Enotes WW1 Turkish Headgear Flaherty 7JU[...]

Total Page:16

File Type:pdf, Size:1020Kb

Enotes WW1 Turkish Headgear Flaherty 7JU[...] eNOTES WW1 Turkish Headgear Dr Chris Flaherty Updated Research Notes 7 June 2012 www.ottoman-uniforms.com eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 INTRODUCTION This updated research note: ‘WW1 Turkish Headgear’, attempts to bring together the available information, pictures and articles producing a comprehensive outline of the all types of headgear, covers and insignia used during WW1 by the Ottoman Imperial Army and Imperial Ottoman Navy1. Fundamentally, this study shows that only a limited range of headgear was actually used. These are: 1 1876 till 1908 Imperial Army Headgear 2 1876 Helmet of the Firemen Regiment 3 Post-1909 Imperial Army Officer’s Kabalak 4 Post-1914 Officer’s Sunhat 5 Post-1908 Imperial Army Soldier’s Kalpak 6 Post-1913 Imperial Army Soldier’s Kabalak 7 Post-1916 Imperial Army Bashlik 8 Post-1909 Imperial Army Officer’s Kalpak 9 Covers and Insignia 10 Imperial Ottoman Navy Officers’ Caps 11 Imperial Ottoman Navy Sailors’ Caps 12 Yildirim Army Group Steel Helmet 13 Fakes 1. 1876 TILL 1908 IMPERIAL ARMY HEADGEAR In 1247 (1832), a decree of Sultan Mahmud II declared the Fez to be the Ottoman national headdress. To be worn by civilians and military alike. Till 1909, Imperial Army and Navy uniforms did not include provision for headdress, till introduction of the M1909 kalpak (for the Army). Example 1 (Below): However, around 1880s the Ottoman Dragoons and Field Artillery adopted the lambwool cap (which later developed into the M1909 kalpak), which was similar to the Russian cossacks’ fleece cap. It should be noted that from 1876, the Ottoman’s Karapapak tribal cavalry (who emigrated from Azerbaijan, in the 1820s) wore the traditional Russian cossacks’ uniform, and are the likely source for this introduction. 1 The Author, Chris Flaherty, lives in London, and has a long-term interest in militaria collecting, curation, preservation and research. He has written several articles on WW1 Ottoman militaria history. He can be contacted via email [email protected] PAGE 1 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 It may also be the case, that in earlier periods headgear of this type was being used following the 1832 establishment of the Imperial Army. As General Vanson in the Crimean War (1854-56) 2, illustrated these (Examples 2 - Below): Example 3 (Below): illustrating a pre 1900 period gun crew shows these men wearing early black sheepskin Kalpak, with either a red or blue cloth tops. 2. 1876 HELMET OF THE FIREMEN REGIMENT Example 4 (Below - right): A picture of the only 'known' steel helmet used by the Imperial Army, prior to WW1. Likely to have originated between 1861 and 18763, this helmet was used into WW1, for the Imperial Guard Fireman Regiment. Three features are relevant here, such use of the ball final (itself sitting on a brass rosette base), and the helmet completely lacquered red, and the display of the 'Order of Orta' (Crescent) badge. One of the few English written sources that actually provide a description for this frequently illustrated and photographed badge is E.J. Brill's first encyclopaedia of Islam 1913-1936, ‘History of the 2 Flaherty, C. (2011) Ottoman Uniforms of the Crimean War. SOTQ. Issue 147 (December,): 16-27. 3 B. Tasyakan. (2008) The volunteer firefighters of İstanbul, 1826-1923 [İstanbul'un gönüllü tulumbacıları, 1826-1923]. Masters Thesis, Bogazici University, Turkey: 50; E.J. Brill. (1936) First Encyclopaedia of Islam 1913-1936: Vol. IV: 53. “History of the Regiment of Firemen.”: 833; Chris Flaherty. (2010) Ottoman Army Specialist Insignia. The Armourer Militaria Magazine, Issue 99 (May-June, 2010): 90-91. PAGE 2 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 Regiment of Firemen’ (page 53). The Orta badge was also mounted on both the Fez, and the M1909 black sheepskin Kalpak, as well as used by the Imperial Guard’s Regiment of Firemen. Example 4 (Below - left): A known original Orta badge from WW1. Nicolle’s Ottoman Infantryman 1914-18 identifies this badge as well, with students from the Military Academy, who have been deployed on active service during the war as probationary officers.4 3. POST-1909 IMPERIAL ARMY OFFICER’S KABALAK The following text is extracted from - militarysunhelmets.com http://www.militarysunhelmets.com/2012/ottoman-turkish-sun-helmets-the- kabalak#more-321 Ottoman Sun Helmets: The Kabalak Posted on April 29, 2012 by Dr. Chris Flaherty To discuss the Turkish Kabalak, we must firstly dispel a few myths; some 40 years ago a book on German steel helmets accidentally transposed the Ottoman contracted M18 helmet, with a visorless version (which made its first appearance after World War I in the hands of the German Freikorps units), both of which had been made by Eisenhüttenwerk Thale.5 The original quote which began this confusion (from Stahlhelm: A History of the German Steel Helmet, Floyd R. Tubbs (1971, 2000): 24), inaccurately: • Links the helmet design with the 1247 (European date of 1832) decree of Sultan Mahmud II declaring the Fez to be the Ottoman national headdress; as well as, • Largely fabricated some supposed contract clause, that required the head gear used in the Ottoman Imperial Army have no peaks, so that soldiers wearing them would be able to touch their foreheads to the ground during prayer (without the need to remove their helmets). 4 David Nicolle. (2010) Ottoman Infantryman 1914-18. Osprey Publishing. 5 Flaherty, C. (2011) WW1 Ottoman Steel Helmets. The Armourer Militaria Magazine, Issue 104 (March-April, 2011): 36-38. PAGE 3 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 Notwithstanding, well back into the 16th Century, a large frontal peak (to shield the eyes from sun glare) has been a distinctive feature of Ottoman -period Turkish armoured helmets, made by the imperial workshops in Constantinople (later Istanbul). And in WWI, a number of sun helmets, like the ‘Kabalak’ were developed for the Ottoman Imperial Army. The ‘Kabalak’ or ‘Enver’ Under the 1908 Army reforms the ‘Kabalak’ or ‘Enver’ as it has become known was introduced. Typically, it has been said that Turkish Kabalaks came in various forms, some had an internal frame with material wound around, while others were apparently made from heavy canvas-like material. None of this is entirely correct, and many of the misconceptions about this particular headgear can be traced back to a clear misreading of the original description given in the 1916 Turkish Army Handbook: “The cap is a khaki kalpak with a distinctive top or dome the same color as the coat collars. Officers have gold (non-combatants silver) ornamental bands on the crowns. But the rank and file were supplied in 1913 and 1914 with a new head-covering (bashlik), a long strip of khaki cloth tied spirally on the head and forming a sort of soft helmet, which can easily be mistaken for the British khaki helmet in a bad light. It is however, more pointed and falls particularly in front and behind.”6 There is a footnote to this description, stating that the “bashlik” is also, “known as the Enverie or ‘Enver Helmet’ after the war minister who introduced it”. However, this paragraph is actually describing two entirely different types of headgear, as will be seen. Example 5 (Left): A high quality Kabalak displayed in the National Turkish Army Museum, Istanbul. This not only has a brass spike attached on top, supported by a strong ridged frame. It also displays a quality brass ‘Order of Orta’ crescent badge. The wrapped earflaps are fully lined and edged with tape. Example 6 (Below - left): Displayed in the National Turkish Army Museum, Istanbul, another of the ‘spiked’ Kabalaks, with the Order of Orta’ crescent badge. More of the internal fixtures are shown as well, and this is fully lined with a chinstrap attached to the sweatband inside. Examples 7-8 (Right, and below - left): these are WW1-period pictures of various officers wearing high quality Kabalaks similar to the above examples, 7 however without a badge or spike attached. 6 British General Staff. (1995) 1916 Handbook of the Turkish Army. Battery Press, Nashville: 50. 7 Tunca Orses. Necmettin Ozcelik. (2007) Dunya Savasi'nda Turk Askeri Kiyafetleri 1914- 1918. Militärmuseum, Istanbul. PAGE 4 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 Example 9 (Below - right): An Artillery officer, indicated by the grenade badges on the collar. This illustrates the cord ties (on the fount above the wearer’s brow), which are sometimes visible on examples. These secure the ends of the earflaps. Note with this example, the peak of the headgear is almost non-existent. And this is closer in design to a solder’s version (described below). Example 10 (Below): Displayed in the National Turkish Army Museum, Istanbul, is the underside of these higher quality Kabalak. This shows the internal arrangements. This is fully lined with a chinstrap attached to the sweatband inside. PAGE 5 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 Example 11 (Left): Is a period picture showing the rear of these high quality Kabalak, and the cord ties are clearly visible on examples. These secure the ends of the earflaps. PAGE 6 eNOTES WW1 Turkish Headgear Dr Chris Flaherty: Updated Research Notes 7 June 2012 4. POST-1914 OFFICER’S SUNHAT Example 12 (Below): Displayed in the Imperial War Museum, this version, which has a ridged framed (UNI 12390. URL: www.iwm.org.uk/collections/item/object/30100200). The museum catalogue states: "Worn by Muzalim-l-Sani (2nd Lieutenant) Abedine Houchemi of the 2nd Turkish Infantry Regiment.
Recommended publications
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • Preventing Violent Extremism in Kyrgyzstan
    UNITED STATES INSTITUTE OF PEACE www.usip.org SPECIAL REPORT 2301 Constitution Ave., NW • Washington, DC 20037 • 202.457.1700 • fax 202.429.6063 ABOUT THE REPORT Jacob Zenn and Kathleen Kuehnast This report offers perspectives on the national and regional dynamics of violent extremism with respect to Kyrgyzstan. Derived from a study supported by the United States Institute of Peace (USIP) to explore the potential for violent extremism in Central Asia, it is based on extensive interviews and a Preventing Violent countrywide Peace Game with university students at Kyrgyz National University in June 2014. Extremism in Kyrgyzstan ABOUT THE AUTHORS Jacob Zenn is an analyst on Eurasian and African affairs, a legal adviser on international law and best practices related to civil society and freedom of association, and a nonresident research Summary fellow at the Center of Shanghai Cooperation Organization Studies in China, the Center of Security Programs in Kazakhstan, • Kyrgyzstan, having twice overthrown autocratic leaders in violent uprisings, in 2005 and again and The Jamestown Foundation in Washington, DC. Dr. Kathleen in 2010, is the most politically open and democratic country in Central Asia. Kuehnast is a sociocultural anthropologist and an expert on • Many Kyrgyz observers remain concerned about the country’s future. They fear that underlying Kyrgyzstan, where she conducted field work in the early 1990s. An adviser on the Central Asia Fellows Program at the socioeconomic conditions and lack of public services—combined with other factors, such as Elliott School of International Affairs at George Washington drug trafficking from Afghanistan, political manipulation, regional instability in former Soviet University, she is a member of the Council on Foreign Union countries and Afghanistan, and foreign-imported religious ideologies—create an envi- Relations and has directed the Center for Gender and ronment in which violent extremism can flourish.
    [Show full text]
  • Blood Ties: Religion, Violence, and the Politics of Nationhood in Ottoman Macedonia, 1878
    BLOOD TIES BLOOD TIES Religion, Violence, and the Politics of Nationhood in Ottoman Macedonia, 1878–1908 I˙pek Yosmaog˘lu Cornell University Press Ithaca & London Copyright © 2014 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2014 by Cornell University Press First printing, Cornell Paperbacks, 2014 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Yosmaog˘lu, I˙pek, author. Blood ties : religion, violence,. and the politics of nationhood in Ottoman Macedonia, 1878–1908 / Ipek K. Yosmaog˘lu. pages cm Includes bibliographical references and index. ISBN 978-0-8014-5226-0 (cloth : alk. paper) ISBN 978-0-8014-7924-3 (pbk. : alk. paper) 1. Macedonia—History—1878–1912. 2. Nationalism—Macedonia—History. 3. Macedonian question. 4. Macedonia—Ethnic relations. 5. Ethnic conflict— Macedonia—History. 6. Political violence—Macedonia—History. I. Title. DR2215.Y67 2013 949.76′01—dc23 2013021661 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materials include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further information, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 9 8 7 6 5 4 3 2 1 Paperback printing 10 9 8 7 6 5 4 3 2 1 To Josh Contents Acknowledgments ix Note on Transliteration xiii Introduction 1 1.
    [Show full text]
  • Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945
    Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 By Charles David Shaw A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Victoria Frede-Montemayor Professor Victoria E. Bonnell Summer 2015 Abstract Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 by Charles David Shaw Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair This dissertation addresses the impact of World War II on Uzbek society and contends that the war era should be seen as seen as equally transformative to the tumultuous 1920s and 1930s for Soviet Central Asia. It argues that via the processes of military service, labor mobilization, and the evacuation of Soviet elites and common citizens that Uzbeks joined the broader “Soviet people” or sovetskii narod and overcame the prejudices of being “formerly backward” in Marxist ideology. The dissertation argues that the army was a flexible institution that both catered to national cultural (including Islamic ritual) and linguistic difference but also offered avenues for assimilation to become Ivan-Uzbeks, part of a Russian-speaking, pan-Soviet community of victors. Yet as the war wound down the reemergence of tradition and violence against women made clear the limits of this integration. The dissertation contends that the war shaped the contours of Central Asian society that endured through 1991 and created the basis for thinking of the “Soviet people” as a nation in the 1950s and 1960s.
    [Show full text]
  • Nominative Principles of Clothing Terms in the Karakalpak Language
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 13, 2020 NOMINATIVE PRINCIPLES OF CLOTHING TERMS IN THE KARAKALPAK LANGUAGE Zayrova Kanshayim Muratbaevna Karakalpak State University doctoral student Scientific supervisor: associate professorSeytnazarova I.E. Nukus (Uzbekistan) Received: 14 March 2020 Revised and Accepted: 8 July 2020 ABSTRACT: In the article the history, culture, national values of our people, and the names of clothing which is a kind of the material culture of our people, which had a number of historical epochs, lived with the nation and their naming nominative principles are analyzed by historical-etymological side. In particular, the peculiarities of the terms of old clothes which become to be forgotten, the history of the origin of the terms, the naming principles were revealed. The names of clothing as the other terms in the language do not appear spontaneously, but their appearance develops according to the psychology of thinking of the people, the mentality of their own. The lexicon of clothing was considered as a system of special onomas. Depending on the appearance of the terms of clothing, it is said that it is carried out in the form of imitation (analogy), imaginary imitation (symbolism). KEYWORDS: Lexicology, clothing lexicon, lexeme, historical-etymology, analogy, nominative principle, material principle: leather, wool, jeep (thread), silk, cotton; functional principle: hat, cap, jawlik (scarf), kerchief; analogical principle: sen‟sen‟ ton (coat), jelek, oraypek, etc. I. INTRODUCTION If clothing has been a means of protecting humanity from external influences since ancient times, then its functions have expanded. Thus, in addition to protecting people from external influences, clothing began to reflect the factors of social development, as well as a collection of objects that cover, wrap and decorate the human body.
    [Show full text]
  • Balkan Reader
    Stephen Bonsal, Leon Dennon, Henry Pozzi: Balkan Reader First-hand reports by Western correspondents and diplomats for over a century Edited by Andrew L. Simon Copyright © 2000 by Andrew L. Simon Library of Congress Card Number: 00-110527 ISBN: 1-931313-00-8 Distributed by Ingram Book Company Printed by Lightning Source, La Vergne, TN Published by Simon Publications, P.O. Box 321, Safety Harbor, FL Contents Introduction 1 The Authors 5 Bulgaria Stephen Bonsal; 1890: 11 Leon Dennen; 1945: 64 Yugoslavia Stephen Bonsal; 1890: 105 Stephen Bonsal; 1920: 147 John F. Montgomery; 1947: 177 Henry Pozzi; 1935: 193 Ultimatum to Serbia: 224 Leon Dennen; 1945: 229 Romania Stephen Bonsal; 1920: 253 Harry Hill Bandholtz; 1919: 261 Leon Dennen; 1945: 268 Macedonia and Albania Stephen Bonsal; 1890: 283 Henry Pozzi; 1935: 315 Appendix Repington; 1923: 333 Introduction About 100 years ago, the Senator from Minnesota, Cushman Davis in- quired from Stephen Bonsal, foreign correspondent of the New York Her- ald: “Why do not the people of Macedonia and of the Balkans generally, leave off killing one another, burning down each others’ houses, and do what is right?” “Unfortunately”, Bonsal replied, “they are convinced that they are doing what is right. The blows they strike they believe are struck in the most righ- teous of causes. If they could only be inoculated with the virus of modern skepticism and leave off doing right so fervently, there might come about an era of peace in the Balkans—and certainly the population would in- crease. As full warrant and justification of their merciless warfare, the Christians point to Jushua the Conqueror of the land of Canaan, the Turks to Mahomet.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • The Light of Unity
    , , A BAHaA BAHa` i ` COM` i ` COMPANIONPANION FOR FOR YOUNG YOUNG EXPLORE EXPLORERs Rs wwwww.brilliantstarmagazine.w.brilliantstarmagazine.ororg g VOLV. 48,OL. N48O . NO.2 2 QUIZ YOURSELF THELIGHT LIGHT ON EQUALITY HOW DO YOU SPEAK OFOF UNITYUNITY UP FOR JUSTICE? tt tt BAHÁ’Í NATIONAL CENTER 1233 Central Street, Evanston, Illinois 60201 U.S. 847.853.2354 [email protected] WHAT’S INSIDE Subscriptions: 1.800.999.9019 www.brilliantstarmagazine.org Published by the National Spiritual Assembly of the Bahá’ís of the United States FAVORITE FEATURES Amethel Parel-Sewell EDITOR/CREATIVE DIRECTOR C. Aaron Kreader DESIGNER/ILLUSTRATOR Bahá’u’lláh’s Life: Mission of Peace am4 He faced prejudice with faith and courage. Amy Renshaw SENIOR EDITOR Susan Engle ASSOCIATE EDITOR Annie Reneau ASSISTANT EDITOR Nur’s Nook Foad Ghorbani PRODUCTION ASSISTANT 6 Make a string of stars to celebrate diversity. MANY THANKS TO OUR CONTRIBUTORS: Amia Allmart • Brian Beasley • Haley Berkowitz Lisa Blecker • Dr. Robert Bullard • Johnny Cornyn Maya’s Mysteries Francisco Cotto • Darlene Gait • Andrea Hope Nadia Khazei • Lyla Kitchens • Danny Lapidus 10 There may be 100 million species on Earth! Jhian Mahboubi • Doug Marshall • Jim Neeb Eliana Paik • Lucia Pane • Kai Parel-Sewell Paz Parel-Sewell • Layli Phillips • Donna Price We Are One Dr. Stephen Scotti • Haley-Grace Wu • Arshan Lee Yeganegi 11 Explore and care for the place we all call home. ART AND PHOTO CREDITS Original illustrations by C. Aaron Kreader, unless noted By Lisa Blecker: Photos for pp. 6-7; Watercolor for p. 10; Radiant Stars Inking and watercolor for p.
    [Show full text]
  • Bulgaria About This Guide
    Expeditionary Culture Field Guide Varna Veliko Tarnovo Sofia Plovdiv Bulgaria About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success (Photo: Souvenir vendor in the old part of Plovdiv, Bulgaria, courtesy of CultureGrams, ProQuest). The guide consists of 2 parts: ECFG Part 1 “Culture General” provides the foundational knowledge you need to operate effectively in any global environment with a focus on Eastern Europe. Bulgaria Part 2 “Culture Specific” describes unique cultural features of Bulgarian society. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. This section is designed to complement other pre-deployment training (Photo: USAF and Bulgarian senior NCOs discuss enlisted force development concerns). For further information, visit the Air Force Culture and Language Center (AFCLC) website at http://culture.af.mil/ or contact the AFCLC Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the express permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments.
    [Show full text]
  • Mustafa Kemal, Cinema and Turkey: the Early Years (1919-1923)
    UvA-DARE (Digital Academic Repository) Performing modernity: Atatürk on film (1919-1938) Dinç, E. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Dinç, E. (2016). Performing modernity: Atatürk on film (1919-1938). General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Chapter 2 Mustafa Kemal, Cinema and Turkey: The Early Years (1919-1923) The establishment of the Army Film Shooting Center described in the previous chapter shows the Ankara government’s investment in the medium of film. Moreover, it demonstrates their leader Mustafa Kemal’s particular interest in cinema. Film footage from this period featuring Mustafa Kemal suggests that he had particular ideas about how to employ film to create a strong public image in order to influence public opinion with regard to the national struggle.
    [Show full text]
  • Real and Perceived Islamophobia in Bishkek
    Policy Brief Based on the results of the research work conducted within the framework of International Alert’s project “Constructive Dialogues Project is financed by on Religion and Democracy” funded by the European Union the European Union Real and perceived Islamophobia in Bishkek Urmat Kaleev, Izaura Maseitova Mentor: Emil Nasritdinov ing religiosity and Islamic practices in the sovereign Kyrgyzstan. Previ- ous research1 indicates that one third of instances of social aggression Resume in the country is based on Islamophobia This research explores the phenome- and that Islamophobia leads to social di- non of Islamophobia – negative attitude vision, religious conflicts, family break- towards Islam and Muslims in Bishkek, ups, marginalization of a practicing the capital of Kyrgyzstan. The research Muslim community and favorable ground work was conducted among the ordinary for the growth of radical ideology. So population of Bishkek and among the far, the post-Soviet Islamophobia in Kyr- representatives of secular and Muslim gyzstan was studied only in the media communities. The research shows that space. This research aimed to assess Islamophobia in Bishkek has a latent the character and the scale of Islam- character; there are strong Islamopho- ophobia on the streets of Bishkek, the bic sentiments, but they rarely manifest capital city, which has a more ethnically themselves in real actions. Research and religiously diverse population than identified five main factors, which in- the rest of the country. crease Islamophobia: (1) Islamic visual images, (2) demographic factors (age, Methodology ethnicity and gender), (3) place of res- The research combined quantitative and idence, (4) alleged Islamic challenge of qualitative methods.
    [Show full text]
  • Ethno-Nationalism During Democratic Transition in Bulgaria: Political Pluralism As an Effective Remedy for Ethnic Conflict
    Ethno-Nationalism during Democratic Transition in Bulgaria: Political Pluralism as an Effective Remedy for Ethnic Conflict Bistra-Beatrix Volgyi Department of Political Science York University YCISS Post-Communist Studies Programme Research Paper Series Paper Number 003 March 2007 Research Papers Series publishes research papers on problems of post-communism written by graduate and undergraduate students at York University. Following the collapse of communism in the 1990s in Central and South- Eastern Europe, the region has not only undergone a difficult period of economic and political transition, but also has witnessed the rise of ethno-nationalism in several states, along with problems of national identity, state formation and the exclusion (or extermination as in the Yugoslav case) of minorities. Nationalism may adopt a variety of forms simultaneously - ethnic, cultural or civic, where either one of these forms or a mixture of elements from the three, may predominate in a state over time, influenced by politico-economic realities, elite behavior, party coalitions, international interests and ideological influences, as well as societal attitudes. Nationalism in its ethnic variant has led to the alienation and violation of minorities’ rights, and its supporters have advocated the creation of ethnically homogenous states. Proponents of cultural nationalism have attempted the assimilation of national minority ‘low cultures’ into the dominant national ‘high culture.’ On the other hand, civic nationalism has mobilized people in Eastern
    [Show full text]