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Roth Book Notes--Mcluhan.Pdf
Book Notes: Reading in the Time of Coronavirus By Jefferson Scholar-in-Residence Dr. Andrew Roth Mediated America Part Two: Who Was Marshall McLuhan & What Did He Say? McLuhan, Marshall. The Mechanical Bride: Folklore of Industrial Man. (New York: Vanguard Press, 1951). McLuhan, Marshall and Bruce R. Powers. The Global Village: Transformations in World Life and Media in the 21st Century. (New York: Oxford University Press, 1989). McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. (Toronto: University of Toronto Press, 1962). McLuhan, Marshall. Understanding Media: The Extensions of Man. (Cambridge, MA: MIT Press, 1994. Originally Published 1964). The Mechanical Bride: The Gutenberg Galaxy Understanding Media: The Folklore of Industrial Man by Marshall McLuhan Extensions of Man by Marshall by Marshall McLuhan McLuhan and Lewis H. Lapham Last week in Book Notes, we discussed Norman Mailer’s discovery in Superman Comes to the Supermarket of mediated America, that trifurcated world in which Americans live simultaneously in three realms, in three realities. One is based, more or less, in the physical world of nouns and verbs, which is to say people, other creatures, and things (objects) that either act or are acted upon. The second is a world of mental images lodged between people’s ears; and, third, and most importantly, the mediasphere. The mediascape is where the two worlds meet, filtering back and forth between each other sometimes in harmony but frequently in a dissonant clanging and clashing of competing images, of competing cultures, of competing realities. Two quick asides: First, it needs to be immediately said that Americans are not the first ever and certainly not the only 21st century denizens of multiple realities, as any glimpse of Japanese anime, Chinese Donghua, or British Cosplay Girls Facebook page will attest, but Americans first gave it full bloom with the “Hollywoodization,” the “Disneyfication” of just about anything, for when Mae West murmured, “Come up and see me some time,” she said more than she could have ever imagined. -
Semaine N°46 Du 9 Novembre 2019 Au 15 Novembre 2019
SEMAINE N°46 PRO DU 9 NOVEMBRE 2019 AU 15 NOVEMBRE 2019 ©WARNER BROS ENTERTAINMENT INC SAISON 4 - EN PREMIÈRE DIFFUSION FRANCE DÈS LE 10 NOVEMBRE, TOUS LES DIMANCHES 20:50 SEMAINE N°46 PRO DU 9 NOVEMBRE 2019 AU 15 NOVEMBRE 2019 SAM 9 NOV DIM 10 NOV LUN 11 NOV MAR 12 NOV MER 13 NOV JEU 14 NOV VEN 15 NOV 07:25 JOSÉPHINE, ANGE GARDIEN 06:50 JOSÉPHINE, ANGE GARDIEN 06:35 JOSÉPHINE, ANGE GARDIEN 06:30 JOSÉPHINE, ANGE GARDIEN 06:45 JOSÉPHINE, ANGE GARDIEN 06:50 JOSÉPHINE, ANGE GARDIEN 06:30 JOSÉPHINE, ANGE GARDIEN 09:10 JOSÉPHINE, ANGE GARDIEN 08:25 JOSÉPHINE, ANGE GARDIEN 08:15 JOSÉPHINE, ANGE GARDIEN 08:10 JOSÉPHINE, ANGE GARDIEN 08:30 JOSÉPHINE, ANGE GARDIEN 08:30 JOSÉPHINE, ANGE GARDIEN 08:10 JOSÉPHINE, ANGE GARDIEN 10:50 JOSÉPHINE, ANGE GARDIEN 10:15 JOSÉPHINE, ANGE GARDIEN 09:55 JOSÉPHINE, ANGE GARDIEN 09:55 JOSÉPHINE, ANGE GARDIEN 10:05 JOSÉPHINE, ANGE GARDIEN 10:15 JOSÉPHINE, ANGE GARDIEN 10:00 JOSÉPHINE, ANGE GARDIEN 12:40 SAVING HOPE, AU-DELÀ DE LA 12:05 SAVING HOPE, AU-DELÀ DE LA 11:45 JOSÉPHINE, ANGE GARDIEN 11:45 JOSÉPHINE, ANGE GARDIEN 11:50 JOSÉPHINE, ANGE GARDIEN 11:55 JOSÉPHINE, ANGE GARDIEN 11:45 JOSÉPHINE, ANGE GARDIEN MÉDECINE MÉDECINE 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:30 SAVING HOPE, AU-DELÀ DE LA 13:00 SAVING HOPE, AU-DELÀ DE LA 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON MÉDECINE MÉDECINE 17:35 LES SIMPSON 17:35 LES SIMPSON 17:20 LES SIMPSON 17:35 LES SIMPSON 17:35 LES SIMPSON 14:15 SAVING -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Teacher's Edition
TEACHER’SClassical SubjectsEDITION Creatively Taught™ Rhetoric BOOK 1: PRINCIPLESAlive!Alive! OF PERSUASION PERSUASIVE SPEECH AND WRITING IN THE TRADITION OF ARISTOTLE Alyssan Barnes, PhD Dedication: To Annie, June, and Zoe Rhetoric RhetoricAlive! Book Alive! 1: PrinciplesBook 1: Principles of Persuasion of Persuasion Teacher’s Edition © Classical Academic Press, 2016 Version 1.0 ISBN: 978-1-60051-300-8978-1-60051-301-5 All rights reserved. This publication may not be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior written permission of Classical Academic Press. Classical Academic Press 2151 Market Street Camp Hill, PA 17011 www.ClassicalAcademicPress.com Content editors: Christopher Perrin, PhD; Joelle Hodge; and Stephen Barnes Editor: Sharon Berger Illustrator: David Gustafson Book designer: Robert Baddorf PGP.07.16 Table of Contents List of Figures, Tables, and Chart .................................................................................................................. vii Foreword ........................................................................................................................................................ix Acknowledgments ...........................................................................................................................................xi Note to Student ............................................................................................................................................ xii OverviewNote to Teacher -
Pfizerlectures03.Pdf
On Corporate Governance The Corporation As It Ought to Be Michael Novak The AEI Press Publisher forthe American Enterprise Institute WASHINGTON, D.C. 1997 Available in the United States from the AEI Press, cf o Pub lisher Resources Inc., 1224 Heil Quaker Blvd., P.0. Box 7001, La Vergne, TN 37086-7001. Distributed outside the United States by arrangement with Eurospan, 3 Henrietta Street, London WC2E BLU England. ISBN 0-8447-7082-5 1357910 8 6 4 2 ©1997 by the American Enterprise Institute for Public Policy Research, Washington, D.C. All rights reserved. No part of this publication may be used or reproduced in any manner whatsoever without permission in writing from the American Enterprise Institute except in the case of brief quotations embodied in news articles, critical articles, or reviews. The views expressed in thepublications of the American Enterprise Institute are those of the authors and do not necessarily reflect theviews of thestaff, advisory panels, officers,or trusteesof AEI. The AEI Press Publisher for the American Enterprise Institute 1150 17th Street, N.W., Washington, D.C. 20036 Printed in the United States ofAmerica To the memory ofMichael A. Scully (1949-1996) who served his faith, his family, his country, and his business vocation well, and who was loved by his friendsas few men are. Contents PREFACE vii WHAT Is THE BUSINESS CORPORATION? 3 EXECUTNE ENERGY 5 THE ANT AND THE ELEPHANT 10 WHY Do FIRMS ExisT? 12 PIRATES! 13 MUTUAL FUNDS AND PENSION FUNDS 15 LOOKING FOR THE RIGHT STUFF 16 A WELL-LIGHTED PLACE 18 ON ENVY: "THOU SHALT NOT COVET" 19 Two TYPES OF INEQUALITY 22 JUSTIFYING UNEQUAL COMPENSATION 24 AGAINST APPEASEMENT 27 A CHEERFUL VIEW AT THE END OF A SORRY CENTURY 30 NOTES 33 ABOUT THE AUTHOR 45 v Preface n the summer of 1995, representatives of Pfizer Inc. -
Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... ....... -
Maternity Leave Policy Removes
* 1932 * The Studeats' Voice for Over 55 YearS * 1988 * ... Vol. 56 No•• Barach.CoIlege, CUNY September 27, 1_ e ort Ro~lysori Baruch Maternity Leave Appointed Institutes Baruch College is being reviewed for accreditation this fall, according Smoking Policy Removes to the Provost's Office.' .. Acting Day Se:ssien StudeRtGovernment Ban President Ainsley Boisson bas been By BOLLY III'ITMAN College Employee electedBarueh representative to the Asso-ciate A smoking policy has been in University Student Senate. stated at Baruch College. The Provost policy, which came into effect as of By DOUG DROHAN The Day' Session Student By-RlI'A LEAHY June 1988, is required by the New Yorlc City Clean Indoor Air Act Government will allot SI02,OOO for Carl Rollyson is the newly ap- andmust be followed by all the City College Office Assistant Jean- there were only two jobs available. I school spending and SI94,OOO for pointed Acting Associate Provost Universities of. New York. This nette Shuck blames ~ 'office pressed the issue as far as the Pro student clubs. for Academic Affairs for the col- detailed and stringent policy has politics" for her removal from the vost's Office in order to maintain lege. many individuals atBarucb talking, Student Activities· Office. Shuck status quo in my department," he stated and added that the final deci Two Lower Council and one Up Chosen in late August, Rollyson smokers and non smokers alike. was transferred to· the Registrar's has previously served as the Assis- Amongst.the many regulations Office because another College sion to place Shuck in the per Council positions are available Registrar's Office was based on on the DSSG. -
Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed. -
Heroclix Campaign
HeroClix Campaign DC Teams and Members Core Members Unlock Level A Unlock Level B Unlock Level C Unless otherwise noted, team abilities are be purchased according to the Core Rules. For unlock levels listing a Team Build (TB) requisite, this can be new members or figure upgrades. VPS points are not used for team unlocks, only TB points. Arkham Inmates Villain TA Batman Enemy Team Ability (from the PAC). SR Criminals are Mooks. A 450 TB points of Arkham Inmates on the team. B 600 TB points of Arkham Inmates on the team. Anarky, Bane, Black Mask, Blockbuster, Clayface, Clayface III, Deadshot, Dr Destiny, Firefly, Cheetah, Criminals, Ambush Bug. Jean Floronic Man, Harlequin, Hush, Joker, Killer Croc, Mad Hatter, Mr Freeze, Penguin, Poison Ivy, Dr Arkham, The Key, Loring, Kobra, Professor Ivo, Ra’s Al Ghul, Riddler, Scarecrow, Solomon Grundy, Two‐Face, Ventriloquist. Man‐Bat. Psycho‐Pirate. Batman Enemy See Arkham Inmates, Gotham Underground Villain Batman Family Hero TA The Batman Ally Team Ability (from the PAC). SR Bat Sentry may purchased in Multiples, but it is not a Mook. SR For Batgirl to upgrade to Oracle, she must be KOd by an opposing figure. Environment or pushing do not count. If any version of Joker for KOs Level 1 Batgirl, the player controlling Joker receives 5 extra points. A 500 TB points of Batman members on the team. B 650 TB points of Batman members on the team. Azrael, Batgirl (Gordon), Batgirl (Cain), Batman, Batwoman, Black Catwoman, Commissioner Gordon, Alfred, Anarky, Batman Canary, Catgirl, Green Arrow (Queen), Huntress, Nightwing, Question, Katana, Man‐Bat, Red Hood, Lady Beyond, Lucius Fox, Robin (Tim), Spoiler, Talia. -
Modeling Narrative Discourse David K. Elson
Modeling Narrative Discourse David K. Elson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 c 2012 David K. Elson All Rights Reserved ABSTRACT Modeling Narrative Discourse David K. Elson This thesis describes new approaches to the formal modeling of narrative discourse. Al- though narratives of all kinds are ubiquitous in daily life, contemporary text processing techniques typically do not leverage the aspects that separate narrative from expository discourse. We describe two approaches to the problem. The first approach considers the conversational networks to be found in literary fiction as a key aspect of discourse coher- ence; by isolating and analyzing these networks, we are able to comment on longstanding literary theories. The second approach proposes a new set of discourse relations that are specific to narrative. By focusing on certain key aspects, such as agentive characters, goals, plans, beliefs, and time, these relations represent a theory-of-mind interpretation of a text. We show that these discourse relations are expressive, formal, robust, and through the use of a software system, amenable to corpus collection projects through the use of trained annotators. We have procured and released a collection of over 100 encodings, covering a set of fables as well as longer texts including literary fiction and epic poetry. We are able to inferentially find similarities and analogies between encoded stories based on the proposed relations, and an evaluation of this technique shows that human raters prefer such a measure of similarity to a more traditional one based on the semantic distances between story propositions. -
God and the Challenge of Evil a Critical Examination of Some Serious Objections to the Good and Omnipotent God
Cultural Heritage and Contemporary Change Series I, Culture and Values, Volume 24 Series IIA, Islam, Volume 13 God and the Challenge of Evil A Critical Examination of Some Serious Objections to the Good and Omnipotent God by John L. Yardan The Council for Research in Values and Philosophy 1 Copyright © 2001 by The Council for Research in Values and Philosophy Gibbons Hall B-20 620 Michigan Avenue, NE Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Yardan, John L. God and the challenge of evil : a critical examination of some serious objections to the good and omnipotent God / John L. Yardan. p.cm. — (Cultural heritage and contemporary change. Series I. Culture and values ; vol. 24) Includes bibliographical references and index. 1. Good and evil. 2. Philosophical theology. I. Title. II. Series. BJ401.Y37 2001 2001000859 231’.8—dc21 CIP ISBN 1-56518-160-3 (pbk.) 2 Table of Contents Introduction 1 Chapter I. Evil: Preliminary Notions 7 Chapter II. The Problem of Evil 19 Chapter III. The Idea of Good and the Good Person 33 Chapter IV. Good and the Good God 47 Chapter V. The Power, Impossibility and Omnipotence of God 59 Chapter VI. Must God Create the Best Possible World? 79 Chapter VII. The Amount of Evil in the World: Is It too Great? 91 The Issue of Pointless Evil Chapter VIII. A World of Divine Intervention 109 Chapter IX. Possible Worlds Based on Greater Human Knowledge 119 Chapter X. A World with Diminished Human Freedom 133 Chapter XI. -
Wonder Woman Unbound
COMICS/LITERARY CRITICISM/POPULAR CULTURE WONDER WOMAN UNBOUND “I’ve never seen more information about Wonder Woman than in Wonder Woman Unbound. Tim Hanley tells us everything we’ve never asked about Wonder Woman because it simply never occurred to us: from her mythic Golden Age origins through her dismal Silver Age years as a lovesick romance comic character, and worse yet, when she lost her costume and powers in the late 1960s. Our favorite Amazon’s saga be- comes upbeat again with the 1970s advent of Gloria Steinem and Ms. magazine, and Lynda Carter’s unforgettable portrayal of her on television. And it’s all told with a dollop of humor!” —Trina Robbins, author of Pretty in Ink: North American Women Cartoonists, 1896–2013 ith her golden lasso and her bullet-deflecting bracelets, WWonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history por- trays a complicated heroine who is more than just a female Super- man. When they debuted in the 1940s, Wonder Woman comics advocated female superiority and the benefits of matriarchy; her adventures were also colored by bondage imagery and hidden les- bian leanings. In the decades that followed, Wonder Woman fell backward as American women began to step forward. Ultimate- ly, Wonder Woman became a feminist symbol in the 1970s, and the curious details of her past were quickly forgotten. Exploring this lost history adds new dimensions to the world’s most beloved female character, and Wonder Woman Unbound delves into her comic book and its spin-offs as well as the motivations of her cre- ators to showcase the peculiar journey of a twentieth-century icon.