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Play Reading: 'How the Vote Was Won' by Cicely
Press Release June 9th 2010 Celebrating the centenary of the performance at Twickenham Town Hall in 1910 Play Reading: ‘How the Vote Was Won’ by Cicely Hamilton & Chris St John Directed by Imogen Bond Saturday 19th June 2010, 11am Orange Tree Theatre, 1 Clarence Street, Richmond TW9 2SA Tickets: £10 / £8 concs, Box Office: 020 8940 3633 www.orangetreetheatre.co.uk Post play reading talk by curators Irene Cockroft and Susan Croft. “In a new campaign, women throughout Britain unite and down tools, turning for support to their nearest male relative, which in this case is Horace Cole, a Brixton clerk. When Horace’s house fills up with a frightening parade of female relatives who demand he support them financially, he is rapidly converted to eager pro-suffragist, joining thousands of other men to march on the House of Commons.” Aurora Metro in association with the Orange Tree Theatre presents the sparkling comedy ‘How The Vote Was Won’, Saturday 19th June, 11am at the Orange Tree Theatre. Written by Cicely Hamilton and Chris St John, the play was originally staged by suffrage groups all over Britain and in the USA. Cicely Hamilton (1862-1952) was one of the most prolific and successful of the suffrage playwrights. She spoke at rallies and published widely on suffrage topics. Like her novel Marriage as Trade, her play Diana of Dobson’s dealt with the economic options open to women. Christabel Marshall (1871-1960) assumed the name Christopher St John upon her conversion to Catholicism and because she felt herself better suited to a man’s name. -
TRANSNATIONAL SMYTH: SUFFRAGE, COSMOPOLITANISM, NETWORKS Erica Fedor a Thesis Submitted to the Faculty at the University Of
TRANSNATIONAL SMYTH: SUFFRAGE, COSMOPOLITANISM, NETWORKS Erica Fedor A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music. Chapel Hill 2018 Approved by: Annegret Fauser David Garcia Tim Carter © 2018 Erica Fedor ALL RIGHTS RESERVED ii ABSTRACT Erica Fedor: Transnational Smyth: Suffrage, Cosmopolitanism, Networks (Under the direction of Annegret Fauser) This thesis examines the transnational entanglements of Dame Ethel Smyth (1858–1944), which are exemplified through her travel and movement, her transnational networks, and her music’s global circulation. Smyth studied music in Leipzig, Germany, as a young woman; composed an opera (The Boatswain’s Mate) while living in Egypt; and even worked as a radiologist in France during the First World War. In order to achieve performances of her work, she drew upon a carefully-cultivated transnational network of influential women—her powerful “matrons.” While I acknowledge the sexism and misogyny Smyth encountered and battled throughout her life, I also wish to broaden the scholarly conversation surrounding Smyth to touch on the ways nationalism, mobility, and cosmopolitanism contribute to, and impact, a composer’s reputations and reception. Smyth herself acknowledges the particular double-bind she faced—that of being a woman and a composer with German musical training trying to break into the English music scene. Using Ethel Smyth as a case study, this thesis draws upon the composer’s writings, reviews of Smyth’s musical works, popular-press articles, and academic sources to examine broader themes regarding the ways nationality, transnationality, and locality intersect with issues of gender and institutionalized sexism. -
Process Paper and Bibliography
ANNOTATED BIBLIOGRAPHY Primary Sources Books Kenney, Annie. Memories of a Militant. London: Edward Arnold & Co, 1924. Autobiography of Annie Kenney. Lytton, Constance, and Jane Warton. Prisons & Prisoners. London: William Heinemann, 1914. Personal experiences of Lady Constance Lytton. Pankhurst, Christabel. Unshackled. London: Hutchinson and Co (Publishers) Ltd, 1959. Autobiography of Christabel Pankhurst. Pankhurst, Emmeline. My Own Story. London: Hearst’s International Library Co, 1914. Autobiography of Emmeline Pankhurst. Newspaper Articles "Amazing Scenes in London." Western Daily Mercury (Plymouth), March 5, 1912. Window breaking in March 1912, leading to trials of Mrs. Pankhurst and Mr. & Mrs. Pethick- Lawrence. "The Argument of the Broken Pane." Votes for Women (London), February 23, 1912. The argument of the stone: speech delivered by Mrs Pankhurst on Feb 16, 1912 honoring released prisoners who had served two or three months for window-breaking demonstration in November 1911. "Attempt to Burn Theatre Royal." The Scotsman (Edinburgh), July 19, 1912. PM Asquith's visit hailed by Irish Nationalists, protested by Suffragettes; hatchet thrown into Mr. Asquith's carriage, attempt to burn Theatre Royal. "By the Vanload." Lancashire Daily Post (Preston), February 15, 1907. "Twenty shillings or fourteen days." The women's raid on Parliament on Feb 13, 1907: Christabel Pankhurst gets fourteen days and Sylvia Pankhurst gets 3 weeks in prison. "Coal That Cooks." The Suffragette (London), July 18, 1913. Thirst strikes. Attempts to escape from "Cat and Mouse" encounters. "Churchill Gives Explanation." Dundee Courier (Dundee), July 15, 1910. Winston Churchill's position on the Conciliation Bill. "The Ejection." Morning Post (London), October 24, 1906. 1 The day after the October 23rd Parliament session during which Premier Henry Campbell- Bannerman cold-shouldered WSPU, leading to protest led by Mrs Pankhurst that led to eleven arrests, including that of Mrs Pethick-Lawrence and gave impetus to the movement. -
Votes for Women (Birmingham Stories)
Votes for Women: Tracing the Struggle in Birmingham Contents Introduction: Votes For Women in Birmingham The Rise of Women’s Suffrage Societies Birmingham and the Women’s Social and Political Union Questioning The Evidence of Suffragette History in Birmingham Key Information on Suffragette Movements in Birmingham Sources from Birmingham Archives and Heritage Collections General Sources Written by Dr Andy Green, 2009. www.connectinghistories.org.uk/birminghamstories.asp Early women’s Histories in the archive Reports of the Birmingham Women’s Suffrage Society [LF 76.12] Birmingham Branch of the National Council of Women [MS 841] Women Workers Union Reports [L41.2] ‘Suffragettes at Aston Parliament’, Birmingham Weekly Mercury, 17 October 1908. Elizabeth Cadbury Papers Introduction: Votes for Women in Birmingham [MS 466] The women of Birmingham and the rest of Britain only won the right to vote through a long and difficult campaign for social equality. ‘The Representation The Female Society for of the People Bill’ (1918) allowed women over the age of thirty the chance Birmingham for the Relief to participate in national elections. Only when the ‘Equal Franchise Act’ of British Negro Slaves (1928) was introduced did all women finally have the right to take part in [IIR: 62] the parliamentary voting system as equal citizens. For centuries, a sexist opposition to women’s involvement in public life tried Birmingham Association to keep women firmly out of politics. Biological arguments that women were for the Unmarried inferior to men were underlined by sentimental portrayals of women as the Mother and Her Child rightful ‘guardians of the home’. While women from all classes, backgrounds and political opinions continued to work, challenge and support society, [MS 603] their rights were denied by a ‘patriarchal’ or ‘male centred’ British Empire in which men sought to control and dominate politics. -
Centenary Issue
REGISTERED AT THE G.P.O. Vol. 9. No. 52. [ AS A NEWSPAPER ] MAY 14, 2020. Weekly Price 6d. FEMINISM DIVIDED .... .... .... .... .... .... .... .... .... .... WINIFRED HOLTBY RETROSPECT—A Short Story .... .... .... .... .... .... .... .... E. M. DELAFIELD NOTES ON THE WAY .... .... .... .... .... .... .... .... .... .... .... LADY RHONDDA THE MARCH OF THE WOMEN .... .... .... .... .... .... .... .... .... ETHEL SMYTH CENTENARY ISSUE A souvenir edition of Time and Tide (1920–1979) to mark the centenary of its first issue, including original contributions by an interwar generation of women writers and journalists, and a Foreword by Polly Toynbee. [February 22, 1929] [February May 14, 2020 TIME AND TIDE ii Time and Tide—A Foreword By POLLY TOYNBEE. hundred years ago might seem an age away, and right-wing News of the World and the Sunday Express. yet here women’s writings leap fresh from these Lady Rhondda, though, in TIME AND TIDE, was Apages, their causes all too familiar today. magnificently excoriating of Lord Rothermere, founder Feminism gets remade for each generation, but core of the Daily Mail, Nazi supporting in the 1930s. questions barely change. Great victories are won, laws For all classes, motherhood is still career and pay are passed, women’s rights advance, and yet, and yet destiny. Fathers may help more in a semi-cultural shift, so many everyday fundamentals stay the same. but the numbers tell the story of who steps back when TIME AND TIDE launched in 1920 as the only weekly a child is born and who takes a part-time job below their review magazine owned and edited by a woman, Lady qualifications to fit family life, damaging their future Rhondda. -
Congressional Record-Senate. Decemb~R 8
196 CONGRESSIONAL RECORD-SENATE. DECEMB~R 8, gress hold no session for legislative purposes on Sunday-to the Com Mr. II.A.LE presented a petition of the Master Builders' Exchange mittee on the Judiciary. of Philadelphia, Pa., praying for a more careful investigation by the By Mr. O'NEILL, of Pennsylvania: Resolutions of the Tobacco Census Office of the electrical industries; which was referred :to the Trade Association of Philadelphia, requesting Congress to provide by Committee on the Census. legislation for the payment of a rebate of 2 cents per pound on the Ile also presenteda resolution adopted by the ChamberofCommerce stock of tax-paid tobacco and snuff on hand on the 1st of January, of New Haven, Conn., favoring the petition of the National Electric 1891-to the Committee on Ways and Means. Light Association, praying for a more careful investigation by the Cen By Mr. PETERS: Petition of Wichita wholesale grocers and numer sus Office of the electrical industries; which wus referred to the Com ous citizens of Kansa8, for rebate amendment to tariff bill-to the mittee on the Census. Committee on Ways and Means. l\Ir. GORMAN. I present a great number of memorials signed by By Mr. THOMAS: Petition ofW. Grams,W. J. Keller.and 9others, very many residents of the United States, remonstrating against the of La Crosse, ·wis., and B. T. Ilacon and 7 others, of the State of Minne passage of the Federal election bill now pending, or any other bill of sota, praying for the passage of an act or rebate amendment to the like purport, wb~ch the memoriali5ts think would tend to destroy the tariff law approved October 1, 1890, allowing certain drawbacks or re purity of elections, and would unnecessarily impose heavy burdens bates upon unbroken packages of smoking and manufactured tobacco on the taxpayers, and be revolutionizing the constitutional practices and snuffs-to the Committee on Ways and Means. -
Suffragette City: How Did the 'Votes for Women' Campaign Affect London
Suffragette City: How did the ‘votes for women’ campaign affect London 1906–1914? The UK campaign for women’s right to vote in parliamentary elections began in the mid-19th century. Campaigners used argument and debate to try to persuade the government. When this did not work by the beginning of the 20th century, new tactics were adopted. In 1903, the Women’s Social and Political Union (WSPU) was set up in Manchester. The WSPU aimed to adopt more militant (strong or more direct) tactics to win the vote. Their members later became known as Suffragettes. When the WSPU moved to London in 1906, the movement’s emphasis altered. From 1906–1914 the fight to win the vote became a public, and sometimes violent struggle that was very visible on the streets of the capital. Why did the campaign move to London in 1906? Moving the campaign to the streets of London made the WSPU more visible. It also meant they could hold major events that attracted lots of people and publicity. This paper napkin is printed with a programme for Women’s Sunday on 21 June 1908. This was the first big event organised by the WSPU. The centre of the napkin shows the route of the seven marches through London meeting in Hyde Park. Around the centre are portraits of the main speakers and the Suffragette leaders. Souvenir paper table napkin Napkins like this were produced for all large public events from Women’s Sunday, 1908 in London from the early- to mid-20th century. They would have been sold for about one penny by street traders lining the route of the event. -
The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century
Binghamton University The Open Repository @ Binghamton (The ORB) Graduate Dissertations and Theses Dissertations, Theses and Capstones 2-23-2018 Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century Claudia J. Martin Binghamton University--SUNY, [email protected] Follow this and additional works at: https://orb.binghamton.edu/dissertation_and_theses Part of the English Language and Literature Commons, and the Law Commons Recommended Citation Martin, Claudia J., "Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century" (2018). Graduate Dissertations and Theses. 70. https://orb.binghamton.edu/dissertation_and_theses/70 This Dissertation is brought to you for free and open access by the Dissertations, Theses and Capstones at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Graduate Dissertations and Theses by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. PLACE AND DISPLACEMENT: THE UNSETTLING CONNECTION OF WOMEN, PROPERTY, AND THE LAW IN BRITISH NOVELS OF THE LONG NINETEENTH CENTURY BY CLAUDIA J. MARTIN BA, BINGHAMTON UNIVERSITY, 1972 JD, UNIVERSITY OF TOLEDO, COLLEGE OF LAW, 1976 MA, CALIFORNIA STATE UNIVERSITY, HAYWARD, 2005 DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate School of Binghamton University State University of New York 2018 © Copyright by Claudia J. Martin 2018 All Rights Reserved Accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate School of Binghamton University State University of New York February 23, 2018 Dr. -
Suffrage and Virginia Woolf 121 Actors
SUFFRAGE AND VIRGINIAWOOLF: ‘THE MASS BEHIND THE SINGLE VOICE’ by sowon s. park Virginia Woolf is now widely accepted as a ‘mother’ through whom twenty- ¢rst- century feminists think back, but she was ambivalent towards the su¡ragette movement. Feminist readings of the uneasy relation betweenWoolf and the women’s Downloaded from movement have focused on her practical involvement as a short-lived su¡rage campaigner or as a feminist publisher, and have tended to interpret her disapproving references to contemporary feminists as redemptive self-critique. Nevertheless the apparent contradictions remain largely unresolved. By moving away from Woolf in su¡rage to su¡rage in Woolf, this article argues that her work was in fact deeply http://res.oxfordjournals.org/ rooted at the intellectual centre of the su¡rage movement. Through an examination of the ideas expressed in A Room of One’s Own and Three Guineas and of two su¡rage characters, Mary Datchet in Night and Day and Rose Pargiter in TheYears,it establishes how Woolf’s feminist ideas were informed by su¡rage politics, and illumi- nates connections and allegiances as well as highlighting her passionate resistance to a certain kind of feminism. at Bodleian Library on October 20, 2012 I ‘No other element in Woolf’s work has created so much confusion and disagree- mentamongherseriousreadersasherrelationtothewomen’smovement’,noted Alex Zwerdling in 1986.1 Nonetheless the women’s movement is an element more often overlooked than addressed in the present critical climate. And Woolf in the twentieth- ¢rst century is widely accepted as a ‘mother’ through whom feminists think back, be they of liberal, socialist, psychoanalytical, post-structural, radical, or utopian persuasion. -
Suffragette Sylvia Pankhurst in Winchester
SUFFRAGETTE SYLVIA PANKHURST IN WINCHESTER By Ellen Knight1 Before the Nineteenth Amendment was ratified, the Winchester Equal Suffrage League was actively striving to sway legislators and voters to change the law to get votes for women. Nationally, a flood of oratory poured forth in Europe and in America during the grand struggle. Perhaps the most famous suffragette to speak in Winchester was Sylvia Pankhurst. Pankhurst (1882-1960) was the daughter of Emmeline Pankhurst, whom Time named as one of the 100 most Important People of the 20th Century. “She shaped an idea of women for our time; she shook society into a new pattern from which there could be no going back.”2 “We women suffragists have a great mission–the greatest mission the world has ever known. It is to free half the human race, and through that freedom to save the rest,” the elder Pankhurst stated.3 She was joined in her work by her daughters Christabel and Estelle Sylvia. In 1911, Sylvia Pankhurst undertook an American tour. She arrived in New York in January and gave her first talk in the Carnegie Lyceum. Pankhurst found that “the Civic Forum Lecture Bureau had only booked two engagements for me on my arrival.” That quickly changed when the first newspaper reports and interviews were sent out over the wire service. “Telegrams for dates began pouring in, and during my three months’ stay I could satisfy only a small proportion of those who were asking me to speak, though I traveled almost every night, and spoke once, twice, or thrice a day. -
Item Captions Teachers Guide
SUFFRAGE IN A BOX: ITEM CAPTIONS TEACHERS GUIDE 1 1 The Polling Station. (Publisher: Suffrage Atelier). 1 Suffrage campaigners were experts in creating powerful propaganda images which expressed their sense of injustice. This image shows the whole range of women being kept out of the polling station by the law and authority represented by the policeman. These include musicians, clerical workers, mothers, university graduates, nurses, mayors, and artists. The men include gentlemen, manual workers, and agricultural labourers. This hints at the class hierarchies and tensions which were so important in British society at this time, and which also influenced the suffrage movement. All the women are represented as gracious and dignified, in contrast to the men, who are slouching and casual. This image was produced by the Suffrage Atelier, which brought together artists to create pictures which could be quickly and easily reproduced. ©Bodleian Libraries, University of Oxford: John Johnson Collection; Postcards 12 (385) Bodleian Libraries, University of Oxford John Johnson Collection; Postcards 12 (385) 2 The late Miss E.W. Davison (1913). Emily Wilding Davison is best known as the suffragette who 2 died after being trampled by the King’s horse on Derby Day, but as this photo shows, there was much more to her story. She studied at Royal Holloway College in London and St Hugh’s College Oxford, but left her job as a teacher to become a full- time suffragette. She was one of the most committed militants, who famously hid in a cupboard in the House of Commons on census night, 1911, so that she could give this as her address, and was the first woman to begin setting fire to post boxes. -
The Cambridge Introduction to Virginia Woolf for Students of Modern Literature, the Works of Virginia Woolf Are Essential Reading
This page intentionally left blank The Cambridge Introduction to Virginia Woolf For students of modern literature, the works of Virginia Woolf are essential reading. In her novels, short stories, essays, polemical pamphlets and in her private letters she explored, questioned and refashioned everything about modern life: cinema, sexuality, shopping, education, feminism, politics and war. Her elegant and startlingly original sentences became a model of modernist prose. This is a clear and informative introduction to Woolf’s life, works, and cultural and critical contexts, explaining the importance of the Bloomsbury group in the development of her work. It covers the major works in detail, including To the Lighthouse, Mrs Dalloway, The Waves and the key short stories. As well as providing students with the essential information needed to study Woolf, Jane Goldman suggests further reading to allow students to find their way through the most important critical works. All students of Woolf will find this a useful and illuminating overview of the field. JANE GOLDMAN is Senior Lecturer in English and American Literature at the University of Dundee. Cambridge Introductions to Literature This series is designed to introduce students to key topics and authors. Accessible and lively, these introductions will also appeal to readers who want to broaden their understanding of the books and authors they enjoy. Ideal for students, teachers, and lecturers Concise, yet packed with essential information Key suggestions for further reading Titles in this series: Bulson The Cambridge Introduction to James Joyce Cooper The Cambridge Introduction to T. S. Eliot Dillon The Cambridge Introduction to Early English Theatre Goldman The Cambridge Introduction to Virginia Woolf Holdeman The Cambridge Introduction to W.