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Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Music Catalogue 2021
SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.12 OPERA p.14 CLASSICAL p.25 MUSIC DOCUMENTARY p.37 WORLD MUSIC p.40 4K CONCERTS p.42 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 27.10.22 07.09.22 Watch the video Watch the video 5 6 Contemporary dance MONUMENTS IN MOTION MONUMENTS IN MOTION SCREWS AND STONES I REMEMBER SAYING GOODBYE LENGTH: LENGTH: 11’ 11’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER TOMMY PASCAL PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCERS: COPRODUCERS: Centre des mouve- Centre des mouve- ments nationaux ments nationaux COPYRIGHT: COPYRIGHT: 2020 2019 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert 18.02.29 11.06.24 Watch the video Watch the video Choreography by Alexander Vantournhout Choreography by Christian and François Ben Aïm From the SCREWS performance At the Sainte Chapelle at La Conciergerie de Paris. Performers: Music : Nils Frahm Christien Ben Aïm Dancers : Josse De Broeck, Petra Steindl, Emmi François Ben Aïm Väisänen, Hendrik Van Maele, Alexander Vantournhout, Louis Gillard Felix Zech Piers Faccini (musician) 7 Contemporary dance MONUMENTS IN MOTION 3X10’ SCENA MADRE* LENGTH: LENGTH: 3x10’ 63’ DIRECTOR: DIRECTOR: YOANN GAREL, JULIA GAT, GAËTAN CHATAIGNER THOMAS -
M O N T E V E R
MONTEVERDI Music is the servant of the words 2012 LET US INNOVATE by Simone Kotva FROM IMITATION OF NATURE MONTEVERDI’S REVERSAL TO NATURAL IMITATION At the turn of the sixteenth century, the cusp of Monteverdi christened his musical aesthetics the We should see what are the rhythms of a self- The sentence immediately preceding Plato’s antici - what historians have since called “the modern era,” seconda prattica , or Second Practice. Its purpose disciplined and courageous life, and after looking at pation of Monteverdi’s motto is a discussion of the Claudio Monteverdi poses the perennial question was to oppose the establishment, what he called those, make meter and melody conform to the leitmotif of Classical philosophy, namely the “self- of every artist: how do my compositions relate to the First Practice of music theory. Monteverdi speech of someone like that. We won’t make disciplined and courageous life,” or human nature. those of past masters? How does innovation characterised the First Practice (whether justly or speech conform to rhythm and melody . Plato’s belief (which was also Aristotle’s) was that relate to imitation? not), as concerned exclusively with the rules of (Republic 400a; my emphasis) human nature was formed through a life-long pro - “pure” harmony stripped of any relation to text, cess of cultivating good habits. These good habits For Monteverdi, living in a time of vitriolic polemics rhythm and melody. It philosophical foundations The final sentence mirrors the emphatic declara - would eventually lead to good virtues, -
PROKOFIEV Violin Concertos
PROKOFIEV Violin Concertos Franziska Pietsch Deutsches Symphonie-Orchester Berlin Cristian Măcelaru SERGEI PROKOFIEV Violin Concerto No. 1 in D major, Op. 19 I. Andantino 9:31 II. Scherzo: Vivacissimo 4:00 III. Moderato – Allegro moderato 8:25 Violin Concerto No. 2 in G minor, Op. 63 I. Allegro moderato 11:27 II. Andante assai – Allegretto 10:10 III. Allegro, ben marcato 6:31 The Scope of Exile Sergei Prokofiev conducted the premiere of his Classical Symphony in St Petersburg on 21 April 1918, elegantly and powerfully turning his back on the provo cative style of his wild years. Amongst the audience was Anatoly Lunacharsky, the Soviet People’s Commissar of Education and Culture, a confidant of Lenin’s who did not share the revolutionary leader’s conservative views on art. After the concert, the composer brought it to the functionary’s notice that he would like to travel abroad. The exchange between the two gained legendary status. “I have worked for a long time”, Prokofiev began, “and now I would like to take some fresh air.” – “Do you not think that we now have enough fresh air?” – “Yes, but I mean the real air of the seas and oceans.” – “You are a revolutionary in music, and we are in life – we need to work together. But if you want to go to America, I won’t put any obstacles in your way.” Just over two weeks later, the 26yearold artist departed, travelling across Russia to Vladivostok on the Pacific coast, from there to Tokyo and then on to the USA: he arrived in New York in Septem ber. -
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SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.07 JAZZ p.11 CLASSICAL p.19 WORLD MUSIC p.37 4K CONCERTS p.39 3 4 The Sonar Festival CLARA 3000 VITALIC LENGTH: LENGTH: 60’ 65’ DIRECTOR: DIRECTOR: XAVIER REIM XAVIER REIM PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: France Télévisions France Télévisions Culturebox Culturebox COPYRIGHT: COPYRIGHT: 2017 2017 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: France France DERRICK CARTER KEYS N’ KRATES LENGTH: LENGTH: 60’ 57’ DIRECTOR: DIRECTOR: XAVIER REIM FABRICE CASTANIER PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: France Télévisions France Télévisions Culturebox Culturebox COPYRIGHT: COPYRIGHT: 2017 2017 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: USA Canada 5 The Sonar Festival HOWLING NICOLA CRUZ LENGTH: LENGTH: 53’ 53’ DIRECTOR: DIRECTOR: FABRICE CASTANIER FABRICE CASTANIER PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: France Télévisions France Télévisions Culturebox Culturebox COPYRIGHT: COPYRIGHT: 2016 2016 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Australia Ecuador, France ROOTS MANUVA YUNG LEAN LENGTH: LENGTH: 52’ 52’ DIRECTOR: DIRECTOR: FABRICE CASTANIER FABRICE CASTANIER PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: France Télévisions France -
Season 2016-2017
23 Season 2016-2017 Thursday, May 11, at 8:00 Friday, May 12, at 8:00 The Philadelphia Orchestra Saturday, May 13, at 8:00 Tugan Sokhiev Conductor Renaud Capuçon Violin Liadov Kikimora, Op. 63 Korngold Violin Concerto in D major, Op. 35 I. Moderato nobile II. Romance: Andante III. Finale: Allegro assai vivace Intermission Tchaikovsky Symphony No. 5 in E minor, Op. 64 I. Andante—Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse: Allegro moderato IV. Andante maestoso—Allegro vivace This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. The Orchestra Center, Penn’s Landing, is inspiring the future and free Neighborhood and other cultural, civic, Concerts, School Concerts, transforming its rich tradition and learning venues. -
WEDNESDAY SERIES 9 Tugan Sokhiev, Conductor Amihai Grosz
13.2. WEDNESDAY SERIES 9 Helsinki Music Centre at 19:00 Tugan Sokhiev, conductor Amihai Grosz, viola Johannes Brahms: Haydn Variations, Op. 56a 19 min Theme. Chorale St. Antoni. Andante Variation I. Poco più animato (Andante con moto) Variation II. Più vivace (Vivace) Variation III. Con moto Variation IV. Andante con moto (Andante) Variation V. Vivace (Poco presto) Variation VI. Vivace Variation VII. Grazioso Variation VIII. Presto non troppo (Poco presto) Finale. Andante Béla Bartók: Viola Concerto 21 min I Moderato II Adagio religioso - Allegretto III Allegro vivace INTERVAL 20 MIN 1 Johannes Brahms: Symphony No. 1 in C Minor, Op. 68 45 min I Un poco sostenuto – Allegro – Meno allegro II Andante sostenuto III Un poco allegretto e grazioso IV Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro Interval at about 19:55. The concert will end at about 21:15. Broadcast live on Yle Radio 1 and streamed at yle.fi/areena. A recording of the concert will be shown in the programme “RSO Musiikkitalossa” (The FRSO at the Helsinki Music Centre) on Yle Teema on 17.3. and 24.3. and on Yle TV 1 on 23.3. and 30.3. PLEASE MAKE SURE THAT YOUR MOBILE PHONE IS SWITCHED OFF! Photographing, video and sound recording are prohibited during the concert. 2 JOHANNES BRAHMS beginning with blaring fanfares. The se- venth is a swinging Siciliano with dotted (1833–1897): HAYDN rhythms and the eighth is veiled in mys- VARIATIONS, OP. 56A terious pianissimos. The finale is a set of variations in itself, built in the manner It was while Johannes Brahms was brow- of a Passacaglia on a five-bar motif in sing through the manuscripts of a few the bass and leading up to an imposing wind divertimentos thought to have climax incorporating the original chora- been composed by Joseph Haydn that le theme. -
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SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.11 CLASSICAL p.13 WORLD MUSIC p.28 4K CONCERTS p.30 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 5 6 Contemporary dance SCENA MADRE* MONUMENTS IN MOTION 3X10’ LENGTH: LENGTH: 63’ 3x10’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER YOANN GAREL, JULIA GAT, PRODUCER: THOMAS LALLIER & SYLVAIN Les Films Jack Fébus MARQUET COPRODUCERS: PRODUCER: CCNN, Le Théâtre de Les Films Jack Fébus la Ville - Paris, Le lieu COPRODUCERS: unique - scène nationale France Télévisions, de Nantes, La Mai- Culturebox, M_Media, son de la Musique de Centre des mouvements Nanterre nationaux, Mezzo COPYRIGHT: COPYRIGHT: 2018 2018 VARIATIONS SCENA MADRE* Performed by Justine Berthillot and Frédéri Vernier By Ambra Senatore At the Abbaye de la Sauve-Majeure (adapted from the NOOS show) Performers Matteo Ceccarelli, Lee Davern, Elisa Ferrari, Nordine Hamimouch, Lau- PRELJOCAJ MONTMAJOUR reline Richard, Antoine Roux-Briffaud, Ambra Senatore Lumières Fausto Choreography by Angelin Preljocaj Bonvini At the Abbaye de Montmajour Performers : Déborah Casamatta, Solène Hérault, Original music: Jonathan Seilman Anne-Céline Pic-Savary, Luca Cesa, Baptiste Martinez, Sound design: Jonathan Seilman, Ambra Senatore Alexandre Tondolo -
MARIINSKY ORCHESTRA Valery Gergiev Music Director and Conductor
UMS PRESENTS MARIINSKY ORCHESTRA Valery Gergiev Music Director and Conductor Behzod Abduraimov Piano Saturday Evening, January 24, 2015 at 8:00 Hill Auditorium • Ann Arbor 33rd Performance of the 136th Annual Season 136th Annual Choral Union Series Photo: Mariinsky Orchestra with Valery Gergiev; photographer: Natasha Razina. 19 UMS PROGRAM Sergei Prokofiev Piano Concerto No. 3 in C Major, Op. 26 Andante — Allegro Tema con variazioni Allegro, ma non troppo Mr. Abduraimov INTERMISSION Dmitri Shostakovich Symphony No. 4 in c minor, Op. 43 Allegretto poco moderato WINTER 2015 Moderato con moto Largo — Allegro Endowed support provided by the William R. Kinney Endowment Fund and by the Catherine S. Arcure Endowment Fund. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s concert. Special thanks to Kipp Cortez for coordinating the pre-concert music on the Charles Baird Carillon. Maestro Gergiev and the Mariinsky Orchestra record for the Mariinsky Label and also appear on Universal (Decca, Phillips). VTB Bank is the Principal Partner of the Mariinsky Theatre. Sberbank and Yoko Nagae Ceschina are the Principal Sponsors of the Mariinsky Theatre. Mariinsky Foundation of America is the North American Sponsor of the Mariinsky Theatre. Maestro Gergiev and the Mariinsky Orchestra appear by arrangement with Columbia Artist Management, LLC, New York, NY. MARIINSKY ORCHESTRA 20 BE PRESENT NOW THAT YOU’RE IN YOUR SEAT… The two giants of Russian music during the Soviet era — Prokofiev and Shostakovich — may appear to have a great deal in common at first sight, but in reality they were rather different in temperament and outlook. -
Music Catalogue 2021
SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.12 OPERA p.14 CLASSICAL p.25 MUSIC DOCUMENTARY p.37 WORLD MUSIC p.40 4K CONCERTS p.42 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 27.10.22 07.09.22 Watch the video Watch the video 5 6 Contemporary dance MONUMENTS IN MOTION MONUMENTS IN MOTION SCREWS AND STONES I REMEMBER SAYING GOODBYE LENGTH: LENGTH: 11’ 11’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER TOMMY PASCAL PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCERS: COPRODUCERS: Centre des mouve- Centre des mouve- ments nationaux ments nationaux COPYRIGHT: COPYRIGHT: 2020 2019 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert 18.02.29 11.06.24 Watch the video Watch the video Choreography by Alexander Vantournhout Choreography by Christian and François Ben Aïm From the SCREWS performance At the Sainte Chapelle at La Conciergerie de Paris. Performers: Music : Nils Frahm Christien Ben Aïm Dancers : Josse De Broeck, Petra Steindl, Emmi François Ben Aïm Väisänen, Hendrik Van Maele, Alexander Vantournhout, Louis Gillard Felix Zech Piers Faccini (musician) 7 Contemporary dance MONUMENTS IN MOTION 3X10’ SCENA MADRE* LENGTH: LENGTH: 3x10’ 63’ DIRECTOR: DIRECTOR: YOANN GAREL, JULIA GAT, GAËTAN CHATAIGNER THOMAS -
RF Booklet.Pdf
© Serge Rachmaninoff Foundation Zinnenstrasse, 6 - 6353 Weggis Switzerland Guarding the Rachmaninoff flame The Serge Rachmaninoff Foundation under Alexander Rachmaninoff Serge Rachmaninoff Foundation Serge Rachmaninoff in his studio at Senar (1938) “But the important word there is "always," for to judge by present evidence, Rachmaninoff is here to stay.” JAMES R. OESTREICH The New York Times – 2 September 2001 Serge and Alexander Rachmaninoff (1935) IN MEMORIAM ALEXANDER RACHMANINOFF (8th March 1933 - 1st November 2012) Alexander Rachmaninoff, the composer’s grandson, was laid to rest at the Cimetière de Trivaux in Paris at noon on Thursday 8th Novem- ber 2012 after a Russian Orthodox funeral ceremony in the Paroisse Orthodoxe de Saint-Jean-le-Théologien. His death at the age of only 79 had occurred exactly a week earlier and it had come as a profound shock to those of us who had known him well. His athletic prowess was a thing of legend; his energy capacity seemed limitless. He was a skilled mountaineer, every year notching up yet another conquest of a precipitous rock-face that left the more risk-averse among us open- mouthed in admiration. Such terrifying exploits would have taxed a man half Alexander’s age, but for him they were second nature. Alexander was the son of Tatyana, Rachmaninoff’s younger daughter who had married Boris Conus in May 1932. He was therefore born with the surname Conus, but he changed it officially in the early 1990s, joking to me once that it was far easier to get a restaurant table as a Rachmaninoff than as a Conus.