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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Connection/Separation
Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director MSM Opera Theatre productions are made possible by the Fan Fox and Leslie R. Samuels Foundation and the Joseph F. McCrindle Endowment for Opera Productions at Manhattan School of Music. Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director Myra Huang, Vocal Coach & Pianist Kristen Kemp, Vocal Coach & Pianist Megan P. G. Kolpin, Props Coordinator DIRECTOR’S NOTE In each of our lives—during this last year especially—we may have discovered ourselves in moments of wanting, even needing some sort of human connection, but instead finding separation by any number of barriers. In the arias and scenes that follow, we witness characters in just this kind of moment; searching for meaningful contact yet being somehow barred from achieving it. Through circumstance, distance, convention, misunderstanding, pride, fear, ego, or what have you, we may find ourselves in situations similar to the characters in this program, while looking forward to the days when connection can be more easily achieved and separation the exception to the rule. -
Martina Filjak – Biography
Martina Filjak – biography ”Martina Filjak revealed herself to be a premium class pianist'' Süddeutsche Zeitung “' Brilliant , sensitive and imaginative playing with resourcefulness of technique and naturalness of musicality ...a striking individuality ...a pianist to watch'' The New York Times One of the most exciting artists to emerge in recent years, Martina Filjak is garnering international praise for her poetic passion and technical mastery at the keyboard as well as for her charismatic personality and magnetic stage presence. Martina Filjak came to international attention by winning the Gold Medal, the 1st prize and the Beethoven prize at the Cleveland International Piano Competition in 2009, which brought her numerous engagements in the United States and internationally. Prior to that, she won 1st prizes at the Maria Canals Piano Competition (Barcelona) and the Viotti Piano Competition (Vercelli), and was a laureate at the Busoni Piano Competition. The 18-19 season kicked off with a performance of the 2nd Piano Concerto by Brahms alongside the Staatskapelle Halle at the Music Festival in Chorin, Germany and continues with a series of concerto performances that include collaborations with Orquesta Filarmónica de Bogotá and Diego Naser, the New West Symphony and Fawzi Haimor, the Norddeutsche Philharmonie Rostock and Nicholas Milton, the Colorado Springs Philharmonic and Josep Caballé Domenech, the Filarmònica de Málaga and Guillermo Garcia Calvo, the Capella Aquileia and Paul Goodwin, the Orquesta Filarmónica de Buenos Aires at the Teatro Colon and Manuel Hernández Silva, the Torino Philharmonic and the Zagreb Soloists, various chamber music performances as well as a recital tour in Latin America. Martina Filjak’s latest CD has been released in 2016 on Solo Musica (distributed by Sony Music) with works by Bach, Schumann and Scriabin. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Music Catalogue 2021
SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.12 OPERA p.14 CLASSICAL p.25 MUSIC DOCUMENTARY p.37 WORLD MUSIC p.40 4K CONCERTS p.42 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 27.10.22 07.09.22 Watch the video Watch the video 5 6 Contemporary dance MONUMENTS IN MOTION MONUMENTS IN MOTION SCREWS AND STONES I REMEMBER SAYING GOODBYE LENGTH: LENGTH: 11’ 11’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER TOMMY PASCAL PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCERS: COPRODUCERS: Centre des mouve- Centre des mouve- ments nationaux ments nationaux COPYRIGHT: COPYRIGHT: 2020 2019 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert 18.02.29 11.06.24 Watch the video Watch the video Choreography by Alexander Vantournhout Choreography by Christian and François Ben Aïm From the SCREWS performance At the Sainte Chapelle at La Conciergerie de Paris. Performers: Music : Nils Frahm Christien Ben Aïm Dancers : Josse De Broeck, Petra Steindl, Emmi François Ben Aïm Väisänen, Hendrik Van Maele, Alexander Vantournhout, Louis Gillard Felix Zech Piers Faccini (musician) 7 Contemporary dance MONUMENTS IN MOTION 3X10’ SCENA MADRE* LENGTH: LENGTH: 3x10’ 63’ DIRECTOR: DIRECTOR: YOANN GAREL, JULIA GAT, GAËTAN CHATAIGNER THOMAS -
5414939997211.Pdf
Johannes Brahms (1833 – 1897) .............................................................................................. 2 Jean-Frédéric Neuburger piano Andrea Hill mezzo-soprano Quatuor Modigliani quatuor à cordes Quintette pour piano et cordes en fa mineur opus 34 1 - Allegro non troppo 14'44 2 - Andante, un poco adagio 8'36 3 - Scherzo (Allegro) 7'18 4 - Finale (Poco sostenuto – Allegro non troppo – Presto non troppo) 10'00 Zwei Gesänge (Deux Chants) pour mezzo-soprano, alto et piano opus 91 5 - Gestillte Sehnsucht 6'35 6 - Geistliches Wiegenlied 5'48 Durée totale : 53' 3 Visages de la musique de chambre Brahms. Déjà auteur du op. 18, le jeune Brahms compose alors un quintette avec deux violoncelles, qu’il adresse à Clara Schumann et Vingt ans - 1864, 1884 - séparent ces deux partitions majeures de à Joseph Joachim, ses plus chers amis, premiers lecteurs et critiques. Brahms. Dru et dense, le sonne comme un concerto de chambre L’une déchiffrant au piano, l’autre organisant une répétition avec aux amples dimensions. Subtilement polyphoniques, d’une rare l’effectif requis, jugent l’œuvre magnifique mais discutent sa vêture intensité expressive, les op. 91 assemblent deux tempos modérés de instrumentale. Nécessiterait-elle l’apport d’un piano, de l’orchestre ? quelque sonate en trio à deux altos.Formidablement doué, Johannes Brahms, qui fait une confiance absolue à ses deux conseillers, détruit Brahms (1833-1897) ne s’est pas contenté de ses capacités naturelles. son quintette à cordes et le convertit en , partition à laquelle il restera A force de ténacité, l’enfant démuni de Hambourg s’est trouvé en toujours très attaché. Avec le concours de Carl Tausig, il inaugure mesure de se produire en public à dix ans et de bénéficier ainsi des sans grand succès la sonate en avril 1864 à Vienne, à la faveur d’un conseils d’Eduard Marxsen, le meilleur professeur de la métropole concert de la Singakademie dont il est l’éphémère directeur. -
M O N T E V E R
MONTEVERDI Music is the servant of the words 2012 LET US INNOVATE by Simone Kotva FROM IMITATION OF NATURE MONTEVERDI’S REVERSAL TO NATURAL IMITATION At the turn of the sixteenth century, the cusp of Monteverdi christened his musical aesthetics the We should see what are the rhythms of a self- The sentence immediately preceding Plato’s antici - what historians have since called “the modern era,” seconda prattica , or Second Practice. Its purpose disciplined and courageous life, and after looking at pation of Monteverdi’s motto is a discussion of the Claudio Monteverdi poses the perennial question was to oppose the establishment, what he called those, make meter and melody conform to the leitmotif of Classical philosophy, namely the “self- of every artist: how do my compositions relate to the First Practice of music theory. Monteverdi speech of someone like that. We won’t make disciplined and courageous life,” or human nature. those of past masters? How does innovation characterised the First Practice (whether justly or speech conform to rhythm and melody . Plato’s belief (which was also Aristotle’s) was that relate to imitation? not), as concerned exclusively with the rules of (Republic 400a; my emphasis) human nature was formed through a life-long pro - “pure” harmony stripped of any relation to text, cess of cultivating good habits. These good habits For Monteverdi, living in a time of vitriolic polemics rhythm and melody. It philosophical foundations The final sentence mirrors the emphatic declara - would eventually lead to good virtues, -
Mountainside Teen's Short Film Wins Skintimate Contest Kilkenny
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and The Scotch Plains – Fanwood TIMES Thursday, October 7, 2010 Page 19 Metropolitan Opera’s Live HD Simulcasts Begin Fifth Season By GREG WAXBERG Alagna in the title role, conducted by Specially Written for The Westfield Leader and The Times Yannick Nézet-Séguin. WESTFIELD — This Saturday, The To commemorate the 100th anniver- Metropolitan Opera begins its fifth sea- sary of the opera’s world premiere at son of “The Met: Live in HD,” an the Met, the company is reviving Emmy- and Peabody Award-winning Giacomo Puccini’s La Fanciulla del series of Saturday matinee perfor- West this season, and it will be simul- mances simulcast live in high defini- cast on January 8 at 1 p.m. The cast tion to movie theaters around the world. includes Deborah Voigt as Minnie, with Select theaters will also show encore Nicola Luisotti conducting. presentations at 6:30 p.m. on the third John Adams conducts the Met’s pre- Wednesday after the live performances, miere production of his first opera, and PBS televises the simulcasts on Nixon in China, on February 12 at 1 “Great Performances at the Met.” p.m. In the cast are James Maddalena, These simulcasts capture onstage Janis Kelly and Kathleen Kim. action and the orchestra by using close- Susan Graham and Plácido Domingo up shots taken from many perspec- headline the cast of Christoph Willibald tives. During intermissions, the series von Gluck’s Iphigénie en Tauride on offers behind-the-scenes features, live February 26 at 1 p.m. -
Nixon in China Program & Bios
1/\ SANnirs* il\ t/-\ , ', :l ; J\" ! ffire&'-J \-*-/ JohnAdams NIXONIN CHINA SanDiego CivicTheatre March14, 17, 20,22,2015 Conductor CAST: SETTING: JosephMechavich (in order of vocal appearance) February1972 Beijing, China Director Chou En-Lai Chen-yeYuan* JamesRobinson* ACT 1 RichardNixon FrancoPomponi* Scene 7 (ai Dacianar Henry Krssinger PatrickCartizzi* The airporloutside Beijing Allen Moyer 1stSecretaryr to Mao SarahCastle Scene2 CostumeDesigner ChairmanMao's study 2nd Secretaryto Mao BuffyBaggott* James Schuette* Scene3 3rd Secretaryto Mao JenniferDeDominici* Lighting Designer The GreatHall of the People Paul Palazzo* Mao Tse-Tung ChadShelton* 20 Minute lntermission SoundDesigner Pat Nxon MariaKanyova* MadameMao Kathleen Brian Mohr* Kim ACT II t"l^^-^^^-^^L^- vt tvrcvyr aPt tcr Scene 7 Se5n Curran Mrs.Nixon views China AssociateChoreographer Scene2 Nora Brickman* An eveningat the BeijingOpera Wig & Makeup Designer ACT ill Steven W. Bryant Scene1 ChorusMaster The lastevening in Beijing CharlesPrestinari PrtncipalPianist EmilyJarrell Urbanek ProductionStage M anager Mary Yankee Peters Supertitles Thisproduction of Nixon in-Chinais dedicatedto a specialconsortium oTgenerous oonors. RoxanneStouffer Cruz* SanDiego Opera is pleasedto recognizeNuvasive, QUALCOMM and Supertit/e Coordi nators CourtneyAnn Coyle,Attorney at Law as our CorporateProducing CharlesArthur Partnersfor Nixon in China. Marian Porter Sincerethanks also go to SycuanCasino, Phone Etiquette Sponsor and Point Loma NazareneUniversity, Supertitles Sponsor. * SanDiego Opera -
04-28-2018 Cendrillon Mat.Indd
JULES MASSENET cendrillon conductor Opera in four acts Bertrand de Billy Libretto by Henri Cain, based on production Laurent Pelly the fairy tale by Charles Perrault set designer Saturday, April 28, 2018 Barbara de Limburg 1:00–3:50 PM costume designer Laurent Pelly New Production lighting designer Duane Schuler choreographer The production of Cendrillon was Laura Scozzi made possible by a generous gift from The Sybil B. Harrington Endowment Fund Additional funding for this production was received from Elizabeth M. and Jean-Marie R. Eveillard Cendrillon is produced in association with the Royal Opera House, Covent Garden, London; general manager Peter Gelb Gran Teatre del Liceu, Barcelona; Théâtre Royal de la Monnaie, Brussels; and Opéra de Lille. music director designate Yannick Nézet-Séguin Original production by The Santa Fe Opera 2017–18 SEASON The 5th Metropolitan Opera performance of JULES MASSENET’S This performance cendrillon is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Bertrand de Billy Network, sponsored by Toll Brothers, in order of vocal appearance America’s luxury ® homebuilder , with pandolfe the fairy godmother generous long-term Laurent Naouri Kathleen Kim support from The Annenberg madame de la haltière the master of ceremonies Foundation, The Stephanie Blythe* David Leigh** Neubauer Family Foundation, the noémie the dean of the faculty Vincent A. Stabile Ying Fang* Petr Nekoranec** Endowment for Broadcast Media, dorothée the prime minister and contributions Maya Lahyani Jeongcheol Cha from listeners worldwide. lucette, known as cendrillon prince charming Joyce DiDonato Alice Coote There is no Toll Brothers– spirits the king Metropolitan Lianne Coble-Dispensa Bradley Garvin Opera Quiz in Sara Heaton List Hall today. -
Les Contes D'hoffmann
Jacques Offenbach Les Contes d’Hoffmann CONDUCTOR Opera in three acts, a prologue, James Levine and an epilogue PRODUCTION Libretto by Jules Barbier and Michel Carré Bartlett Sher based on stories by E.T.A. Hoffmann SET DESIGNER Michael Yeargan Saturday, December 19, 2009, 1:00–4:40 pm COSTUME DESIGNER Catherine Zuber New Production LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Dou Dou Huang The production of Les Contes d’Hoffmann was made possible by generous gifts from the Hermione Foundation and the Gramma Fisher Foundation, Marshalltown, Iowa. Additional funding was received from the Estate of Helen F. Kelbert and Mr. and Mrs. William R. Miller. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2009–10 Season The 245th Metropolitan Opera performance of This performance is being Jacques Offenbach’s broadcast live over The Toll Brothers– Metropolitan Les Contes Opera International Radio Network, d’Hoffmann sponsored by Toll Brothers, America’s luxury c o n d u c t o r homebuilder®, James Levine with generous long-term support from Hoffmann, a poet Olympia, a doll The Annenberg Joseph Calleja Kathleen Kim Foundation, the The Muse of Poetry Antonia, a young singer Vincent A. Stabile Nicklausse, Hoffmann’s friend Stella, a prima donna Endowment for Kate Lindsey * Anna Netrebko Broadcast Media, and contributions Lindorf Giulietta, a courtesan from listeners Coppélius, an optician Ekaterina Gubanova worldwide. Dr. Miracle Dapertutto This performance Alan Held is also being broadcast live on Metropolitan Andrès Nathanaël, a student Opera Radio Cochenille Rodell Rosel on SIRIUS Frantz channel 78 and Pitichinaccio Spalanzani, a physicist XM channel 79.