Reception Hosted by the Okinawa G8 Summit Support Council [PDF]
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RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
The Ryukyuanist a Newsletter on Ryukyu/Okinawa Studies No
The Ryukyuanist A Newsletter on Ryukyu/Okinawa Studies No. 67 Spring 2005 This issue offers further comments on Hosei University’s International Japan-Studies and the role of Ryukyu/Okinawa in it. (For a back story of this genre of Japanese studies, see The Ryukyuanist No. 65.) We then celebrate Professor Robert Garfias’s achievements in ethnomusicology, for which he was honored with the Japanese government’s Order of the Rising Sun. Lastly, Publications XLVIII Hosei University’s Kokusai Nihongaku (International Japan-Studies) and the Ryukyu/Okinawa Factor “Meta science” of Japanese studies, according to the Hosei usage of the term, means studies of non- Japanese scholars’ studies of Japan. The need for such endeavors stems from a shared realization that studies of Japan by Japanese scholars paying little attention to foreign studies of Japan have produced wrong images of “Japan” and “the Japanese” such as ethno-cultural homogeneity of the Japanese inhabiting a certain immutable space since times immemorial. New images now in formation at Hosei emphasize Japan’s historical “internationality” (kokusaisei), ethno-cultural and regional diversity, fungible boundaries, and demographic changes. In addition to the internally diverse Yamato Japanese, there are Ainu and Ryukyuans/Okinawans with their own distinctive cultures. Terms like “Japan” and “the Japanese” have to be inclusive enough to accommodate the evolution of such diversities over time and space. Hosei is a Johnny-come-lately in the field of Japanese studies (Hosei scholars prefer -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
ICA 2010 Paper
th Proceedings of 20 International Congress on Acoustics, ICA 2010 23-27 August 2010, Sydney, Australia Correlation between Groovy Singing and Words in Popular Music Yuma Sakabe, Katsuya Takase and Masashi Yamada Kanazawa Institute of Technology, Kanazawa, Japan PACS: 43.75.Rs, 43.75.Cd, 66.Mk ABSTRACT Musical critics often point out that some singers start to sing slightly after the accompaniment to give a groovy feel- ing. In our previous studies, we revealed that a Japanese Pop diva, Namie Amuro started to sing approximately 70-90 ms after the accompaniment for the initial notes of phrases. We then conducted perceptual experiments, using blass- like tone played the melody instead of Amuro’s singing. The results of the experiments showed that the 70-ms de- layed singing sounded “unnatural” and “not groovy”. This suggested that we have high tolerance for the delayed singing in the case that a singer sings words than in the case an instrument plays a melody. In the present study, we conducted perceptual experiments using synthesized word singing and scant singing stimuli, as well as human word singing and scat singing stimuli. The results showed that whether words are sung or not is crucial for the tolerance for the delayed singing. The scat singing stimuli showed consistent results to the case where a brass-like tone played the melody. INTRODUCTION Music critics point out that Namie Amuro is deeply influ- It has been often discussed how popular singers sing in a enced by Hip-Hop or Rap music, in which the singers or groovy way. -
American Folklife
1989 Festival of American Folklife Smithsonian Institution/National Park Service Thierry^ Benrand, maker ot" a iviize. a ii>>\\ laic 1 icnch bagpipe, in his workshop in La Garnache, a village in the Vendee region of France. (Photo by Winifred Lambrecht) On the front cover: Vallisa Vinhasa Tavares represents the island of Kaua'i in the Merrie Monarch parade in Hilo, Hawai'i. (Photo by Lynn Martin, courtesy State Foundation on Culture and the Arts Folk Arts Program) On the hack cover. Una Griffiths and Cacilda Wright, traditional cooks from Santa Caiz, Jamaica, squeeze juice from grated cassava. (Photo by Heliana Portes de Roux) 1989 Festival of American Folklife June 23-27 June 30-July 4 Smithsonian Institution National Park Service We dedicate this year's program book to the nienioiy ofJoseph Condon (1943-1988). Joe was a special assista>it to the Secretary' and a friend of the Festival for many years. Joe tanght ns a lot ahont leadership, integrity and honesty. As ivejdce both successes and crises, we will painfully miss him. Contents Celebrating Freedom by Robert McC. Adams, Secretary, Smithsonian Institution 4 Our Shared Cultural Resources by James M. Ridenour, Director, National Park Service 6 Why We Do the Festival by Richard Kurin 8 American Indian Problems of Access and Cultural Continuity by Thomas Vennum, Jr. 22 Hawai'i: Cosmopolitan Culture at the Crossroads of the Pacific by Richard Kennedy with Lynn Martin 36 French Traditions: Their History and Continuity in North America by Winnie Lambrecht 50 Creolization in the Caribbean by Heliana Portes de Roux 66 Festival of American Folklife ©1989 by the Smithsonian Institution Editor: Frank Proschan Coordinator: Arlene Liebenau Designer: ]oix\ Wolbier Assistant Designer Becky Lepkowski Special thanks: Linda Breitag, Andras Goldinger, Nicholas Spitzer Typesetter: Harlowe Typography Printer: Ameriprint Typeface: ITC Garamond Paper: Warren Patina Insert: Simpson Sundance Felt — Celebrating Freedom Robert McC. -
The Enduring Myth of an Okinawan Struggle: the History and Trajectory of a Diverse Community of Protest
The Enduring Myth of an Okinawan Struggle: The History and Trajectory of a Diverse Community of Protest A dissertation presented to the Division of Arts, Murdoch University in fulfilment of the requirements for the Degree of Doctor of Philosophy 2003 Miyume Tanji BA (Sophia University) MA (Australian National University) I declare that this thesis is my own account of my research. It contains as its main content work which has not previously been submitted for a degree at any university. ——————————————————————————————— ii ABSTRACT The islands of Okinawa have a long history of people’s protest. Much of this has been a manifestation in one way or another of Okinawa’s enforced assimilation into Japan and their differential treatment thereafter. However, it is only in the contemporary period that we find interpretations among academic and popular writers of a collective political movement opposing marginalisation of, and discrimination against, Okinawans. This is most powerfully expressed in the idea of the three ‘waves’ of a post-war ‘Okinawan struggle’ against the US military bases. Yet, since Okinawa’s annexation to Japan in 1879, differences have constantly existed among protest groups over the reasons for and the means by which to protest, and these have only intensified after the reversion to Japanese administration in 1972. This dissertation examines the trajectory of Okinawan protest actors, focusing on the development and nature of internal differences, the origin and survival of the idea of a united ‘Okinawan struggle’, and the implications of these factors for political reform agendas in Okinawa. It explains the internal differences in organisation, strategies and collective identities among the groups in terms of three major priorities in their protest. -
This Project by Patricia J
TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper. -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Folk Music: from Local to National to Global David W
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SOAS Research Online ASHGATE RESEARCH 12 COMPANION Folk music: from local to national to global David W. Hughes 1. Introduction: folk song and folk performing arts When the new word min’yō – literally ‘folk song’ – began to gain currency in Japan in the early twentieth century, many people were slow to grasp its intent. When a ‘min’yō concert’ was advertised in Tokyo in 1920, some people bought tickets expecting to hear the music of the nō theatre, since the character used for -yō (謡) is the same as that for nō singing (utai); others, notably the police, took the element min- (民) in the sense given by the left-wing movement, anticipating a rally singing ‘people’s songs’ (Kikuchi 1980: 43). In 1929 a music critic complained about the song Tōkyō kōshinkyoku (Tokyo March), which he called a min’yō. This was, however, not a ‘folk song’ but a Western-influenced tune written for a film soundtrack, with lyrics replete with trendy English (Kurata 1979: 338). The idea that a term was needed specifically to designate songs of rural pedigree, songs of the ‘folk’, was slow to catch on. In traditional Japan boundaries between rural songs of various sorts and the kinds of popular songs discussed in the preceding chapter were rarely clear. The ‘folk’ themselves had a simple and ancient native term for their ditties: uta, ‘song’; modifiers were prefixed as needed (for exampletaue uta, ‘rice-planting song’).1 The modern concept of ‘the folk’ springs from the German Romantics. -
Dining at Andaz Tokyo Man with a Mission
NOVEMBER 2015 Japan’s number one English language magazine OKINAWA Island Life and Local Color MAN WITH A MISSION Hungry Like the Wolf DINING AT ANDAZ TOKYO Haute Cuisine atop Toranomon ALSO: Revisiting the Heroic Return of Apollo 13, Fall Foliage Guide, Artistic Tokyo, People, Parties, and Places,www.tokyoweekender.com and Much NOVEMBERMore... 2015 ZP_IPTL_Pub_A4_151029_FIX_vcs6 copy.pdf 1 29/10/2015 15:36 C M Y CM MY CY CMY K NOVEMBER 2015 www.tokyoweekender.com ZP_IPTL_Pub_A4_151029_FIX_vcs6 copy.pdf 1 29/10/2015 15:36 NOVEMBER 2015 CONTENTS 26 C OKINAWA SPECIAL M Windows into the world under the waves, Y island cuisine, and music beyond eisa CM MY 16 24 32 CY CMY K DINING AT ANDAZ TOKYO FALL FOLIAGE GUIDE MAN WITH A MISSION A celebration of seasonal food—and Get out and see the autumn leaves before Bow wow wow yippee yo yippee yay: flowers—served at the highest level they make like a tree and... This wolfpack band is on the prowl 6 The Guide 12 Tokyo Motor Show 22 Dominique Ansel Fashion for the encroaching autumn chill These are a few of the concept cars that He brought the cronut to the foodie world, and the perfect cocktail for fall got our engines running but the French chef has more in store 8 Gallery Guide 14 Omega in Orbit 34 Noh Workshops Takashi Murakami brings the massive Apollo 13 Commander James Lovell believes Stepping into Japanese culture through a “500 Arhats” to the Mori Museum mankind should keep its eyes on the stars centuries-old theatrical tradition 10 Kashima Arts 20 RRR Bistro 38 People, Parties, Places For -
Shizuko Akamine and the So-Shin Kai: Perpetuating an Okinawan Music Tradition in a Multi-Ethnic Community
SHIZUKO AKAMINE AND THE SO-SHIN KAI: PERPETUATING AN OKINAWAN MUSIC TRADITION IN A MULTI-ETHNIC COMMUNITY A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC DECEMBER 2018 By Darin T. Miyashiro Thesis Committee: Ricardo D. Trimillos, Chairperson Frederick Lau Christine R. Yano ACKNOWLEDGEMENTS The author would like to thank, first and foremost, the thesis committee, Dr. Christine Yano, Dr. Frederick Lau, and especially the chairperson Dr. Ricardo Trimillos, for their patience in accepting this long overdue manuscript. Dr. Trimillos deserves extra thanks for initiating this project which began by assisting the author and the thesis subject, Shizuko Akamine, in receiving the Hawai‘i State Foundation on Culture and the Arts Folk & Traditional Arts Apprenticeship Grant with support from Arts Program Specialist Denise Miyahana. Special thanks to Prof. Emeritus Barbara B. Smith and the late Prof. Dr. Robert Günther for their support in helping the author enter the ethnomusicology program. The author would also like to thank the music department graduate studies chair Dr. Katherine McQuiston for her encouragement to follow through, and for scheduling extremely helpful writing sessions where a large part of this thesis was written. This thesis has taken so many years to complete there are far too many supporters (scholarship donors, professors, classmates, students, family, friends, etc.) to thank here, but deep appreciation goes out to each and every one, most of all to wife Mika for being too kind and too patient. Finally, the author would like to thank the late Shizuko Akamine for being the inspiration for this study and for generously sharing so much priceless information.