DOCSLIB.ORG

Roberts Rules Reluctant Rock Star Sam Roberts Caps the Year Off at the Turret JOE TURCOTTE A&E EDITOR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Roberts Rules Reluctant Rock Star Sam Roberts Caps the Year Off at the Turret JOE TURCOTTE A&E EDITOR The Cord Weekly The tie that binds since 1926 HEAVY-WEIGHT HAWKS DRAFTED Key football players land tryouts with CFL franchises ... PAGE 6 Volume 47 Issue 1 Wednesday May 31, 2006 www.cordweekly.com Roberts rules Reluctant rock star Sam Roberts caps the year off at the Turret JOE TURCOTTE A&E EDITOR Sam Roberts’ strained voice speaks for itself, cementing the fact that staging the “Mother of All Tours” is no easy task. In be- tween setting-up in order to rock WLUSU’s Year-End Party, Roberts sat down and spoke with the Cord about the rigors of touring and the rock ‘n roll lifestyle. “I’m in preservation mode right now, but you’ve got to do what you’ve got to do,” a tired and raspy-voiced Roberts said. “It’s just about trying to keep going, man. There’s no recovery time, we get one or two days off. Tour- ing is deadly, man; touring is hard as hell. Touring is the hardest Paul Alviz thing.” SPARE SOME CHANGE? - With the UPASS expiring on May 1, Laurier students now have to scrounge together $2.25 to get around on GRT. But while the schedule may be grueling, the Canadian singer- song writer has no regrets, as he realizes that touring is essential. “Anytime you put out a new re- cord there’s only a few ways to promote it. There are interviews and the press, but you’re not really No UPASS for summer in control of that. Then you have the marketing strategies that your labels devise, and then you have Due to a number of logistical concerns, GRT and WLUSU were unable to come to terms for a summer shows, which to me [are] the best way to get your point across and extension to the popular new bus pass; both sides remain optimistic as negotations continue the only way where you’re ever fully in control.” While he remains in control MIKE BROWN students who have been sad to because there are students here make it work operationally.” over performing, Roberts ac- NEWS EDITOR see the UPASS unavailable for – there are quite a number of The major obstacle to the knowledges that he loosened-up the summer term. While there students here,” Chaudhry notes. summer UPASS is the GRT’s on the reins when recording his On May 1, the clock struck mid- are certainly a number of motor- “I’m not sure what the cost-ben- concern about fraudulent use. newest album, Chemical City. night on the pilot project of a ized students pleased to wave efit for GRT is, but I think they While the number of students Instead of personally perform- WLUSU initiative that has had goodbye to an unwanted man- should offer it.” attending classes in the sum- ing all the instruments and later more than its fair share of the datory fee, they appear to be And that’s where this astute mer drops from about 10,650 to assembling the tracks in the stu- limelight in the past year, as the outnumbered by those without business mind hits the problem 1,235, many students opt to stay dio, as he did for 2003’s We Were UPASS’ eight-month prelimi- wheels. directly on the head. The inabil- and work in Waterloo. Born in a Flame, Roberts and his nary contract expired and One- “It really, really sucks,” la- ity to hammer out a mutually- Of course, without any means band assembled in Australia and Cards throughout Waterloo were ments third-year political sci- acceptable summer contract of identifying which students are recorded together. rendered ineffectual on the city’s ence student Chris Zaldua. “[My stems from logistical difficulties paying tuition fees, Grand River “It was good not to be alone in busses. girlfriend and I] use the bus all that were far less prevalent in the Transit is concerned about free the studio, that’s a pretty lonely The collaboration between the time and having that pass is fall and winter terms. rides occurring in a much higher existence. [This way] you have Wilfrid Laurier’s Student Union extremely useful ‘cause it saves “Where we found it challeng- proportion than they would dur- five people propping up the en- and Grand River Transit was us over $100 every two months ing was, ‘How do I identify that ing the other eight months of the ergy of the record, instead of one not without its potholes, such a student stayed year, when a comparably small person trying to carry it all on his as the initial revolt of part-time in school during number of co-op students re- shoulders. I don’t know if great students displeased at having to “It really, really sucks. We use the the summer?’” main in Kitchener-Waterloo. rock and roll has ever come from pay for a service that was by and explains John “I just don’t think it was a that,” the increasingly excited large useless to them. bus all the time and having that Cicuttin, associ- priority for them,” shrugs Jen Roberts said. Still, the initial bump in the pass is extremely useful ‘cause ate director of Mitchell, recently-departed vice- When speaking about his mu- road was dealt with and, once transportation president: university affairs and sic, Roberts speaks like a father part-time students were re- it saves us over $100 every two planning for the the woman who was charged talking about his children. That moved from the agreement, their months or so.” Region of Wa- with doing much of the leg work being said, Roberts doesn’t want full-time counterparts generally terloo. “We got in the project’s inaugural year. “I to take anything away from his warmed to the $40 per term fee. hung up on that think they were far too worried major label debut by comparing Ridership jumped from 25,000 - Chris Zaldua, disappointed student a little bit and, about fraud and things like that it to Chemical City. OneCard sightings on GRT bus- at the time, it to actually tackle the issue.” “I’m really happy with the first ses in September 2005 to 65,000 didn’t seem to “It was a lot of stuff to talk record. It meant that I was start- by November. or so.” be a great ground-swell. about,” adds Mitchell’s succes- ing off down the road. I don’t ever Alas, calm waters rarely per- Zaldua has a kindred spirit in “We said, ‘Let’s park that and sor, J.D. Muir. “Unfortunately, want to take away from it by com- sist for long and GRT and WLU- fourth-year business student we can deal with it next sum- along the GRT side, getting ev- paring it to what I’m doing now. SU may now have a much larger Saurabh Chaudhry. mer.’ We’re open-minded to it; eryone together for a meeting student demographic to ap- “It’s pretty ridiculous that it’s it’s not something we’re opposed - see ROBERTS, page 14 pease, as it’s not just part-time not offered during the summer to, but we need to figure a way to - see UPASS, page 2 Arts & Entertainment The Cord Weekly WEDNESDAY MAY 31, 2006 14 Reflecting the landscape A hoarse Sam Roberts tells Cord A&E editor, Joe Turcotte, he doesn’t want to push a social agenda, but push his music as far and as wide as possible - from ROBERTS, cover make it a fact.” the United States. But like Dylan and Lennon, “I want to push my music as far But your musical instinct is to Roberts’ music is more than just and wide as possible,” an excited pursue different musical av- catchy hooks and inviting melo- Roberts beamed. enues. Different approaches to dies. Chemical City has been de- He does seek some sort of your song writing and the lyrical scribed as a response to the ur- validation from the scene in the content, anything. You should ban decay that the band has wit- States, “I do feel that, for sure. never try to consciously direct nessed first hand while touring. Not because it’s a matter of pride what you’re doing.” “We don’t just play the 10 to 12 or anything like that. But at some And while he was writing for major cities in Canada, we go ev- point you have to expand your the new album, Roberts admits erywhere. When you put it all to- boundaries and push your hori- that sometimes his musical in- gether [the album] has this feeling zons. That just leads to a longer spiration seemed to come from to it in a way. The songs we write and healthier career. It’s not a per- unconscious sources. are a reflection of the life we live sonal thing like ‘I have to conquer “Sometimes you feel like a and the places that we see. For the States.’ It’s just the next place medium, that you’re channeling me I’m very much rooted in an to go, it’s right there and there are something from beyond. And urban landscape every day. But 300 million people who just love then sometimes it’s very much I’m not obsessed with it or any- rock and roll music.” something that you have to work thing. ‘Mind Flood’ is very much Although Roberts is looking to at. You have to sculpt a raw idea. set in Algonquin Park or some take the next step to the United You take that and hope that you place like that.
Load more

Recommended publications
  • “Alive” Pearl Jam Ten (1991) Stone Gossard, Jeff Ament, Eddie Vedder, Mike Mccready, Dave Krusen
    JAN/FEB 2010 ISSUE MMUSICMAG.COM BEHIND THE CLASSICS Lance Mercer “Alive” Pearl Jam Ten (1991) Stone Gossard, Jeff Ament, Eddie Vedder, Mike McCready, Dave Krusen ON A SUMMER DAY IN SAN DIEGO IN 1991, EDDIE I’m still alive.” “All he knows is ‘I’m still alive’—those three words, that’s Vedder paddled his surfboard out toward the horizon of the Pacifi c totally out of burden,” he said. “I’m the lover that’s still alive.” Thus Ocean and let his mind wander. Through a mutual friend, he had the instrumental that guitarist Stone Gossard had dubbed “Dollar just received a three-track instrumental demo from a band looking Short” was renamed “Alive.” for a lead singer and lyricist. As he rode the California waves, he Vedder’s tale only grew darker over the next two songs. In began imagining lyrics for the three songs—and a tragic melodrama “Once,” the son’s confusion and anger leads him to become a serial that would bind them together as a coherent story. killer. He is captured, and in “Footsteps” he laments his fate while The tale Vedder invented begins like this: A young man’s mother awaiting execution. Once the lyrics were completed, Vedder dubbed informs him that the man he believes to be his father is in fact his himself singing over the instrumentals and hastily mailed them to stepfather, and that his real father is dead. This much, at least, is Seattle. “The music just felt really open to me,” Vedder recalled in drawn from Vedder’s own autobiography.
    [Show full text]
  • Black Circle Song Catalogue
    Black Circle Song Catalogue Ten Vitalogy Yield Riot Act Pearl Jam L. Bolt Singles / G. Hits Other Bands Hunger Strike Once Last Exit Brain of J. Can't Keep Gone Mind Your Manners Breath Rockin’In The Free World Even Spin the Black Faithful Save You Come Back Sirens I Got ID Love Reign Oér Me Flow Circle Given to Fly Love Boat Captain Inside Job Sleeping By Myself Can't Deny Me Baba O'Riley Alive Not For You Wishlist Ghost Future Days State of Love and Breed Why Go Tremor Christ Do THe Evolution I Am Mine Infallible Trust Heart-Shaped Box Black Nothingman Low Light Thumbing My Way Them Bones Jeremy Whipping In Hiding ½ Full Would? Oceans Corduroy All Those Yesterdays All or None Black Hole SUn Porch Satan's Bed Comfortably Numb Deep Better Man Little Wing Garden Immortality I Believe in Miracles Release You've got to Hide Your Love away Go Sometimes Light Years Sad The Fixer Comes Then Goes Sleepless Nights Low Light Ceiling Animal Hail, Hail Thin Air Leaving Here Just Breathe Superblood Setting Forth Of The Light Daughter Smile Insignificance Yellow Ledbetter Amongst the Wolfmoon Rise Pages Glorified G Off He Goes Hard to Imagine Waves Dance of The Hard Sun DIsarray Dissident Red Mosquito Wash Unthought Clairvoyants Society Penguins and Butterflies W.M.A Present Tense Known Quick Escape Guaranteed Autumn Theory Blood The End Divide Rearviewmirror Never Thought I Would Rats Drive Home in the Rain Small Town Leash Indifference Crazy Mary Vs. No Code Binaural Lost Dogs Backspacer Gigaton Vedder Black Circle.
    [Show full text]
  • Political Pearl Jam Raises Pepsi Center Roof
    Political Pearl Jam raises Pepsi Center roof The Gazette (Colorado Springs, CO) April 3, 2003 | ROBIN A. ROTHMAN; THE GAZETTE It was 11 p.m. when the house lights came up Tuesday at the Pepsi Center, but the guys in Pearl Jam weren't ready to vacate the stage. They weren't concerned that they were 15 minutes past curfew. After all, it was the start of their 2003 U.S. tour and they had barely begun the third song of their second encore. The crowd was equally determined to "Keep on Rockin' in the Free World" for at least a few more minutes. The song, both in performance and in sentiment - "Take to the streets! Raise your voice!" - was a powerful ending to a night of varied content and mixed response. Amply sprinkled with tunes from their latest release, "Riot Act," the set list adequately represented the group's catalog, but the selection was clearly geared toward those fans dedicated enough to own albums after the debut "Ten" and follow-up "Vs." "Love Boat Captain," a touching tribute to the nine fans trampled when the band played in Denmark in 2000, opened the show slow and steady at 8:45 p.m. with the borrowed idea that "All you need is love." "Corduroy" and "Better Man" were obvious crowd-pleasers, and unsurprisingly those rare, older, bigger hits like "Even Flow," "Porch" and "Daughter" prompted sing-alongs. "I see you're into the song," frontman Eddie Vedder improvised during "Black," tying it in as if it were a standard lyric.
    [Show full text]
  • Appetizers Kid's Menu
    SOUPS & SALADS APPETIZERS BARNONE WINGS .................................................................. BAKED POTATO SOUP ............................................ 12.95 10.95 BARNONE’S SECRET RECIPE WINGS CLASSIC RECIPE, TOPPED WITH SERVED REGULAR, BARNONE, CHEDDAR AND BACON SUPER-HOT OR GARLIC/PARMESAN CIOPPINO......................................................................... 10.95 TODD’S SECRET RECIPE CHEESESTEAK EGGROLLS ...............................................11.95 WITH MISO VINAIGRETTE CHILI ...................................................................................... 9.95 CHEF MIKE’S FAVORITE BARNONE FRIED TACOS.....................................................9.95 SLOW-ROASTED PORK WITH PICKLED SOUP OF THE DAY ....................................................... 9.95 RED ONIONS AND BARNONE SALSA ASK YOUR SERVER SUNDAY GRAVY ....................................................................... 12.95 SILVIA’S WEDGE ........................................................... 9.95 MEATBALLS AND SAUSAGE, SERVED WITH A FRESH ICEBERG WEDGE WITH OUR CHEESY POLENTA CRISPS HOUSE GORGONZOLA DRESSING, BACON, TOMATO AND PICKLED RED ONIONS BARNONE SPECIAL GARLIC BREAD ..........................................................................4.95 JENNIFER’S SALAD .................................................. 15.95 BABY SPINACH, ROMAINE HEARTS, AVOCADO, VEGGIE DIP ...................................................................................4.95 ROASTED RED PEPPERS, GARLIC MUSHROOMS, AN OLD PARTY
    [Show full text]
  • Entercom Seattle and Portland Continue Support of Pearl Jam's
    For Immediate Release: Contact: Brian Thorpe May 18, 2016 Office: 206.577.2561 [email protected] Entercom Seattle and Portland Continue Support of Pearl Jam’s Vitalogy Foundation Fundraising to continue into 2016 after a successful first year partnership Seattle, WA – 99.9 KISW The Rock of Seattle, 107.7 The End of Seattle, and 94/7fm of Portland proudly announce that through their efforts with Pearl Jam’s Vitalogy foundation, they have jointly raised over $115,000 to benefit local charities in a single year. The radio stations pledged to give $2 of the sale of every ticket to their annual summer and holiday concerts to the Vitalogy Foundation, and because of the great success of last year’s efforts, the partnership will continue into 2016. Each station has found a non profit organization on which to focus within Vitalogy Foundation’s beneficiaries. 94/7fm’s December to Remember concert series and two-day summer festival, The Birthday Bash, will benefit the Crohn’s & Colitis Foundation Association’s Camp Oasis. The annual summer concert from 99.9 KISW, Pain in the Grass, will benefit the Downtown Emergency Feeding Program as well as the Bureau of Fearless Ideas, both of which help to better the lives of those living right in the Seattle area. 107.7 The End’s two annual concerts (Deck the Hall Ball and Summer Camp) will benefit Treehouse, a charity that helps foster youths, which the station has worked with closely in the past. Dave Richards, VP of Programming at Entercom Seattle said: “We’re humbled by the contributions and support of our collective audiences this past year, and now proud as can be to continue this partnership with Pearl Jam.
    [Show full text]
  • Los Más Argentinos De Seattle
    La banda se presentó el sábado durante más de tres horas, en el Estadio Único de La Plata. FOTO: DYN EL LITORAL www.ellitoral.com LUNES, 9 DE NOVIEMBRE DE 2015 PRODUCCIÓN EL LITORAL ARGENTINO ® PEARL JAM Los más argentinos de Seattle IGNACIO ANDRÉS AMARILLO piso como en sus años mozos; des”. Así agradeció Vedder en POR LA HISTORIA do MTV y otros medios pasa- [email protected] y magnético Eddie Vedder, su mal castellano de machete, Allá por las 21.16 (después ban rock (con su video de Todd todavía saltarín cuando deja en una de tantas manifestacio- del show de Cápsula, los sopor- McFarlane, fue como el último ierático y preciso Matt la guitarra y ciñe el micrófono nes de gratitud que hubo duran- tes locales), Eddie salió con sus hit masivo del grupo). Pasado y Cameron (ex Sound- con las dos manos. Así, acom- te la noche. El mismo cantante machetes y el tinto tres cuartos presente, de “Ten” a “lightning Hgarden) tras la batería pañados por el viejo lobo Boom que se convirtió en una de las que lo acompañó durante bue- Bolt”, se unieron en diferentes Yamaha; ágil Mike McCready, Gaspar en los teclados (bien voces más emblemáticas de una na parte de la noche. Delan- climas, con “All Night”, “Once”, con su slide de bronce sobre los vintage con su piano eléctrico época y (junto con Mike Patton te de un telón que replica la “dissident”, “lightning Bolt”, trastes y su zapatilla Nike en el y sus teclados con Leslie), vol- de Faith No More) de las más gráfica de “lightning Bolt”, “Given to Fly” y “Swallowed wah-wah; circunspecto Stone vieron los Pearl Jam a la Argen- influyentes en nuestro país (y el último disco de la banda, la Whole”.
    [Show full text]
  • PDF (1.03 Mib)
    The Tulane Hullabaloo I September 6, 1996 I Ｎ ａ ｜ ｃ Ｎ ｡ ｾ ･ 5 and vocal tracks remi- disappointments of the niscent of the magic album. In a way it is still that created the original refreshing to see a musi- 1 greats, "Once," cian sacrifice pleasing . "Alive," "Even Flow" melodies to get a point and "Black." across, but "Habit" and "In My Tree" is fol- "Lukin" aren't nearly at lowed by the most the same level as, say, heavily Neil Young- "Deep" or "Blood." influenced song yet, Take "Blood" in partic- "Smile." While there ular-it is a scathing song were hints of Young which fully captures the throughout Vitalogy, torn, beaten and abused Pearl Jam makes no state of its author. It is not bones about it in this one of the most pleasing one. Vedder breaks out songs to listen to, but his harp while to artistically it is very suc- accompany Ament's cessful. "Habit" on the heavily charged guitar other hand, does not come riffs. What this song off so well. Perhaps it is brings up is the ques- because he is writing the music from anoth- reasons, none of which are the music i middle of this album, which brings up an tion as to whether or not Pearl Jam went too er person's point of view that it comes out Gossard wrote this one on his own, tht interesting point about this band. far in imitating the styles of others, and crit- watered down, or maybe it just happened to song to which Vedder hasn't at least wr Pearl Jam is above all else, an album ics will have a field day with this one.
    [Show full text]
  • Open THESIS FINAL.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES AUTHENTICITY AND COMMUNITY IN THE POSTMODERN SPECTACLE LOLLAPALOOZA AS ALTERNATIVE REPRESENTATION CREIG SMITH Spring 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Telecommunications with honors in Media Studies Reviewed and approved by the following: C. Michael Elavsky Assistant Professor of Media Studies Thesis Supervisor Jeanne Hall Associate Professor of Media Studies Honors Adviser Matt Jackson Associate Professor and Head of Department of Telecommunications Additional Reader * Signatures are on file in the Schreyer Honors College. ABSTRACT This paper broadly examines notions of authenticity and community as they intersect in the music industry, particularly through the concept of the music festival. In seeking to understand these concepts‟ relation to society, the paper briefly overviews some of the tenets of the theory of postmodernism that underlie notions of authenticity and community. These ideas often come in conflict with the dominant, spectacular representations in society. Next, in trying to apply these concepts as represented in the idea of the music festival, it maps the early framework of the original Lollapalooza festivals as notable breaks in the spectacle, defining authenticity and community in an era otherwise indifferent to those concepts. With its antecedent clearly mapped, the paper then examines the role of the reincarnated Lollapalooza festivals and its possibilities to expand on the original‟s framework. Arguing that the new Lollapalooza reveals the ways in which the alternative can be collapsed into the larger spectacle, the paper finally examines the corporate censorship of 2007 headliner Pearl Jam, and how this act stands as antithetical to the original festivals‟ intentions.
    [Show full text]
  • Backspacer (2009) Antologia Di Recensioni
    1 PEARL JAM – BACKSPACER (2009) ANTOLOGIA DI RECENSIONI Riccardo Bertoncelli http://delrock.it 17/09/2009 Questo disco è una carezza per chi crede (e come potrebbe essere altrimenti?) che i Pearl Jam siano la più bella band della loro generazione, i soli reduci grunge ad aver raggiunto vivi e forti la matura età. Un album di bella energia, intenso inquieto, che smentisce con i fatti certe dichiarazioni soft rilasciate da Vedder nelle settimane scorse, quando aveva detto basta alla musica politica e tessuto l'elogio di una tranquilla vita in famiglia. "A volte le canzoni sono come bambini, sono puri ma poi crescono e diventano difficili da controllare, ostinati e insolenti." Può essere andata così. I PJ sono entrati in studio con l'idea di un morbido disco da quarantenni e poi si son lasciati trascinare da quello che han trovato, dai germogli di idea lanciati da Vedder e dal produttore, il primo mentore Brendan O'Brien. Eddie V sembra confermare. " Backspacer non è nato come un progetto scientifico, piuttosto come un fiore che sboccia." Di solito diffido di O'Brien, produttore con un marchio forte che tende a prevalere e a omologare. Qui però è tutta un'altra storia, perchè la banda Vedder ha un segno altrettanto forte e quel che viene non è mai banale o prevedibile; i Pearl Jam sono puro mercurio, sfuggono alle facili sottolineature, alle delimitazioni, ai luoghi comuni, con una energia nervosa che scuote, avvince e sa proiettarsi nel passato rock anche prima, molto prima, del grunge, fino ai giorni di certa acidula new wave.
    [Show full text]
  • Meet NY's Wobbliest Banks
    CNYB 03-02-09 A 1 2/27/2009 9:17 PM Page 1 INSIDE Still TOP STORIES making news Restaurants grow —Valerie Block as better locations on 60 Minutes’ success open up, rents fall ® Page 11 PAGE 2 Nonprofits queue for share of fed’s VOL. XXV, NO. 9 WWW.CRAINSNEWYORK.COM MARCH 2-8, 2009 PRICE: $3.00 stimulus funds PAGE 2 When your star Meet NY’s wobbliest banks name leaves: Dud investments take toll on Park Ave. Bank, Quadrangle after UM, NOT GOOD $20M Rattner PAGE 3 even parts of Milstein family’s Emigrant Bank I Nonperforming assets $30M I Total equity plus SPECIAL REPORT porary American works, all to help loan-loan reserves BY AARON ELSTEIN distinguish the bank from the com- $19M $15M petitors who line the street.Thanks in $7M for those who like to withdraw cash part to its marketing effort, Park Av- $1M or deposit checks in the presence of enue Bank’s assets quintupled after CITIZENS EMIGRANT SAVINGS BANK fine art,Park Avenue Bank is the place new management took over in 2004 COMMUNITY BANK LONG ISLAND PARK AVENUE BANK to go. A midtown branch serves as a and reached $500 million last year. THESE THREE LOCAL BANKS have soured assets overwhelming their mini-gallery, displaying everything Unfortunately, little else has gone equity and reserves, according to one recent banking benchmark. from Old Master portraits to contem- See NYC’S WORST BANKS on Page 9 Source: SNL Financial NYC TOURISM In Albany, RELAX! EVERYTHING IS ON SALE Silver’s Slogans to rebrand New York in the recession PAGE 13 good G Big Apple image problem: Some visitors are steering clear because of the economy as gold PAGE 13 G Lists of the city’s largest hotels and biggest events Speaker rises above PAGES 15, 16 weaker leaders, sets legislative agenda BUSINESS LIVES COOKED: As finance PULLING THE PLUG jobs evaporate, business is falling BY ERIK ENGQUIST Pet owners at Tommy Krisko’s forgo All-American Diner.
    [Show full text]
  • Appetizers Kid's Menu
    SOUPS & SALADS APPETIZERS CHEESESTEAK EGGROLLS .............................................. 11.95 WITH MISO VINAIGRETTE BAKED POTATO SOUP ..............................................9.95 CLASSIC RECIPE, TOPPED WITH SUNDAY GRAVY .......................................................................12.95 CHEDDAR AND BACON MEATBALLS AND SAUSAGE, SERVED WITH CHEESY POLENTA CRISPS BIG MIKE’S BEEF STEW ...........................................9.95 CHEF MIKE’S EMPANADAS* CHILI ......................................................................................9.95 THREE TO AN ORDER, SERVED WITH CHEF MIKE’S FAVORITE CHIPOTLE AIOLI AND GUASACACA SAUCE (AVOCADO, CILANTRO, SERRANO, PARSLEY) OAXACAN-STYLE CHICKEN SOUP .......................9.95 SPICY RED BROTH TOPPED WITH CHICKEN TINGA .............................................................................6.95 AVOCADO AND CHEESE SHORT RIB ........................................................................................7.95 SOUP OF THE DAY ....................................................... 9.95 SHREDDED PORK ..........................................................................6.95 ASK YOUR SERVER POTATO AND CHEESE .................................................................6.95 PASTA SALAD..................................................................9.95 RAINBOW ROTINI, TOMATO, ROASTED RED MEAT COMBO ..................................................................................7.95 PEPPER, PEPPERONI, CHEDDAR AND VINAIGRETTE THE WORKS (ONE OF EACH) ...................................................9.95
    [Show full text]
  • 100. Pearl Jam - No Code 99
    100. Pearl Jam - No Code 99. Queens Of The Stone Age - Songs For The Deaf 98. Faith No More - King For A Day 97. Billy Idol - Rebel Yell 96. Airbourne - Running Wild 95. Red Hot Chili Peppers - Stadium Arcadium 94. The Doors - Morrison Hotel 93. Weezer - The Blue Album 92. Soundgarden - Badmotorfinger 91. Van Halen - 1984 90. Metallica - Load 89. Pink Floyd - The Division Bell 88. The Living End - White Noise 87. The Exponents - Something Beginning With C 86. Iron Maiden - Seventh Son Of A Seventh Son 85. Jimmy Barnes - Working Class Man 84. Radiohead - The Bends 83. Black Sabbath - Paranoid 82. Foo Fighters - In Your Honor 81. Disturbed - Down With The Sickness 80. The Verve - Urban Hymns 79. Metallica - Death Magnetic 78. Oasis - What's The Story Morning Glory? 77. Talking Heads - Stop Making Sense 76. The Feelers - Supersystem 75. The Cult - Sonic Temple 74. The Checks - Alice By The Moon 73. Bush - Sixteen Stone 72. Led Zeppelin - II 71. Incubus - Morning View 70. Marilyn Manson - Anti Christ Superstar 69. The Beatles - Sergeant Pepper's Lonely Hearts Club Band 68. Kings Of Leon - Because Of The Times 67. Eliminator - ZZ Top 66.Ozzy Osbourne - No More Tears 65. Muse - Black Holes And Revelations 64. The Doors - LA Woman 63. Bon Jovi - Slippery When Wet 62. Stone Temple Pilots - Purple 61. Guns 'N' Roses - Use Your Illusion II 60. Shihad - Killjoy 59. Smashing Pumpkins - Siamese Dream 58. U2 - Achtung Baby 57. INXS - Kick 56. Bruce Springsteen - Born In The USA 55. Pearl Jam - Vitalogy 54. Faith No More - The Real Thing 53.
    [Show full text]