The Hijab Ban: Liberation Or Oppression?
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The Double-Bedded Room Batch2
THE DOUBLE-BEDDED ROOM. IN ONE ACT. BY JOHN MADDISON MORTON, ESQ., [Member of the Dramatic Authors' Society), AUTHOR OP Lend me Five Shillings, Three Cuckoos, Catch a Weasel, Where there's a Will there's a Way, John Dobbs, A Most Unwarrantable Intrusion, Going to the Derby, Your Life's in Danger, Midnight Watch, Box and Cox, Trumpeter's Wedding, Done on Both Sides, Poor Pillicoddy, Old Honesty, Young England, King and I, My Wife's SecondFloor, Who do they take me for? The Thumping Legacy, Milliners' Holiday, Wedding Breakfast, Irish Tiger, Attic Story, Who s the Composer ? Who's my Husband ? Slasher and Crasher, Prince for an Hour, Away with Melancholy, Waiting for an Omnibus, Betsy Baker, Who Stole the Pocket-Book ? Two Bonnycastles, From Village to Court, Grimshaw, Bagshaw, and Bradsha Rights and Wrongs of Women, Sent to the Tower, Our Wife, Brother Ben, Take Care of Dowb—, Wooing One's Wife, Margery Daw &c. &c. THOMAS HAILES LACY, 89, STRAND, LONDON, W.C. THE DOUBLE-BEDDED ROOM. First produced at the Haymarket Theatre, June 3rd, 1843, (under the management of Mr. B. Webster). MR. DULCIMER PIPES (Mus., Bac, and Organist).............................................. MR. W. FARREN. MAJOR MINUS........................................... MR. STRICKLAND. SPIGOT (Landlord of " The Yorkshire Grey").......................................................... MR. T. F. MATTHEWS. JOSEPH (his Head Waiter)........................ MR. CLARK. MRS. DEPUTY LOMAX........................... MRS. GLOVER. NANCY SPIGOT........................................... MRS. HUMBY. SCENE.— MR. DULCIMER PIPES.—Dark brown old-fashioned lappelled coat black breeches, white waistcoat, black hat, flannel dressing gown, nightcap, fawn-coloured travelling cap. MAJOR MINUS.—Military jacket, white collar and cuffs, pair of epaulettes, white trousers, blue cloth cap with gold band, fawn- coloured stuff Taglioni. -
Language Institute Foreign Language Center 2019 Country in Perspective | Algeria
COUNTRY IN PERSPECTIVE ALGERIA DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER 2019 COUNTRY IN PERSPECTIVE | ALGERIA Geography Introduction ................................................................................................................... 5 Geographic Divisions ................................................................................................. 6 The Tell ..................................................................................................................6 The High Plateaus and the Saharan Atlas Mountains ...................................7 Northeastern Algeria ...........................................................................................7 Topographical Divisions.............................................................................................. 8 Sahara Desert ......................................................................................................8 Climate ........................................................................................................................... 9 Bodies of Water ...........................................................................................................10 Rivers ...................................................................................................................10 Major Cities ..................................................................................................................11 Algiers ................................................................................................................. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Human Rights of Women Wearing the Veil in Western Europe
Human Rights of Women Wearing the Veil in Western Europe Research Paper I. Introduction The present paper analyses legislation, policies, and case-law surrounding religious attire in a number of countries in Western Europe and how they affect the human rights of women and girls who wear the veil in Western Europe. It also more broadly analyses discrimination and violence experienced by women wearing the veil in Europe learning from their own voice. Throughout the paper, the terminology ‘veil’ is used to refer to a variety of religious attire worn mostly, but not exclusively, by Muslim women. There are different types of clothing that cover the body. This research is focused on manifestations of veils that are the subject of regulation in several Western European Countries. They include the hijab (a piece of clothing that covers the head and neck, but not the face), niqab (a piece of clothing that covers the face, where only the eyes are visible), burqa (a piece of clothing that covers both the face and eyes), jilbab (a loose piece of clothing that covers the body from head to toe), or abaya, kaftan, kebaya (a loose, often black, full body cover overcoat). The head and body covers are often combined. In several countries, some of these clothing are based on traditional costumes rather than religion and are often worn by rural communities in the countries of origins. The paper also uses the terminology ‘full-face veil’ or ‘face-covering veil’ to refer to both niqab and burqa. Furthermore, it refers to burkini, a swimsuit that covers the body from head to ankles, completed by a dress. -
The Fiction of Gothic Egypt and British Imperial Paranoia: the Curse of the Suez Canal
The Fiction of Gothic Egypt and British Imperial Paranoia: The Curse of the Suez Canal AILISE BULFIN Trinity College, Dublin “Ah, my nineteenth-century friend, your father stole me from the land of my birth, and from the resting place the gods decreed for me; but beware, for retribution is pursuing you, and is even now close upon your heels.” —Guy Boothby, Pharos the Egyptian, 1899 What of this piercing of the sands? What of this union of the seas?… What good or ill from LESSEPS’ cut Eastward and Westward shall proceed? —“Latest—From the Sphinx,” Punch, 57 (27 November 1869), 210 IN 1859 FERDINAND DE LESSEPS began his great endeavour to sunder the isthmus of Suez and connect the Mediterranean with the Red Sea, the Occident with the Orient, simultaneously altering the ge- ography of the earth and irrevocably upsetting the precarious global balance of power. Ten years later the eyes of the world were upon Egypt as the Suez Canal was inaugurated amidst extravagant Franco-Egyp- tian celebrations in which a glittering cast of international dignitar- ies participated. That the opening of the canal would be momentous was acknowledged at the time, though the nature of its impact was a matter for speculation, as the question posed above by Punch implies. While its codevelopers France and Egypt pinned great hopes on the ca- nal, Britain was understandably suspicious of an endeavor that could potentially undermine its global imperial dominance—it would bring India nearer, but also make it more vulnerable to rival powers. The inauguration celebrations -
A Comparative Analysis of the Headscarf in France, Turkey, and the United States Hera Hashmi
University of Maryland Law Journal of Race, Religion, Gender and Class Volume 10 | Issue 2 Article 8 Too Much to Bare? A Comparative Analysis of the Headscarf in France, Turkey, and the United States Hera Hashmi Follow this and additional works at: http://digitalcommons.law.umaryland.edu/rrgc Part of the Comparative and Foreign Law Commons, and the Religion Commons Recommended Citation Hera Hashmi, Too Much to Bare? A Comparative Analysis of the Headscarf in France, Turkey, and the United States, 10 U. Md. L.J. Race Relig. Gender & Class 409 (2010). Available at: http://digitalcommons.law.umaryland.edu/rrgc/vol10/iss2/8 This Notes & Comments is brought to you for free and open access by DigitalCommons@UM Carey Law. It has been accepted for inclusion in University of Maryland Law Journal of Race, Religion, Gender and Class by an authorized administrator of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. TOO MUCH TO BARE? A COMPARATIVE ANALYSIS OF THE HEADSCARF IN FRANCE, TURKEY, AND THE UNITED STATES BY HERA HASHMI* INTRODUCTION In July 2009, a man stabbed and killed a pregnant woman wearing a headscarf in a German courtroom during an appellate trial for his Islamophobic remarks against her.1 Her death led to outrage around the world, and she became known as the "martyr of the veil," a woman killed for her religious belief.2 Yet it was just a simple piece of cloth that evoked this violent reaction. Such Islamaphobic sentiments seem to be spreading throughout various parts of the world. In 2004, France banned headscarves and all conspicuous religious symbols from public classrooms.3 In 2005, the European Court of Human Rights (ECtHR)4 upheld Turkey's headscarf ban barring thousands of headscarf-wearing women from attending schools, universities, and entering government buildings in a country where a majority of the population is Muslim. -
Glitter Text
All That Glitters – Spark and Dazzle from the Permananent Collection co-curated by Janine LeBlanc and Roger Manley Randy and Susan Woodson Gallery January 23 – July 12, 2020 Through the ages, every human society has demonstrated a fascination with shiny objects. Necklaces made of glossy marine snail shells have been dated back nearly 135,000 years, while shiny crystals have been found in prehistoric burials, suggesting the allure they once held for their original owners. The pageantry of nearly every religion has long been enhanced by dazzling displays, from the gilded statues of Buddhist temples and the gleaming mosaics of Muslim mosques and Byzantine churches, to the bejeweled altarpieces and reliquaries of Gothic cathedrals. As both kings and gods, Hawaiian and Andean royalty alike donned garments entirely covered with brilliant feathers to proclaim their significance, while their counterparts in other cultures wore crowns of gold and gems. High status and desirability have always been signaled by the transformative effects of reflected light. Recent research indicates that our brains may be hard-wired to associate glossy surfaces with water (tinyurl.com/glossy-as-water). If so, the impulse drawing us toward them may have evolved as a survival mechanism. There may also be subconscious associations with other survival necessities. Gold has been linked to fire or the sun, the source of heat, light, and plant growth. The glitter of beads or sequins may evoke nighttime stars needed for finding one’s way. The flash of jewels may recall an instinctive association with eyes. In jungles as well as open grasslands, both prey and predator can be so well camouflaged that only the glint of an eye might reveal a lurking presence. -
Bersaglieri Infantry Heroes in Italian History
raditions t heir t rmies and a O BERsagLIERI INFANTRy nat Heroes in Italian History by CaPT (ITa a) gianluigi arca the French army already had special troops called Voltigeurs, with the task to attack the enemy on its sides with succes- sion of strikes in order to create confusion and deceive the enemy as to their real in- tention. La Marmora took his inspiration from these troops. His idea was to have a quick and easy-to-manoeuvre Infantry force able to strike the enemy, specifically targeting commanders and other high val- ue or sensitive targets. In addition to this Bersaglieri were used in deep strike oper- ations, and reconnaissance to find routes or enemy formations in close cooperation during the first half of the XIX century with dragoons (cavalry troops that moved the army of the Sardinian Kingdom, like on horse but could dismount and fight as the French, British and Prussian armies, Infantry). Bersaglieri were able to picket started to revise and modernise tactics on choke points, high ground or other terrain the battlefield, opening the way for a dif- that the cavalry or other troops were un- ferent kind of troops employment on the able to reach. ground. On the 18th June 1836, royal Bersaglieri were early pioneers and masters of camouflage. their uniforms Grenadiers captain alessandro Ferrero were one of the first to be designed with de La Marmora proposed to King carlo vegetation and background being taken arberto of Savoy the creation of a new In- into consideration. this integration of fantry corps, called Bersaglieri. -
Jacklex Miniatures Painting Guide: French Intervention
Lowna House Gillamoor North Yorkshire YO62 7HU Tel: 07818 158494 [email protected] www.jacklexminiatures.com JACKLEX MINIATURES PAINTING GUIDE: FRENCH INTERVENTION IN MEXICO 1861-1867 A general guide to aid the wargamer get his armies skirmishing, battling and campaigning on the table! THE FRENCH ARMY FRENCH INFANTRY In 1860 Emperor Napoleon inspected the 56th Regiment in the new infantry uniform. Orders were then issued on 30 March 1860 for the rest of the Infantry to adopt it. Tunic. Dark blue short single-breasted tunic (habit-tunique). Yellow collar and cuff patches. Blue cuffs. Yellow piping on front edge, bottom and cuffs). Brass buttons. Epaulettes red for Grenadier company, yellow for Voltigeur and green with scarlet piping for Fusiliers. Grenadiers and Voltigeurs had red grenade and bugle horn respectively at the collar and turnbacks. Fusiliers yellow star at turnbacks. Chasseurs had plain blue collar, blue pointed cuffs piped yellow, white metal buttons and green epaulettes with yellow piping. Trousers. Madder red. Grey-blue with fine yellow stripe for Chasseurs. White linen or cotton in hot conditions. Fastened by buff or tan leggings. White short gaiters. Shako. Black, brass eagle plate with blue (centre) white and red cockade. Black chinstrap. Pompom (dark blue for 1st battalion, red 2nd red, green 3rd). Chasseurs green. Navy panama or M1858 kepi (red with dark blue band and piping. Chasseurs dark blue piped yellow) with off-white havelock cover in hot conditions. Belt Equipment. Black leather belt, straps, cartridge pouch and bayonet frog. Water bottle covered in grey-blue cloth. Off-white or fawn canvas haversack. -
Preventing Violent Extremism in Kyrgyzstan
UNITED STATES INSTITUTE OF PEACE www.usip.org SPECIAL REPORT 2301 Constitution Ave., NW • Washington, DC 20037 • 202.457.1700 • fax 202.429.6063 ABOUT THE REPORT Jacob Zenn and Kathleen Kuehnast This report offers perspectives on the national and regional dynamics of violent extremism with respect to Kyrgyzstan. Derived from a study supported by the United States Institute of Peace (USIP) to explore the potential for violent extremism in Central Asia, it is based on extensive interviews and a Preventing Violent countrywide Peace Game with university students at Kyrgyz National University in June 2014. Extremism in Kyrgyzstan ABOUT THE AUTHORS Jacob Zenn is an analyst on Eurasian and African affairs, a legal adviser on international law and best practices related to civil society and freedom of association, and a nonresident research Summary fellow at the Center of Shanghai Cooperation Organization Studies in China, the Center of Security Programs in Kazakhstan, • Kyrgyzstan, having twice overthrown autocratic leaders in violent uprisings, in 2005 and again and The Jamestown Foundation in Washington, DC. Dr. Kathleen in 2010, is the most politically open and democratic country in Central Asia. Kuehnast is a sociocultural anthropologist and an expert on • Many Kyrgyz observers remain concerned about the country’s future. They fear that underlying Kyrgyzstan, where she conducted field work in the early 1990s. An adviser on the Central Asia Fellows Program at the socioeconomic conditions and lack of public services—combined with other factors, such as Elliott School of International Affairs at George Washington drug trafficking from Afghanistan, political manipulation, regional instability in former Soviet University, she is a member of the Council on Foreign Union countries and Afghanistan, and foreign-imported religious ideologies—create an envi- Relations and has directed the Center for Gender and ronment in which violent extremism can flourish. -
Blood Ties: Religion, Violence, and the Politics of Nationhood in Ottoman Macedonia, 1878
BLOOD TIES BLOOD TIES Religion, Violence, and the Politics of Nationhood in Ottoman Macedonia, 1878–1908 I˙pek Yosmaog˘lu Cornell University Press Ithaca & London Copyright © 2014 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2014 by Cornell University Press First printing, Cornell Paperbacks, 2014 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Yosmaog˘lu, I˙pek, author. Blood ties : religion, violence,. and the politics of nationhood in Ottoman Macedonia, 1878–1908 / Ipek K. Yosmaog˘lu. pages cm Includes bibliographical references and index. ISBN 978-0-8014-5226-0 (cloth : alk. paper) ISBN 978-0-8014-7924-3 (pbk. : alk. paper) 1. Macedonia—History—1878–1912. 2. Nationalism—Macedonia—History. 3. Macedonian question. 4. Macedonia—Ethnic relations. 5. Ethnic conflict— Macedonia—History. 6. Political violence—Macedonia—History. I. Title. DR2215.Y67 2013 949.76′01—dc23 2013021661 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materials include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further information, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 9 8 7 6 5 4 3 2 1 Paperback printing 10 9 8 7 6 5 4 3 2 1 To Josh Contents Acknowledgments ix Note on Transliteration xiii Introduction 1 1. -
Tea for Interreligious Harmony? Cause Marketing As a New Field of Experimentation with Visual Secularity in India
Nadja-Christina Schneider Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India Working Paper #20 Working Paper Series of the HCAS “Multiple Secularities – Beyond the West, Beyond Modernities” #20: Nadja-Christina Schneider. “Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India.”Leipzig University, 2020. © Nadja-Christina Schneider This Working Paper has been published online and can be downloaded from www.multiple-secularities.de/publications/working-papers or ordered in print via email to [email protected] The HCAS’s Working Paper Series serves to disseminate the results of work in progress prior to publication to encourage the exchange of ideas and academic debate. Inclusion of a paper in the Working Paper Series should not limit publica- tion in any other venue. Copyright remains with the authors. Please cite as: Schneider, Nadja-Christina. “Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India.” Working Paper Series of the HCAS “Multiple Secularities – Beyond the West, Beyond Modernities” 20. Leipzig University, 2020. Leipzig University HCAS “Multiple Secularities – Beyond the West, Beyond Modernities“ Nikolaistraße 8–10 04109 Leipzig Germany The HCAS is part of Leipzig University and funded by the German Research Foundation (DFG). Contents 1 Introduction ..................................................................................................3