DOCSLIB.ORG

In Her Own Words: Works by Exceptional Women

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
In Her Own Words: Works by Exceptional Women london Peter Harrington ININ HERHER OWN WORDS WORKS BY EXCEPTIONAL WOMEN ur first catalogue focussed on women spans the Others have been overlooked despite brilliant contributions Ocenturies from Sappho to Maya Angelou, showcasing the to their fields. Early works by Joan Robinson (122 and 123) and work of exceptional women in many different fields. Rosa Luxemburg (96) are well-known to economists, but less These were women who pushed legal, intellectual, and well-known are those by Helen Makower (97) and S. F. Porter physical boundaries. Millicent Fawcett Garrett signed our (118). Rosalind Franklin and Jocelyn Bell were both denied copy of Women’s Victory in July 1928, the same month the Equal Nobel prizes, despite playing crucial roles in the discovery of the Franchise Act gave British women electoral equality with men structure of DNA and radio pulsars respectively (70 and 22). In (item 66). Maria Gaetana Agnesi’s Analytical Institutions is the the suffrage movement, the works of Christabel (109) and Sylvia first advanced mathematics book by a woman (1). Trailblazers Pankhurst (110) sit alongside work by their exiled sister, Adela such as Fanny Parks, “characterized by remarkable physical (108), comparatively overlooked, yet no less fierce a Pankhurst stamina” (112), Amelia Edwards, who carried out the first for it. general archaeological survey of Egypt’s ruins (60), and Lady Within the catalogue, works on paper appear alongside items Hester Stanhope, “Queen of the Desert” (144), cleared the way in different media. Amelia Earhart’s Fun of It, inscribed (59), for later intrepid travellers such as Gertrude Bell (21) and Freya complements the pearl carried on the maiden voyage of the Stark (145). The Pinnacle Club Journal, one of our favourite finds, Hindenburg by her contemporary Clara Adams, the first woman to is a scarce survival issued by one of the earliest British women- cross the Atlantic as a ticketed passenger (13). A strikingly bound only climbing clubs (102). annual of the Pethick-Lawrences’ Votes for Women (113) sits beside Several standout presentation copies, inscribed by women the board game Pank-a-Squith (174), a rare hand-painted WSPU to women, attest to the ways they supported and connected donation tin (172), and a Women’s Freedom League sash, once with each other: Charlotte Perkins Gilman’s feminist Utopian owned by the suffragette Hodgson sisters (171). novel Herland inscribed to Californian suffragette Alice Locke So many women have left an inspiring legacy in the world of Park, who was instrumental in gaining the vote for Californian books through bookselling, publishing, and collecting—such women (73); the four lifetime volumes of Susan B. Anthony’s as Sylvia Beach, founder of the legendary Shakespeare and “bible” of the women’s suffrage campaign to her cousin Anna Company (19); Frances Mary Currer Richardson, the first major with volume-by-volume commentary (6); two works by Dorothy female book collector (48); and Belle da Costa Greene, the Parker to the most renowned female screenwriter of the 20th African American librarian who shaped the Pierpont Morgan century, Frances Marion (111); the de facto dedication copy of library (77). Jacob’s Room, presented by Virginia Woolf to Vanessa Bell (176); We hope that this catalogue, and the continuing growth of and the début novel by Selma Lagerlöf, the first woman to win our stock in this area, will encourage collectors to discover or the Nobel Prize in Literature, to her Danish translators Ida appreciate anew these remarkable women and their works. Falbe-Hansen and Elisabeth Grundvig, key to popularising Lagerlöf ’s work in Europe (88). Please direct all enquiries to: Some women here are household names: Jane Austen (10 and 11), the Brontë sisters (30 and 31), Agatha Christie (39 and Theodora Robinson ([email protected]) 40), J. K. Rowling (126), and Mary Wollstonecraft (166 and 167). Emma Walshe ([email protected]) VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London sw19 7jy. Registered in England and Wales No: 3609982 Cover illustrations from VOW: Voice of Women, item 169; figurines on title page (opposite) from Pank-a-Squith, item 174. Design: Nigel Bents. Photography: Ruth Segarra. Peter Harrington 1969 london 2019 catalogue 151 IN HER OWN WORDS WORKS BY EXCEPTIONAL WOMEN all items from this catalogue are on display at dover street dover st opening hours: 10am–7pm monday–friday; 10am–6pm saturday mayfair chelsea peter harrington peter harrington 43 dover street 100 fulham road london w1s 4ff london sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 1 2 1 Analytical Institutions enjoyed great popularity and was praised for its AGNESI, Maria Gaetana. Instituzioni analitiche ad uso accessibility, particularly in presenting young scholars with more advanced material than that found in other contemporary Europe- della gioventu’ Italiana. Milan: Nella Regia-Ducal Corte, 1748 an mathematics treatises. In recognition of this, in 1750 Agnesi was 2 volumes, quarto (245 × 185 mm), pp. 1,020. Contemporary mottled calf, awarded the chair of Mathematics and Analytical Geometry at the twin red and green morocco spine labels, compartments elaborately tooled University of Bologna by Pope Benedict XIV, making her the second in gilt with floral and scrollwork motifs, raised bands tooled in gilt, mar- woman ever to be granted professorship at a university. bled endpapers, edges red, green cloth book markers. Engraved vignette title pages, historiated headpieces and initials, decorative tailpieces. With Grolier, Extraordinary Women in Science & Medicine, 68. 59 engraved folding plates, plus 2 folding tables to vol. II (not included in £5,500 [131473] pagination, at pp. 705 and 708). With the errata leaves. Contemporary paper library labels to front pastedown of each volume, inscribed in ink “S T[o] 2 mo 41” and “S T[o]mo 42” respectively. Extremities worn with a little loss to spine ends and a single puncture to foot of vol. I, front joints partly split ALLEN, Mary S. The Pioneer Policewoman. London: but still firm, a few very faint marks to boards, discreet paper repair to tear Chatto & Windus, 1925 at bottom edge of vol. I title leaf, small tear to plate mark of engraved head- piece of vol. I p. 1, some dampstains throughout. In all a very good copy, the Octavo. Original blue cloth, titles to spine in silver, top edge blue, bottom edge contents crisp and bright. untrimmed. With the dust jacket. Photographic portrait frontispiece and 10 photographic plates. A little fading to spine, touch of wear to tips, faint fox- first edition of the author’s best-known work, “believed to be the ing to endpapers, tiny mark to head of plates; a very good copy in the scarce, first advanced mathematics book by a woman. The text is one of the soiled, jacket with loss to spine ends and tips, sticker residue to spine, scuffs earliest by anyone to provide a comprehensive introduction to alge- to edges and folds, small puncture to rear cover. Together with autograph note bra, geometry, differential calculus, integral calculus, and differen- on Women’s Auxiliary Service-headed postcard (88 × 140 mm). tial equations” (Grolier, p. 73). It is also notable for supplying the first first edition, presentation copy, inscribed by the author on formal presentation of calculus terminology in the Italian language. the front free endpaper, “with every good wish, from Mary S. Al- Relatively well-held institutionally, it is far scarcer in commerce. len”, and with an autograph note by her loosely inserted: “Hoping A native of Milan, Agnesi (1718–1799) quickly distinguished her- you will accept this—If in your part of the world I will certainly let self as a prodigy in the subjects of natural philosophy and math- you know. M. S. Allen”. The Pioneer Policewoman was Allen’s (1878– ematics, growing up in a household filled with contemporary 1964) first published work and details her role as commandant of scientific works and instruments. The present work, completed the Women’s Auxiliary Service from 1920 onwards. It is dedicated after a decade of preparation, was the culmination of her mathe- to her predecessor in the role, and sometime lover, Margaret Dam- matical studies. Agnesi dedicated it to Empress Maria Theresa, er Dawson, who founded the service in 1914 as the Women Police whose reforms had recently aided the opening of Italian culture to Volunteers, an independent organisation whose members were Enlightenment ideas. “To produce the book, a printing press was trained, uniformed, and prepared to work full time, and which was installed in the family house so that Agnesi could supervise the funded by subscriptions and private donations. Allen was a pio- typesetting—a challenge because of the mathematical symbols and neering figure in the introduction of women into the British police equations. Agnesi’s special interest was the characteristics of plane force. Prior to her role in the WPV Allen was an active suffragette, curves, which are depicted on fifty-eight folding plates” (p. 75). A serving three prison terms in 1909 for her militant activities. While later mistranslation of the name of one of the cubic curves, which imprisoned she took part in a number of hunger strikes and was confused the correct “versiera” with “versicra” (meaning witch), led repeatedly force-fed. She first “envisaged the idea of women police, to one particular curve becoming known as the “Witch of Agnesi”. 2 Peter Harrington 151 4 to arrest women offenders, attend them at police stations, and es- 4 cort them to prison and give them proper care” while serving these (ANDERSON, Marian.) Signed 10 × 8 inch glossy studio terms (ODNB).
Load more

Recommended publications
  • Gender, Knowledge and Power in Radical Culture
    POETESSES AND POLITICIANS: GENDER, KNOWLEDGE AND POWER IN RADICAL CULTURE, 1830-1870 HELEN ROGERS submitted for the degree of D.Phil University of York History Department and Centre for Women's Studies September 1994 CONTENTS PAGE Acknowledgements Abstract Introduction - Poetesses and Politicians: Rethinking Women and Radicalism, 1830-1870 1 I Poetesses and Politicians 2 II Rethinking Women and Radicalism, 1830-1870 12 Chapter One - The Politics of Knowledge in Radical Culture, 1790-1834 25 I Reason, Virtue and Knowledge: Political and Moral Science in the 1790s 27 II "Union is Knowledge": Political and Moral Economy in the 1820s and 1830s 37 Chapter Two - "The Prayer, The Passion and the Reason" of Eliza Sharples: Freethought, Women's Rights and Republicanism, 1832-1852 51 I The Making of a Republican, 1827-1832 i The Conversion 54 ii "Moral Marriage": A Philosophical Partnership? 59 iii The Forbidden Fruit of Knowledge 64 II "The Lady of the Rotunda" 72 III "Proper Help Meets for Men": Eliza Sharpies and Female Association in Metropolitan Radical Culture, in the Early 1830s 81 IV "The Poverty of Philosophy": Marriage, Widowhood, and Politics, 1833-1852 94 Chapter Three - "A Thinking and Strictly Moral People": Education and Citizenship in the Chartist Movement 102 I Chartist Debates on Education as Politics 111 II "Sound Political Wisdom from the Lips of Women": Chartist Women's Political Education 120 III Chartist Women and Moral and Physical Force 130 IV Conclusion "What Power has Woman...?" 138 Chapter Four - "The Good Are Not Always
    [Show full text]
  • Play Reading: 'How the Vote Was Won' by Cicely
    Press Release June 9th 2010 Celebrating the centenary of the performance at Twickenham Town Hall in 1910 Play Reading: ‘How the Vote Was Won’ by Cicely Hamilton & Chris St John Directed by Imogen Bond Saturday 19th June 2010, 11am Orange Tree Theatre, 1 Clarence Street, Richmond TW9 2SA Tickets: £10 / £8 concs, Box Office: 020 8940 3633 www.orangetreetheatre.co.uk Post play reading talk by curators Irene Cockroft and Susan Croft. “In a new campaign, women throughout Britain unite and down tools, turning for support to their nearest male relative, which in this case is Horace Cole, a Brixton clerk. When Horace’s house fills up with a frightening parade of female relatives who demand he support them financially, he is rapidly converted to eager pro-suffragist, joining thousands of other men to march on the House of Commons.” Aurora Metro in association with the Orange Tree Theatre presents the sparkling comedy ‘How The Vote Was Won’, Saturday 19th June, 11am at the Orange Tree Theatre. Written by Cicely Hamilton and Chris St John, the play was originally staged by suffrage groups all over Britain and in the USA. Cicely Hamilton (1862-1952) was one of the most prolific and successful of the suffrage playwrights. She spoke at rallies and published widely on suffrage topics. Like her novel Marriage as Trade, her play Diana of Dobson’s dealt with the economic options open to women. Christabel Marshall (1871-1960) assumed the name Christopher St John upon her conversion to Catholicism and because she felt herself better suited to a man’s name.
    [Show full text]
  • National Records of Scotland (NRS) Women's Suffrage Timeline
    National Records of Scotland (NRS) Women’s Suffrage Timeline 1832 – First petition to parliament for women’s suffrage. FAILS Great Reform Act gives vote to more men, but no women 1866 - First mass women’s suffrage petition presented to parliament by J. S. Mill MP 1867 - First women’s suffrage societies set up. Organised campaigning begins 1870 – Women’s Suffrage Bill rejected by parliament Married Women’s Property Act gives married women the right to their own property and money 1872 – Women in Scotland given the right to vote and stand for school boards 1884 – Suffrage societies campaign for the vote through the Third Reform Act. FAILS 1894 – Local Government Act allows women to vote and stand for election at a local level 1897 – National Union of Women’s Suffrage Societies (NUWSS) formed 1903 – Women’s Social and Political Union (WSPU) founded by Emmeline Pankhurst 1905 – First militant action. Suffragettes interrupt a political meeting and are arrested 1906 – Liberal Party wins general election 1907 – NUWSS organises the successful ‘United Procession of Women’, the ‘Mud March’ Women’s Enfranchisement Bill reaches a second reading. FAILS Qualification of Women Act: Allows election to borough and county councils Women’s Freedom League formed 1908 – Anti-suffragist Liberal MP, Herbert Henry Asquith, becomes prime minister Women’s Sunday demonstration organised by WSPU in London. Attended by 250, 000 people from around Britain Women’s National Anti-Suffrage League (WASL) founded by Mrs Humphrey Ward 1909 - Marion Wallace-Dunlop becomes the first suffragette to hunger-strike 20 October – Adela Pankhurst, & four others interrupt a political meeting in Dundee.
    [Show full text]
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • One Man's Personal Campaign to Save the Building – Page 8
    The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking.
    [Show full text]
  • Elizabeth Garrett Anderson in Context: the Origins of the Women’S Movement in Mid- Victorian Britain
    Elizabeth Garrett Anderson in context: the origins of the women’s movement in mid- Victorian Britain By Professor Lawrence Goldman In 1840 in London at the first World Anti-Slavery Convention, a woman rose to speak from the separate enclosure where all women attendees at the meeting had been corralled. There was consternation and uproar and she was silenced. The following day The Times carried an editorial on the meeting and made unkind remarks on the manners of our American cousins because the woman in question was from the United States. Her name was Elizabeth Cady Stanton and she is often compared with Millicent Garrett Fawcett, the equally famous sister of Elizabeth Garrett Anderson. Elizabeth Cady Stanton led the movement for women’s enfranchisement in America in the late-19th century and often attested that it was her treatment in London in 1840 which made her the leading American feminist of her generation. In Britain in 1840 no respectable woman would speak in public; that was the privilege of men only. Yet fast-forward to Birmingham in October 1857 and the opening congress of an organisation called the Social Science Association, and here, for the first time, 17 years later, a middle-class woman spoke in open and mixed company. Her name was Mary Carpenter and she spoke about her work rescuing street children in Bristol and educating them in so-called ragged schools. Miss Carpenter was already a famous female philanthropist and the audience for this landmark speech was so large that the meeting was delayed while everyone moved to a bigger venue.
    [Show full text]
  • Notes to Chapter 1
    Notes Notes to Chapter 1 1. Lord David Cecil's discussion of Gaskell in Early Victorian Novelists (London: Constable, 1934) is a notorious example of devaluing a writer by reference to her femininity: 'she was all a woman was expected to be; gentle, domestic, tactful, unintelledual, prone to tears, easily shocked. So far from chafing at the limits imposed on her activities, she accepted them with serene satisfaction' (p. 198). The first writer to give extended treatment to Gaskell's involvement in feminism is Aina Rubenius in The Woman Question in Mrs Gaskell's Life and Work (Uppsala: Lundequistka Bokhandeln, 1950). 2. Raymond Williams finds that despite her 'deep imaginative sympathy' for the workers, Gaskell in Mary Barton shares and expresses middle-class fears about working-class action. Culture and Society (London: Chatto, 1958) p. 90. John Lucas writes that the reconciliation between classes in North and South comes down to teaching the lower orders to know their place. 'Mrs Gaskell and Brotherhood', in Tradition and Tolerance in Nineteenth-century Fiction, ed. David Howard et al. (London: Routledge and Kegan Paul, 1966) p.205. 3. See especially Patsy Stoneman, Elizabeth Gaskell (Brighton: Harvestelj 1987), and Margaret Homans, Bearing the Word: Language and Female Experience in Nineteenth-century Women~ Writing (Chicago: University of Chicago Press, 1986). 4. Winifred Gerin, Eliubeth Gaskell: A Biography (Oxford: Oxford University Press, 1976) p. 17. 5. Annette B. Hopkins, Elizabeth GaskeU: Her life and Work (London: John Lehmann, 1932) p. 34. 6. See Sally Stonehouse, 'A Letter from Mrs Gaskell', Brontl Society Transactions, vol. 20 (1991) pp.
    [Show full text]
  • Centenary Issue
    REGISTERED AT THE G.P.O. Vol. 9. No. 52. [ AS A NEWSPAPER ] MAY 14, 2020. Weekly Price 6d. FEMINISM DIVIDED .... .... .... .... .... .... .... .... .... .... WINIFRED HOLTBY RETROSPECT—A Short Story .... .... .... .... .... .... .... .... E. M. DELAFIELD NOTES ON THE WAY .... .... .... .... .... .... .... .... .... .... .... LADY RHONDDA THE MARCH OF THE WOMEN .... .... .... .... .... .... .... .... .... ETHEL SMYTH CENTENARY ISSUE A souvenir edition of Time and Tide (1920–1979) to mark the centenary of its first issue, including original contributions by an interwar generation of women writers and journalists, and a Foreword by Polly Toynbee. [February 22, 1929] [February May 14, 2020 TIME AND TIDE ii Time and Tide—A Foreword By POLLY TOYNBEE. hundred years ago might seem an age away, and right-wing News of the World and the Sunday Express. yet here women’s writings leap fresh from these Lady Rhondda, though, in TIME AND TIDE, was Apages, their causes all too familiar today. magnificently excoriating of Lord Rothermere, founder Feminism gets remade for each generation, but core of the Daily Mail, Nazi supporting in the 1930s. questions barely change. Great victories are won, laws For all classes, motherhood is still career and pay are passed, women’s rights advance, and yet, and yet destiny. Fathers may help more in a semi-cultural shift, so many everyday fundamentals stay the same. but the numbers tell the story of who steps back when TIME AND TIDE launched in 1920 as the only weekly a child is born and who takes a part-time job below their review magazine owned and edited by a woman, Lady qualifications to fit family life, damaging their future Rhondda.
    [Show full text]
  • Cras-38.1.-009 165..190
    Shooting the Movement: Black Panther Party Photography and African American Protest Tr a di ti o n s T.N. P h u Abstract: Although the failure of the Black Panther Party has often been attributed to the violence which consumed it, the photographic record suggests otherwise. This paper argues that the movement in fact developed a striking and self-aware protest aesthetic. Moreover, this still influential self-referential visuality emphasized the spectacular forms of defiance, contributing, in doing so, to African American traditions of protest conventionally rooted in the oral tradition. A focus on Black Panther Party photography helps account for how the rhetorical violence which focused the BPP’s protest aesthetic became complexly indistinguishable from violent realization. Keywords: African American photography, American studies, cultural studies, visual culture, race Re´sume´ : Bien que l’e´chec du parti des Panthe`res Noires ait souvent e´te´ attribue´ a` la violence qui l’embrasait, les dossiers photographiques laissent penser le contraire. Selon le pre´sent article, le mouvement a en fait de´veloppe´ un caracte`re d’autoprotestation frappant en matie`re d’esthe´tique. En outre, ce phe´nome`ne de perception autore´fe´rentiel qui conserve toujours son influence a mis l’accent sur des formes spectaculaires de de´fi et a ainsi contribue´ aux traditionnelles protestations afro-ame´ricaines classiquement enracine´es dans la tradition orale. L’accent mis sur la photographie du parti des Panthe`res Noires permet de constater comment la rhe´torique violente sur laquelle s’est polarise´ ce parti est devenue complexe et impossible a` distinguer de la re´alisation violente.
    [Show full text]
  • Annie Leibovitz Who Is Annie Leibovitz? Who Is Annie Leibovitz?
    ANNIE LEIBOVITZ WHO IS ANNIE LEIBOVITZ? WHO IS ANNIE LEIBOVITZ? Annie Leibovitz is an American portrait photographer. She photographed John Lennon on the day he was assassinated, and her work has been used on numerous album covers and magazines. Born: 2 October 1949 (age 68) Awards: Honorary Clio Award, Glamour Award for The Visionary WHERE IS ANNIE LEIBOVITZ FROM? Waterbury, Connecticut, United States HOW ANNIE LEIBOVITZ GOT INTO PHOTOGRAPHY? During a vacation from school, Leibovitz visited her family, then living in the Philippines. She and her mother took a trip to Japan, where she bought a camera and began taking pictures. When she returned to school, Leibovitz enrolled in a night class in photography. "I was totally seduced by the wonderment of it all," she told a writer for Art News. "To see something that afternoon and have it materialize before your eyes that same day. There was a real immediacy to it. I lived in the darkroom." WHAT LOCATIONS / COUNTRIES HAS ANNIE SHOT AT? Annie Leibovitz has shot at various places in the world, one being at Buckingham Palace in the UK, as she did a photoshoot of the queen for the BBC. Leibovitz has also shot various photos for vanity fair which is based in Mayfair, London. Various photos have also been shot in the United States such as in New York where she shot in various places, such as a bar and New York skyline. WHAT ARE THEY TRYING TO COMMUNICATE WITH THEIR WORK? What Annie Leibovitz is trying to communicate with her work is a subject at the time, capturing a subject in the moment.
    [Show full text]
  • TABLE of CONTENTS Introduction
    Table of Contents Introduction ................................................................................... 8 Akram Zaatari Excerpts from an Interview with Hashem El Madani ....................................................... 20 Charles Esche Sean Snyder .................................................................................. 28 Mira Keratová Les travailleurs n’ont pas de patrie ................................. 46 Michael Oppitz The Beauty of Exactitude. Talk about ethnographic film between Ahmad Alasti and Michael Oppitz ... 48 WORKS Mathilde ter Heijne Woman to go, 2005, 180 different postcards, 6 postcard racks, Edition 1/3, Thyssen-Bornemisza Collections ......................... 14 Akram Zaatari Hashem El Madani: Studio Practices, 2006, 76 silver prints taken between 1949 and the late 1970s by Hashem El Madani, each between 22 x 15 cm and 39.5 x 26.5 cm, Thyssen-Bornemisza Collections ...... 20 Sean Snyder Casio, Seiko, Sheraton, Toyota, Mars, 2004–2005, Single-channel video projection, 13 min 12 sec, color, sound, Edition 3/3 + 2 AP, Thyssen-Bornemisza Collections .................................................................. 28 Walid Raad (The Atlas Group) Let’s Be Honest. The Weather Helped, 1998/2006, Set of 7 plates (archival inkjet prints), each 46.4 x 71.8 cm, Edition 3/7 + 1 AP, Thyssen-Bornemisza Collections .............................. 32 Ai Weiwei Colored Vases, 2006, 10 pieces, Neolithic vases (5000–3500 b.c.), industrial paint, each approx. 30 x 20 cm, Thyssen-Bornemisza Collections ......... 36 Brad Kahlhamer Billy Jack, Jr., 2006, Graphite, ink, gouache and watercolor on paper, 157.5 x 208.3 cm, Thyssen-Bornemisza Collections ....... 40 Anetta Mona Chisa / Lucia Tkácová Uncomfortable Heritage, 2005, Performance Capital: Magical Recipes for Love, Happiness and Health, 2006, Single-channel video, 12 min 17 sec, color, sound, Courtesy of the artists ............. 44 Tanya Hamilton / Daniel F. Friedlaender / Michael W.
    [Show full text]