Le 14 Avril 1999
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Jazz London Radio
Issue 2 October 2017 Jazz London Radio London’s Internet Jazz Station Thank you for checking out the second edition of our newsletter. Our newsletter is designed to keep our listeners abreast of new developments and new features, plus what’s been happening with our Presenters. Laurie Burnette: Founder and Programme Director I am a music and sports fan who writes articles on the game of tennis as well as interview the top musicians in the world of jazz and alternative music. I hope to bring something different to British radio based on a more continental model. Jazz London Radio began broadcasting in June 2014 and was born from the inspiration of listening to a variety of different stations via satellite and internet radio. In the early 2000s I lis- tened extensively to Radio France (FIP) broadcasting from Paris and Radio Monte Carlo from Milan Italy. Later on I discov- ered TSF Jazz which also broadcasts out of Paris. As a music fan, I loved how many of these stations would mix jazz with other styles of music, seamlessly and without apology. This appealed to me as a person who listened to a lot of John Peel shows on BBC Radio 1 during my student years. As a result I have set up Jazz Lon-don radio as primarily a jazz station with the liberty to showcase other styles of music which may not Newsletter Spotlight strictly be called jazz but is in the spirit of jazz in terms of crea- tivity and content. Station outputs in high level sound quality Jazz London Radio has nine Present- ers playing a wide range of jazz and related music. -
Liste Des Candidats Sélectionnés Appel CTA Toulouse CP Du 06-12-17
APPEL AUX CANDIDATURES FM DANS LE RESSORT DU CTA DE TOULOUSE (décision n° 2017-238 du 19 avril 2017) Liste des candidats sélectionnés Dans le cadre de la procédure d’appel aux candidatures FM du 19 avril 2017, le Conseil supérieur de l’audiovisuel, réuni le 6 décembre 2017, a décidé de sélectionner les candidats suivants : ARIEGE (09) Zone : Ax-les-Thermes 2017-TO-D008 SA SERC (Fun Radio) Fréquence : 91,9 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 95,6 MHz 2017-TO-D024 SAS RFM Entreprises (RFM) Fréquence : 99,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,0 MHz 1 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Foix 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,7 MHz Zone : Pamiers 2017-TO-C002 SARL FM Graffiti (RTL 2 Toulouse) Fréquence : 88,6 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 90,3 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 102,9MHz 2017-TO-E002 SAS RTL France Radio (RTL) Fréquence : 104,0 MHz Zone : Saint-Girons 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 88,5 MHz Zone : Saverdun 2017-TO-A008 Association Maison des jeunes et de la culture (Oxygène FM) Fréquence : 102,2 MHz Zone : Tarascon-sur-Ariège 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 89,2 MHz 2 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Vicdessos 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,0 MHz AVEYRON (12) Zone : Millau 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,4 MHz Zone : Nant 2017-TO-A019 -
Le 21 Janvier 2003
PRESS RELEASE Levallois, 20th July 2021 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in Ile de France: April – June 2021 Mediametrie publishes radio audience results, in metropolitan France over the March 29th 2021 to June 27th 2021 period, measured on a population of 3,889 individuals aged of 13 years and over. This period is marked by a national lockdown in April and a progressive lifting of restrictions between May and June. From April 3, travel restrictions are extended to the entire territory, with the maintenance of a curfew from 7 p.m. and generalized teleworking, the closure of day care centers and all schools for 3 weeks, the unification of the calendar of school vacations for all areas, and a week of distance learning for all colleges and high schools. From May 3, a gradual lockdown easing is taking place with a first lifting of travel restrictions and a gradual return to class. From May 19th, businesses and public places reopen with a curfew postponed to 9 p.m. From June 9, restaurants opened in turn with a curfew pushed back to 11 p.m. and a relaxation of teleworking. June 20 marks the lifting of the curfew (see events p.7). During this period, the pace of French life remained exceptional with reduced mobility and unusual activity conditions. The activity rate, which was low in April with a large proportion of the working population in unusual working conditions, increased as the restrictions were lifted in May and June. Activity rate in IDF according to working conditions (Monday-Friday excluding LAD) (Share of employed persons who were working on the day of the interview) Source : 126 000 Île-de-France, Lundi-Vendredi, activity rate (excluding LAD). -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
THE RADIO NOVA MODEL Marc H'limi
http://www.ecole.org Seminar Creation THE ART OF FINDING TOMORROW’S Organised thanks to the patronage of the following companies : TALENTED INDIVIDUALS : Air France Air Liquide1 THE RADIO NOVA MODEL Algoé2 ANRT Arcelor by Areva2 Cabinet Regimbeau1 Caisse des Dépôts et Consignations CEA Marc H’LIMI Chaire “management de l’innovation” Broadcast chief, Radio Nova de l'École polytechnique Chambre de Commerce et d'Industrie de Paris CNRS March 14th, 2006 Conseil Supérieur de l'Ordre Report by Cédric Vilatte des Experts Comptables Danone Translation by Rachel Marlin Deloitte École des mines de Paris EDF Entreprise & Personnel Overview Fondation Charles Léopold Mayer pour le Progrès de l'Homme The star presenters of Radio Nova frequently move from the radio France Télécom FVA Management station to become television presenters. In order to maintain their Groupe ESSEC staff numbers, Nova constantly has to find and train new talent. In HRA Pharma the structured world of radio where demand dominates and where IDRH Institut de l’Entreprise the way in which it works leaves little place for risk-taking both in La Poste terms of programming and presentation, Nova can afford the Lafarge luxury of trying out different methods and has the time necessary Ministère de l’Industrie, direction générale des Entreprises for talent to reveal itself. Nova is able to do this because it has an PSA Peugeot Citroën organisation which is capable of managing an economic model Reims Management School applicable to a limited audience while maintaining its objective of Renault Royal Canin not losing money. The aims of Radio Nova are creativity, freedom Saint-Gobain of speech and the promotion of all kinds of music… in other Schneider Electric Industrie words how a private company declares a commitment to public SNCF1 Thales service. -
Etude D'impact Bordeaux
Étude d’impact de la demande de changement de titulaire et de catégorie de l’autorisation de Fun Radio à Bordeaux Décembre 2015 Les éléments relevant du secret des affaires figurent entre crochets. Version publique soumise à débat contradictoire Sommaire Introduction ............................................................................................................................................ 3 • Objet et portée de la demande de Fun Radio ............................................................................ 4 • Cadre juridique applicable à la demande de Fun Radio ............................................................ 4 • Objet de la présente étude d’impact ......................................................................................... 4 • Caractéristiques des zones de Bordeaux et d’Arcachon ........................................................... 6 1. L’impact sur l’offre radiophonique ................................................................................................ 7 1.1. La diversité des opérateurs et des catégories ....................................................................... 7 1.2. La diversité des programmes et des genres musicaux .......................................................... 9 1.2.1. Une offre de programme riche et diversifiée .............................................................. 13 1.2.2. L’impact d’un changement de titulaire et de catégorie de Fun Radio en matière de diversité des programmes et des genres musicaux .................................................................... -
Présentation Powerpoint
Jean-Luc Oboman FILLON The Jazz Oboe “Do not listen to Jean-Luc Fillon and think that he is playing an instrument which is not really used in Jazz. He does not need this kind of “indulgence”. His talent as a composer and improviser means that the instrument is quickly forgotten. “ Martial Solal Oboman is one of the rare musicians whose artistic career is marked by a multitude of original creations. A composer and multi-instrumentalist, endowed with a solid knowledge of classical music, he has taken, with a discerning mixture of discretion and perseverance, an artistic route which is both convincing and makes a welcome change. His creed: create a musical project anchored in jazz and improvisation around the specific tones of the oboe, oboe d’amore and English horn. Oboman has certainly imposed instruments that are little used in jazz. He has, however, above all, created a new orchestral colour, that of sensuality and beat. We cannot help but be seduced by the rich sound, the authenticity and the lyricism of the oboe – an instrument which up until now has been confined to traditional written music - combined with the virtuosity of this exceptional improviser. Since 2001, he has been continuously working, making numerous sound recordings and giving live performances, illustrating the innovative and original character of his artistic initiative. Press Coverage COLLABORATIONS WITH… RECORDINGS Patrice Caratini, Antoine Hervé, Claude Barthélémy, Discography Georges Rabol, Bob Mintzer, Glenn Ferris, Michele 10 albums as leader (click on the pictures -
Music Consumption in a Changing Ecosystem Dandan Niu
Music consumption in a changing ecosystem Dandan Niu To cite this version: Dandan Niu. Music consumption in a changing ecosystem. Economics and Finance. Université Paris sciences et lettres, 2018. English. NNT : 2018PSLEM008. tel-01848731 HAL Id: tel-01848731 https://pastel.archives-ouvertes.fr/tel-01848731 Submitted on 25 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT de l’Université de recherche Paris Sciences et Lettres PSL Research University Préparée à MINES ParisTech La consummation de musique dans un écosystème Music consumption in a changing ecosystem École doctorale no396 ÉCONOMIE, ORGANISATION, SOCIÉTÉ Spécialité ÉCONOMIE ET FINANCE COMPOSITION DU JURY : M. Marc BOURREAU Telecom ParisTech Rapporteur M. Thomas PARIS HEC Paris Rapporteur Mme. Margaret KYLE Mines ParisTech Soutenue par Dandan Niu Présidente le 27 Juin 2018 M. Olivier BOMSEL Mines ParisTech Directeur de thèse Dirigée par Olivier BOMSEL Acknowledgment Acknowledgment This thesis was conducted under the direction of Professor Olivier Bomsel at Mines ParisTech, I want to thank him for giving me the opportunity to carry out this thesis in such an insightful environment, and for introducing me to the fascinating topic of the economics of the music industry. -
Mediametrie 126 000 Radio Ile De France Survey
PRESS RELEASE Levallois, 25th April 2019 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in France: January-March 2019 Mediametrie publishes radio audience results, in metropolitan France over the December 31 to March 31 2019 period, measured on a population of 3,931 individuals aged of 13 years and over. The audience results focus on the “Monday-Friday” time base created by excluding Low Activity Days (LAD), days for which the activity rate is less than 55%. Over the previous period of January to March 2018, 3 LAD were identified : Monday December 31, Tuesday January 1st, Wednesday January 2. Characteristics of the period during the week (Monday-Friday) September – January – March January- March December 2019 2019 2018 Number of weekdays of the wave (including LADs) 65 80 65 Number of Low Activity Days 3 2 3 Number of school holidays 15 10 15 Activity rate excluding LADs (in %) (1) 75.0 75.7 75.2 1) Activity rate: share of employed individuals having carried out their professional activity on the same day as the interview. Radio Audience, population aged of 13 years and over (Monday-Friday) January – March 2019 September – December 2018 January- March 2018 TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume TSL AQH AQH Cume Cume h/m % 000 % 000 h/mn % 000 % 000 h/mn % 000 % 000 n 5h - 24h 10.0 1.002 74.1 7.470 2h33 9.9 1.000 71.4 7.188 2h39 10.4 1.052 75.0 7.549 2h39 7h - 9h 20.2 2.032 42.0 4.228 0h58 20.7 2.089 42.2 4.247 0h59 20.1 2.026 41.7 4 201 0h58 This press release presents the intermediate results of audience in Ile-de-France, published over the first 8 weeks of reference period September-December, 2018. -
L'audience Des Radios Locales
L’audience des radios locales : le cas particulier des Indés Radios Mélanie Daniel Tiphaine Mahé 2010-2011 1 Sommaire Sommaire page 2 Introduction page 3 1. Un média puissant, la radio, et sa mesure page 5 a. La radio, un média puissant b. Un média, des publics : leur(s) mesure(s) 2. Les Indés Radios : l’exemple d’une mutualisation de radios locales réussie page 12 a. Un réseau national de radios locales b. La mesure d’audience au service de la puissance locale et nationale 3. Au cœur de la vie des Indés Radios : stratégies publicitaires et commerciales page 23 a. La proximité, l’atout majeur du groupement b. Communiquer en radio : publicité et offres commerciales Conclusion page 32 Annexes page 33 Annexe 1 Annexe 2 Annexe 3 Bibliographie page 38 2 Introduction « La communication audiovisuelle est libre », ce sont par ces mots qu’est annoncée le 29 juillet 1982 la fin du monopole étatique sur la radio1. Les radios libres qui émettaient depuis l’étranger ainsi que les radios pirates sortent de la clandestinité et pour beaucoup adoptent un tournant commercial. Durant les années 1990, on voit les grands groupes radiophoniques proliférer, { l’image de NRJ ou Fun Radio et l’avenir des stations locales semble alors menacé. Cependant, des efforts en faveur d’un rééquilibrage sont effectués. En 2000, un alinéa est inséré dans la loi « La liberté de la communication » et précise que « le Conseil veille au juste équilibre entre les réseaux nationaux de radiodiffusion d’une part, et les services locaux, régionaux et thématiques indépendants, d’autre part ». -
Liste Sélection Appel Dijon
APPEL AUX CANDIDATURES PARTIEL DANS LE RESSORT DU CTA DE DIJON (décision n° 2015-198 du 13 mai 2015) ********* Liste des candidats sélectionnés par zone ********* Dans le cadre de la procédure d’appel aux candidatures du 13 mai 2015, le Conseil supérieur de l’audiovisuel, réuni le 2 décembre 2015, a décidé de sélectionner les candidats suivants : CÔTE-D’OR (21) Zone : Arnay-le-Duc 2015-DI-A009 Association RCF Parabole 21 (RCF en Bourgogne) Fréquence : 98,5 MHz Zone : Dijon 2015-DI-D017 SAS Rire et Chansons (Rire et Chansons) Fréquence : 91 ,8 MHz 2015-DI-E004 SAM Radio Monte Carlo (RMC) Fréquence : 94,8 MHz 2015-DI-B002 SAS Fréquence Plus (Fréquence Plus) Fréquence : 95,4 MHz 2015-DI-D006 SA Vortex (Skyrock) Fréquence : 107,1 MHz 1 DOUBS (25) Zone : Besançon 2015-DI-D006 SA Vortex (Skyrock) Fréquence : 95,5 MHz 2015-DI-B010 SARL Capital Active Médias (Plein Air) Fréquence : 96,2 MHz 2015-DI-A007 Association Radio Shalom Besançon (Radio Shalom Besançon) Fréquence : 99,5 MHz 2015-DI-D013 SAS NRJ (NRJ) Fréquence : 100,9 MHz 2015-DI-A006 Association Radio Campus Besançon (Radio Campus Besançon) Fréquence : 102,4 MHz Zone : Montbéliard 2015-DI-B004 SAS Soprodi Radios Régions (Radio Star) Fréquence : 87,8 MHz 2015-DI-D013 SAS NRJ (NRJ) Fréquence : 106,2 MHz JURA (39) Zone : Lons-le-Saunier 2015-DI-B002 SAS Fréquence Plus (Fréquence Plus) Fréquence : 98 MHz 2015-DI-D013 SAS NRJ (NRJ) Fréquence : 100,9 MHz Zone : Saint-Claude 2015-DI-D008 SA SODERA (RTL2) Fréquence : 104,9 MHz 2 NIEVRE (58) Zone : Dornes 2015-DI-A001 Association Radio Nevers