Life and (Love) Letters: Looking in on Winckelmann's Correspondence
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Philipp Von Stosch (1691–1757) and the Study of Engraved Gems Paweł Gołyzniaḱ *
Antiquity 2021 page 1 of 9 https://doi.org/10.15184/aqy.2021.112 Project Gallery From antiquarianism to proto-archaeology: Philipp von Stosch (1691–1757) and the study of engraved gems Paweł Gołyzniaḱ * * Institute of Archaeology, Jagiellonian University, Poland (✉ [email protected]) Examination of Philipp von Stosch’s documentation of engraved gems, discovered in previously unknown archival sources in the Princes Czartoryski Museum in Krakow and other public and private collections, considerably advances our understanding of the move from antiquarianism to proto-archaeology in the eighteenth century. Keywords: antiquarianism, proto-archaeology, archiving, engraved gems, history of archaeology, Philipp von Stosch Introduction Philipp von Stosch (1691–1757) (Figure 1) is regarded as one of the most instrumental figures in eighteenth-century antiquarianism (Hansson 2014). While previous research has focused on his life and role as a collector (Lewis 1967; Zazoff & Zazoff 1983:3–67), the production of his outstanding book on gems (signed by ancient masters and published in 1724 (Heringa 1976; Zazoff & Zazoff 1983:24–50; Whiteley 1999)) and his collection of engraved gems published by Winckelmann in 1760 (Borbein et al. 2019), his other con- tributions to academia have been overlooked. This article considers his skill in building and managing collections and, perhaps most importantly, his collaboration with numerous artists who produced drawings apparently intended as illustrations for his virtually unrecognised scholarly projects. The Stosch Project An extensive collection of unpublished drawings of engraved gems discovered in the Princes Czartoryski Museum in Krakow provided an opportunity to explore Stosch’s scholarly activ- ities. The drawings record small objects made of precious stones used in antiquity as seals, amulets or as personal adornments. -
DP Louvre Edme Bouchardon.Pub
Dossier de presse Exposition Du 14 septembre au 5 décembre 2016 Hall Napoléon Bouchardon (1698-1762) Une idée du beau Contact presse Coralie James [email protected] Tél. 01 40 20 54 44 1 Sommaire Communiqué de presse page 3 Préface page 5 par Jean–Luc Martinez, président-directeur du musée du Louvre et Timothy Potts, directeur du J. Paul Getty Museum Parcours de l’exposition page 7 Regards sur quelques œuvres page 12 Autour de l’exposition page 16 Publications, manifestations à l’auditorium du Louvre, visites-conférences, atelier, guide multimédia... Visuels disponibles pour la presse page 19 Lettres du mécène page 24 La liste complète des œuvres exposées est disponible sur demande : [email protected] 2 Bouchardon (1698-1762) Une idée du beau Communiqué de presse Le musée du Louvre et le J. Paul Getty Museum de Los Angeles Exposition rendent hommage à Edme Bouchardon, sculpteur et dessinateur 14 septembre - 5 décembre de renom, qui fut considéré dès son époque comme « le plus 2016 grand sculpteur et le meilleur dessinateur de son siècle » (Cochin). Cité dans l’Encyclopédie comme le continuateur de Puget et de Girardon, Bouchardon fut perçu par ses contemporains comme le promoteur du renouveau dans les arts. Alors que de nombreuses études ont favorisé une nouvelle approche du néo-classicisme, cette première exposition monographique d’envergure permet d’appréhender l’esthétique du sculpteur, parfait équilibre entre la référence antique et la fidélité à la nature. Fils d’architecte sculpteur, Edme Bouchardon se forma à l’Académie royale de peinture et de sculpture à Paris avant de faire un fécond séjour à l’Académie de France à Rome (1723-1732), couronné par des projets soumis au pape et par son élection à l’Académie de Saint-Luc. -
Etruscan News 19
Volume 19 Winter 2017 Vulci - A year of excavation New treasures from the Necropolis of Poggio Mengarelli by Carlo Casi InnovativeInnovative TechnologiesTechnologies The inheritance of power: reveal the inscription King’s sceptres and the on the Stele di Vicchio infant princes of Spoleto, by P. Gregory Warden by P. Gregory Warden Umbria The Stele di Vicchio is beginning to by Joachim Weidig and Nicola Bruni reveal its secrets. Now securely identi- fied as a sacred text, it is the third 700 BC: Spoleto was the center of longest after the Liber Linteus and the Top, the “Tomba della Truccatrice,” her cosmetics still in jars at left. an Umbrian kingdom, as suggested by Capua Tile, and the earliest of the three, Bottom, a warrior’s iron and bronze short spear with a coiled handle. the new finds from the Orientalizing securely dated to the end of the 6th cen- necropolis of Piazza d’Armi that was tury BCE. It is also the only one of the It all started in January 2016 when even the heavy stone cap of the chamber partially excavated between 2008 and three with a precise archaeological con- the guards of the park, during the usual cover. The robbers were probably dis- 2011 by the Soprintendenza text, since it was placed in the founda- inspections, noticed a new hole made by turbed during their work by the frequent Archeologia dell’Umbria. The finds tions of the late Archaic temple at the grave robbers the night before. nightly rounds of the armed park guards, were processed and analysed by a team sanctuary of Poggio Colla (Vicchio di Strangely the clandestine excavation but they did have time to violate two of German and Italian researchers that Mugello, Firenze). -
The Second Glance. All Forms of Love
All Forms ART OF ANTIQUITY AND of Love ENLIGHTENED COLLECTING Path 3 – Male homosexual collectors are the focus of the third path 1 2 François Duquesnoy (1597–1643) Edmé Bouchardon (1698–1762) Antinous Belvedere, first half of the 17th c. Baron Phlipp von Stosch, 1727 Bronze, 31,5 x 13,5 x 9 cm Marble, 85 x 65 x 34 cm Inv. Nr. 1/94 Inv. Nr. M 204, Property of the Kaiser Friedrich Museumsverein © Skulpturensammlung und Museum für Byzantinische Kunst © Skulpturensammlung und Museum für Byzantinische Kunst der Staatlichen Museen zu Berlin / Jörg P. Anders and Antje Voigt der Staatlichen Museen zu Berlin / Jörg P. Anders Unlike in the Christian societies of of both an intellectual and sexual of the temples that were dedicated the Middle Ages and the early mod- nature. The publicly celebrated love to the emperor. In addition, he had ern period, which judged homosex- of the Roman emperor Hadrian (76– Antinous’ image reproduced hun- uality as unnatural, in antiquity same- 138 AD) for the young Antinous dreds of times, whether chiselled in sex love (between men) met with (ca. 110–130 AD) is legendary: after stone, cast in bronze, or minted on greater tolerance and sometimes the latter drowned under tragic coins. In later centuries these images even approval. This was especially circumstances during a boating of Antinous were in high demand true for friendships between young excursion on the Nile, Hadrian had among collectors and lovers of fine men and older mentors, which were his lover venerated as a god in several art, particularly in the 18th century, 19 THE SECOND GLANCE PATH 3 ART OF ANTIQUITY AND ENLIGHTENED COLLECTING when the excavations of the ancient homoerotic friendship. -
Press Release
NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: January 6, 2016 MEDIA CONTACT FOR IMMEDIATE RELEASE Amy Hood Getty Communications (310) 440-6427 [email protected] J. PAUL GETTY MUSEUM PRESENTS FIRST MAJOR EXHIBITION ON RENOWNED 18TH-CENTURY ARTIST EDME BOUCHARDON Exhibition includes more than 30 sculptures and 100 drawings and prints by the famed Royal artist and is the first major museum examination of his work BOUCHARDON: ROYAL ARTIST OF THE ENLIGHTENMENT on view at the J. Paul Getty Museum, Getty Center, Los Angeles January 10 – April 2, 2017 Special Installation of Bouchardon’s masterwork The Sleeping Faun now on view in the Getty Museum’s Entrance Hall Los Angeles – One of the most imaginative and celebrated artists of the eighteenth century, Edme Bouchardon (French, 1698-1762) was both an exceptionally accomplished sculptor and astonishingly talented draftsman. A new exhibition on view at the Getty Museum from January 10 through April 2, 2017 – Bouchardon: Royal Artist of the Enlightenment – will present the first comprehensive survey devoted to this extraordinarily important, but not well-known artist. Organized in partnership with the Musée du Louvre in Paris, the exhibition was on view there from September 12 to December 5, 2016. At the Getty the show will include more than 150 works, including sculptures, drawings, prints, and medals designed by Bouchardon. In advance of the opening date, one of Bouchardon’s masterworks, The Sleeping Faun, has been installed in the Getty Museum’s Entrance Hall where it will be on view through the run of the exhibition. “Bouchardon’s astounding skill in carving marble and his brilliantly realized drawings, marveled at in his own time, remain just as captivating today,” says Timothy Potts, director The Sleeping Faun, 1726–30, Edme Bouchardon, French, 1698–1762 Marble H: 184 X W: 142.5 X D: of the J. -
Engraved Gems
& Baan (eds) & Baan Bercken den Van ENGRAVED GEMS Many are no larger than a fingertip. They are engraved with symbols, magic spells and images of gods, animals and emperors. These stones were used for various purposes. The earliest ones served as seals for making impressions in soft materials. Later engraved gems were worn or carried as personal ornaments – usually rings, but sometimes talismans or amulets. The exquisite engraved designs were thought to imbue the gems with special powers. For example, the gods and rituals depicted on cylinder seals from Mesopotamia were thought to protect property and to lend force to agreements marked with the seals. This edited volume discusses some of the finest and most exceptional GEMS ENGRAVED precious and semi-precious stones from the collection of the Dutch National Museum of Antiquities – more than 5.800 engraved gems from the ancient Near East, Egypt, the classical world, renaissance and 17th- 20th centuries – and other special collections throughout Europe. Meet the people behind engraved gems: gem engravers, the people that used the gems, the people that re-used them and above all the gem collectors. This is the first major publication on engraved gems in the collection of the National Museum of Antiquities in Leiden since 1978. ENGRAVED GEMS From antiquity to the present edited by B.J.L. van den Bercken & V.C.P. Baan 14 ISBNSidestone 978-90-8890-505-6 Press Sidestone ISBN: 978-90-8890-505-6 PAPERS ON ARCHAEOLOGY OF THE LEIDEN MUSEUM OF ANTIQUITIES 9 789088 905056 PALMA 14 This is an Open Access publication. -
Gabriella Tassinari
G. Tassinari, Lettere dell’incisore di pietre dure Francesco Maria Gaetano Ghinghi, “LANX” 7 (2010), pp. 61‐149 Gabriella Tassinari Lettere dell’incisore di pietre dure Francesco Maria Gaetano Ghinghi (1689-1762) ad Anton Francesco Gori * Abstract Le lettere qui esaminate, conservate nella Biblioteca Marucelliana a Firenze, sono scritte da Napoli dal famoso incisore di pietre dure Francesco Maria Gaetano Ghinghi (1689‐1762) al celebre erudito e antiquario Anton Francesco Gori. Esse sono ricche di interessanti notizie relative all’attività del Real Laboratorio delle Pietre Dure di Napoli, fondato nel 1737, di cui il Ghinghi fu il primo direttore, e coordinatore dell’équipe di artisti fiorentini che si erano trasferiti con lui. Il Ghinghi fornisce dati sulla circolazione di gemme a Napoli in quel periodo, sulle antichità di Ercolano (di cui il Gori fu uno dei primi a scrivere) e sulla permanenza a Napoli di Antonio Pichler, capostipite di una illustre famiglia di incisori, che il Ghinghi conosceva bene, perché entrambi lavoravano per il noto collezionista di gemme Philipp von Stosch. Inoltre, in un quadro di scarsa disponibilità di calchi riproducenti gemme della collezione Farnese, acquista gran valore l’invio di tali impronte da parte del Ghinghi al Gori, che così aveva gemme non documentate altrimenti. The letters analysed in this article, now in the Biblioteca Marucelliana in Florence, are written from Naples by the famous gem‐engraver, Francesco Maria Gaetano Ghinghi (1689‐1762) to the renowned scholar and antiquarian Anton Francesco Gori. They give very interesting news about the activity of The Laboratorio delle Pietre Dure in Naples, that began its production in 1738, formed by Ghinghi, the first Director, and the Florentine craftsmen who had come with him. -
Diesammlunggruber
DIE SAMMLUNGGRUBER. Von ARTHUR HÜBSCHER (München). Still und bescheiden, wie er gelebt, ist Robert Gruber am 26. Aprii 1936 von uns gegangen. Nach Monaten erst haben wir von seinem Tode erfahren und in einem Nachruf (XXV. Jahrb. 1938) einiges von seiner Art, so wie wir in den vielen Jahren eines gemeinsamen Weges sie er- fahren durfte, nachzuzeichnen versucht. Schon damals wußten wir, daß, vernehmlicher als unsere Worte, das Werk, mit dem er sich ein dauerndes Denkmal seines Namens geschaffen hat, noch einmal seine besondere Ver- bundenheit mit unserer Gesellschaft bezeugen würde. Erst heute aber, da wir den Dank, den wir bei seinem Andenken ausgesprochen haben, in einem weiteren, umfassenderen Sinne wiederholen dürfen, ist es an der Zeit, der Öffentlichkeit von einer Tatsache Kenntnis zu geben, mit der wir damals aus besonderen Gründen zurückhalten mußten: Die Schopen- hauer-Gesellschaft hat das Erbe der Schopenhauer-Sammlung Robert Grubers angetreten. Gruber war ein Sammler von einer heute seltenen, besonderen Art. Er hat seine Schätze nicht als seinen eigensten, möglichst geheim- zuhaltenden Besitz betrachtet, wie es die Sitte vieler Autographensaramler ist, sondern sie im weiten Umfang den Zwecken der Wissenschaft zur Verfügung gehalten. Über der Freude, sich selbst als Besitzer wertvoller Stücke zu wissen, stand ihm ein überpersönliches, mit höchster Ver- antwortung verfolgtes Ziel:die Vereinigung möglichst aller Handschriften und Briefe von, an und über Schopenhauer, der Bücher aus seiner Biblio- thek und der Erinnerungsstücke an seine Person an einem würdigen Ort, der ebenso Gedächtnisstätte wie Stätte der Wissenschaft sein mußte. Seit vielen Jahren war es ihm zur Gewohnheit geworden, sich über wert- volle Neuerwerbungen jeweils mit dem Archivar der Schopenhauer-Gesell- schaft zu verständigen. -
Front Matter
Cambridge University Press 978-1-107-01920-1 - Thucydides and the Modern World: Reception, Reinterpretation and Influence from the Renaissance to the Present Edited by Katherine Harloe and Neville Morley Frontmatter More information THUCYDIDES AND THE MODERN WORLD The ancient Greek historian Thucydides has had an enormous impact on modern historiography, political theory, international relations and strategic studies, but this influence has never been properly studied. This book brings together leading scholars from a range of disciplines to explore the different facets of Thucydides’ modern reception and influence, from the birth of political theory in Renaissance Europe to the rise of scientific history in nineteenth-century Germany and the triumph of ‘realism’ in twentieth-century international relations the- ory. Its chapters consider the different national and disciplinary tra- ditions of reading and citing Thucydides, but also highlight common themes and questions – in particular, the variety of images of the his- torian produced by his modern readers: the scientific historian or the artful rhetorician, the brilliant analyst of society and politics or the great narrator of political and military events, the man of experience and affairs or the man of contemplation and reflection. katherine harloe is Lecturer in Classics at the University of Reading. Her research specialism is the reception of ancient Greek and Roman culture in modern (post-1700) political thought and intellectual history, and she has published articles on the history of classical scholarship, Nietzsche, and the relation of political thought to classical reception studies. She is currently completing a mono- graph, Winckelmann and the Invention of Antiquity, to be published by Oxford University Press. -
Carl Ludwig Fernow Suche Nach Einer Idealen Ästhetik Jena/Paris 2010
Kunst als höhere Natur - Carl Ludwig Fernow Suche nach einer idealen Ästhetik von Béatrice Deffner Jena/Paris 2010 DISSERTATION zur Erlangung des akademischen Grades Doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena in Cotutelle mit der Université de la Sorbonne-Paris IV Datum der Verteidigung: 6. Juli 2009 GUTACHTER Prof. Elisabeth Décultot/ École normale supérieure - Paris Prof. Roland Krebs/ Université de la Sorbonne - Paris IV Prof. Klaus Manger/ Friedrich - Schiller - Universität Jena Prof. Dieter Burdorf/ Universität Leipzig 3 In Erinnerung an meine Eltern . „Die Beschäftigung mit dem Schönen und der Kunst, die uns in eine ideelle Welt erhebt, darf uns für die wirkliche nicht versteinern“ (Carl Ludwig Fernow, Römische Studien III, Vorwort) 4 DANK An dieser Stelle möchte ich mich bei all denjenigen bedanken, die mich in meinem Dissertationsvorhaben unterstützt haben. Mein besonderer Dank gilt zunächst Herrn Professor Roland Krebs , dem die Arbeit betreuenden Professor an der Université de la Sorbonne - Paris IV , nicht nur für die wissenschaftliche Unterstützung, sondern auch für die mir gewidmete Zeit. Ebenso möchte ich mich bei Herrn Professor Klaus Manger von der Friedrich-Schiller Universität in Jena für die fachliche Betreuung im Rahmen der Cotutelle und die angenehme Zusammenarbeit recht herzlich bedanken. Ein weiteres Dankeschön richte ich an Frau Professor Elisabeth Décultot , von der École normale supérieure - Paris , Frau Professor Françoise Knopper von der Université Toulouse II , sowie Herrn Prof. Dieter Burdorf von der Universität Leipzig . Ein grand merci gilt auch Christelle Bony , Lehrerin am Collège Robespierre in Saint-Pol-sur- Mer , für die mir entgegengebrachte Geduld bezüglich der Zweitlektüre, und vor allem für Ihre langjährige Freundschaft. -
International Colloquium 17- 18 October 2014
International Colloquium 17 - 18 October 2014 Speakers and Chairs: Semele Assinder, Vinzenz Brinkmann, Alexandre Farnoux, EFA - Conference room (Didotou 6) Styliana Galiniki, Katherine Harloe, Ian Jenkins, Richard Jenkyns, IFG - Auditorium (Sina 31) Lena Lambrinou, Artemis Leontis, Fiona Macintosh, Pantelis Michelakis, Nicoletta Momigliano, Catherine Morgan, Dimitris Plantzos, Charlotte Ribeyrol, Frank Salmon, Eleni Sikelianos, Esther Solomon, David Watkin, Martin M. Winkler, Eleana Yalouri All communications (30 mn) will be followed by a 15 mn discussion period www.efa.gr Friday, 17 October Saturday, 18 October Welcome and opening paper Session 3: Greek antiquity and the modern self (Chairs: E. Yalouri, C. Morgan, N. Momigliano) 8.30. Welcome by A. Farnoux and N. Momigliano 9.30. Pantelis Michelakis University of Bristol ‘Grecian’ Dance and the transformations of corporeality in the age of moving images 9.00. Ian Jenkins Zeus in London and Paris 10.15. Artemis Leontis University of Michigan Performing a modern self in Greek dress Session 1: At the origins of ‘Hellenomania’ (Chairs: I. Jenkins, C. Morgan, A. Farnoux) 11.00-11.30. Co ee break 9.30. Fiona Macintosh University of Oxford Modern Stage design and Greek Antiquity: Inigo Jones and his Greek models 11.30. Eleni Sikelianos University of Denver 10.15. Katherine Harloe University of Reading I’ll make this little myth for you Winckel-mania. 12.15: Martin Winkler George Mason University 11.00-11.30. Co ee break Aphroditê kinêmatographikê - the varieties and vicissitudes of Venus Session 2: Greek revivals from the Enlightenment to modernism (Chairs: as above) 13.00. Semele Assinder British School at Athens The record of events is written into the earth – travel writing and archaeology in 1939 11.30. -
Kinch Hoekstra
KINCH HOEKSTRA DEPARTMENT OF POLITICAL SCIENCE • UNIVERSITY OF CALIFORNIA , BERKELEY 210 Barrows Hall • Berkeley, CA 94720-1950 • [email protected] ACADEMIC APPOINTMENTS University of California, Berkeley Chancellor’s Professor of Political Science and Law 2012- Associate Professor of Political Science and Law 2011- Assistant Professor of Political Science and Law 2008-2011 University of Oxford CUF Lecturer in Philosophy, Faculty of Philosophy 1998-2007 Balliol College, Oxford Leveson Gower Fellow and Tutor in Ancient and Modern Philosophy 1996-2007 New College and Jesus College, Oxford Lecturer in Classical Philosophy 1994-1995 VISITING POSITIONS AND FELLOWSHIPS University Center for Human Values, Princeton University Rockefeller Visiting Faculty Fellow 2011-2012 Institute for Advanced Study , Princeton Member, School of Historical Studies 2004-2005 UCLA Center for 17 th - & 18 th -Century Studies Ahmanson-Getty Fellow 2001-2002 Arts and Humanities Research Board of the UK Research Leave Award 2001-2002 Deep Springs College, California Visiting Professor 1991-1992, 1993, 1994, 2000, 2005, 2008 PUBLICATIONS AND COMPLETED WORK Thomas Hobbes and the Creation of Order (Oxford University Press) “Hobbesian Equality,” for Hobbes Today: Insights for the 21 st Century , ed. S. A. Lloyd (Cambridge University Press) “Thucydides and the Bellicose Beginnings of Modern Political Theory,” in Thucydides and the Modern World: Reception, Reinterpretation, and Influence from the Renaissance to the Present , ed. Katherine Harloe and Neville Morley (Cambridge University Press, 2012) “A Source of War: Gentili’s Thucydides,” in Alberico Gentili - La salvaguardia dei beni culturali nel diritto internazionale (Milan: Giuffrè, 2008), with Italian translation “The Natural Condition of Mankind,” The Cambridge Companion to Hobbes’s Leviathan , ed.