UC Santa Barbara UC Santa Barbara Previously Published Works
UC Santa Barbara UC Santa Barbara Previously Published Works Title Writing for the Vote Permalink https://escholarship.org/uc/item/62p5w6cq Author Park, Sowon Publication Date 2020-07-28 Peer reviewed eScholarship.org Powered by the California Digital Library University of California 4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation.
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