RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018

Total Page:16

File Type:pdf, Size:1020Kb

RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018 Statistics RIAJ YEARBOOK Trends 2019 The Recording Industry in Japan 2019 Contents Overview of Production of Recordings and Digital Music Sales in 2018 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital Music Sales ................................................................................................... 8 14. Recorded Music — Production on Unit Basis ....................................................... 10 15. Recorded Music — Production on Value Basis..................................................... 12 16. Newly Released Audio Recordings ....................................................................... 13 17. Newly Released Audio Recordings (1957-2018) .................................................. 14 18. Audio Recording Catalogue Listings .................................................................... 16 19. Audio Recording Catalogue Listings (1971-2018) ............................................... 17 20. Newly Released Music Videos ............................................................................... 18 21. Music Video Catalogue Listings ............................................................................ 18 22. Number of Domestic Debut Artists ...................................................................... 19 23. Number of Record Rental Shops .......................................................................... 19 Related Data ........................................................................................................................... 20 24. 33rd Japan Gold Disc Award 2019 ........................................................................ 20 25. Certified Million-selling Titles ............................................................................... 22 26. Certified Million-selling Titles in 2018 ................................................................. 23 27. Amount Collected for Sound Recordings and Others ......................................... 24 RIAJ Member Companies (in chronological order as of the date of joining RIAJ or Company foundation) .... 25 N.B. 1. The current year’s statistics are compiled results of the member companies of RIAJ. The figures also include OEM sales by RIAJ members for non-RIAJ members. 2. Figures are rounded, hence the possible difference between breakdown and total. 3. The categories of digital music sales have been changed since 2017. Overview of Production of Recordings and Digital Music Sales in 2018 In 2018, the total production value of recorded music (audio and music videos) increased 4% from the previous year to 240.3 billion yen, the first year-on-year increase in three years, despite a 4% decline in unit production from the previ- ous year to 194.63 million units. Additionally, sales of digital music also increased, rising 13% from the previous year to 64.5 billion yen, marking the fifth consecutive year-on-year increase and topping 60.0 billion yen for the first time in seven years. As a result, the production value of recorded music and digital music sales increased 5% from the previous year to 304.8 billion yen. This marked both the first year-on-year increase and the first time that value has surpassed 300.0 billion yen in three years since 2015. Audio Recordings digit increases. Specifically, unit production and value of music In terms of audio recordings, unit production declined 10% to DVDs increased 5% to 41.40 million units and 26% to 45.9 139.34 million units and decreased 9% to 157.6 billion yen on billion yen, respectively. Unit production of music Blu-ray Discs a value basis from the previous year. Specifically, unit produc- increased 60% year-on-year to 13.90 million units and value tion and value of CD albums declined 13% to 88.65 million increased 69% from the previous year to 36.8 billion yen. units and 12% to 114.7 billion yen, respectively. Unit produc- tion of CD singles declined 4% to 48.62 million units and the Digital Music value of CD singles decreased 4% to 39.5 billion yen. Unit pro- Digital music sales increased 13% to 64.5 billion yen on a value duction of vinyl discs, which have attracted attention in recent basis, marking the fifth consecutive year-on-year increase. years, increased 5% to 1.12 million units while value increased Downloads decreased 3% year-on-year on a unit basis to 8% to 2.1 billion yen, as unit production and value rose for the 107.03 million downloads and value declined 5% to 25.6 bil- fifth consecutive year. This also marked the first time in 18 lion yen, as sales on both a unit basis and value basis declined years that the value of vinyl discs exceeded 2.0 billion yen. from the previous year. On the other hand, sales of streams continue to grow as value increased 33% year-on-year to 34.9 Music Videos billion yen. Regarding share by composition of services in digi- Production of music videos increased 15% to 55.30 million tal music sales, downloads made up 40% of sales and streams units with a value of 82.7 billion yen, a 42% increase, as unit accounted for 54% of sales, marking the first time that sales of production and value both posted large growth with double- streams have surpassed those of downloads. (Millions of units/Billions of yen) Units vs. prev. yr Value vs. prev. yr Audio 139 90% 157.6 91% Music Videos 55 115% 82.7 142% Recorded Music (Total of Audio/Music Videos) 195 96% 240.3 104% Digital Music 133 92% 64.5 113% Total of Recorded Music and Digital Music — — 304.8 105% [Reference] Composition of Recorded Music and Digital Music — Value Basis ● Composition of Recorded Music ● Composition of Digital Music by ● Composition of Record Music and by Format in 2018 Format in 2018 Digital Music in 2018 — Value Basis — Value Basis — Value Basis Others 3% Master ringtones 1% Ringback tones Digital Music Music Videos 2% 21% 34% Streams Downloads 54% 40% Audio Record Music 66% 79% RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018 ● Recorded Music — Unit Basis ● Recorded Music — Value Basis Millions of units Billions of yen 254.2 254.4 245.7 240.3 226 224 232.0 213 67.7 71.9 200 202 200 68.0 54 54 195 58.2 82.7 52 48 55 100 100 186.4 182.6 172 170 177.7 173.9 161 154 157.6 139 0 0 2014 2015 2016 2017 2018 2014 2015 2016 2017 2018 Audio Music Videos Audio Music Videos ● Digital Music — Unit Basis ● Digital Music — Value Basis Millions of units Billions of yen 197 2 8 178 64.5 2 60 2.1 8 159 57.3 1.4 150 2 8 146 52.9 2.3 1 9 133 47.1 121 1 43.7 2.1 34.9 8 26.3 40 1.3 20.0 100 115 7.9 12.4 0.7 106 0.6 100 8.4 0.4 9.2 0.3 98 9.6 0.3 20 10.2 9.4 50 20.6 53 19.0 44 17.5 16.6 37 16.0 31 23 3.0 2.5 2.1 1.6 0 12 9 6 4 3 0 1.1 3.8 0.8 0.6 0.4 0.3 2014 2015 2016 2017 2018 2014 2015 2016 2017 2018 Master Ringtones Ringback Tones Single Tracks Master Ringtones Ringback Tones Single Tracks Albums Music Videos Others Albums Music Videos Subscriptions (~2016) Other Digital Music Contents (~2016) Streams (2017~) Others (2017~) N.B. 1. The categories of Digital Music sales have been changed since 2017. Subscriptions and Other Digital Music Contents were categories until 2016. 2. Figures for Streams are the sum of Subscriptions and Ad-Supported. ● Recorded Music and Digital Music (Millions of units/Billions of yen) Recorded Music Total of Recorded Audio Music Videos (Total of Audio/ Digital Music Music and Music Videos) Digital Music Units 172 54 226 197 2014 Value 186.4 67.7 254.2 43.7 297.9 Units 170 54 224 178 2015 Value 182.6 71.9 254.4 47.1 301.5 Units 161 52 213 159 2016 Value 177.7 68.0 245.7 52.9 298.5 Units 154 48 202 146 2017 Value 173.9 58.2 232.0 57.3 289.3 Units 139 55 195 133 2018 Value 157.6 82.7 240.3 64.5 304.8 2 RIAJ Yearbook 2019 ● Production of Recorded Music in 2018 (Thousands of units/Millions of yen) Item Units Share vs. prev. yr Value Share vs. prev. yr D. 63 0% 163% 98 0% 385% 3" CD Singles I. 0 0% 0% 0 0% 0% T. 63 0% 151% 98 0% 369% D. 48,520 35% 97% 39,379 25% 97% 5" CD Singles I. 33 0% 11% 32 0% 12% T. 48,553 35% 96% 39,411 25% 96% D. 48,582 35% 97% 39,477 25% 97% Singles Total I. 33 0% 11% 32 0% 12% T. 48,616 35% 96% 39,509 25% 96% D. 73,134 52% 87% 98,120 62% 87% 5" CD Albums I. 15,518 11% 90% 16,571 11% 95% T. 88,652 64% 87% 114,690 73% 88% D. 121,717 87% 90% 137,597 87% 90% Audio CD Total I. 15,552 11% 88% 16,603 11% 94% T. 137,268 99% 90% 154,200 98% 90% D. 520 0% 97% 1,038 1% 105% Vinyl Discs I. 596 0% 113% 1,039 1% 112% T. 1,116 1% 105% 2,077 1% 108% D. 438 0% 78% 377 0% 79% Cassettes I. 4 0% 59% 5 0% 73% T. 441 0% 77% 382 0% 79% D. 138 0% 95% 228 0% 111% Others I. 371 0% 125% 724 0% 121% T. 509 0% 115% 952 1% 119% D. 122,812 88% 90% 139,240 88% 90% Total I.
Recommended publications
  • The Recording Industry in Japan 2016 Contents
    RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD
    [Show full text]
  • Constructing and Consuming an Ideal in Japanese Popular Culture
    Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research
    [Show full text]
  • Reception Hosted by the Okinawa G8 Summit Support Council [PDF]
    Reference Materials Social Event: Welcome Reception OUTLINE ■Name of Event: Social Event of the Kyushu-Okinawa Summit 2000 "Welcome Reception for Summit Leaders" ■Hosting Organization: Okinawa G8 Summit Host Preparation Council ■Date: July 22, 2000 (Saturday) ■Time: 18:45 - 20:15 ■Venue: Hotel Nikko Naha Grand Castle, "Shuri Hall" Address: 1-132-1 Shuri Yamagawa-cho, Naha, Okinawa ■Participants: Summit leaderss Invited guests from the public (300 people) ■Welcome Reception Turning the Eyes of the World on Okinawa, Sending the Spirit of Okinawa to the World The Okinawa G8 Summit Host Preparation Council will host a welcome reception for the Summit leaders visiting Okinawa for the Kyushu-Okinawa Summit Meeting. From the days of old, Okinawa has been known to the world as the "land of courtesy and cordiality." The people of Okinawa will warmly welcome the Summit leaders in this reception, which features Okinawa's unique culture and regal traditional performing arts that were developed in the age of the Ryukyu Kingdom through trade and interaction with various Asian cultures. The Summit theme song, "NEVER END," which reflects contemporary Okinawa will also be performed. RECEPTION PROGRAM 1.Welcome ●Traditional Okinawan dress The Summit leaders will be welcomed by two high school students dressed in the traditional attire of the Ryukyu Kingdom of old. The clothing is made of bingata fabric whose bright color reminds of Okinawa. ■Welcomers: Yukino Matsuda and Takashi Toma, students of the Okinawa Prefectural Urasoe High School ●Traditional Okinawan music The reception features traditional Okinawan music performed with typical Okinawan instruments: the sa n s h i n (three-stringed plucked lute), ko t o (13-string zither), fu e (Japanese-style flute), ta i k o (J a p a n e s e - style drums), and k o k y u (three-stringed bowed lute).
    [Show full text]
  • Jay Graydon Discography (Valid July 10, 2008)
    Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL.
    [Show full text]
  • Músicas Japonesas -.: Karaoke Box Kampai
    CANTOR CÓD. TÍTULO 19 18483 ANO KAMI HIKOHKI KUMORIZORA WATTE Abe Shizue 18424 MIZU IRO NO TEGAMI Ai 2017 STORY Ai 18319 YOU ARE MY STAR Ai 18486 BELIEVE Ai Johji e Shiki Chinami 5103 AKAI GLASS Aikawa Nanase 5678 BYE BYE Aikawa Nanase 5815 SWEET EMOTION Aikawa Nanasse 5645 YUME MIRU SHOJYOJYA IRARENAI Aiko 2031 KABUTO MUSHI Akikawa Masafumi 2015 SEN NO KAZE NI NATTE Akimoto Junko 2011 MADINSON GUN NO KOI Akimoto Junko 2022 AI NO MAMA DE... Akimoto Junko 2124 AME NO TABIBITO Akimoto Junko 18233 TASOGARE LOVE AGAIN Akioka Shuji 2296 OTOKO NO TABIJI Akioka Shuji 18432 SAKE BOJO Alan 18485 BALLAD ~NAMONAKI KOI NO UTA~ Alice 2266 IMA WA MOH DARE MO Alice 5117 FUYU NO INAZUMA Amane Kaoru 18279 TAIYOH NO UTA Ami Suzuki 5658 ALONE IN MY ROOM Amin 2223 MATSU WA Amuro Namie 5294 STOP THE MUSIC Amuro Namie 5300 TRY ME (WATASHI O SHINDITE) Amuro Namie 5340 CAN YOU CELEBRATE Amuro Namie 5341 CHASE THE CHANCE Amuro Namie 5711 I HAVE NEVER SEEN Amuro Namie 5766 NEVER END Amuro Namie 5798 SAY THE WORD Amuro Namie 5820 THINK OF ME Amuro Namie 5838 WISHING ON THE SAME STAR An Cafe 18425 NATSU KOI NATSU GAME An Ri 2379 OLIVIA O KIKINAGARA Angela Aki 2040 THIS LOVE Angela Aki 2360 TEGAMI ~ HAIKEI JUHGO NO KIMI E Angela Aki 18211 KISS ME GOODBYE Angela Aki 18224 RAIN Angela Aki 18296 KAGAYAKU HITO Angela Aki 18358 WE'RE ALL ALONE Ann Lewis 2258 GOODBYE MY LOVE Ann Louise 5494 WOMAN Anri 18229 SUMMER CANDLES Anzen Chitai 5105 ANATANI Anzen Chitai 5107 AOI HITOMI NO ERIS Anzen Chitai 5280 FRIEND Anzen Chitai 5128 KANASHIMINI SAYONARA Página 1 CANTOR CÓD.
    [Show full text]
  • Home Mcr. Org Box Office 0161 200 1500
    home box office mcr. 0161 200 1500 org home film . OCT – Peterloo, 2018 NOV 1 NEW RELEASES Event Event Tehran Taboo (15) Kusama: Infinity (12A) Anchor and Hope (15) Columbus (12A) 1945 (12A) Pili (CTBA) From Fri 5 Oct From Fri 5 Oct From Fri 5 Oct From Fri 12 Oct From Fri 12 Oct From Fri 12 Oct Dir Ali Soozandeh/AT DE 2017/96 mins/Persian Dir Heather Lenz/US 2018/77 mins Dir Carlos Marques-Marcet/ES 2017/113 mins/ Dir Kogonada/US 2017/104 mins/English and Dir Ferenc Török/HU 2017/91 mins/Hungarian Dir Leanne Welham/GB TZ 2017/83 mins/Swahili wEng ST An exploration of Yayoi Kusama’s fierce English and Spanish with partial EngST Korean with partial EngST wEng ST wEng ST Farhad Abadinejad, Jasmina Ali, Rozita Assadollahy Oona Chaplin, Natalia Tena, Geraldine Chaplin John Cho, Haley Lu Richardson, Parker Posey Péter Rudolf, Bence Tasnádi, Tamás Szabó Kimmel, Bello Rashid, Sekujua Rashid, Mwanaidi Omari Sefi determination to become a world- Dóra Sztarenki Tehran is a city of strict restrictions renowned artist after being born into Eva and Kat enjoy a carefree existence Jin, son of a renowned architecture In rural Tanzania, Pili works for less and religious laws. Yet, the lust for until Eva’s dream of becoming a mother scholar, strikes up a friendship with 12 August 1945. The arrival of two than £1 a day. Offered the chance to a conservative family in rural Japan. Orthodox Jewish men to a rural village life in young people who seek to live Making her way to America after is reignited.
    [Show full text]
  • RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
    Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • Billboard-1997-08-30
    $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration.
    [Show full text]
  • “PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
    TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan.
    [Show full text]
  • Japan Content Showcase2016 マーケットレポート
    Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important.
    [Show full text]
  • 番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
    番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst
    [Show full text]
  • The Recording Industry in Japan 2005
    RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5
    [Show full text]