Beyond the Triangle of Emancipation: Tupac's Hip Hop Theory of Criminal
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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Ethnic Studies Review
esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum. -
Books Julius Lester MALCOLM X AS ICON
Books Putting on the T-shirt that morning, I was also Julius Lester feeling the kind of anger you need to stay sane; periodic anger; cleansing, defining rage. Some- MALCOLM X AS ICON times one needs this—these Black acts. The form is an aggressive racial pride. The spoken MALCOLM X IN OUR OWN IMAGE, Joe Wood, content is an expression of racial superiority. (Notice editor. St. Martin's Press, 1993. 246 pp., $18.95. especially the contempt toward other blacks in the phrase "those southern Black people and their Whites.") The unspoken content is, however, racial It is a strange time, indeed, when a dead man is inferiority. Only those who feel themselves to be brought back from the grave to inspire the living. As without moral substance would feel " 'real' Black, far as we know, such an act of resurrection costs the lean and competitive with the rest" by wearing a dead nothing. It might even be a source of T-shirt. amusement in an otherwise drear eternity. But what Earlier in the essay, Wood poignantly describes does it say of the living? the angst of the contemporary black ethos. The ascendancy of Malcolm X as a political icon In these hungry times, many African-Americans bespeaks much about a vacuity in the political and are hungry for an honorable sanctuary. When intellectual leadership of black America, a leader- used as a shelter—as a tool for emotional ship that all too often has played the roles of drum alliance—spirit, despite being fragile as a ghost, majors and majorettes in the cause of a black racial helps people weather alienation, despair, and mystique. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
William J. Maxwell Curriculum Vitae August 2021
William J. Maxwell curriculum vitae August 2021 Professor of English and African and African-American Studies Washington University in St. Louis 1 Brookings Drive St. Louis, MO 63130-4899 U.S.A. Phone: (217) 898-0784 E-mail: [email protected] _________________________________________ Education: DUKE UNIVERSITY, DURHAM, NC. Ph.D. in English Language and Literature, 1993. M.A. in English Language and Literature, 1987. COLUMBIA UNIVERSITY, NEW YORK, NY. B.A. in English Literature, cum laude, 1984. Academic Appointments: WASHINGTON UNIVERSITY IN ST. LOUIS, MO. Professor of English and African and African-American Studies, 2015-. Director of English Undergraduate Studies, 2018- 21. Faculty Affiliate, American Culture Studies, 2011-. Director of English Graduate Studies, 2012-15. Associate Professor of English and African and African-American Studies, 2009-15. UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN, IL. Associate Professor of English and the Unit for Criticism and Interpretive Theory, 2000-09. Director of English Graduate Studies, 2003-06. Assistant Professor of English and Afro-American Studies, 1994-2000. COLLEGE OF WILLIAM AND MARY, WILLIAMSBURG, VA. Visiting Assistant Professor of English, 1996-97. UNIVERSITY OF GENEVA, GENEVA, SWITZERLAND. Assistant (full-time lecturer) in American Literature and Civilization, 1992-94. Awards, Fellowships, and Professional Distinctions: Claude McKay’s lost novel Romance in Marseille, coedited with Gary Edward Holcomb, named one of the ten best books of 2020 by New York Magazine, 2021. Appointed to the Editorial Board of James Baldwin Review, 2019-. Elected Second Vice President (and thus later President) of the international Modernist Studies Association (MSA), 2018; First Vice President, 2019-20; President, 2021-. American Book Award from the Before Columbus Foundation for my 2015 book F.B. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Spiritualizing Hip Hop with I.C.E.: the Poetic Spiritual
SPIRITUALIZING HIP HOP WITH I.C.E.: THE POETIC SPIRITUAL NARRATIVES OF FOUR BLACK EDUCATIONAL LEADERS FROM HIP HOP COMMUNITIES by Alexis C. Maston A dissertation submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a Major in Adult, Professional, and Community Education May 2014 Committee Members: Jovita Ross-Gordon, Co-Chair John Oliver, Co-Chair Ann K. Brooks Raphael Travis, Jr. COPYRIGHT by Alexis C. Maston 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Alexis C. Maston, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This dissertation is first dedicated to my Lord and personal savior Jesus without whom this study would not have been possible. You are Alpha, Omega, the beginning and the end, and I went on this journey because you directed me to. Secondly, I dedicate this to my paternal and maternal grandparents, Fred and Emma Jean Maston, and Jacqueline Perkins, what you did years ago in your own lives made it possible for me to obtain this great opportunity. Thirdly, this dissertation is dedicated to Hip Hop communities worldwide who have always carried the essence of spirituality; this dissertation will uncover some of that truth. -
CHAPTER I INTRODUCTION A. Background of the Study Freedom
1 CHAPTER I INTRODUCTION A. Background of the Study Freedom Writers is a movie based on the true story which is taken from the Freedom Writers Diary by teacher Erin Gruwell and her students. This movie took place in California, United State of America. This movie was released on January 5, 2007. The running time or the duration of this movie is about 122 minutes or one hour and twenty two minutes. The language used in this movie is English. Freedom Writers is directed by Richard LaGravenese and produced by Danny DeVito, Michael Shamberg, and Stacey Shen. The screen play of this movie is Richard LaGravenese. David Moritz is the editor, and Mark Isham and Will .i.am RZA is the music. The music supervisor is Mary Ramoz. The cinematography is Jim Denault. The production designer is Laurence Bennett. And the costume designer is Cindy Evans. The studios to make this film are in the Jersey Films and MTV films. Paramount Picture is the distributor of this movie. The budget that is spent to make this film is $ 21 million. The gross revenue is $43,090,741. The director of the Freedom Writers movie is Richard LaGravenese. He was born on October 30th , 1959 in Brooklyn, New York. He is the son of a taxi driver. He is an American screen writer and occasional film director. He graduated from New York University Tisch School of the Arts, Experimental Theatre Program. He currently lives in Manhattan, New York on Central Park 1 2 West with his daughter named Lili and his wife named Ann. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip.