Diesammlunggruber
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Handlungsspielräume Von Frauen in Weimar-Jena Um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette Von Egloffstein
Handlungsspielräume von Frauen in Weimar-Jena um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette von Egloffstein Dissertation zur Erlangung des akademischen Grades Doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena von Julia Frindte geboren am 15. Juni 1976 in Erfurt Gutachter 1. Prof . Dr. Siegrid Westphal 2. Prof. Dr. Georg Schmidt 3. ....................................................................... Tag des Kolloquiums: 12.12.2005 Inhalt 1. EINLEITUNG ......................................................................................................... 1 1.1 FRAGESTELLUNG................................................................................................. 3 1.2 UNTERSUCHUNGSGEGENSTAND .......................................................................... 6 1.3 FORSCHUNGSSTAND ............................................................................................10 1.4 QUELLENGRUNDLAGE .........................................................................................17 1.5 VORGEHENSWEISE...............................................................................................25 2. DAS KONZEPT ‚HANDLUNGSSPIELRAUM’...........................................................28 2.1 HANDLUNGSSPIELRAUM IN ALLTAGSSPRACHE UND FORSCHUNG .......................29 2.2 DAS KONZEPT ‚HANDLUNGSSPIELRAUM’ ...........................................................38 2.2.1 Begriffsverwendung............................................................................38 -
Carl Ludwig Fernow Suche Nach Einer Idealen Ästhetik Jena/Paris 2010
Kunst als höhere Natur - Carl Ludwig Fernow Suche nach einer idealen Ästhetik von Béatrice Deffner Jena/Paris 2010 DISSERTATION zur Erlangung des akademischen Grades Doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena in Cotutelle mit der Université de la Sorbonne-Paris IV Datum der Verteidigung: 6. Juli 2009 GUTACHTER Prof. Elisabeth Décultot/ École normale supérieure - Paris Prof. Roland Krebs/ Université de la Sorbonne - Paris IV Prof. Klaus Manger/ Friedrich - Schiller - Universität Jena Prof. Dieter Burdorf/ Universität Leipzig 3 In Erinnerung an meine Eltern . „Die Beschäftigung mit dem Schönen und der Kunst, die uns in eine ideelle Welt erhebt, darf uns für die wirkliche nicht versteinern“ (Carl Ludwig Fernow, Römische Studien III, Vorwort) 4 DANK An dieser Stelle möchte ich mich bei all denjenigen bedanken, die mich in meinem Dissertationsvorhaben unterstützt haben. Mein besonderer Dank gilt zunächst Herrn Professor Roland Krebs , dem die Arbeit betreuenden Professor an der Université de la Sorbonne - Paris IV , nicht nur für die wissenschaftliche Unterstützung, sondern auch für die mir gewidmete Zeit. Ebenso möchte ich mich bei Herrn Professor Klaus Manger von der Friedrich-Schiller Universität in Jena für die fachliche Betreuung im Rahmen der Cotutelle und die angenehme Zusammenarbeit recht herzlich bedanken. Ein weiteres Dankeschön richte ich an Frau Professor Elisabeth Décultot , von der École normale supérieure - Paris , Frau Professor Françoise Knopper von der Université Toulouse II , sowie Herrn Prof. Dieter Burdorf von der Universität Leipzig . Ein grand merci gilt auch Christelle Bony , Lehrerin am Collège Robespierre in Saint-Pol-sur- Mer , für die mir entgegengebrachte Geduld bezüglich der Zweitlektüre, und vor allem für Ihre langjährige Freundschaft. -
Download Season Brochure
PARTNERS & SPONSORS THE DRESDEN MUSIC FESTIVAL THANKS FOR THE FRIENDLY AND GENEROUS SUPPORT. CLASSICAL PARTNERS PROJECT PARTNERS The Dresden Music Festival is an official institution of the State Capital City of Dresden and is co-financed by tax funding on the basis of the budget passed by the Parliament of Saxony. COOPERATING PARTNERS PREMIUM PARTNERS DRESDEN CULTURAL AND MEDIA PARTNERS CLASSICAL PARTNERS PROJECT PARTNERS COOPERATING PARTNERS DRESDEN CULTURAL AND MEDIA PARTNERS 44TH EDITION 44TH EDITION The Dresden Music Festival is an offi cial institution of the State Capital City of Dresden and is co-fi nanced by tax funding on the basis of the budget passed by the Parliament of Saxony. CONTENTS 1 Greetings from the Mayor 2 Preface of the Intendant 4 Glashütte Original MusicFestivalAward 5 Music Never Sleeps DMF 6 Program 10 Impressions I - XX Dresden Festival Orchestra 104 Venues 106 Service 116 Tickets 121 Image Rights 123 Contact Persons and Imprint 124 GREETINGS FROM THE MAYOR 2 EXPERIENCING THE UNITING POWER OF MUSIC One thing is certain: the next edition of the Dresden »DIALOGUES«. Enjoy Dresden and the great variety of venues, Music Festival will feel even more precious than usual – concerts and programming. We all look forward to the artists to all involved, those on stage, behind the scenes and in and the shared experiences we crave. See you at the next the audience! Dresden Music Festival! All of us have keenly felt the lack. We have missed them dearly, the musical live events full of passion, Dirk Hilbert, Mayor of the State Capital City of Dresden devotion and soul. -
9783791383576-Sample.Pdf
001_071_4627_CDF_engl.indd 2 27.03.12 11:13 001_071_4627_CDF_engl.indd 3 27.03.12 11:13 001_071_4627_CDF_engl.indd 4 27.03.12 11:13 001_071_4627_CDF_engl.indd 5 27.03.12 11:13 001_071_4627_CDF_engl.indd 6 27.03.12 11:13 001_071_4627_CDF_engl.indd 7 27.03.12 11:14 001_071_4627_CDF_engl.indd 8 27.03.12 11:14 001_071_4627_CDF_engl.indd 9 27.03.12 11:14 001_071_4627_CDF_engl.indd 10 27.03.12 11:14 001_071_4627_CDF_engl.indd 11 27.03.12 11:14 001_071_4627_CDF_engl.indd 12 27.03.12 11:14 001_071_4627_CDF_engl.indd 13 27.03.12 11:14 001_071_4627_CDF_engl.indd 14 27.03.12 11:14 Caspar David Friedrich Johannes Grave Prestel Munich · London · New York 001_071_4627_CDF_engl.indd 15 27.03.12 11:14 I VI Caspar David Friedrich proximity and Distance A New Image? Friedrich and Classical Weimar 18 110 II VII Ways and Byways Political Paintings Artistic Beginnings in Greifswald and Copenhagen Wars of Liberation and Restoration 32 126 III VIII Picturing the Landscape Seeing in Belief Working Towards Landscape Painting Monk by the Sea and Abbey in the Oak Wood 48 142 IV IX Crisis and Resolution The Eye of the Draughtsman Sojourn in Pomerania: 1801/02 Friedrich’s Nature Studies 72 170 V X Under the Sign of the Cross Sublime Landscapes? The Religious Picture Friedrich’s Critique of Contemporary Aesthetics 88 184 001_071_4627_CDF_engl.indd 16 27.03.12 11:14 XI Reflected Seeing appendix Friedrich’s Rear-View Figures Notes 200 262 XII Selected Literature Picturing Time 272 Friedrich’s Pictorial Cycles Biography 224 276 XIII List of Works Painting and Depth 278 The Last Years Index 248 284 Photo Credits 286 Source of Quotations 286 Acknowledgements 287 Imprint 288 001_071_4627_CDF_engl.indd 17 27.03.12 11:14 001_071_4627_CDF_engl.indd 18 27.03.12 11:15 Caspar David Friedrich A New Image? I 001_071_4627_CDF_engl.indd 19 27.03.12 11:15 20 Caspar David Friedrich 001_071_4627_CDF_engl.indd 20 27.03.12 11:15 Fig. -
A Painting Must Stand As a Painting, Made by Human Hand; Not Seek to Disguise Itself As Nature.”
“A painting must stand as a painting, made by human hand; not seek to disguise itself as Nature.” Caspar David Friedrich 001_071_4627_CDF_engl.indd 1 27.03.12 11:13 001_071_4627_CDF_engl.indd 2 27.03.12 11:13 001_071_4627_CDF_engl.indd 3 27.03.12 11:13 001_071_4627_CDF_engl.indd 4 27.03.12 11:13 001_071_4627_CDF_engl.indd 5 27.03.12 11:13 001_071_4627_CDF_engl.indd 6 27.03.12 11:13 001_071_4627_CDF_engl.indd 7 27.03.12 11:14 001_071_4627_CDF_engl.indd 8 27.03.12 11:14 001_071_4627_CDF_engl.indd 9 27.03.12 11:14 001_071_4627_CDF_engl.indd 10 27.03.12 11:14 001_071_4627_CDF_engl.indd 11 27.03.12 11:14 001_071_4627_CDF_engl.indd 12 27.03.12 11:14 001_071_4627_CDF_engl.indd 13 27.03.12 11:14 001_071_4627_CDF_engl.indd 14 27.03.12 11:14 Caspar David Friedrich Johannes Grave Prestel Munich · London · New York 001_071_4627_CDF_engl.indd 15 27.03.12 11:14 I VI Caspar David Friedrich proximity and Distance A New Image? Friedrich and Classical Weimar 18 110 II VII Ways and Byways Political Paintings Artistic Beginnings in Greifswald and Copenhagen Wars of Liberation and Restoration 32 126 III VIII Picturing the Landscape Seeing in Belief Working Towards Landscape Painting Monk by the Sea and Abbey in the Oak Wood 48 142 IV IX Crisis and Resolution The Eye of the Draughtsman Sojourn in Pomerania: 1801/02 Friedrich’s Nature Studies 72 170 V X Under the Sign of the Cross Sublime Landscapes? The Religious Picture Friedrich’s Critique of Contemporary Aesthetics 88 184 001_071_4627_CDF_engl.indd 16 27.03.12 11:14 XI Reflected Seeing appendix Friedrich’s Rear-View Figures Notes 200 262 XII Selected Literature Picturing Time 272 Friedrich’s Pictorial Cycles Biography 224 276 XIII List of Works Painting and Depth 278 The Last Years Index 248 284 Photo Credits 286 Source of Quotations 286 Acknowledgements 287 Imprint 288 001_071_4627_CDF_engl.indd 17 27.03.12 11:14 001_071_4627_CDF_engl.indd 18 27.03.12 11:15 Caspar David Friedrich A New Image? I 001_071_4627_CDF_engl.indd 19 27.03.12 11:15 20 Caspar David Friedrich 001_071_4627_CDF_engl.indd 20 27.03.12 11:15 Fig. -
The Old Cemetery for Foreigners in Rome with a New Inventory of Its Burials
SVENSKA INSTITUTEN I ATHEN OCH ROM INSTITUTUM ATHENIENSE ATQUE INSTITUTUM ROMANUM REGNI SUECIAE Opuscula Annual of the Swedish Institutes at Athens and Rome 13 2020 STOCKHOLM Licensed to <[email protected]> EDITORIAL COMMITTEE Prof. Gunnel Ekroth, Uppsala, Chairman Dr Lena Sjögren, Stockholm, Vice-chairman Mrs Kristina Björksten Jersenius, Stockholm, Treasurer Dr Susanne Berndt, Stockholm, Secretary Prof. Christer Henriksén, Uppsala Prof. Anne-Marie Leander Touati, Lund Prof. Peter M. Fischer, Göteborg Dr David Westberg, Uppsala Dr Sabrina Norlander-Eliasson, Stockholm Dr Lewis Webb, Göteborg Dr Ulf R. Hansson, Rome Dr Jenny Wallensten, Athens EDITOR Dr Julia Habetzeder Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] SECRETARY’S ADDRESS Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] DISTRIBUTOR eddy.se ab Box 1310 SE-621 24 Visby For general information, see http://ecsi.se For subscriptions, prices and delivery, see http://ecsi.bokorder.se Published with the aid of a grant from The Swedish Research Council (2017-01912) The English text was revised by Rebecca Montague, Hindon, Salisbury, UK Opuscula is a peer reviewed journal. Contributions to Opuscula should be sent to the Secretary of the Editorial Committee before 1 November every year. Contributors are requested to include an abstract summarizing the main points and principal conclusions of their article. For style of references to be adopted, see http://ecsi.se. Books for review should be sent to the Secretary of the Editorial Committee. ISSN 2000-0898 ISBN 978-91-977799-2-0 © Svenska Institutet i Athen and Svenska Institutet i Rom Printed by TMG Sthlm, Sweden 2020 Cover illustrations from Aïopoulou et al. -
Johann Heinrich Voss
JOHANN HEINRICH VOSS BIBLIOGRAPHIE 8. Sekundärliteratur Zur Erinnerung an Johann Heinrich Voß (20. November 1924 - 11. Februar 2015) Diplom-Bibliothekar der diese Bibliographie angeregt hat. Online-Version 1.0 zusammengestellt von Martin Grieger S1 Abels, H.: Joh. Heinr. Voss In: Germania. Wissenschaftliche Beilage. 1901. Nr. 8 [Zum 150. Geburtstag 20. Feb. 1901] S2 Achim von Arnim und die ihm nahe standen. Bd. 1 - 3. Hrsg. v. Reinhold Steig und Herman Grimm. Stuttgart: J. G. Cotta'sche Buchhandlung Nachfolger. 1. Bd.: Achim von Arnim und Clemens Brentano. 1894 2. Bd.: Achim von Arnim und Bettina Brentano. 1913 3. Bd.: Achim von Arnim und Jacob und Wilhelm Grimm. 1904 S3 A. F.: Literatur und Kunst für das Bürgerhaus. Zum Auferstehungsfeste unserer großen Meister. In: Die Gartenlaube. 1867. Nr. 36. S. 572 - 574 [Gründung der ‘Illustrirten Hausbibliothek deutscher Classiker‘ als Folge der Aufhebung des Urheberrechtsschutzes für die deutschen Klassiker. S. 573 als Illustrationsprobe des 1. Bandes 5 Illustrationen zur Luise von Paul Thumann, Zeichnung: R. Brend’amour.] S4 Ahrendt, Roland: 'Ein Mann wie Voß ...' oder 'der Kleinstädter unserer Literatur'? Großer Andrang bei der Ausstellungseröffnung von 'Ein Mann wie Voß ...' im Otterndorfer Voß-Haus. In: Niederelbe-Zeitung. 15. 10. 2001. S5 Alberti, Eduard: [Johann Heinrich Voß.] In: Lexikon der Schleswig-Holstein-Lauenburgischen und Eutinischen Schriftsteller von 1829 bis Mitte 1866. Abth. 2. Kiel: Akad. Buchh. 1868 S. 519 - 521 [Heinrich Voß: S. 519; Abraham Voß: S. 521] S6 Alberti, Eduard: [Johann Heinrich Voß.] In: Lexikon der Schleswig-Holstein-Lauenburgischen und Eutinischen Schriftsteller von 1866 bis 1882. Im Anschluss an des Verfassers Lexikon von 1829 - 1866 gesammelt und hrsg. -
To the Vandals They Are Stone: a Profane Pre-History of the German Temple of Art, 1794-1830
To the Vandals They Are Stone: A Profane Pre-History of the German Temple of Art, 1794-1830 By Alice Mae Littman Goff A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas W. Laqueur, Co-chair Professor Jonathan Sheehan, Co-chair Professor Carla Hesse Professor Beate Fricke Spring 2015 Abstract To the Vandals They Are Stone: A Profane Pre-History of the German Temple of Art, 1794-1830 by Alice Mae Littman Goff Doctor of Philosophy in History University of California, Berkeley Thomas W. Laqueur, Co-chair Jonathan Sheehan, Co-chair This is the story of how German writers, scholars, bureaucrats and custodians of art at all levels witnessed and participated in the French despoliations of European art collections over the course of the Revolutionary and Napoleonic Wars, and how in the aftermath of these events they developed new ideas about the place and purpose of art in modern cultural and political life at the beginning of the nineteenth century. In this period German scholars were forming new theories about the autonomy of art and its ability to remake the social and political order. At the same time they were gaining unprecedented experience of art’s material fragility and its dependence on the contingencies of the environment and good will of human actors. This dissertation argues that the tension between the twin discoveries of art’s powers and its limitations defined the cultural politics of the Prussian state during this revolutionary era. -
A. Biographical Supplement
GERMAN-SPEAKING TRAVELLERS IN SCOTLAND, 1800 - 1860, AND THEIR PLACE IN THE HISTORY OF EUROPEANTRAVEL LITERATURE VOLUME THREE APPENDIX A. BIOGRAPHICALSUPPLEMENT 8. 'FONTANE AND SCOTLAND' : REVIEW OF THE CRITICAL RESEARCH TO DATE 61 -iv i k3 i. APPENDIX Date of Pace Visit A. BIOGRAPHICAL SUPPLEMENT Introduction ii Christian August Gottlieb Goede (1774-1812) 1802-3 1 Joseph Frank (1771-1842) 1803 4 Johanna Schopenhauer (1766-1838) 1803 7 Andreas (1764-1822) NY790) Philipp 'emnich 17 (? ) Georg Holzenthal -? 1812-14 20 Samuel Heinrich Spiker (1786-1858) 1816 24 Eduard Meissner (1785-1868) 1817 27 1820, '21, Heinrich Meidinger (1792-1867) 32 '24, '25-6 Carl Otto (1795-1879) 1822 35 Maximilian von Löwenthal (1799-1872) 1822 37 [Victor Aim6 Huber (1800-1869) 1823-4] - Karl Friedrich Schinkel (1781-1841) 1826 40 Ignaz Moscheles (1794-1870) 1828 46 Felix Mendelssohn-Bartholdy (1809-1847) 1 1829 48 Karl Klingemann (1798-1862) ) Wilhelm von Horn (1803-1871) 1830 54 Friedrich von Raumer (1781-1873) 1835 57 Emil Isensee (1807-1845) 1835 61 Karl Hailbronner (1789-1864) von 1836 65 Franz Pulszky (1814-1697) Karl Theodor Maria Hubert (1768-1862) 1839 74 von Hallberg-Broich Karl Friedrich Heinrich Marx (1796-1877) 1841 86 Johann Georg Kohl (1808-1878) 1842 90 Carl Gustav Carus (1789-1869) 1844 101 [Ida von Hahn-Hahn (1805-1880) 18463 - Julius Köstlin (1826-1902) 1849 114 [Alfred Meissner (1822-1885) 1850) - Heinrich Karl Brandes (1798-1874) 1850 117 Fanny Lewald (1811-1889) 1850 122 Gustav Friedrich Waagen (1794-1868) 1850 (Further visits to GB & possib ly Scotland, '51, '54, 135 '56 & '57) Ludwig Rellstab (1799-1860) 1851 139 Ernst Förster (1800-1885) 1851 146 Alexander Ziegler (1822-1887) 1851, '57-8 149 (? ) Rudolph Wichmann -? '1851-2 153 (? ) Moritz von Kalckstein -? 1852 157 [Helmuth (1800-1891) 1855 von Moltke - Titus Ullrich (1813-1891) 1857 162 Bernhard Lepel (1818-1885) von 1858 Theodor Fontane (1819-1898) 166 B. -
Winckelmann’: Aesthetic Criticism and Classical Reception
Pater’s ‘Winckelmann’: aesthetic criticism and classical reception Book or Report Section Accepted Version Evangelista, S. and Harloe, K. (2017) Pater’s ‘Winckelmann’: aesthetic criticism and classical reception. In: Martindale, C., Prettejohn, E. and Evangelista, S. (eds.) Pater the Classicist. Oxford University Press, Oxford, pp. 63-80. ISBN 9780198723417 Available at http://centaur.reading.ac.uk/59199/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Pater’s ‘Winckelmann’: Aesthetic Criticism and Classical Reception Pater did not derive his understanding of classical culture exclusively from the direct study of Greek and Roman sources, but rather from observing how the classical ‘original’ is constantly modified through time, as it is appropriated by successive ages: the passing of time transforms not only the materiality of antiquity, as remains are lost and found, broken, worn away by the elements or restored by archaeologists and textual scholars, but also its significance and value. It was only at a relatively advanced stage of his career as professional classicist that Pater started publishing work that deals with classical subject matter directly, in the essays on classical mythology of the late 1870s. -
Life and (Love) Letters: Looking in on Winckelmann's Correspondence
Life and (love) letters: looking in on Winckelmann's correspondence Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Harloe, K. and Russell, L. (2019) Life and (love) letters: looking in on Winckelmann's correspondence. Publications of the English Goethe Society, 88 (1). pp. 1-20. ISSN 0959-3683 doi: https://doi.org/10.1080/09593683.2019.1575030 Available at http://centaur.reading.ac.uk/80857/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/09593683.2019.1575030 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Publications of the English Goethe Society ISSN: 0959-3683 (Print) 1749-6284 (Online) Journal homepage: https://www.tandfonline.com/loi/ypeg20 Life and (Love) Letters: Looking in on Winckelmann’s Correspondence Katherine Harloe & Lucy Russell To cite this article: Katherine Harloe & Lucy Russell (2019) Life and (Love) Letters: Looking in on Winckelmann’s Correspondence, Publications of the English Goethe Society, 88:1, 1-20, DOI: 10.1080/09593683.2019.1575030 To link to this article: https://doi.org/10.1080/09593683.2019.1575030 © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title To the Vandals They Are Stone: A Profane Pre-History of the German Temple of Art, 1794- 1830 Permalink https://escholarship.org/uc/item/8wq5j46b Author Goff, Alice M. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California To the Vandals They Are Stone: A Profane Pre-History of the German Temple of Art, 1794-1830 By Alice Mae Littman Goff A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas W. Laqueur, Co-chair Professor Jonathan Sheehan, Co-chair Professor Carla Hesse Professor Beate Fricke Spring 2015 Abstract To the Vandals They Are Stone: A Profane Pre-History of the German Temple of Art, 1794-1830 by Alice Mae Littman Goff Doctor of Philosophy in History University of California, Berkeley Thomas W. Laqueur, Co-chair Jonathan Sheehan, Co-chair This is the story of how German writers, scholars, bureaucrats and custodians of art at all levels witnessed and participated in the French despoliations of European art collections over the course of the Revolutionary and Napoleonic Wars, and how in the aftermath of these events they developed new ideas about the place and purpose of art in modern cultural and political life at the beginning of the nineteenth century. In this period German scholars were forming new theories about the autonomy of art and its ability to remake the social and political order.