Jacklex Miniatures Painting Guide: French Intervention
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The Fiction of Gothic Egypt and British Imperial Paranoia: the Curse of the Suez Canal
The Fiction of Gothic Egypt and British Imperial Paranoia: The Curse of the Suez Canal AILISE BULFIN Trinity College, Dublin “Ah, my nineteenth-century friend, your father stole me from the land of my birth, and from the resting place the gods decreed for me; but beware, for retribution is pursuing you, and is even now close upon your heels.” —Guy Boothby, Pharos the Egyptian, 1899 What of this piercing of the sands? What of this union of the seas?… What good or ill from LESSEPS’ cut Eastward and Westward shall proceed? —“Latest—From the Sphinx,” Punch, 57 (27 November 1869), 210 IN 1859 FERDINAND DE LESSEPS began his great endeavour to sunder the isthmus of Suez and connect the Mediterranean with the Red Sea, the Occident with the Orient, simultaneously altering the ge- ography of the earth and irrevocably upsetting the precarious global balance of power. Ten years later the eyes of the world were upon Egypt as the Suez Canal was inaugurated amidst extravagant Franco-Egyp- tian celebrations in which a glittering cast of international dignitar- ies participated. That the opening of the canal would be momentous was acknowledged at the time, though the nature of its impact was a matter for speculation, as the question posed above by Punch implies. While its codevelopers France and Egypt pinned great hopes on the ca- nal, Britain was understandably suspicious of an endeavor that could potentially undermine its global imperial dominance—it would bring India nearer, but also make it more vulnerable to rival powers. The inauguration celebrations -
A Comparative Analysis of the Headscarf in France, Turkey, and the United States Hera Hashmi
University of Maryland Law Journal of Race, Religion, Gender and Class Volume 10 | Issue 2 Article 8 Too Much to Bare? A Comparative Analysis of the Headscarf in France, Turkey, and the United States Hera Hashmi Follow this and additional works at: http://digitalcommons.law.umaryland.edu/rrgc Part of the Comparative and Foreign Law Commons, and the Religion Commons Recommended Citation Hera Hashmi, Too Much to Bare? A Comparative Analysis of the Headscarf in France, Turkey, and the United States, 10 U. Md. L.J. Race Relig. Gender & Class 409 (2010). Available at: http://digitalcommons.law.umaryland.edu/rrgc/vol10/iss2/8 This Notes & Comments is brought to you for free and open access by DigitalCommons@UM Carey Law. It has been accepted for inclusion in University of Maryland Law Journal of Race, Religion, Gender and Class by an authorized administrator of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. TOO MUCH TO BARE? A COMPARATIVE ANALYSIS OF THE HEADSCARF IN FRANCE, TURKEY, AND THE UNITED STATES BY HERA HASHMI* INTRODUCTION In July 2009, a man stabbed and killed a pregnant woman wearing a headscarf in a German courtroom during an appellate trial for his Islamophobic remarks against her.1 Her death led to outrage around the world, and she became known as the "martyr of the veil," a woman killed for her religious belief.2 Yet it was just a simple piece of cloth that evoked this violent reaction. Such Islamaphobic sentiments seem to be spreading throughout various parts of the world. In 2004, France banned headscarves and all conspicuous religious symbols from public classrooms.3 In 2005, the European Court of Human Rights (ECtHR)4 upheld Turkey's headscarf ban barring thousands of headscarf-wearing women from attending schools, universities, and entering government buildings in a country where a majority of the population is Muslim. -
Glitter Text
All That Glitters – Spark and Dazzle from the Permananent Collection co-curated by Janine LeBlanc and Roger Manley Randy and Susan Woodson Gallery January 23 – July 12, 2020 Through the ages, every human society has demonstrated a fascination with shiny objects. Necklaces made of glossy marine snail shells have been dated back nearly 135,000 years, while shiny crystals have been found in prehistoric burials, suggesting the allure they once held for their original owners. The pageantry of nearly every religion has long been enhanced by dazzling displays, from the gilded statues of Buddhist temples and the gleaming mosaics of Muslim mosques and Byzantine churches, to the bejeweled altarpieces and reliquaries of Gothic cathedrals. As both kings and gods, Hawaiian and Andean royalty alike donned garments entirely covered with brilliant feathers to proclaim their significance, while their counterparts in other cultures wore crowns of gold and gems. High status and desirability have always been signaled by the transformative effects of reflected light. Recent research indicates that our brains may be hard-wired to associate glossy surfaces with water (tinyurl.com/glossy-as-water). If so, the impulse drawing us toward them may have evolved as a survival mechanism. There may also be subconscious associations with other survival necessities. Gold has been linked to fire or the sun, the source of heat, light, and plant growth. The glitter of beads or sequins may evoke nighttime stars needed for finding one’s way. The flash of jewels may recall an instinctive association with eyes. In jungles as well as open grasslands, both prey and predator can be so well camouflaged that only the glint of an eye might reveal a lurking presence. -
Bersaglieri Infantry Heroes in Italian History
raditions t heir t rmies and a O BERsagLIERI INFANTRy nat Heroes in Italian History by CaPT (ITa a) gianluigi arca the French army already had special troops called Voltigeurs, with the task to attack the enemy on its sides with succes- sion of strikes in order to create confusion and deceive the enemy as to their real in- tention. La Marmora took his inspiration from these troops. His idea was to have a quick and easy-to-manoeuvre Infantry force able to strike the enemy, specifically targeting commanders and other high val- ue or sensitive targets. In addition to this Bersaglieri were used in deep strike oper- ations, and reconnaissance to find routes or enemy formations in close cooperation during the first half of the XIX century with dragoons (cavalry troops that moved the army of the Sardinian Kingdom, like on horse but could dismount and fight as the French, British and Prussian armies, Infantry). Bersaglieri were able to picket started to revise and modernise tactics on choke points, high ground or other terrain the battlefield, opening the way for a dif- that the cavalry or other troops were un- ferent kind of troops employment on the able to reach. ground. On the 18th June 1836, royal Bersaglieri were early pioneers and masters of camouflage. their uniforms Grenadiers captain alessandro Ferrero were one of the first to be designed with de La Marmora proposed to King carlo vegetation and background being taken arberto of Savoy the creation of a new In- into consideration. this integration of fantry corps, called Bersaglieri. -
Tea for Interreligious Harmony? Cause Marketing As a New Field of Experimentation with Visual Secularity in India
Nadja-Christina Schneider Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India Working Paper #20 Working Paper Series of the HCAS “Multiple Secularities – Beyond the West, Beyond Modernities” #20: Nadja-Christina Schneider. “Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India.”Leipzig University, 2020. © Nadja-Christina Schneider This Working Paper has been published online and can be downloaded from www.multiple-secularities.de/publications/working-papers or ordered in print via email to [email protected] The HCAS’s Working Paper Series serves to disseminate the results of work in progress prior to publication to encourage the exchange of ideas and academic debate. Inclusion of a paper in the Working Paper Series should not limit publica- tion in any other venue. Copyright remains with the authors. Please cite as: Schneider, Nadja-Christina. “Tea for Interreligious Harmony? Cause Marketing as a New Field of Experimentation with Visual Secularity in India.” Working Paper Series of the HCAS “Multiple Secularities – Beyond the West, Beyond Modernities” 20. Leipzig University, 2020. Leipzig University HCAS “Multiple Secularities – Beyond the West, Beyond Modernities“ Nikolaistraße 8–10 04109 Leipzig Germany The HCAS is part of Leipzig University and funded by the German Research Foundation (DFG). Contents 1 Introduction ..................................................................................................3 -
Fulfilling the Promise of Free Exercise for All: Muslim Prisoner Accomodations in State Prisons
FREE EXERCISE REPORT JULY 2019 FULFILLING THE PROMISE OF FREE EXERCISE FOR ALL: Muslim Prisoner Accommodation in State Prisons 1 Table of Contents EXECUTIVE SUMMARY ..................................................................................................................... 4 I. METHODOLOGY: A Multi-Faceted Examination of Free Exercise Conditions in State Prisons ............................................................................................................................................. 7 A. State Religious Preference Data: 35-Jurisdiction Response ........................................................... 7 B. Database of 163 Recent Federal Cases Brought by Muslim Plaintiffs Alleging Free Exercise Violations ................................................................................................................................... 7 C. Religious Services Policies and Handbooks: 50-State Survey ........................................................ 8 II. BACKGROUND: Muslim Free Exercise History and Today’s Legal Regime ......................... 9 A. Early America and the Preservation of African Muslim Practices Under Conditions of Slavery ........................................................................................................................................ 9 B. Muslim Prisoners Spearhead Prison Conditions Litigation in the 1960s and 1970s .................... 10 C. Courts Reduce Prisoners’ Free Exercise Protection in the 80s and Early 90s .............................. 12 D. Congress -
From Valmy to Waterloo: France at War, 1792–1815
Copyright material from www.palgraveconnect.com - licensed to Universitetsbiblioteket i Tromsoe - PalgraveConnect - 2011-03-08 - PalgraveConnect Tromsoe i - licensed to Universitetsbiblioteket www.palgraveconnect.com material from Copyright 10.1057/9780230294981 - From Valmy to Waterloo, Marie-Cecile Thoral War, Culture and Society, 1750–1850 Series Editors: Rafe Blaufarb (Tallahassee, USA), Alan Forrest (York, UK), and Karen Hagemann (Chapel Hill, USA) Editorial Board: Michael Broers (Oxford, UK), Christopher Bayly (Cambridge, UK), Richard Bessel (York, UK), Sarah Chambers (Minneapolis, USA), Laurent Dubois (Durham, USA), Etienne François (Berlin, Germany), Janet Hartley (London, UK), Wayne Lee (Chapel Hill, USA), Jane Rendall (York, UK), Reinhard Stauber (Klagenfurt, Austria) Titles include: Richard Bessel, Nicholas Guyatt and Jane Rendall (editors) WAR, EMPIRE AND SLAVERY, 1770–1830 Alan Forrest and Peter H. Wilson (editors) THE BEE AND THE EAGLE Napoleonic France and the End of the Holy Roman Empire, 1806 Alan Forrest, Karen Hagemann and Jane Rendall (editors) SOLDIERS, CITIZENS AND CIVILIANS Experiences and Perceptions of the Revolutionary and Napoleonic Wars, 1790–1820 Karen Hagemann, Gisela Mettele and Jane Rendall (editors) GENDER, WAR AND POLITICS Transatlantic Perspectives, 1755–1830 Marie-Cécile Thoral FROM VALMY TO WATERLOO France at War, 1792–1815 Forthcoming: Michael Broers, Agustin Guimera and Peter Hick (editors) THE NAPOLEONIC EMPIRE AND THE NEW EUROPEAN POLITICAL CULTURE Alan Forrest, Etienne François and Karen Hagemann -
The Common Civil War Soldier
The Common Civil War Soldier The American Battlefield Trust Traveling Trunk Program Lesson #1 Military Issued Military Issued Mississippi Hardee Hat Rifle & Bayonet Military Issued Frock Coat Military Issued Knapsack & Blanket Roll Military Issued Haversack Military Issued Canteen Military Issued Brogans/Booties Figure 1 Union Jacket-AKA Sack Coat Military issued jacket also commonly known as a sack coat. Worn by enlisted men and non-commissioned officers, the jacket is unlined and made of wool. The jacket is adorned with four brass buttons. Confederate Jacket Confederate jean wool jacket. This garment would be used by enlisted men and non-commissioned officers, the jacket is unlined, and is adorned with four brass buttons. Many times the buttons were Union buttons sewn onto the Confederate uniform. Jacket’s Continued Left- Right- A well worn and lined A Confederate style version of the sack coat. frock coat. This coat The soldier's coats would normally consisted of look this way after a year nine buttons and a split or two at war. tail like a tuxedo in the rear. This version is kid sized and not to scale. Union & Confederate Headgear Left: Union Forge Cap Right: Confederate Kepi The most common types of hats worn by Union and Designed by the French Confederate soldiers was Army, the kepi is a more either a kepi or forage cap. compact version of the The forage cap, also forge cap. While used known as a bummer, more by officers, the hat allowed soldiers to remove was used by enlisted men their hat and place eggs, in the North and South. -
The Traditional Palestinian Costume
INTERVIEW The Traditional Palestinian Costume WIDAD KAMEL KAWAR INTERVIEWER'S NOTE*: The continuation of Palestinian traditions and culture since 1948 has provided strong reinforcement for the sense of Palestinian national identity. One very important aspect of Palestinian folk culture is the traditional Palestinian costume. Almost all that has been recently written or said about Palestinian costumes refers to them as attire of the past, something that has long disappeared. They are simply seen as objects of beauty, worthy of study and investigation, as museum pieces and collectors' items. The fact that Palestinian women, in the occupied villages of Palestine and in refugee camps, still wear their traditional Palestinian dress, is a sure sign that the Palestinian costume is very much alive, and that it is an integral part of the Palestinian woman's everyday life. [In the following interview, Mrs. Widad Kamel Kawar, a Palestinian in Jordan, speaks about her private collection of Palestinian women's costumes, and shares with the reader her observations and comments on this subject.] Q. Mrs. Kawar, to what do you attribute your interest in collecting Palestinian costumes, and bow did you start this project? A. My interest in Palestinian costumes dates back to the 1940's. I was a child then, growing up in Bethlehem. It was a flourishing town, busy with trade and famous for its holy places. I remember vividly how on Saturdays, the official market day, I would watch spellbound all the richly-dressed * The interviewer, Tania Nasir, is a Palestinian educationist living in Amman. This content downloaded from 193.54.110.56 on Wed, 27 Dec 2017 11:16:27 UTC All use subject to http://about.jstor.org/terms INTERVIEW 119 village women who would flood the market place from the neighbouring villages, forming a dazzling tableau of vibrant color and activity. -
Collectanea Napoleonica ; Being a Catalogue of the Collection Of
'-^««swg^^-^;j^ ~^- .«»-" .^w^--— jfc ':^ NAPOLEON IN EGYPT. From a picture by E. Detaille, in the Collection of Sir George White, Bart., of Cothain House, Bristol. lCOLLECTANEA NAPOLEONICA CATALOGUE OF THE COLLECTION OF AUTOGRAPHS, HISTORICAL DOCUMENTS, BROADSIDES, CARICATURES, DRAWINGS, MAPS, MUSIC, PORTRAITS, NAVAL AND MILITARY COSTUME-PLATES, BATTLE SCENES, VIEWS, ETC., ETC. RELATING TO Napoleon I. AND HIS TIMES, 1769-1821. Formed by A. M. BROADLEY, of the Knapp, Bradpole, Dorsetshire Compiled bv Walter V. Daniell. TOGETHER WITH AN EXPLANATORY PREFACE I5Y A. M. BROADLEY, AND A CATALOGUE OF HIS NAPOLEONIC LIBRARY. ILLUSTRATED WITH A HITHERTO UNPUBLISHED PORTRAIT OF NAPOLEON, BY DETAILLE, FROM A PICTURE IN THE POSSESSION OF SHi G. WHITE, BART., AND SEVERAL REPRODUCTIONS OF RARE ORIGINALS 15Y PER^HSSION OF THE PROPRIETORS OF "THE KING." LONDON: W. V. DANIELL, S5, Mortimer Street, W. PARIS : GODEFROY MAYER, 41, Rue Blanche. MUNICH : EMILE HIRSCH, 6 Karlstrasse. AMSTERDAM : R. W. P. DE VRIES, 146 Singel. BRUSSELS: SPINEUX & Cie., 62 Montagne de la Cour. A< PREFACE. subject of Napoleon, in its various aspects, is as irresistible THEas it is instructive, and as interesting it is as infinite and " inexhaustible. Taking the " Life of ]\Ir. Rose, and the "Last Phase " of Lord Rosebery as a basis, I have devoted the spare moments of four years, and a certain amount of constitutional energy, to extending the original three octavo volumes into twenty-eight folios, for which Messrs. Root & Co. have devised a charming and appropriate binding of a hue which I am assured is essentially Napoleonic, viz., Empire vert. In accomplishing all this I have had an m valuable helper in Mr. -
Unveiling the Veil: Debunking the Stereotypes of Muslim Women Jennifer Sands Rollins College, [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Summer 2014 Unveiling the Veil: Debunking the Stereotypes of Muslim Women Jennifer Sands Rollins College, [email protected] Follow this and additional works at: https://scholarship.rollins.edu/mls Part of the Women's Studies Commons Recommended Citation Sands, Jennifer, "Unveiling the Veil: Debunking the Stereotypes of Muslim Women" (2014). Master of Liberal Studies Theses. 60. https://scholarship.rollins.edu/mls/60 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Unveiling the Veil: Debunking the Stereotypes of Muslim Women A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Liberal Studies by Jennifer C. Sands August, 2014 Mentor: Dr. Rachel Newcomb Reader: Dr. Kathryn Norsworthy Rollins College Hamilton Holt School Masters of Liberal Studies Program Winter Park, Florida 2 Table of Contents Acknowledgements 3 Chapter I: Introduction 5 Chapter II: Origins of the Veil 12 Chapter III: Religious Justifications 24 Chapter IV: Misconceptions of Muslim Women 34 Chapter V: Muslim Women of Central Florida 49 Works Referenced 64 3 Acknowledgements It is difficult to express in words the sincere gratitude I feel for all who have helped guide me on my journey through the Masters of Liberal Studies at Rollins College. I have nothing but the highest regard for all who have contributed to my success. First and foremost, I must say an enormous thank you to my amazing thesis advisors. -
How Many Names for Hats Can You Find?
How many names for hats can you find? D A D E L C O G R O O N S H E W K E G V D L F A S C I N A T O R Y J R S F O I T M T A I I B I B N U J B B C C S G U R J L O S S Y G K D Y H M B K R N M O A Q E Z F W U F E Z Y L B I H R T W E C O O N S K I N C A P C B E G E H X A C T O Q U E N F B E R E T O W Q E P R V U O B E A N I E D M P I C T U R E S I D L T T A F B O H A R D H A T C O A Q O R B U R P P S Z Y X O O R C V P T O R K C E B O W L E R A L H H U N G P D S T E T S O N C A P A J N A I B N F F M L K E I V I T D E P E A C H B A S K E T A S C O T ASCOT A hard style of hat, usually worn by men, dating back to the 1900s.