DOCSLIB.ORG

Liste Des Candidats Sélectionnés Appel CTA Toulouse CP Du 06-12-17

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Liste Des Candidats Sélectionnés Appel CTA Toulouse CP Du 06-12-17 APPEL AUX CANDIDATURES FM DANS LE RESSORT DU CTA DE TOULOUSE (décision n° 2017-238 du 19 avril 2017) Liste des candidats sélectionnés Dans le cadre de la procédure d’appel aux candidatures FM du 19 avril 2017, le Conseil supérieur de l’audiovisuel, réuni le 6 décembre 2017, a décidé de sélectionner les candidats suivants : ARIEGE (09) Zone : Ax-les-Thermes 2017-TO-D008 SA SERC (Fun Radio) Fréquence : 91,9 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 95,6 MHz 2017-TO-D024 SAS RFM Entreprises (RFM) Fréquence : 99,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,0 MHz 1 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Foix 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,7 MHz Zone : Pamiers 2017-TO-C002 SARL FM Graffiti (RTL 2 Toulouse) Fréquence : 88,6 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 90,3 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 102,9MHz 2017-TO-E002 SAS RTL France Radio (RTL) Fréquence : 104,0 MHz Zone : Saint-Girons 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 88,5 MHz Zone : Saverdun 2017-TO-A008 Association Maison des jeunes et de la culture (Oxygène FM) Fréquence : 102,2 MHz Zone : Tarascon-sur-Ariège 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 89,2 MHz 2 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Vicdessos 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,0 MHz AVEYRON (12) Zone : Millau 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,4 MHz Zone : Nant 2017-TO-A019 Association Radio Larzac (Radio Larzac) Fréquence : 92,5 MHz Zone : Rodez 2017-TO-D004 SARL Jazz France (Jazz Radio) Fréquence : 88,6 MHz 2017-TO-E003 SAM Lagardère Active Broadcast (Europe 1) Fréquence : 98,8 MHz 2017-TO-A014 Association Radio Présence (Radio Présence) Fréquence : 103,9 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 104,4 MHz 3 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Villefranche-de-Rouergue 2017-TO-D017 SA Vortex (Skyrock) Fréquence : 91,6 MHz 2017-TO-E005 SAM Radio Monte Carlo (RMC) Fréquence : 94,0 MHz 2017-TO-D014 SAS NRJ (NRJ) Fréquence : 100,3 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 104,0 MHz HAUTE-GARONNE (31) Zone : Bagnères-de-Luchon 2017-TO-C001 Association pour l’information et le développement de Bagnères La Mongie (Nostalgie Hautes-Pyrénées Comminges) Fréquence : 107,1 MHz Zone : Chaum 2017-TO-C001 Association pour l’information et le développement de Bagnères La Mongie (Nostalgie Hautes-Pyrénées Comminges) Fréquence : 100,3 MHz Zone : Saint-Gaudens 2017-TO-C002 SARL FM Graffiti (RTL 2 Toulouse) Fréquence : 88,7 MHz 4 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés 2017-TO-D017 SA Vortex (Skyrock) Fréquence : 91,9 MHz 2017-TO-B007 Association Festival d’énergie du plateau (Radio Festival Lannemezan) Fréquence : 93,6 MHz 2017-TO-C001 Association pour l’information et le développement de Bagnères La Mongie (Nostalgie Hautes-Pyrénées Comminges) Fréquence : 106,0 MHz Zone : Toulouse 2017-TO-B001 SARL 100 % (100 %) Fréquence : 90,5 MHz 2017-TO-D006 SAS FG Concept (Radio FG) Fréquence : 101,4 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,8 MHz GERS (32) Zone : Auch 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 88,6 MHz 2017-TO-A001 Association Barousse FM – Association pour le développement des moyens de communication culturels et sportifs (Atomic Radio) Fréquence : 93,2 MHz 5 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés 2017-TO-D004 SARL Jazz France (Jazz Radio) Fréquence : 99,6 MHz Zone : L’Isle-Jourdain 2017-TO-A021 Association Asso Diffusion Gers (Hit FM Radio) Fréquence : 92,4 MHz LOT (46) Zone : Cahors 2017-TO-E002 SAS RTL France Radio (RTL) Fréquence : 94,3 MHz 2017-TO-D007 SA SODERA (RTL 2) Fréquence : 98,4 MHz 2017-TO-A006 Association Los Estuflaïres – groupe d’animation Caylusien (CFM Cahors) Fréquence : 100,5 MHz 2017-TO-B001 SARL 100 % (100 %) Fréquence : 103,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 105,0 MHz Zone : Figeac 2017-TO-D011 SAS Rire et Chansons (Rire et Chansons) Fréquence : 91,3 MHz 6 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés 2017-TO-D017 SA Vortex (Skyrock) Fréquence : 92,9 MHz 2017-TO-A006 Association Los Estuflaïres – groupe d’animation Caylusien (CFM Villefranche) Fréquence : 101,6 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,8 MHz 2017-TO-D021 SAS Europe 2 Entreprises (Virgin Radio) Fréquence : 104,3 MHz Zone : Saint-Céré 2017-TO-B008 Association régionale d’animation (Totem) Fréquence : 102,4 MHz 2017-TO-E003 SAM Lagardère Active Broadcast (Europe 1) Fréquence : 106,3 MHz HAUTES-PYRENEES (65) Zone : Argelès-Gazost Pic du Midi 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,0 MHz Zone : Arreau 2017-TO-D014 SAS NRJ (NRJ) Fréquence : 91,1 MHz 7 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés 2017-TO-A010 Association radio et audiovisuel du Comminges (Radio Présence Pyrénées) Fréquence : 94,1 MHz 2017-TO-B007 Association Festival d’énergie du plateau (Radio Festival Lannemezan) Fréquence : 95,1 MHz 2017-TO-A001 Association Barousse FM – Association pour le développement des moyens de communication culturels et sportifs (Atomic Radio) Fréquence : 102,7 MHz 2017-TO-E003 SAM Lagardère Active Broadcast (Europe 1) Fréquence : 106,2 MHz Zone : Barèges 2017-TO-D021 SAS Europe 2 Entreprises (Virgin Radio) Fréquence : 100,0 MHz 2017-TO-A00 1 Association Barousse FM – Association pour le développement des moyens de communication culturels et sportifs (Atomic Radio) Fréquence : 102,7 MHz Zone : Lourdes 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,2 MHz 2017-TO-A018 Association Fréquence Luz (Fréquence Luz, radio du Pays de Lourdes et des Vallées des Gaves) Fréquence : 103,4 MHz 8 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Tarbes 2017-TO-B004 Association Oxygène (Inside) Fréquence : 88,7 MHz 2017-TO-D016 SARL TSF Jazz (TSF Jazz) Fréquence : 104,4 MHz TARN (81) Zone : Albi 2017-TO-B008 Association régionale d’animation (Totem) Fréquence : 93,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,2 MHz Zone : Carmaux 2017-TO-A006 Association Los Estuflaïres – groupe d’animation Caylusien (CFM Cordes) Fréquence : 105,8 MHz Zone : Castres 2017-TO-B003 Association Radio Ménergy (Radio Ménergy) Fréquence : 95,0 MHz 2017-TO-D011 SAS Rire et Chansons (Rire et Chansons) Fréquence : 107,5 MHz 9 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Mazamet 2017-TO-B003 Association Radio Ménergy (Radio Ménergy) Fréquence : 100,5 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 104,1 MHz TARN-ET-GARONNE (82) Zone : Montauban 2017-TO-D002 SAS Radio Classique (Radio Classique) Fréquence : 89,9 MHz 10 .
Load more

Recommended publications
  • Jazz London Radio
    Issue 2 October 2017 Jazz London Radio London’s Internet Jazz Station Thank you for checking out the second edition of our newsletter. Our newsletter is designed to keep our listeners abreast of new developments and new features, plus what’s been happening with our Presenters. Laurie Burnette: Founder and Programme Director I am a music and sports fan who writes articles on the game of tennis as well as interview the top musicians in the world of jazz and alternative music. I hope to bring something different to British radio based on a more continental model. Jazz London Radio began broadcasting in June 2014 and was born from the inspiration of listening to a variety of different stations via satellite and internet radio. In the early 2000s I lis- tened extensively to Radio France (FIP) broadcasting from Paris and Radio Monte Carlo from Milan Italy. Later on I discov- ered TSF Jazz which also broadcasts out of Paris. As a music fan, I loved how many of these stations would mix jazz with other styles of music, seamlessly and without apology. This appealed to me as a person who listened to a lot of John Peel shows on BBC Radio 1 during my student years. As a result I have set up Jazz Lon-don radio as primarily a jazz station with the liberty to showcase other styles of music which may not Newsletter Spotlight strictly be called jazz but is in the spirit of jazz in terms of crea- tivity and content. Station outputs in high level sound quality Jazz London Radio has nine Present- ers playing a wide range of jazz and related music.
    [Show full text]
  • Le 21 Janvier 2003
    PRESS RELEASE Levallois, 20th July 2021 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in Ile de France: April – June 2021 Mediametrie publishes radio audience results, in metropolitan France over the March 29th 2021 to June 27th 2021 period, measured on a population of 3,889 individuals aged of 13 years and over. This period is marked by a national lockdown in April and a progressive lifting of restrictions between May and June. From April 3, travel restrictions are extended to the entire territory, with the maintenance of a curfew from 7 p.m. and generalized teleworking, the closure of day care centers and all schools for 3 weeks, the unification of the calendar of school vacations for all areas, and a week of distance learning for all colleges and high schools. From May 3, a gradual lockdown easing is taking place with a first lifting of travel restrictions and a gradual return to class. From May 19th, businesses and public places reopen with a curfew postponed to 9 p.m. From June 9, restaurants opened in turn with a curfew pushed back to 11 p.m. and a relaxation of teleworking. June 20 marks the lifting of the curfew (see events p.7). During this period, the pace of French life remained exceptional with reduced mobility and unusual activity conditions. The activity rate, which was low in April with a large proportion of the working population in unusual working conditions, increased as the restrictions were lifted in May and June. Activity rate in IDF according to working conditions (Monday-Friday excluding LAD) (Share of employed persons who were working on the day of the interview) Source : 126 000 Île-de-France, Lundi-Vendredi, activity rate (excluding LAD).
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • French Stewardship of Jazz: the Case of France Musique and France Culture
    ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
    [Show full text]
  • THE RADIO NOVA MODEL Marc H'limi
    http://www.ecole.org Seminar Creation THE ART OF FINDING TOMORROW’S Organised thanks to the patronage of the following companies : TALENTED INDIVIDUALS : Air France Air Liquide1 THE RADIO NOVA MODEL Algoé2 ANRT Arcelor by Areva2 Cabinet Regimbeau1 Caisse des Dépôts et Consignations CEA Marc H’LIMI Chaire “management de l’innovation” Broadcast chief, Radio Nova de l'École polytechnique Chambre de Commerce et d'Industrie de Paris CNRS March 14th, 2006 Conseil Supérieur de l'Ordre Report by Cédric Vilatte des Experts Comptables Danone Translation by Rachel Marlin Deloitte École des mines de Paris EDF Entreprise & Personnel Overview Fondation Charles Léopold Mayer pour le Progrès de l'Homme The star presenters of Radio Nova frequently move from the radio France Télécom FVA Management station to become television presenters. In order to maintain their Groupe ESSEC staff numbers, Nova constantly has to find and train new talent. In HRA Pharma the structured world of radio where demand dominates and where IDRH Institut de l’Entreprise the way in which it works leaves little place for risk-taking both in La Poste terms of programming and presentation, Nova can afford the Lafarge luxury of trying out different methods and has the time necessary Ministère de l’Industrie, direction générale des Entreprises for talent to reveal itself. Nova is able to do this because it has an PSA Peugeot Citroën organisation which is capable of managing an economic model Reims Management School applicable to a limited audience while maintaining its objective of Renault Royal Canin not losing money. The aims of Radio Nova are creativity, freedom Saint-Gobain of speech and the promotion of all kinds of music… in other Schneider Electric Industrie words how a private company declares a commitment to public SNCF1 Thales service.
    [Show full text]
  • Présentation Powerpoint
    Jean-Luc Oboman FILLON The Jazz Oboe “Do not listen to Jean-Luc Fillon and think that he is playing an instrument which is not really used in Jazz. He does not need this kind of “indulgence”. His talent as a composer and improviser means that the instrument is quickly forgotten. “ Martial Solal Oboman is one of the rare musicians whose artistic career is marked by a multitude of original creations. A composer and multi-instrumentalist, endowed with a solid knowledge of classical music, he has taken, with a discerning mixture of discretion and perseverance, an artistic route which is both convincing and makes a welcome change. His creed: create a musical project anchored in jazz and improvisation around the specific tones of the oboe, oboe d’amore and English horn. Oboman has certainly imposed instruments that are little used in jazz. He has, however, above all, created a new orchestral colour, that of sensuality and beat. We cannot help but be seduced by the rich sound, the authenticity and the lyricism of the oboe – an instrument which up until now has been confined to traditional written music - combined with the virtuosity of this exceptional improviser. Since 2001, he has been continuously working, making numerous sound recordings and giving live performances, illustrating the innovative and original character of his artistic initiative. Press Coverage COLLABORATIONS WITH… RECORDINGS Patrice Caratini, Antoine Hervé, Claude Barthélémy, Discography Georges Rabol, Bob Mintzer, Glenn Ferris, Michele 10 albums as leader (click on the pictures
    [Show full text]
  • Mediametrie 126 000 Radio Ile De France Survey
    PRESS RELEASE Levallois, 25th April 2019 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in France: January-March 2019 Mediametrie publishes radio audience results, in metropolitan France over the December 31 to March 31 2019 period, measured on a population of 3,931 individuals aged of 13 years and over. The audience results focus on the “Monday-Friday” time base created by excluding Low Activity Days (LAD), days for which the activity rate is less than 55%. Over the previous period of January to March 2018, 3 LAD were identified : Monday December 31, Tuesday January 1st, Wednesday January 2. Characteristics of the period during the week (Monday-Friday) September – January – March January- March December 2019 2019 2018 Number of weekdays of the wave (including LADs) 65 80 65 Number of Low Activity Days 3 2 3 Number of school holidays 15 10 15 Activity rate excluding LADs (in %) (1) 75.0 75.7 75.2 1) Activity rate: share of employed individuals having carried out their professional activity on the same day as the interview. Radio Audience, population aged of 13 years and over (Monday-Friday) January – March 2019 September – December 2018 January- March 2018 TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume h/m % 000 % 000 h/mn % 000 % 000 h/mn % 000 % 000 n 5h - 24h 10.0 1.002 74.1 7.470 2h33 9.9 1.000 71.4 7.188 2h39 10.4 1.052 75.0 7.549 2h39 7h - 9h 20.2 2.032 42.0 4.228 0h58 20.7 2.089 42.2 4.247 0h59 20.1 2.026 41.7 4 201 0h58 This press release presents the intermediate results of audience in Ile-de-France, published over the first 8 weeks of reference period September-December, 2018.
    [Show full text]
  • Mediakit 2009
    MEDIAKIT 2009 MEDIAKIT 2009 Nova REGIE Dans un paysage média, toujours plus dense et toujours plus concentré, où les nouveaux usages et les nouveaux supports bousculent l’offre traditionnelle, le groupe NOVA reste une valeur média forte et identitaire. Espace unique où se rencontrent celles et ceux qui recherchent la nouveauté, la différence, un point de vue alternatif sur l’information et l’offre musicale, le groupe NOVA truste l’univers des Earlys Adopters et de la modernité. NOVA REGIE commercialise aujourd’hui une audience cumulée veille de + de 540 000 auditeurs (350 000 pour NOVA et ses 19 fréquences, 190 000 pour TSF JAZZ et ses 7 fréquences) et près de 800 000 visites/mois sur les sites novaplanet. com et tsfjazz.com. Surtout, NOVA REGIE vous offre aujourd’hui les moyens de votre politique cross-media en vous proposant des opportunités créatives et efficaces sur les médias du groupe. Parrainage d’émissions, création de sites web dédiés, organisations d’évènements ou d’opérations spéciales, NOVA- Régie et les équipes du groupe sont prêtes à répondre à vos problématiques publicitaires et promotionnelles. Faites-nous confiance en 2009, comme en 2008, nous attendons vos briefs ! Vito FERRERI Directeur Commercial Nova Régie. 2 MEDIAKIT 2009 SOMMAIRE RADIO NOVA LE GRAND MIX p 4-5 La radio en numérique p 6 L’esprit de la découverte p 7-8 Une audience qu’on nous envie p 9 La grille des programmes p 10-14 Tarifs et CGV p 15-18 NOVAPLANET p 19 Tout sur le Net p 20 Novanautes p 21 Espace et tarif web p 22-24 Tarifs et CGV p 25 NOVAMOBILE
    [Show full text]
  • Enquête Médiamétrie 126 000 Radio Ile-De-France L’Audience De La Radio En Septembre-Décembre 2020
    COMMUNIQUE DE PRESSE Levallois, le 21 janvier 2021 Enquête Médiamétrie 126 000 Radio Ile-de-France L’Audience de la Radio en Septembre-Décembre 2020 Médiamétrie publie les résultats d’audience de la Radio en Ile-de-France sur la période allant du 31 août au 27 décembre 2020, mesurée auprès de 6 697 personnes âgées de 13 ans et plus. Toute la période est marquée par la poursuite de la crise sanitaire Covid-19, avec l’instauration d’un couvre-feu à compter de mi-octobre, puis un reconfinement national du 30 octobre au 15 décembre, suivi d’un nouveau couvre-feu de 20h à 6h (cf. Evénements sur la période, page 6). Le quotidien des Franciliens a ainsi été fortement modifié, avec des conditions de travail inhabituelles pour certains actifs, du fait notamment du télétravail généralisé quand il est possible, et une mobilité très contrainte à compter du reconfinement. Les résultats d’audience portent sur la base temporelle « Lundi-Vendredi » construite en mettant à part les Jours de Moindre Activité (JMA), jours pour lesquels le taux d’activité national est inférieur à 55%. Sur la période Septembre-Décembre 2020, 6 Jours de Moindre Activité ont été relevés : le mercredi 11 novembre, et la semaine du lundi 21 au vendredi 25 décembre 2020. Les caractéristiques de la période en semaine (Lundi-Vendredi) Septembre - Septembre - Décembre 2020 Décembre 2019 Nombre de jours de semaine de la vague (dont JMA) 85 80 Nombre de Jours de Moindre Activité 6 2 Nombre de jours de vacances scolaires 16 10 Taux d’activité hors JMA en Ile de France (en %) (1) 72,2 74,9 (1) Taux d’activité : part des actifs occupés ayant exercé leur activité professionnelle le jour-même de l’interview.
    [Show full text]
  • L'auxiliaire Poursuit Sa Présence En Radio
    COMMUNIQUÉ Lyon, le 30 août 2019 DE PRESSE L’Auxiliaire poursuit sa présence en radio L’assureur lyonnais spécialiste du Bâtiment et des Travaux Publics poursuit son action en radio lancée courant 2018 avec RTL. l’Auxiliaire a choisi d’accompagner cette année ses équipes commerciales sur leur territoire pour contribuer à asseoir leur notoriété. Une première vague d’annonces a eu lieu en avril et la deuxième démarre. Le choix de la radio s’est fait en fonction des indicateurs d’audience sur chacune des villes où l’Auxiliaire est implantée, sur les cibles suivantes : Hommes, de 25 à 49 ans, CSP+*. Ce qui a donné lieu à un choix de stations qui s’articule ainsi : - pour les bureaux de Bourg-en-Bresse, Mâcon, Valence, Avignon et Chambéry, la radio qui émerge avec la meilleure audience cumulée en croi- sant les différentes cibles est soit NRJ, soit Nostalgie (avec un décrochage local). La campagne se déroule du 26 août au 1er septembre et comprend au total 49 spots (soit 7 par jour) d’une durée de 20 secondes. (NRJ pour Bourg-en-Bresse , Valence, Avignon, Chambéry et Nostalgie pour Mâcon). L’Auxiliaire en quelques chiffres - pour les bureaux de Manosque, Gap, Grenoble, Dole, Saint-Etienne, Villeurbanne et Annecy, la radio locale émérgente (sur la même cible que 4Assureur mutualiste précédemment) est une radio indépendante. La campagne se déroulera du spécialisé dans le BTP depuis 1863 1er au 4 et du 8 au 11 septembre (du dimanche au mercredi) et comprend 38 4Siège social : Lyon 6 spots au total (soit 5 par jour, sauf dimanche) d’une durée de 20 secondes.
    [Show full text]
  • Le 14 Avril 1999
    PRESS RELEASE Levallois, 2 May 2018 Ile de France Radio Panel 2017/2018 September-October 2017 / January-February 2018 Main results pp. 2 to 4 Method and definition of audience indicators p. 4 Calendar of the Ile de France Radio Panel and events occurring during the periods p. 5 Aim of the Ile de France Radio Panel To measure the number of people listening to the radio and the listening frequency over a long period, Médiamétrie gathered information about the listening habits of the same people (panellists) over 23 days. Two panels were surveyed. from 16 September to 8 October 2017, and from 13 January to 4 February 2018. The aim of the Radio Panel is to better understand the behaviour of the listeners over a long period (duplications between stations, transfers of one station to another, renewal and loyalty of the audience, etc.) and to provide information for the media-planning models. The panel study supplements the “126 000 Radio Ile de France” survey, which, with a daily renewal of the individuals surveyed, measures the audience levels as a daily average, as well as the profiles of their listeners. This press release only mentions the stations, networks and coordinations subscribing to the survey and achieving at least 5% of maximum coverage during the 21-day period. Source: Médiamétrie - Ile de France Radio Panel 2017/2018 - Copyright of Médiamétrie - All rights reserved 1/6 PRESS RELEASE Ile de France Radio Panel 2017/2018 Main results for Radio (5am-12 midnight) Maximum coverage (%) Average number of days of listening per 1% = 100,710
    [Show full text]
  • 19062018 CP DAB Lille English FINAL
    51 RADIO STATIONS NOW AVAILABLE IN DAB+ IN HAUTS-DE-FRANCE Acceleration of DAB+ in France After Paris, Marseille and Nice, DAB+ is now available in Lille and in the Hauts-de-France region with the launch of 51 stations. On-air radio is continuing its transition to digital, as part of the trend in Europe. This is an ambitious national deployment plan being driven by the Conseil supérieur de l’audiovisuel (CSA - Higher Audiovisual Council) 70% of the French population covered in 3 years. The CSA's strategy, known as the 'nodes and arcs plan', will make DAB+ accessible to 70% of the French population by 2020. In three years, the large conurbations (the 'nodes') and the main road arteries (the 'arcs') will be covered. In the next few months, the deployment of DAB+ will continue in Alsace, Rhône-Alpes, Normandy, Brittany, Gironde and Occitanie. Moreover, a multi-regional call for candidatures covering fifteen zones and a national call for candidatures will be launched shortly. The digital radio revolution DAB+ is based on the qualities of on-air broadcasting (reliability, free for the listener, anonymous listening), while bringing new features: high-quality sound, continuous reception on the move, associated digital services. DAB+ will enable the radio offering to be expanded with more local, regional, theme-based, music or general programmes. As an example, 36 of the radio stations among those who are joining the DAB+ adventure were not present in the Nord or Pas-de-Calais: 17 radio stations1 are totally new to the residents of the Nord and Pas-de-Calais, 122 were already present in these départements but are now more widely accessible and 73 are only accessible in DAB+.
    [Show full text]