Spectacle, Performance and New Femininities in the Plays of Suffrage
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Play Reading: 'How the Vote Was Won' by Cicely
Press Release June 9th 2010 Celebrating the centenary of the performance at Twickenham Town Hall in 1910 Play Reading: ‘How the Vote Was Won’ by Cicely Hamilton & Chris St John Directed by Imogen Bond Saturday 19th June 2010, 11am Orange Tree Theatre, 1 Clarence Street, Richmond TW9 2SA Tickets: £10 / £8 concs, Box Office: 020 8940 3633 www.orangetreetheatre.co.uk Post play reading talk by curators Irene Cockroft and Susan Croft. “In a new campaign, women throughout Britain unite and down tools, turning for support to their nearest male relative, which in this case is Horace Cole, a Brixton clerk. When Horace’s house fills up with a frightening parade of female relatives who demand he support them financially, he is rapidly converted to eager pro-suffragist, joining thousands of other men to march on the House of Commons.” Aurora Metro in association with the Orange Tree Theatre presents the sparkling comedy ‘How The Vote Was Won’, Saturday 19th June, 11am at the Orange Tree Theatre. Written by Cicely Hamilton and Chris St John, the play was originally staged by suffrage groups all over Britain and in the USA. Cicely Hamilton (1862-1952) was one of the most prolific and successful of the suffrage playwrights. She spoke at rallies and published widely on suffrage topics. Like her novel Marriage as Trade, her play Diana of Dobson’s dealt with the economic options open to women. Christabel Marshall (1871-1960) assumed the name Christopher St John upon her conversion to Catholicism and because she felt herself better suited to a man’s name. -
Eliza Calvert Hall: Kentucky Author and Suffragist
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 2007 Eliza Calvert Hall: Kentucky Author and Suffragist Lynn E. Niedermeier Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Niedermeier, Lynn E., "Eliza Calvert Hall: Kentucky Author and Suffragist" (2007). Literature in English, North America. 54. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/54 Eliza Calvert Hall Eliza Calvert Hall Kentucky Author and Suffragist LYNN E. NIEDERMEIER THE UNIVERSITY PRESS OF KENTUCKY Frontispiece: Eliza Calvert Hall, after the publication of A Book of Hand-Woven Coverlets. The Colonial Coverlet Guild of America adopted the work as its official book. (Courtesy DuPage County Historical Museum, Wheaton, 111.) Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2007 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 11 10 09 08 07 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Niedermeier, Lynn E., 1956- Eliza Calvert Hall : Kentucky author and suffragist / Lynn E. -
Dame Ellen Terry GBE
Dame Ellen Terry GBE Key Features • Born Alice Ellen Terry 27 February 1847, in Market Street, Coventry • Married George Frederic Watts, artist 20 February 1864 in Kensington. Separated 1864. Divorced 13 March 1877 • Eloped with Edward William Godwin, architect in 1868 with whom she had two children – Edith (b1869) and Edward Gordon (b1872). Godwin left Ellen in early 1875. • Married Charles Kelly, actor 21 November 1877 in Kensington. Separated 1881. Marriage ended by Kelly’s death on 17 April 1885. • Married James Carew, actor 22 March 1907 in Allegheny County, Pennsylvania, USA. Unofficially separated 1909. • Died 21 July 1928 Smallhythe Place. Funeral service at Smallhythe church. Cremation at Golders Green Crematorium, London. Ashes placed in St Paul’s Covent Garden (the actors’ church). Urn on display on south wall (east end). A brief marital history Ellen Terry married three times and, between husbands one and two, eloped with the man who Ellen Terry’s first marriage was to the artist G F Watts. She was a week shy of 17 years old, young and exuberant, and he was a very neurotic and elderly 46. They were totally mismatched. Within a year he had sent her back to her family but would not divorce her. When she was 21, Ellen Terry eloped with the widower Edward Godwin and, as a consequence, was estranged from her family. Ellen said he was the only man she really loved. They had two illegitimate children, Edith and Edward. The relationship foundered after 6 or 7 years when they were overcome by financial problems resulting from over- expenditure on the house that Godwin had designed and built for them in Harpenden. -
A Chronology of Works by and About Bernard Shaw
A Chronology of Works By and About Bernard Shaw CONTENTS A. Shaw’s Novels, Plays and Commentary 2 B. Shaw’s Reviews and Criticism 5 C. Shaw’s Collected Writings and Letters 5 D. Biographies and Biographical Studies 8 E. Books and Essay Collections 9 F. Reference Books 15 G. Scholarly Editions of Shaw’s Plays 15 H. Bibliographies 16 I. Miscellanea 17 2 A. Shaw’s Novels, Plays and Commentary First date: year(s) written Second date: year of first performance Third date(s): year(s) of publication [in brackets] 1878 My Dear Dorothea: A Practical System of Moral Education for Females Embodied in a Letter to a Young Person of that Sex (ed. S. Winsten) [1906; 1956] 1878 Passion Play (fragment) [1971] 1879 Immaturity (novel) [1930] 1880 The Irrational Knot (novel) [ser. 1885-7; 1905] 1881 Love Among the Artists (novel) [ser. 1887-8; 1900] 1882 Cashel Byron’s Profession (novel) [ser. 1885-6; 1886; rev 1889, 1901] 1883 An Unsocial Socialist (novel) [ser. 1884; 1887] 1884 Un Petit Drame (playlet) [1959] 1884/92 Widowers’ Houses 1893 [1893; rev. 1898] 1887-88 An Unfinished Novel (novel fragment) [1958] 1889 Fabian Essays in Socialism (ed. Shaw) [1889; rev. 1908, 1931, 1948] 1890 Ibsen Lecture before the Fabian Society [1970] 1891 The Quintessence of Ibsenism (criticism) [1891; rev. 1913] 1893 The Philanderer 1905 [1898] 1893 Mrs Warren’s Profession 1902 [1898; rev. 1930] 1893-94 Arms and The Man 1894 [1898; rev. 1930] 1894 Candida 1897 [1898; rev. 1930] 1895 The Man of Destiny 1897 [1898; rev. 1930] 1895 The Sanity of Art (art criticism) [1895; rev. -
The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
The President's Commission on the Celebration of Women in American
The President’s Commission on Susan B. Elizabeth the Celebration of Anthony Cady Women in Stanton American History March 1, 1999 Sojourner Lucretia Ida B. Truth Mott Wells “Because we must tell and retell, learn and relearn, these women’s stories, and we must make it our personal mission, in our everyday lives, to pass these stories on to our daughters and sons. Because we cannot—we must not—ever forget that the rights and opportunities we enjoy as women today were not just bestowed upon us by some benevolent ruler. They were fought for, agonized over, marched for, jailed for and even died for by brave and persistent women and men who came before us.... That is one of the great joys and beauties of the American experiment. We are always striving to build and move toward a more perfect union, that we on every occasion keep faith with our founding ideas and translate them into reality.” Hillary Rodham Clinton On the occasion of the 150th Anniversary of the First Women’s Rights Convention Seneca Falls, NY July 16, 1998 Celebrating Women’s History Recommendations to President William Jefferson Clinton from the President’s Commission on the Celebration of Women in American History Commission Co-Chairs: Ann Lewis and Beth Newburger Commission Members: Dr. Johnnetta B. Cole, J. Michael Cook, Dr. Barbara Goldsmith, LaDonna Harris, Gloria Johnson, Dr. Elaine Kim, Dr. Ellen Ochoa, Anna Eleanor Roosevelt, Irene Wurtzel March 1, 1999 Table of Contents Executive Order 13090 ................................................................................1 -
Centenary Issue
REGISTERED AT THE G.P.O. Vol. 9. No. 52. [ AS A NEWSPAPER ] MAY 14, 2020. Weekly Price 6d. FEMINISM DIVIDED .... .... .... .... .... .... .... .... .... .... WINIFRED HOLTBY RETROSPECT—A Short Story .... .... .... .... .... .... .... .... E. M. DELAFIELD NOTES ON THE WAY .... .... .... .... .... .... .... .... .... .... .... LADY RHONDDA THE MARCH OF THE WOMEN .... .... .... .... .... .... .... .... .... ETHEL SMYTH CENTENARY ISSUE A souvenir edition of Time and Tide (1920–1979) to mark the centenary of its first issue, including original contributions by an interwar generation of women writers and journalists, and a Foreword by Polly Toynbee. [February 22, 1929] [February May 14, 2020 TIME AND TIDE ii Time and Tide—A Foreword By POLLY TOYNBEE. hundred years ago might seem an age away, and right-wing News of the World and the Sunday Express. yet here women’s writings leap fresh from these Lady Rhondda, though, in TIME AND TIDE, was Apages, their causes all too familiar today. magnificently excoriating of Lord Rothermere, founder Feminism gets remade for each generation, but core of the Daily Mail, Nazi supporting in the 1930s. questions barely change. Great victories are won, laws For all classes, motherhood is still career and pay are passed, women’s rights advance, and yet, and yet destiny. Fathers may help more in a semi-cultural shift, so many everyday fundamentals stay the same. but the numbers tell the story of who steps back when TIME AND TIDE launched in 1920 as the only weekly a child is born and who takes a part-time job below their review magazine owned and edited by a woman, Lady qualifications to fit family life, damaging their future Rhondda. -
Suffrage and Virginia Woolf 121 Actors
SUFFRAGE AND VIRGINIAWOOLF: ‘THE MASS BEHIND THE SINGLE VOICE’ by sowon s. park Virginia Woolf is now widely accepted as a ‘mother’ through whom twenty- ¢rst- century feminists think back, but she was ambivalent towards the su¡ragette movement. Feminist readings of the uneasy relation betweenWoolf and the women’s Downloaded from movement have focused on her practical involvement as a short-lived su¡rage campaigner or as a feminist publisher, and have tended to interpret her disapproving references to contemporary feminists as redemptive self-critique. Nevertheless the apparent contradictions remain largely unresolved. By moving away from Woolf in su¡rage to su¡rage in Woolf, this article argues that her work was in fact deeply http://res.oxfordjournals.org/ rooted at the intellectual centre of the su¡rage movement. Through an examination of the ideas expressed in A Room of One’s Own and Three Guineas and of two su¡rage characters, Mary Datchet in Night and Day and Rose Pargiter in TheYears,it establishes how Woolf’s feminist ideas were informed by su¡rage politics, and illumi- nates connections and allegiances as well as highlighting her passionate resistance to a certain kind of feminism. at Bodleian Library on October 20, 2012 I ‘No other element in Woolf’s work has created so much confusion and disagree- mentamongherseriousreadersasherrelationtothewomen’smovement’,noted Alex Zwerdling in 1986.1 Nonetheless the women’s movement is an element more often overlooked than addressed in the present critical climate. And Woolf in the twentieth- ¢rst century is widely accepted as a ‘mother’ through whom feminists think back, be they of liberal, socialist, psychoanalytical, post-structural, radical, or utopian persuasion. -
The Aeronautical Division, US Signal Corps By
The First Air Force: The Aeronautical Division, U.S. Signal Corps By: Hannah Chan, FAA history intern The United States first used aviation warfare during the Civil War with the Union Army Balloon Corps (see Civil War Ballooning: The First U.S. War Fought on Land, at Sea, and in the Air). The lighter-than-air balloons helped to gather intelligence and accurately aim artillery. The Army dissolved the Balloon Corps in 1863, but it established a balloon section within the U.S. Signal Corps, the Army’s communication branch, during the Spanish-American War in 1892. This section contained only one balloon, but it successfully made several flights and even went to Cuba. However, the Army dissolved the section after the war in 1898, allowing the possibility of military aeronautics advancement to fade into the background. The Wright brothers' successful 1903 flight at Kitty Hawk was a catalyst for aviation innovation. Aviation pioneers, such as the Wright Brothers and Glenn Curtiss, began to build heavier-than-air aircraft. Aviation accomplishments with the dirigible and planes, as well as communication innovations, caused U.S. Army Brigadier General James Allen, Chief Signal Officer of the Army, to create an Aeronautical Division on August 1, 1907. The A Signal Corps Balloon at the Aeronautics Division division was to “have charge of all matters Balloon Shed at Fort Myer, VA Photo: San Diego Air and Space Museum pertaining to military ballooning, air machines, and all kindred subjects.” At its creation, the division consisted of three people: Captain (Capt.) Charles deForest Chandler, head of the division, Corporal (Cpl.) Edward Ward, and First-class Private (Pfc.) Joseph E. -
“Free Theatre”: Edith Craig's Pioneer Players 1911
Formations, Institutions and The “Free Theatre”: Edith Craig’s Pioneer Players 1911- 25 In ‘Social Environment and Theatrical Environment: The Case of English Naturalism’ (1977), Raymond Williams provided valuable insights into the vibrant and volatile period in theatre when ideas of freedom and oppression were realized and contested in the dramatic form of naturalism. He noted that the naturalist play emphasised ‘the stage as an enclosed room’ and environment itself acted as an agent in constructing character.1 Some naturalist drama sought to open up these claustrophobic domestic spaces and indicate pathways to social change. However, any depiction of a domestic space or ‘enclosed room’ in this period—in plays, short stories, novels and the visual art of the women’s suffrage political campaigns—became inevitably implicated in separate spheres ideology.2 Although Williams referred to the ‘breakaway independent theatres’ and the Vedrenne-Barker season of plays 1904-07, he did not mention the involvement of female performers, authors or directors in the promotion of the independent theatres or how they drew on that experience during the political movement for women’s enfranchisement. The ‘enclosed room’ of the naturalist play was reconceptualized by a new generation of political activists of both sexes who envisaged equality symbolized by citizenship and brought about by legislative change. The women’s suffrage movement was very visibly and successfully supported by the production of politically engaged drama. This is marked by a specific theatrical production, Elizabeth Robins’ Votes for Women (1907) and the founding of the specialist institutions, the Actresses’ Franchise League (AFL, 1908) and the Pioneer Players theatre society (1911). -
History 100 Years Since the 1911 Railway Strike, Alex Gordon, RMT
History 100 years since the 1911 Railway Strike, Alex Gordon, RMT news August 2011 http://bristol.indymedia.org.uk/article/705569 (accessed 18/02/21012) 1916: Unionists had considered armed rebellion, Alex Kane, The Irish News, 19th March 2016, http://www.irishnews.com/news/easterrising/2016/03/26/news/1916-unionists-had-considered- armed-rebellion-443434/ (acessed 7/7/2016) 1919 Britain’s year of revolution, Simon Webb, Pen & Sword Books, 2016 1919 Police Strike in Liverpool, http://www.liverpoolpicturebook.com/2012/10/PoliceStrike1919.html (accessed 08/03/2014) A “Lingering Diminuendo”?: The Conference on Devolution 1919-1920, (PhD Thesis submitted to Cardiff University) Adam B Evans http://orca.cf.ac.uk/82389/ (accessed 7/7/2016) A domestic rebellion: the squatters movement of 1946, Howard Webber, (pdf file) http://humanities.exeter.ac.uk/media/universityofexeter/collegeofhumanities/history/exhistoria/ volume4/Webber-Squatters_movement.pdf (accessed 12/04/2014) A Naval History of World War I, Paul G. Halpern, Naval Institute Press, 1995 Anarcho-Syndicalism, Rudolf Rocker (6th Edn), AK Press, 2004 Art in Revolution: Liverpool 1911 revisited, Blog post, 2011, http://gerryco23.wordpress.com/2011/07/05/art-in-revolution-1911-revisited/ (accessed 16/02/2012) At war with the Bolsheviks, The allied intervention into Russia 10171917-1920, Robert Jackson, Tom Stacey, 1972 Bakunin's heirs in South Africa: race and revolutionary syndicalism from the IWW to the International Socialist League, 1910-1921, Lucien Van der Walt, 2005, https://libcom.org/history/bakunin%E2%80%99s-heirs-south-africa-race-revolutionary- -
NJDARM: Collection Guide
NJDARM: Collection Guide - NEW JERSEY STATE ARCHIVES COLLECTION GUIDE Record Group: Governor Thomas Woodrow Wilson (1856-1924; served 1911-1913) Series: Correspondence, 1909-1914 Accession #: 1964.005, 2001.028, Unknown Series #: S3700001 Guide Date: 1987 (JK) Volume: 4.25 c.f. [9 boxes] Box 1 | Box 2 | Box 3 | Box 4 | Box 5 | Box 6 | Box 7 | Box 8 | Box 9 Contents Box 1 1. Item No. 1 to 3, 5 November - 20 December 1909. 2. Item No. 4 to 8, 13 - 24 January 1910. 3. Item No. 9 to 19, 25 January - 27 October 1910. 4. Item No. 20 to 28, 28 - 29 October 1910. 5. Item No. 29 to 36, 29 October - 1 November 1910. 6. Item No. 37 to 43, 1 - 12 November 1910. 7. Item No. 44 to 57, 16 November - 3 December 1910. 8. Item No. 58 to 78, November - 17 December 1910. 9. Item No. 79 to 100, 18 - 23 December 1910. 10. Item No. 101 to 116, 23 - 29 December 1910. 11. Item No. 117 to 133, 29 December 1910 - 2 January 1911. 12. Item No. 134 to 159, 2 - 9 January 1911. 13. Item No. 160 to 168, 9 - 11 January 1911. 14. Item No. 169 to 187, 12 - 13 January 1911. 15. Item No. 188 to 204, 12 - 15 January 1911. 16. Item No. 205 to 226, 16 - 17 January 1911. 17. Item No. 227 to 255, 18 - 19 January 1911. 18. Item No. 256 to 275, 18 - 20 January 1911. 19. Item No. 276 to 292, 20 - 21 January 1911.