William J. Maxwell Curriculum Vitae August 2021
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CLEAGE, PEARL. Pearl Cleage Papers, 1949-2011
CLEAGE, PEARL. Pearl Cleage papers, 1949-2011 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Cleage, Pearl. Title: Pearl Cleage papers, 1949-2011 Call Number: Manuscript Collection No. 1223 Extent: 74.75 linear feet (156 boxes), 12 oversized papers boxes (OP), 4 extra- oversized papers (XOP), 1 oversized bound volume (OBV), AV Masters: 6 linear feet (6 boxes), and 1.41 GB born digital materials (564 files) Abstract: Personal papers of African American novelist and playwright Pearl Cleage including correspondence, manuscript and typescript writings, subject files, professional papers, printed material, photographs, writings by others, and audiovisual material. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Series 1: Personal journals are closed to researchers until December 2037. Series 2: Due to privacy concerns, some material has been redacted. Series 3: Due to privacy concerns, some material has been redacted. Series 4: Professional papers are closed to researchers until December 2037. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Pearl Cleage papers, 1949-2011 Manuscript Collection No. -
Social Issues—United States. Updated July 2014. MLA 6Th Edition
Social Issues—United States. Updated July 2014. MLA 6th edition. Paul Revere Williams Project. Art Museum of the University of Memphis. "200 Negro Workers Walk Off Jobs at BMI Plant Today." Las Vegas Evening Review-Journal Wednesday, October 20 1943, sec. A1:. "2004 Eleven most endangered (La Concha." Preserve Nevada. 2008. 5/6/2008 <http://preservenevada.unlv.edu>. Abrams, Charles. "The Housing Problem and the Negro." Daedalus: Journal of the American Academy of Arts and Sciences 95.1 (1966): 64-76. "Abstracts of Papers Presented at the Twenty-Seventh Annual Meeting of the Society of Architectural Historians (Dozier, Richard K. "Black Craftsmen and Architects in History")." Journal of Architectural Historians 33.3 (1974): 225-243. "Ad for Castaic Country Club." California Eagle May 16 1924: 12. "Ad for Insurance Company." Ebony 15.1 (1959): 137. Adams, Michael. "The Incomparable Success of Paul R. Williams." African American Architects in Current Practice. Ed. Jack Travis. 1st ed. New York: Princeton Architectural Press, 1991. 20-21. "African Church to Build $1 Million Edifice here: 500 Will use $100 Shovels to Break Ground for Center at Ceremony Sunday (AME Church)." Los Angeles Times August 3 1963, sec. 15:. "America's 100 Richest Negroes: Many Solid Gold Millionaires are among Top Moneymakers in Business." Ebony 17.7 (1962): 130-135. Anderson, Susan. "A City Called Heaven: Black Enchantment and Despair in Los Angeles." The City: Los Angeles and Urban Theory at the End of the Twentieth Century. Ed. Allen J. Scott and Edward W. Soja. 1st paperback ed. Berkeley, CA: University of California Press, 1996, 1998. -
The Works and Critical Reception of Dorothy West
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2005 Renaissance Woman: The Works and Critical Reception of Dorothy West Tamara Jenelle Williamson University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Williamson, Tamara Jenelle, "Renaissance Woman: The Works and Critical Reception of Dorothy West. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/2538 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Tamara Jenelle Williamson entitled "Renaissance Woman: The Works and Critical Reception of Dorothy West." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Miriam Thaggert, Major Professor We have read this thesis and recommend its acceptance: Mary E. Papke, Nancy Goslee Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Tamara Jenelle Williamson entitled “Renaissance Woman: The Works and Critical Reception of Dorothy West.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
I AM My Hair, and My Hair Is Me: #Blackgirlmagic in LIS Teresa Y
University of New Mexico UNM Digital Repository University Libraries & Learning Sciences Faculty Scholarly Communication - Departments and Staff ubP lications Fall 9-2018 I AM My Hair, and My Hair is Me: #BlackGirlMagic in LIS Teresa Y. Neely PhD University of New Mexico - Main Campus, [email protected] Follow this and additional works at: https://digitalrepository.unm.edu/ulls_fsp Part of the Library and Information Science Commons Recommended Citation Neely, Teresa Y. “I AM My Hair, and My Hair is Me: #BlackGirlMagicinLIS”. In Pushing the Margins: Women of Color and Intersectionality in LIS, edited by Rose l. Chou and Annie Pho, 121-146. Sacramento, CA: Library Juice Press, 2018. This Book Chapter is brought to you for free and open access by the Scholarly Communication - Departments at UNM Digital Repository. It has been accepted for inclusion in University Libraries & Learning Sciences Faculty and Staff ubP lications by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. I AM My Hair, and My Hair Is Me: #BlackGirlMagic in LIS Teresa Y. Neely, Ph.D. No matter who you are, no matter where you come from, you are beautiful, you are powerful, you are brilliant, you are funny… I know that’s not always the message that you get from the world. I know there are voices that tell you that you’re not good enough. That you have to look a certain way, act a certain way. That if you speak up, you’re too loud. If you step up to lead, you’re being bossy --Michelle Obama In her 2015 Black Girls Rock (BGR) awards speech, Michelle Obama spoke directly to women and girls who look like me. -
Renegade Poetics (Or, Would Black Aesthetics by An[Y J Other Name Be
INTRODUCTION from Evie Shockley, Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry Renegade Poetics (Or, Would Black Aesthetics (Iowa City: U of Iowa P, 2011) by An[yJ Other Name Be More Innovative?) Though Maroons, who were unruly Africans, not loose horses or lazy sail ors, were called renegades in Spanish, will I turn any blacker if I renege on this deal? -"DENIGRATION," ·HARRYETTE MULLEN marronerons-nous Depestre marronerons-nous? (Shall we turn maro~m, Depestre, shall we turn maroon?) -"LE VERBE MARRONNER,'' AIME CESAIRE To speak of a Black literature, a Black aesthetic1 or a Black state, is to engage in racial chauvinism, separatist bias1 and Black fantasy. - "CULT.URAL STRANGULATION: BLACK LITERATURE AND THE WHITE AESTHETIC,'' ADDISON GAYLE JR. IN THIS STUDY, I build a case for redefining black aesthetics to account for nearly a century of efforts by African American poets and critics, beginning just after World War I with the New Negro Renais sance, to name and tackle issues of racial identity and self-determination on ·the field, of poetics. Deline~ting the contours and consequences of African American poetic innovation in an assortment of historical and cultural moments, I aim to highlight and resituate innovative poetry that has been dismissed, marginalized, and misread: first, in relation to the.Af rican American poetic tradition, because its experiments were not "rec ognizably black"; and, second, in relation to constructions of th~ avant garde tradition, because theywere.1 We might -
The Treatment of Racism in the African American Novel of Satire
Universität Trier Fachbereich II Anglistik/Amerikanistik (Literaturwissenschaft) The Treatment of Racism in the African American Novel of Satire Schriftliche Prüfungsarbeit zur Erlangung der Doktorwürde Vorgelegt von: Sebastian Fett, M.A. Im Zillgen 47 56321 Rhens 02628/986292 [email protected] Diese Arbeit wurde betreut von: Prof. Dr. Gerd Hurm, Erstkorrektor Prof. Dr. Norbert Platz, Zweitkorrektor 2 ACKNOWLEDGEMENTS This project would not have been possible without the help of a great number of people. I am deeply indebted to the critical assistance, patience and support of Prof. Dr. Gerd Hurm. Moreover, I would like to send my gratitude to Jan Martin Herbst for his friendship, great sense of humor and helpful proofreading. Most importantly, however, I thank my family and particularly Wolfgang, Maria, Christian, Daniel, and Marie-Christine for their ongoing encouragement and care; and especially Sylvia for helping me to keep my head up and focus on the things that matter the most. 3 To the memory of Winston Napier and Wilhelm J. Fett 4 Table of Contents I. Introduction 6 II. Toward an Outline of Satire 13 2.1 Identifying Satire: Between Wit and Invective 18 2.2 The Transcending Power of Laughter 25 2.3 The Satirist: Moralizing without Morals 29 2.4 From Signifying to Satiric Novel 36 2.5 Subverting (Racist) Social Identity 44 2.6 Passing, Melodrama, and the Birth of the 46 African American Novel of Satire III. Dismantling the Capitalist Machinery: George Schuyler’s 50 Black No More 3.1 The Birth of the African American Novel of Satire 50 3.2 Bridging the Racial Divide 53 3.3 Satiric Estrangement 59 3.4 The Color of Money 62 3.5 Demystifying the “American Dream” 70 3.6 Between Marxism and Misanthropy 78 3.7 Subverting Propaganda 86 3.8 Black No More as “Socially Referential Satire” 91 3.9 Beyond Cultural Specificity 96 IV. -
Beyond the Triangle of Emancipation: Tupac's Hip Hop Theory of Criminal
Thomas Ehrlich Reifer Beyond the triangle of emancipation: tupac’s hip hop theory of criminal (in)justice,the pope’s playlist, and the prophetic imagination For Tupac Shakur, 1971-1996, my brother, Matthew Benjamin Ehrlich, 1974-1999, Trayvon Martin, 1995-2012, Afeni Shakur-Davis and Maria Reyes and the Freedom Writers “All my songs deal with the pain I’ve felt from my childhood.” 2Pac/Tupac Amaru Shakur, Tupac, Resurrection “Hip hop is blues filtered through a century of experience and a thousand miles of asphalt.” William Jelani Cobb, To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic “The need to let suffering speak is the condition of all truth.” Theodor Adorno, Negative Dialectics “Only for the sake of the hopeless ones have we been given hope.” Walter Benjamin, Selected Writings: Volume 1 “We must first of all rid ourselves of the illusion that penality is above all (if not exclusively) a means of reducing crime.…We must analyze rather the ‘concrete systems of punishment’…in which the punishment of crime is not the sole element…but...linked to a whole series of positive and useful effects which it is their task to support.” Michel Foucault, Discipline and Punish: The Birth of the Prison “The police force is arguably the most powerful organization in society because officers of all ranks are imbued with the power to infringe upon the civil liberties of society’s citizens. Therefore, the 1 Beyond the Triangle of Emancipation: Tupac’s Hip-Hop Theory of Criminal (In)justice, the Pope’s Playlist, & the Prophetic Imagination racist misconduct or power abuse of white officers entangles their victims in the criminal justice system. -
From Slavery to Hip-Hop: Punishing Black Speech and What's
Washington University Journal of Law & Policy Volume 52 Justice Reform 2016 From Slavery to Hip-Hop: Punishing Black Speech and What’s “Unconstitutional” About Prosecuting Young Black Men Through Art Donald F. Tibbs Drexel University, Thomas R. Kline School of Law Shelly Chauncey Drexel University, Thomas R. Kline School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_journal_law_policy Part of the Civil Rights and Discrimination Commons, Constitutional Law Commons, Criminal Law Commons, and the Law and Race Commons Recommended Citation Donald F. Tibbs and Shelly Chauncey, From Slavery to Hip-Hop: Punishing Black Speech and What’s “Unconstitutional” About Prosecuting Young Black Men Through Art, 52 WASH. U. J. L. & POL’Y 033 (2016), https://openscholarship.wustl.edu/law_journal_law_policy/vol52/iss1/9 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Journal of Law & Policy by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. From Slavery to Hip-Hop: Punishing Black Speech and What’s “Unconstitutional” About Prosecuting Young Black Men Through Art Donald F. Tibbs* Shelly Chauncey Writing rap lyrics—even disturbingly graphic lyrics, like defendant’s—is not a crime.1 Our criminal justice system is in an existential and constitutional crisis. We no longer know who we are or who we want to be. Over the past two decades, America has waged an increasingly punitive war on crime, and the casualties of that war have disproportionately been people of color; most specifically the young Black2 men and * Associate Professor of Law, Thomas R. -
Masaryk University Faculty of Education Department of English Language and Literature
Masaryk University Faculty of Education Department of English Language and Literature The armed struggle from Oakland Diploma thesis Brno 2018 Supervisor: Author: Michael George, M. A. Bc. Jan Hudeček Prohlášení: Slavnostně prohlašuji, že jsem tuto diplomovou práci vypracoval samostatně, pracující pouze se zdroji, které jsou uvedeny. Souhlasím s tím, že tato práce bude uložena v knihovně Pedagogické fakulty Masarykovy university a bude přístupná pro studijní účely všech studentů Pedagogické fakulty. V Brně 21. února 2018 …………………… Bc. Jan Hudeček Declaration: I solemnly declare that I had carried out this diploma thesis independently, only working with the listed sources. I agree with this work being stored in the library of the Faculty of Education at Masaryk University and being accessible for study purposes to the students of the Faculty of Education. In Brno, 21st February 2018 …………………… Bc. Jan Hudeček Acknowledgments I would like to express my gratitude to my supervisor Michael George, M.A., for his notes, helpful advices and guidance through the process of writing my diploma thesis and to my family, who never stopped supporting me. Abstract The armed struggle from Oakland outlines the Black Panthers Party movement in USA from 1966 to 1972. Chapters of this thesis are chronologically describing the movement and the development of the Party in the USA, what were the most important events the party participated in and who were the most important members of the party. Anotace Diplomová práce 'The armed struggle from Oakland' ukazuje vývoj Black Panthers Party (Strany černých panterů) v USA mezi lety 1966 a 1972. Cílem této práce je uceleně popsat jak se strana během své existence vyvíjela, jaké byly její nejznámější akce a kdo byli nejznámější členové strany. -
Date Headline URL Hit Sentence Source
Date Headline URL Hit Sentence Source http://www.al.com/news/index.ssf/2018/03/despite_clotilda_disa 09-Mar-2018 03:17PM Despite Clotilda disappointment, Africatown hopes high ppointmen.html AL.com Historical Commission says the ship is too new and too Alabama Wreck Isn't The Remains Of The Slave Ship http://www.topix.com/state/al/2018/03/alabama-wreck-isnt-the- large to be the Clotilda, which was the last known vessel 08-Mar-2018 07:29AM Clotilda remains-of-the-slave-ship-clotilda to bring enslaved people to Topix http://buffalonews.com/2018/03/07/noreaster-winds-reveal-a- Nor'easter winds reveal surprising beach discovery: surprising-beach-discovery-the-remains-of-a-revolutionary-war-era- 07-Mar-2018 01:55PM Remains of Revolutionary War-era ship ship/ The Buffalo News Their research sparked an all-out investigation by the Alabama Shipwreck Turns Out Not to be the Clotilda, the http://atlantablackstar.com/2018/03/07/alabama-shipwreck-turns- Alabama Historical Commission and international 07-Mar-2018 12:36PM Last American Slave Ship not-clotilda-last-american-slave-ship/ partners of the Slave Wrecks Project, Atlanta Black Star 07-Mar-2018 12:12PM The Gadfly: March 7, 2018 https://lagniappemobile.com/the-gadfly-march-7-2018/ Lagniappe Mobile site. The discovery also set in motion activity by the Alabama Historical Commission, visits from the Slave 07-Mar-2018 10:35AM Ship hits the fan? Not so, Raines says https://lagniappemobile.com/ship-hits-the-fan-not-so-raines-says/ Wrecks Project and Diving with a Lagniappe Mobile 07-Mar-2018 10:35AM -
Building Social and Human Capital in the Black Community by Increasing
Hastings Race and Poverty Law Journal Volume 17 Number 2 Summer 2020 Article 3 Summer 2020 Building Social and Human Capital in the Black Community by Increasing Strategic Relationships, Cooperative Economics, the Black Marriage Rate, and the Level of Educational Attainment and Targeted Occupational Training W. Sherman Rogers Follow this and additional works at: https://repository.uchastings.edu/hastings_race_poverty_law_journal Part of the Law and Race Commons Recommended Citation W. Sherman Rogers, Building Social and Human Capital in the Black Community by Increasing Strategic Relationships, Cooperative Economics, the Black Marriage Rate, and the Level of Educational Attainment and Targeted Occupational Training, 17 HASTINGS RACE & POVERTY L.J. 211 (2020). Available at: https://repository.uchastings.edu/hastings_race_poverty_law_journal/vol17/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Race and Poverty Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 1 - ROGERS_HRPLJ_V17_2 (DO NOT DELETE) 4/1/2020 9:09 AM Building Social and Human Capital in the Black Community by Increasing Strategic Relationships, Cooperative Economics, the Black Marriage Rate, and the Level of Educational Attainment and Targeted Occupational Training W. SHERMAN ROGERS* “If you want to go fast, go alone. If you want to go far, go together.” African Proverb Abstract: This is a multi-disciplinary article that focuses on the power of strategic relationships and cooperative economics in strengthening the human and social capital of the black1 community. It involves studies emanating primarily from the fields of law, economics, history, political science, and sociology. -
Freedom to Thrive: Reimagining Safety & Security in Our Communities CONTENTS
FREEDOM TO THRIVE REIMAGINING SAFETY & SECURITY IN OUR COMMUNITIES ACKNOWLEDGEMENTS About the Authors The Center for Popular Democracy (CPD) is a national network of 48 grassroots organizations in 32 states, Washington, D.C., and Puerto Rico. CPD works to create equity, opportunity, and a dynamic democracy in partnership with high-impact base-building organizations, organizing alliances, and progressive unions. CPD strengthens our collective capacity to envision and win an innovative pro-worker, pro-immigrant, racial and economic justice agenda. CPD’s Racial Justice Campaign works in collaboration and solidarity with our partners and allies across the country for an end to discriminatory and oppressive policies which marginalize Black people and other communities of color. Law for Black Lives is a network of over 3,000 radical lawyers, law students, and legal workers committed to helping build the power of Black communities and organizers. Formed out of the uprisings in Ferguson and Baltimore, Law for Black Lives works with individuals and organizations across the country to embolden, defend and protect the ongoing movement for Black liberation. Black Youth Project 100 (BYP100) is an activist member- based organization of Black 18–35 year old abolitionist freedom fighters moving toward liberation using a Black Queer Feminist lens. BYP100 is building a network focused on transformative leadership development; grassroots, direct action, and digital organizing; policy advocacy; and political education. BYP100 envisions a world where all Black people have economic, social, political, and educational freedom. This report was written by Kate Hamaji and Kumar Rao of the Center for Popular Democracy, Marbre Stahly-Butts of Law for Black Lives, and Janaé Bonsu, Charlene Carruthers, Roselyn Berry, and Denzel McCampbell of BYP100, in collaboration with 27 local organizations around the country.