Le 21 Janvier 2003
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Positive Current Operating Profit(1) Thanks to Cost Savings • €40 Million Net Profit Group Share, an Increase of 84.3%
Paris, March 31, 2021 - 6.15 pm 2020 annual results – NRJ Group Positive Current Operating Profit(1) thanks to cost savings €40 million net profit Group share, an increase of 84.3% Group share equity strengthened at €644.7 million Proposed dividend of €0.21 per share On 31 March 2021, the NRJ Group Board of Directors met and approved the consolidated and annual accounts for the 2020 financial year. In millions of euros 2020 2019 Change Revenue excluding barters 324.8 386.2 -15.9% EBITDAii excluding barters 36.5 61.8 -40.9% Current operating profit excluding barters 3.0 30.5 -90.2% Operating profit 3.0 28.2 -89.4% Financial result 41.1 2.2 N.A Net profit Group share 40.0 21.7 +84.3% As at Dec 31, As at Dec 31, In millions of euros Change 2020 2019 Net cash surplusiii 248.9 179.8 +38.4% Shareholders'equity Group share 644.7 604.8 +6.6% In 2020, set back by the health crisis and its economic consequences, the Group recorded a €59.0 million (-18.4%) drop in revenue(1) for its media activities, reaching a low point in the second quarter of 2020 (-44.4%). In this exceptional and unprecedented context, from March 2020, NRJ Group: • implemented new ways of working which, whilst first and foremost preserving its employees’ health, provided listeners, viewers and clients with the services they expected; • offered advertisers solutions tailored to their specific communication needs for that period; • implemented a plan to reduce the Group’s expenses and investments in response to the brutal drop in revenue. -
Jazz London Radio
Issue 2 October 2017 Jazz London Radio London’s Internet Jazz Station Thank you for checking out the second edition of our newsletter. Our newsletter is designed to keep our listeners abreast of new developments and new features, plus what’s been happening with our Presenters. Laurie Burnette: Founder and Programme Director I am a music and sports fan who writes articles on the game of tennis as well as interview the top musicians in the world of jazz and alternative music. I hope to bring something different to British radio based on a more continental model. Jazz London Radio began broadcasting in June 2014 and was born from the inspiration of listening to a variety of different stations via satellite and internet radio. In the early 2000s I lis- tened extensively to Radio France (FIP) broadcasting from Paris and Radio Monte Carlo from Milan Italy. Later on I discov- ered TSF Jazz which also broadcasts out of Paris. As a music fan, I loved how many of these stations would mix jazz with other styles of music, seamlessly and without apology. This appealed to me as a person who listened to a lot of John Peel shows on BBC Radio 1 during my student years. As a result I have set up Jazz Lon-don radio as primarily a jazz station with the liberty to showcase other styles of music which may not Newsletter Spotlight strictly be called jazz but is in the spirit of jazz in terms of crea- tivity and content. Station outputs in high level sound quality Jazz London Radio has nine Present- ers playing a wide range of jazz and related music. -
Liste Des Candidats Sélectionnés Appel CTA Toulouse CP Du 06-12-17
APPEL AUX CANDIDATURES FM DANS LE RESSORT DU CTA DE TOULOUSE (décision n° 2017-238 du 19 avril 2017) Liste des candidats sélectionnés Dans le cadre de la procédure d’appel aux candidatures FM du 19 avril 2017, le Conseil supérieur de l’audiovisuel, réuni le 6 décembre 2017, a décidé de sélectionner les candidats suivants : ARIEGE (09) Zone : Ax-les-Thermes 2017-TO-D008 SA SERC (Fun Radio) Fréquence : 91,9 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 95,6 MHz 2017-TO-D024 SAS RFM Entreprises (RFM) Fréquence : 99,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,0 MHz 1 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Foix 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,7 MHz Zone : Pamiers 2017-TO-C002 SARL FM Graffiti (RTL 2 Toulouse) Fréquence : 88,6 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 90,3 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 102,9MHz 2017-TO-E002 SAS RTL France Radio (RTL) Fréquence : 104,0 MHz Zone : Saint-Girons 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 88,5 MHz Zone : Saverdun 2017-TO-A008 Association Maison des jeunes et de la culture (Oxygène FM) Fréquence : 102,2 MHz Zone : Tarascon-sur-Ariège 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 89,2 MHz 2 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Vicdessos 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,0 MHz AVEYRON (12) Zone : Millau 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,4 MHz Zone : Nant 2017-TO-A019 -
MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
EMTC-Minutes-2016-Vienna
European Music Therapy Confederation w www.emtc-eu.com Minutes of the EMTC GENERAL ASSEMBLY 2016 at the University for Music and the Performing Arts Anton-von-Webern-Platz 1, 1030 Vienna, Austria Pending approval of the General Assembly 2017 in Ede, Netherlands Monday 4th July 2016 3.00pm – 16.30pm Present: Hanne Mette Ridder (President), Adrienne Lerner (Vice President), Ferdinando Suvini (Treasurer), Ranka Radulovic (Serbia), Melanie Voight (Germany), Melissa Mercadal-Brotons (Spain), Esa Ala- Ruona (Finland), Elena Fitzthum (Austria), Marketa Gerlichova (Czech Republic), Evi Papanikolaou (Greece), Nicole Duperret (France), Alice Pehk (Estonia), Teresa Leite (Portugal), Tali Gottfried (Israel), Albert Berman (Netherlands), Teodossi Tzinguilev (Bulgaria), Rut Wallius (Sweden), Ingeborg Nebelung (Norway), Tessa Watson (UK, minutes), Claudia Knoll (Slovenia),Marianne Wiltgen (Luxembourg), Agnes Varga (Hungary), Karina Erland Jensen (Denmark), Antonia Hadjieftychoiu (Cyprus), Rozemarijn Claes (Belgium), Bettina Kande-Staehelin (Switzerland), Barbara Zanchi, for Elide Scarlata (Italy), Agnieszka Szymajda (Poland), Dr Valgerdur Jonsdottir (Iceland) Apologies: Dzintra Zarina (Latvia), Zita Abramaviciute (Lithuania) 1. WELCOME AND OPENING Dr Hanne-Mette Ridder (President of EMTC) welcomed all those present to the meeting, including the 6 new Country Representatives, and declared the assembly open. Action approved: It was approved that Tessa Watson would take the minutes for the meeting on Monday and Tuesday. 2. OFFICIAL APPROVAL OF MINUTES 2015 The minutes of the meeting in Wurzburg 2015 are on the website and have been distributed to Country Representatives. Action approved: These minutes were unanimously approved. 3. PRESIDENT’S REPORT Hanne Mette made a report from the Core Board. The focus for the Board’s activities has been; • Visibility and exchange • Recognition • Registration and EMTR Hanne-Mette noted that National Associations are a member of EMTC. -
Office De Radiodiffusion Télévision Française (ORTF) : Entretiens De Marceau Long (1974-1980)
Office de Radiodiffusion Télévision Française (ORTF) : entretiens de Marceau Long (1974-1980) Répertoire numérique (19860354/1-19860354/11) Revu par Martine Sin Blima-Barru Archives nationales (France) Pierrefitte-sur-Seine 1986 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_013032 Cet instrument de recherche a été encodé en 2010 par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Mentions de révision : • 2014: Normalisation de l'instrument de recherche pour la SIV 3 Archives nationales (France) INTRODUCTION Référence 19860354/1-19860354/11 Niveau de description fonds Intitulé Office de Radiodiffusion Télévision Française (ORTF) : entretiens de Marceau Long, président-directeur général de l'ORTF Date(s) extrême(s) 1974-1980 Nom du producteur • Long, Marceau • Office de radiodiffusion-télévision française (1964-1974) Importance matérielle et support archives audio-visuelles Localisation physique Fontainebleau DESCRIPTION Présentation du contenu Sommaire Entretiens extraits des articles. 1 et 3 du versement 19840277, archives de Marceau Long, Président-directeur Général de l'ORTF (Office de Radiodiffusion Télévision Française) puis secrétaire général du gouvernement. Art 1-3 : Entretien accordé à la deuxième chaîne de télévision par Andrei Sakharov à Moscou, 1974 ; Art 4-6 : Émission téléviséeLes dossiers de l'écran : L'ORTF face à son public, 12 mars 1974 ; Art 7-11 : Divers entretiens et allocutions de Marceau Long, 1974-1980 ENTREE ET CONSERVATION Modalités d'entrée Le versement a été versé par le Premier ministre, secrétariat général du Gouvernement, fonction que Marceau Long a exercé. -
THE RADIO NOVA MODEL Marc H'limi
http://www.ecole.org Seminar Creation THE ART OF FINDING TOMORROW’S Organised thanks to the patronage of the following companies : TALENTED INDIVIDUALS : Air France Air Liquide1 THE RADIO NOVA MODEL Algoé2 ANRT Arcelor by Areva2 Cabinet Regimbeau1 Caisse des Dépôts et Consignations CEA Marc H’LIMI Chaire “management de l’innovation” Broadcast chief, Radio Nova de l'École polytechnique Chambre de Commerce et d'Industrie de Paris CNRS March 14th, 2006 Conseil Supérieur de l'Ordre Report by Cédric Vilatte des Experts Comptables Danone Translation by Rachel Marlin Deloitte École des mines de Paris EDF Entreprise & Personnel Overview Fondation Charles Léopold Mayer pour le Progrès de l'Homme The star presenters of Radio Nova frequently move from the radio France Télécom FVA Management station to become television presenters. In order to maintain their Groupe ESSEC staff numbers, Nova constantly has to find and train new talent. In HRA Pharma the structured world of radio where demand dominates and where IDRH Institut de l’Entreprise the way in which it works leaves little place for risk-taking both in La Poste terms of programming and presentation, Nova can afford the Lafarge luxury of trying out different methods and has the time necessary Ministère de l’Industrie, direction générale des Entreprises for talent to reveal itself. Nova is able to do this because it has an PSA Peugeot Citroën organisation which is capable of managing an economic model Reims Management School applicable to a limited audience while maintaining its objective of Renault Royal Canin not losing money. The aims of Radio Nova are creativity, freedom Saint-Gobain of speech and the promotion of all kinds of music… in other Schneider Electric Industrie words how a private company declares a commitment to public SNCF1 Thales service. -
Etude D'impact Bordeaux
Étude d’impact de la demande de changement de titulaire et de catégorie de l’autorisation de Fun Radio à Bordeaux Décembre 2015 Les éléments relevant du secret des affaires figurent entre crochets. Version publique soumise à débat contradictoire Sommaire Introduction ............................................................................................................................................ 3 • Objet et portée de la demande de Fun Radio ............................................................................ 4 • Cadre juridique applicable à la demande de Fun Radio ............................................................ 4 • Objet de la présente étude d’impact ......................................................................................... 4 • Caractéristiques des zones de Bordeaux et d’Arcachon ........................................................... 6 1. L’impact sur l’offre radiophonique ................................................................................................ 7 1.1. La diversité des opérateurs et des catégories ....................................................................... 7 1.2. La diversité des programmes et des genres musicaux .......................................................... 9 1.2.1. Une offre de programme riche et diversifiée .............................................................. 13 1.2.2. L’impact d’un changement de titulaire et de catégorie de Fun Radio en matière de diversité des programmes et des genres musicaux .................................................................... -
Présentation Powerpoint
Jean-Luc Oboman FILLON The Jazz Oboe “Do not listen to Jean-Luc Fillon and think that he is playing an instrument which is not really used in Jazz. He does not need this kind of “indulgence”. His talent as a composer and improviser means that the instrument is quickly forgotten. “ Martial Solal Oboman is one of the rare musicians whose artistic career is marked by a multitude of original creations. A composer and multi-instrumentalist, endowed with a solid knowledge of classical music, he has taken, with a discerning mixture of discretion and perseverance, an artistic route which is both convincing and makes a welcome change. His creed: create a musical project anchored in jazz and improvisation around the specific tones of the oboe, oboe d’amore and English horn. Oboman has certainly imposed instruments that are little used in jazz. He has, however, above all, created a new orchestral colour, that of sensuality and beat. We cannot help but be seduced by the rich sound, the authenticity and the lyricism of the oboe – an instrument which up until now has been confined to traditional written music - combined with the virtuosity of this exceptional improviser. Since 2001, he has been continuously working, making numerous sound recordings and giving live performances, illustrating the innovative and original character of his artistic initiative. Press Coverage COLLABORATIONS WITH… RECORDINGS Patrice Caratini, Antoine Hervé, Claude Barthélémy, Discography Georges Rabol, Bob Mintzer, Glenn Ferris, Michele 10 albums as leader (click on the pictures -
Music Consumption in a Changing Ecosystem Dandan Niu
Music consumption in a changing ecosystem Dandan Niu To cite this version: Dandan Niu. Music consumption in a changing ecosystem. Economics and Finance. Université Paris sciences et lettres, 2018. English. NNT : 2018PSLEM008. tel-01848731 HAL Id: tel-01848731 https://pastel.archives-ouvertes.fr/tel-01848731 Submitted on 25 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT de l’Université de recherche Paris Sciences et Lettres PSL Research University Préparée à MINES ParisTech La consummation de musique dans un écosystème Music consumption in a changing ecosystem École doctorale no396 ÉCONOMIE, ORGANISATION, SOCIÉTÉ Spécialité ÉCONOMIE ET FINANCE COMPOSITION DU JURY : M. Marc BOURREAU Telecom ParisTech Rapporteur M. Thomas PARIS HEC Paris Rapporteur Mme. Margaret KYLE Mines ParisTech Soutenue par Dandan Niu Présidente le 27 Juin 2018 M. Olivier BOMSEL Mines ParisTech Directeur de thèse Dirigée par Olivier BOMSEL Acknowledgment Acknowledgment This thesis was conducted under the direction of Professor Olivier Bomsel at Mines ParisTech, I want to thank him for giving me the opportunity to carry out this thesis in such an insightful environment, and for introducing me to the fascinating topic of the economics of the music industry. -
Mediametrie 126 000 Radio Ile De France Survey
PRESS RELEASE Levallois, 25th April 2019 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in France: January-March 2019 Mediametrie publishes radio audience results, in metropolitan France over the December 31 to March 31 2019 period, measured on a population of 3,931 individuals aged of 13 years and over. The audience results focus on the “Monday-Friday” time base created by excluding Low Activity Days (LAD), days for which the activity rate is less than 55%. Over the previous period of January to March 2018, 3 LAD were identified : Monday December 31, Tuesday January 1st, Wednesday January 2. Characteristics of the period during the week (Monday-Friday) September – January – March January- March December 2019 2019 2018 Number of weekdays of the wave (including LADs) 65 80 65 Number of Low Activity Days 3 2 3 Number of school holidays 15 10 15 Activity rate excluding LADs (in %) (1) 75.0 75.7 75.2 1) Activity rate: share of employed individuals having carried out their professional activity on the same day as the interview. Radio Audience, population aged of 13 years and over (Monday-Friday) January – March 2019 September – December 2018 January- March 2018 TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume h/m % 000 % 000 h/mn % 000 % 000 h/mn % 000 % 000 n 5h - 24h 10.0 1.002 74.1 7.470 2h33 9.9 1.000 71.4 7.188 2h39 10.4 1.052 75.0 7.549 2h39 7h - 9h 20.2 2.032 42.0 4.228 0h58 20.7 2.089 42.2 4.247 0h59 20.1 2.026 41.7 4 201 0h58 This press release presents the intermediate results of audience in Ile-de-France, published over the first 8 weeks of reference period September-December, 2018. -
L'audience Des Radios Locales
L’audience des radios locales : le cas particulier des Indés Radios Mélanie Daniel Tiphaine Mahé 2010-2011 1 Sommaire Sommaire page 2 Introduction page 3 1. Un média puissant, la radio, et sa mesure page 5 a. La radio, un média puissant b. Un média, des publics : leur(s) mesure(s) 2. Les Indés Radios : l’exemple d’une mutualisation de radios locales réussie page 12 a. Un réseau national de radios locales b. La mesure d’audience au service de la puissance locale et nationale 3. Au cœur de la vie des Indés Radios : stratégies publicitaires et commerciales page 23 a. La proximité, l’atout majeur du groupement b. Communiquer en radio : publicité et offres commerciales Conclusion page 32 Annexes page 33 Annexe 1 Annexe 2 Annexe 3 Bibliographie page 38 2 Introduction « La communication audiovisuelle est libre », ce sont par ces mots qu’est annoncée le 29 juillet 1982 la fin du monopole étatique sur la radio1. Les radios libres qui émettaient depuis l’étranger ainsi que les radios pirates sortent de la clandestinité et pour beaucoup adoptent un tournant commercial. Durant les années 1990, on voit les grands groupes radiophoniques proliférer, { l’image de NRJ ou Fun Radio et l’avenir des stations locales semble alors menacé. Cependant, des efforts en faveur d’un rééquilibrage sont effectués. En 2000, un alinéa est inséré dans la loi « La liberté de la communication » et précise que « le Conseil veille au juste équilibre entre les réseaux nationaux de radiodiffusion d’une part, et les services locaux, régionaux et thématiques indépendants, d’autre part ».