with a notch-collared jacket. Paired with a Caribbean-blue bow tie and cummerbund, in a fun, tropical- inspired pattern, it creates a look that’s breezily chic. Tuxedo by Destinations Collection by Platinum Formals. Accessories by Vineyard Vines. Shoes by Colonial Shoe Company. Photographed at The Buccaneer Resort, located on St. Croix in the U.S. Virgin Islands. Built in the 17th century, the 340-acre property blends old-world charm with modern-day amenities and luxurious accommodations. With 3 beaches, 2 freshwater pools, 8 tennis courts, an 18-hole golf course, a fitness center, spa and a wide variety of water sports and daily activities, the resort is popular with families and honeymooners alike. The Buccaneer is a member of Historic Hotels of America and has been voted one of the world’s top 50 tropical resorts; the resort is available for weddings and private functions. For more information, go to thebuccaneer.com. PASSION FLOWER Love is in bloom—celebrate in style wearing this elegant A-line gown of embroidered eyelet organza. Princess seams give the strapless bodice curve- enhancing appeal, while topstitched satin bands crisscross at the waist. An embroidered organza bow is a simple, yet sublime, finishing touch. Gown, price upon request, by Bellissima; call 239-277-7099 for store listings. Hair sticks by Cheryl King Couture. Earrings by Carolee. Necklace by Rose & Harper. He can be your “something blue” when he’s decked out in a navy linen wedding suit that features a two-button jacket with a notch collar. Paired with a cobalt blue shirt and a coordinating polka- dotted tie, it shows he’s 100% true blue. Tuxedo and accessories by Charles Tyrwhitt. See Shopping Guide for details. LUCIANA PAMPALONE 000.
Load more

Recommended publications
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • Dressing for the Times: Fashion in Tang Dynasty China (618-907)
    Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks.
    [Show full text]
  • Plastic Canvas Patterns
    Crochet & Craft Crochet & Craft Catalog Craft Store MAY 2015 OVER 300 Step Into NEW ITEMS! Springin Style! AnniesCraftStore.com CROCHET | KNITTING | BEADING | PLASTIC CANVAS | YARN CSC5 Crazy for ➤ Crochet Chevrons page 34 Southwest Tissue Plastic Covers Canvas page 56 ➤ Isadora Scarf page 79 Paper Crafts Knit Washi Tape Cards ➤ page 53 Inside Skill Level Key 3–40 Crochet Beginner: For first-time stitchers 41–44 Crochet Supplies Easy: Projects using basic stitches 45 Crochet World & Creative Knitting Special Issues Intermediate: Projects with a variety of stitches 46–49 Home Solutions and mid-level shaping 50–53 Drawing, Painting, Paper Crafts Experienced: Projects using advanced 54 Plastic Canvas Supplies techniques and stitches 55–57 Plastic Canvas 58 Cross Stitch 59 Embroidery 60 & 61 Beading Our Guarantee If you are not completely satisfied with your 62–69 Yarn purchase, you may return it, no questions 70–72 Knit Supplies asked, for a full and prompt refund. 73–83 Knit 2 ANNIESCRAFTSTORE.COM (800) 582-6643 7 a.m.–9 p.m. (CT) Monday–Friday • 7 a.m.–5 p.m. (CT) Saturday • 9 a.m.–5 p.m. (CT) Sunday New Spring Designs for Kids! NEW! CROCHET Slumber Party for 18" Dolls The girls are having fun at their sleepover. Pattern features 4 different sleep sets, all made from baby/sport-weight and DK-weight yarns with some trims in size 10 crochet cotton or novelty yarn. Designs NEW! CROCHET Bridal Party include: a granny gown Every little girl dreams of that special wedding day. with booties, a vintage Crochet a bridal party for your 18" dolls.
    [Show full text]
  • The Corset and the Crinoline : a Book of Modes and Costumes from Remote Periods to the Present Time
    THE CORSET THE CRINOLINE. # A BOOK oh MODES AND COSTUMES FROM REMOTE PERIODS TO THE PRESENT TIME. By W. B. L. WITH 54 FULL-PAGE AND OTHER ENGRAVINGS. " wha will shoe my fair foot, Aud wha will glove my han' ? And wha will lace my middle jimp Wi' a new-made London ban' ?" Fair Annie of L&hroyan. LONDON: W A R D, LOCK, AND TYLER. WARWICK HOUSE, PATERNOSTER ROW. LOS DOS PRINTKD BY JAS. WAOE, TAVISTOCK STREET, COVBSI GARDEN 10 PREFACE. The subject which we have here treated is a sort of figurative battle-field, where fierce contests have for ages been from time to time waged; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the commencement of the war. We in the matter remain strictly neutral, merely performing the part of the public's " own correspondent," making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the vicissitudes of war, mark its various phases, and, in fine, to do our best to lay clearly before our readers the historical facts—experiences and arguments—relating to the much-discussed " Corset question" As most of our readers are aware, the leading journals especially intended for the perusal of ladies have been for many years the media for the exchange of a vast number of letters and papers touching the use of the Corset. The questions relating to the history of this apparently indispensable article of ladies' attire, its construction, application, and influence on the figure have become so numerous of late that we have thought, by embodying all that we can glean and garner relating to Corsets, their wearers, and the various costumes worn by ladies at different periods, arranging the subject-matter in its due order as to dates, and at the same time availing ourselves of careful illustration when needed, that an interesting volume would result.
    [Show full text]
  • Jewelry Design of the "Six Etiquettes"
    2020 Artistic Design, Communication and Engineering Science Jewelry Design of the "Six Etiquettes" Tingting Wang, Lingling Liu College of Arts, Guilin University of Technology, Guilin 541004, China Abstract: This paper primarily studies the application of the "six etiquettes" of Chinese traditional wedding custom in jewelry design. For the past few years, the demand for traditional clothing which is named as Hanfu has increased rapidly with the prosperity of traditional clothing. This phenomenon also promotes the development of related industries, such as Hanfu wedding. Because of the love of traditional culture, many young people choose Hanfu wedding. Hanfu wedding is held according to the wedding ceremony that is recorded in historical books, like the Zhou system or Tang system. In the meantime, the Hanfu wedding naturally can not lack the suitable jewelry. "Six etiquettes" is a traditional marriage custom in China and it has been used since Zhou dynasty. It is the complete embodiment from the pledge in love to the marriage, which contains propose a marriage, ask name, divine, send betrothal presents, discuss the wedding date and greet bride personally. This paper takes the "six etiquettes " in traditional culture as the source of inspiration, extracts the elements which includes special meanings, and designs wedding jewelry with modern aesthetics. Keywords: Jewelry design; Six etiquettes; Hanfu wedding; Wild goose; Deer 1 Introduction 1.1 Background and Main Contents For the past few years, traditional culture is so inviting that has caused national elements hot, such as the well-known cultural creation of the Palace Museum. Meanwhile, the traditional clothing which is named as Hanfu begins to show charm in the pluralistic stage.
    [Show full text]
  • Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
    DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters.
    [Show full text]
  • 2021 Contests
    CONTESTS ALL CONTESTS REQUIRE ONLINE PRE-ENTRY!!! DEADLINE TO REGISTER IS JULY 1ST PRE-REGISTRATION AVAILABLE ON OUR WEBSITE: http://extension.unl.edu/statewide/saunders/4hcountyfair/ DRESS CODE FOR ALL CONTESTS: Participants in all contests are to wear sponsored 4-H t-shirts, blue jeans and closed-toed shoes. No shorts. Refer to “General Rules” at the beginning of the book. No shooting jackets will be permitted. Exception = Best Dressed Critter Contest, Favorite Foods, Fashion Show, and the County Fair Parade DEPARTMENT Z – SKILL CONTESTS o Barebow: arrows drawn by hand, no sights on bow or DIVISION 501 – LIVESTOCK JUDGING string. o Freestyle Limited: arrows drawn by hand, no limit on sights or stabilizers. SATURDAY, JULY 31 o Freestyle: same as limited but allows use of 4:30 p.m. in Gayle Hattan Pavilion mechanical releases. or 30 minutes following Round Robin o Traditional: Long bows and Recurve bows; no sights or markings of any kind on bow, no releases or Premiums (For Youth Divisions Only): Purple $3.00; Blue $2.00; stabilizers. Shoot with fingers, tabs, or gloves. Red $1.00 Z502100 Senior (age 15 & up) Will consist of evaluation of Cattle, Hogs, Sheep and Goats. Z502200 Intermediate (age 12-14) At least 4 classes will be evaluated Z502300 Junior (age 8-11) Questions will be asked on 2 classes. Divisions will consist of Senior, Intermediate, Junior and Adult. • Archery Club note – Youth do not have to have their own bow to Z501100 Senior (age 15 & up) practice with club, but it is encouraged. Parents are encouraged Z501200 Intermediate (age 12-14) to stay for the duration of an archery practice.
    [Show full text]
  • 2017 Corporate Experiences
    2 017 CORPORATE EXPERIENCES SHARED SUITES SHARED SUITES SHARED SUITES VIRGIN AUSTRALIA PADDOCK CLUB VIRGIN AUSTRALIA PADDOCK CLUB The Virgin Australia Paddock Club is Supercars premium shared suite located track side above the team garages or pit exit giving guests the ultimate Corporate Experience. Children: With more space to move around, an extensive food and beverage offering, Please note that children under exclusive corporate gifts, in-suite entertainment, capped numbers and additional 12 years are not permitted into furnishings, the Virgin Australia Paddock Club is truly motorsport at its best. shared suites. Children over this age are required to hold corporate The Virgin Australia Paddock Club offers first class service, an electric accreditation to gain access. atmosphere, entertaining driver interviews and appearances, managed table seating and always optimum viewing and includes the following: Dress Code: The minimum requirement is smart casual. Accepted – Dress jeans, dress EXCLUSIVE ACCESS shorts, t-shirts and racing shirts. • Exclusive access to the Virgin Australia Paddock Club Dress Not accepted – Tank tops, • Entry to the circuit – including all general viewing and merchandise areas singlets, sports shorts and THONGS. • Access to the Supercar Paddock; allowing close inspection of the teams, drivers and Supercars as they prepare for the day’s on track action • Individual Trackside tickets with Paddock Access for event days the The Virgin Australia Supercars Paddock Club isn’t in operation • Transferable tickets – choose
    [Show full text]
  • Safety Guide
    RIDER SAFETY GUIDE Printed January 2016. © 2016 Viacom International Inc. All Rights Reserved. SpongeBob SquarePants created by Stephen Hillenburg. CONTENTS 03 .. WELCOME 05 .. ACCESSIBILITY 06 .. BASIC RIDE INFORMATION 10 .. SPECIAL SERVICES 11 .. ADDITIONAL REQUIREMENTS 15 .. KEY SYMBOLS/RATING SYSTEM 47 .. APPROVED RIDES + ATTRACTIONS 2 WELCOME TO NICKELODEON UNIVERSE® Our goal is to make sure that you experience all the thrills and chills this theme park has to offer while staying safe. This instruction manual was created to assist you in making the correct decision on which rides are right for your use. 3 NICKELODEON UNIVERSE® PROVIDES THESE SAFETY SYSTEMS: Theme park rides incorporate safety systems designed by the manufacturer to accommodate people of average physical stature and body proportions. These safety systems may place restrictions on your ability to safely experience the ride. Guests with the following may want to reconsider riding the ride, as the rider may not be safely accommodated: • History of heart problems • Back or neck troubles • Had recent surgery • Currently pregnant • Body braces, leg or arm casts • Restrictive devices • Physical disabilities The ride admission policy has been developed based on the recommendations of the manufacturer, past experience and evaluation of each ride, in regular and emergency operating conditions. The ultimate consideration is the ability of each person to endure the dynamics of each ride without risk of injury to the individual or other riders. Our ride operators are trained to make your visit a memorable one. However, they are not trained to transfer guests with mobility impairment in or out of the ride. It is essential that a responsible person accompany guests requiring such assistance.
    [Show full text]
  • Vintage Notions Volume 1 Issue 9 MONTHLY
    Vintage Notions Volume 1 Issue 9 MONTHLY A Guide Devoted to the LOVE of Needlework, Cooking, Sewing, Fashion & Fun cunw~UlUU\,I ~ •' v// / ' / / ' / / / '@ , , The photo you see above is the image from the cover of the September 1920 Inspiration newsletter that was published by the Woman’s Institute of Domestic Arts and Sciences which inspired my book Vintage Notions. For a more modern look I chose to update this edition with the cover artwork from the August, 1923 issue of the Woman’s Institute Fashion Service magazine. Vintage Notions Monthly ©2016 Amy Barickman, LLC 1-:================= Edited by Gus TAVE L . .WE 1 N s s ==================:i OW comes the time of the JTIS along these lines that the N year when activities in Institute has been advancing nearly all lines of endeavor are Preparations. since its inception. Ever since resumed with new vigor. The we began to teach we have had school bells have sounded, call­ for Service the thought of service to our ing teachers and scholars back students uppermost in mind. to their studies; vacations are BY THE EDITOR Was there a change to be made, practically over, permitting the it was considered from the angle problems of home life and business to be taken up of whether or not it would mean better service for again with unbroken sequence; the very air seems our students. Was a new policy to be inaugurated, to. have become charged with an impelling influ­ it was put forth with the idea of rendering bettel" ence, inspiring one and all to renew efforts that service.
    [Show full text]
  • Mao's War on Women
    Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2019 Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 Al D. Roberts Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Roberts, Al D., "Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976" (2019). All Graduate Theses and Dissertations. 7530. https://digitalcommons.usu.edu/etd/7530 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MAO’S WAR ON WOMEN: THE PERPETUATION OF GENDER HIERARCHIES THROUGH YIN-YANG COSMOLOGY IN THE CHINESE COMMUNIST PROPAGANDA OF THE MAO ERA, 1949-1976 by Al D. Roberts A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Clayton Brown, Ph.D. Julia Gossard, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Dominic Sur, Ph.D. Committee Member Committee Member _______________________________________ Richard S. Inouye, Ph.D. Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Al D. Roberts 2019 All Rights Reserved iii ABSTRACT Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 by Al D.
    [Show full text]
  • Sumptuary Law by Any Other Name: Manifestations of Sumptuary Regulation in Australia, 1901-1927
    University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2015 Sumptuary law by any other name: manifestations of sumptuary regulation in Australia, 1901-1927 Caroline Irene Dick University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Dick, Caroline Irene, Sumptuary law by any other name: manifestations of sumptuary regulation in Australia, 1901-1927, Doctor of Philosophy thesis, Faculty of Law, Humanities, and the Arts, University of Wollongong, 2015.
    [Show full text]