Centenary Issue
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Play Reading: 'How the Vote Was Won' by Cicely
Press Release June 9th 2010 Celebrating the centenary of the performance at Twickenham Town Hall in 1910 Play Reading: ‘How the Vote Was Won’ by Cicely Hamilton & Chris St John Directed by Imogen Bond Saturday 19th June 2010, 11am Orange Tree Theatre, 1 Clarence Street, Richmond TW9 2SA Tickets: £10 / £8 concs, Box Office: 020 8940 3633 www.orangetreetheatre.co.uk Post play reading talk by curators Irene Cockroft and Susan Croft. “In a new campaign, women throughout Britain unite and down tools, turning for support to their nearest male relative, which in this case is Horace Cole, a Brixton clerk. When Horace’s house fills up with a frightening parade of female relatives who demand he support them financially, he is rapidly converted to eager pro-suffragist, joining thousands of other men to march on the House of Commons.” Aurora Metro in association with the Orange Tree Theatre presents the sparkling comedy ‘How The Vote Was Won’, Saturday 19th June, 11am at the Orange Tree Theatre. Written by Cicely Hamilton and Chris St John, the play was originally staged by suffrage groups all over Britain and in the USA. Cicely Hamilton (1862-1952) was one of the most prolific and successful of the suffrage playwrights. She spoke at rallies and published widely on suffrage topics. Like her novel Marriage as Trade, her play Diana of Dobson’s dealt with the economic options open to women. Christabel Marshall (1871-1960) assumed the name Christopher St John upon her conversion to Catholicism and because she felt herself better suited to a man’s name. -
South Riding, Documentary Writing, and the Cinematic Gaze Ashlie Sponenberg Tulane University
65 The Long Arm of Discipline: South Riding, Documentary Writing, and the Cinematic Gaze Ashlie Sponenberg Tulane University [Sarah] is of great interest thematically in her opposition to conservative forces, and the narra- tive of her love story is an important structuring device running through the novel’s episodes, but it is only one thread among several…Her presence is justifi ed less on account of her emotional life than as a vantage point from which a social landscape can be viewed. --Marion Shaw, The Clear Stream: A Life of Win- ifred Holtby (242) Winifred Holtby’s panoramic Yorkshire novel South Riding (1936) follows in the tradition of Victorian social problem narratives such as Eliot’s Mid- dlemarch, but has also been identifi ed as simultaneously taking a modern approach, positioning itself as a “topical fi ction of fact” that is “saturat[ed] in detail…in the spirit of Storm Jameson’s call for documentary fi ction” (Trodd 116, 101).1 Holtby’s dual modes of realism, Victorian and modern, make up an appropriate form for a novel that dramatizes clashes between polarized opponents. These include union leader Joe Astell and the proto-Fascist Alderman Snaith, as well as the novel’s central romantic fi gures, Leftist headmistress Sarah Burton and failing aristocrat Robert Carne, themselves symbols of competing traditional and modernist forces, a confl ict Holtby also dramatized in Anderby Wold’s (1923) battle between labor socialism and feudal paternalism. This article will discuss Holtby’s documentary approach and use of cinematic tropes.2 Holtby’s reliance upon the literary equivalent of framed shots—repeatedly placing a socialist observer, Sarah Burton, both above and hidden from the view of the working-class objects of her concerned gaze—creates a narrative perspective that is at once politi- cally progressive and dangerously voyeuristic: Sarah’s intense focus often generates sexualized interpretations for the behaviors of those whom she secretly observes, while her own troubled erotic life is shielded from such public scrutiny. -
Mid-Century Gothic : the Agency and Intimacy of Un- Canny Objects in Post-War British Literature and Cul- Ture
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Mid-century gothic : the agency and intimacy of un- canny objects in post-war British literature and cul- ture https://eprints.bbk.ac.uk/id/eprint/40189/ Version: Public Version Citation: Mullen, Lisa (2016) Mid-century gothic : the agency and in- timacy of uncanny objects in post-war British literature and culture. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Mid-Century Gothic: The Agency and Intimacy of Uncanny Objects in Post-War British Literature and Culture by Lisa Mullen Thesis submitted to Birkbeck, University of London in fulfilment of the requirements for the degree of Doctor of Philosophy Birkbeck, University of London 2016 1 The work presented in this thesis is the candidate’s own. Signed __________________________________ Date ____________________________________ 2 ABSTRACT This thesis reassesses the years 1945-1955 as a hingepoint in British culture, a moment when literature, film and art responded to the wartime hiatus of consumer capitalism by resisting the turn towards conspicuous consumption and self- commodification. This resistance can be discerned in a gothic impulse in post-war culture, in which uncanny encounters with haunted, recalcitrant or overassertive objects proliferated, and provided a critique of the subject/object relationship on which consumerism was predicated. In the opening chapter, the ubiquity of bombsite rubble is brought into dialogue with mid-century mural painting both in literature and at the Festival of Britain. -
Issue 3 Autumn 2011 Agatha Christie's Disappearance
The Yorkshire Journal Issue 3 Autumn 2011 In this issue: Agatha Christie’s Disappearance Yorkshire’s Seaside Piers Wharram Percy a Lost Medieval Village Winifred Holtby: A Reappraisal The Disappearance of a Roman Mosaic Withernsea Pier Entrance Towers Above: All that remain of the Withernsea Pier are the historic entrance towers which were modelled on Conwy Castle. The pier was built in 1877 at a cost £12,000 and was nearly 1,200 feet long. The pier was gradually reduced in length through consecutive impacts by local sea craft, starting with the Saffron in 1880 then the collision by an unnamed ship in 1888. Then following a collision with a Grimsby fishing boat and finally by the ship Henry Parr in 1893. This left the once-grand pier with a mere 50 feet of damaged wood and steel. Town planners decided to remove the final section during sea wall construction in 1903. The Pier Towers have recently been refurbished. In front of the entrance towers is a model of how the pier would have once looked. Left: Steps going down to the sands from the entrance towers. 2 The Yorkshire Journal TThhee YYoorrkksshhiirree JJoouurrnnaall Issue 3 Autumn 2011 Above: Early autumn in the village of Burnsall in the Yorkshire Dales, which is situated on the River Wharfe with a five-arched bridge spanning it Cover: The Royal Pump Room Museum, Harrogate Editorial n this autumn issue we look at some of the things that Yorkshire has lost, have gone missing and disappeared. Over the year the Yorkshire coast from Flamborough Head right down to the Humber estuary I has lost about 30 villages and towns. -
Social and Religious Jewish Non- Conformity: Representations of the Anglo-Jewish Experience in the Oral Testimony Archive of the Manchester Jewish Museum
SOCIAL AND RELIGIOUS JEWISH NON- CONFORMITY: REPRESENTATIONS OF THE ANGLO-JEWISH EXPERIENCE IN THE ORAL TESTIMONY ARCHIVE OF THE MANCHESTER JEWISH MUSEUM A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Tereza Ward School of Arts, Languages and Cultures Contents Abbreviations.............................................................................................................. 5 Abstract ....................................................................................................................... 6 Declaration .................................................................................................................. 7 Copyright Statement .................................................................................................. 8 Acknowledgments ...................................................................................................... 9 1. Introduction ...................................................................................................... 10 1.1. The aims of this study .................................................................................. 10 1.2. A Brief history of Manchester Jewry: ‘the community’.............................. 11 1.3. Defining key terms ...................................................................................... 17 1.3.1. Problems with definitions of community and their implications for conformity ......................................................................................................... -
Mrs Dalloway, Women's Magazines and Virginia Woolf
‘This moment of June’: Mrs Dalloway, Women’s Magazines and Virginia Woolf Women in Literature / and Society - Edexcel and OCR AS/A Level A docx version of this document is available on the TES website here: https://www.tes.com/teaching-resource/mrs-dalloway-woolf-and-women-s- magazines-12404701 Historicist and feminist approaches are introduced through placing Mrs Dalloway in the context of women’s magazines to show how context can assist in determining the meaning in the book and expand on the theme of women in literature and society. This resource assists students to: • show knowledge and understanding of the ways that texts can be grouped and compared to inform interpretation • show knowledge and understanding of the contexts in which texts have been produced and received, and understanding of how these contexts influence meaning • understand the ways in which texts relate to one another and to literary traditions, movements and genres • understand the significance of cultural and contextual influences on readers and writers This resource has been developed in association with the AHRC-funded project ‘Time and Tide: Connections and Legacies’ directed by Catherine Clay, Associate Professor in Feminist and Literary Studies at Nottingham Trent University, UK. For more information about the project, visit the project website here. This project aims to introduce the history of Time and Tide and related interwar women’s periodicals to a wider public through a host of centenary celebrations including: a Souvenir Edition of Time and Tide, a Festival of Women Writers and Journalists, and an Exhibition of Interwar Women’s Magazines at the Women’s Library, LSE. -
The Politics of Sexual Difference: World War I and the Demise of British Feminism Author(S): Susan Kingsley Kent Source: Journal of British Studies, Vol
The Politics of Sexual Difference: World War I and the Demise of British Feminism Author(s): Susan Kingsley Kent Source: Journal of British Studies, Vol. 27, No. 3, The Dilemmas of Democratic Politics (Jul., 1988), pp. 232-253 Published by: Cambridge University Press on behalf of The North American Conference on British Studies Stable URL: http://www.jstor.org/stable/175664 . Accessed: 22/07/2014 06:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press and The North American Conference on British Studies are collaborating with JSTOR to digitize, preserve and extend access to Journal of British Studies. http://www.jstor.org This content downloaded from 134.83.1.244 on Tue, 22 Jul 2014 06:12:48 AM All use subject to JSTOR Terms and Conditions The Politics of Sexual Difference: World War I and the Demise of British Feminism Susan Kingsley Kent The outbreakof war in August 1914brought to a halt the activities of both militant and constitutional suffragists in their efforts to gain votes for women. By that time, the suffragecampaign had attainedthe size and status of a mass movement, commandingthe time, energies, and resources of thousands of men and women and rivetingthe atten- tion of the British public. -
1 Guardian Archive Women's Suffrage Catalogue Compiled by Jane
Guardian Archive Women’s Suffrage Catalogue Compiled by Jane Donaldson March 2017. Archive Reference: GDN/118/63 Title: Letter from Lydia Becker to C. P. Scott Extent: 1 sheet Scope and Content: Letter from Lydia Becker (1827–1890), suffragist leader, thanking Scott for his comments, which she shall not publish without his permission. She asks if she can use his name and publish his letter among the others she has received, as it is important to obtain various opinions. [This may relate to an article, ‘Female Suffrage’, for the magazine, the Contemporary Review, written after seeing Barbara Bodichon, artist and women’s activist, speak in 1886]. Date: 28 Jun 1886 Archive Reference: GDN/123/54 Title: Letter from A. Urmston to C. P. Scott Extent: 1 sheet Scope and Content: Letter from A. Urmston, Secretary of Leigh Co-operative Women's Guild asking, if Scott was returned [as a member of parliament?], would he vote for a Bill for Women’s Suffrage and support the extension of the Parliamentary franchise to women who already possess the various local franchises? Date: [Oct] 1900 Archive Reference: GDN/123/55 Title: Letter from C. P. Scott to A. Urmston Extent: 1 sheet Scope and Content: Letter from C. P. Scott to A. Urmston, Secretary of Leigh Co-operative Women's Guild, in reply to GDN/123/54, saying that he is in favour of extending the Parliamentary franchise to women on the same grounds as men, and that municipal and Parliamentary registers should be identical. [This last point is scored through]. Date: 6 Oct 1900 1 Archive Reference: GDN /124/149 Title: Letter from W. -
Writing the Vote Suffrage, Gender and Politics
4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation. What follows in this chapter is a retracing of the relations between pre-War and interwar women’s writing and a reconsideration of the connection between political activism and literary production. -
Militancy, Mother- Hood and Abortion in Elizabeth Robins’ Votes for Women! and Way Stations
Liggins, E (2018) The “Sordid Story” of an Unwanted Child: Militancy, Mother- hood and Abortion in Elizabeth Robins’ Votes for Women! and Way Stations. Women’s Writing, 25 (3). pp. 347-361. ISSN 0969-9082 Downloaded from: https://e-space.mmu.ac.uk/621022/ Publisher: Taylor & Francis (Routledge) DOI: https://doi.org/10.1080/09699082.2018.1473019 Please cite the published version https://e-space.mmu.ac.uk THE ‘SORDID STORY’ OF AN UNWANTED CHILD: MILITANCY, MOTHERHOOD AND ABORTION IN ELIZABETH ROBINS’ VOTES FOR WOMEN! AND WAY STATIONS Emma Liggins Dept of English, Manchester Metropolitan University, Rosamond St West, off Oxford Road, Manchester M15 6LL. This article re-considers representations of the militant suffragette in two texts by the radical writer Elizabeth Robins, Votes for Women! (1907) and her collection of political speeches and articles, Way Stations (1913). Her plea for twentieth-century women writers to create new roles for women outside those of wives and sweethearts can be read in relation to the creation of her ‘exceptional’ suffragette heroine, who thrives on her singleness in her 1907 play. Focussing particularly on the taboo issues of abortion and unmarried motherhood, I consider the ways in which Robins developed the fallen woman on stage narrative in the early twentieth century, and how childlessness is shown to be both necessary and problematic for the suffragette heroine. I also reassess Robins’ complex commentaries on militancy and ‘quiet propaganda’ in her suffrage speeches and pamphlets. The meanings of militancy as a form of political protest have generated considerable discussion amongst suffrage historians and feminist critics. -
Vera Brittain and the First World
The Cambridge Companion to War Writing, edited by Kate McLoughin The Parish of St Matthew, Not forgotten, Neil Oliver Darley Abbey Great War Fashion, Lucy Adlington Fighting on the Home Front, the Legacy of Women in World War One, Kate Adie Forthcoming events Please check the details at https://stmatthewschurchdarleyabbey.wordpress.com/ Saturday 27 October, 12 noon to 5 pm, Darley Abbey Village Hall - Darley Abbey Historical Group have an Historical Exhibition with a WW1 theme. Sundays 28 October and 4 November - St Matthew’s open from 2 to 4 pm. Friday 2 November, 7.30 pm, St Matthew’s Church - The Choir present Last Night of the Proms with WW1 Music. Vera Brittain and the Remembrance Sunday, 11 November - 10 am Remembrance First World War Service in church, then walk to the War Memorial for 11. At 6.15 pm the choir will sing Karl Jenkins “The Armed Man, a Mass for Peace” in a Requiem Eucharist. Julie E. Barham Friday 21 December, 7 pm, Darley Abbey Village Hall - Peter Friends of St Matthew’s reflects on “Commemorating the First World War” with Tuesday 2 October 2018 Darley Abbey Historical Group. 4 1 Vera Brittain - Perhaps Books Perhaps some day the sun will shine again, Testament of Youth, Vera Brittain And I shall see that still the skies are blue, Letters from a Lost Generation, First World War Letters of And feel once more I do not live in vain, Vera Brittain and Four Friends, edited by Alan Bishop and Although bereft of You. Mark Bostridge Perhaps the golden meadows at my feet Because You Died - Poetry and Prose of the First World War Will make the sunny hours of spring seem gay, and After, Vera Brittain, edited and introduced by Mark And I shall find the white May-blossoms sweet, Bostridge Though You have passed away. -
Lucy Hargrett Draper Center and Archives for the Study of the Rights
Lucy Hargrett Draper Center and Archives for the Study of the Rights of Women in History and Law Hargrett Rare Book and Manuscript Library Special Collections Libraries University of Georgia Index 1. Legal Treatises. Ca. 1575-2007 (29). Age of Enlightenment. An Awareness of Social Justice for Women. Women in History and Law. 2. American First Wave. 1849-1949 (35). American Pamphlets timeline with Susan B. Anthony’s letters: 1853-1918. American Pamphlets: 1849-1970. 3. American Pamphlets (44) American pamphlets time-line with Susan B. Anthony’s letters: 1853-1918. 4. American Pamphlets. 1849-1970 (47). 5. U.K. First Wave: 1871-1908 (18). 6. U.K. Pamphlets. 1852-1921 (15). 7. Letter, autographs, notes, etc. U.S. & U.K. 1807-1985 (116). 8. Individual Collections: 1873-1980 (165). Myra Bradwell - Susan B. Anthony Correspondence. The Emily Duval Collection - British Suffragette. Ablerta Martie Hill Collection - American Suffragist. N.O.W. Collection - West Point ‘8’. Photographs. Lucy Hargrett Draper Personal Papers (not yet received) 9. Postcards, Woman’s Suffrage, U.S. (235). 10. Postcards, Women’s Suffrage, U.K. (92). 11. Women’s Suffrage Advocacy Campaigns (300). Leaflets. Broadsides. Extracts Fliers, handbills, handouts, circulars, etc. Off-Prints. 12. Suffrage Iconography (115). Posters. Drawings. Cartoons. Original Art. 13. Suffrage Artifacts: U.S. & U.K. (81). 14. Photographs, U.S. & U.K. Women of Achievement (83). 15. Artifacts, Political Pins, Badges, Ribbons, Lapel Pins (460). First Wave: 1840-1960. Second Wave: Feminist Movement - 1960-1990s. Third Wave: Liberation Movement - 1990-to present. 16. Ephemera, Printed material, etc (114). 17. U.S. & U.K.