1. Suffrage and Power: the Women's Movement 1918-1929 (1997), P
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Play Reading: 'How the Vote Was Won' by Cicely
Press Release June 9th 2010 Celebrating the centenary of the performance at Twickenham Town Hall in 1910 Play Reading: ‘How the Vote Was Won’ by Cicely Hamilton & Chris St John Directed by Imogen Bond Saturday 19th June 2010, 11am Orange Tree Theatre, 1 Clarence Street, Richmond TW9 2SA Tickets: £10 / £8 concs, Box Office: 020 8940 3633 www.orangetreetheatre.co.uk Post play reading talk by curators Irene Cockroft and Susan Croft. “In a new campaign, women throughout Britain unite and down tools, turning for support to their nearest male relative, which in this case is Horace Cole, a Brixton clerk. When Horace’s house fills up with a frightening parade of female relatives who demand he support them financially, he is rapidly converted to eager pro-suffragist, joining thousands of other men to march on the House of Commons.” Aurora Metro in association with the Orange Tree Theatre presents the sparkling comedy ‘How The Vote Was Won’, Saturday 19th June, 11am at the Orange Tree Theatre. Written by Cicely Hamilton and Chris St John, the play was originally staged by suffrage groups all over Britain and in the USA. Cicely Hamilton (1862-1952) was one of the most prolific and successful of the suffrage playwrights. She spoke at rallies and published widely on suffrage topics. Like her novel Marriage as Trade, her play Diana of Dobson’s dealt with the economic options open to women. Christabel Marshall (1871-1960) assumed the name Christopher St John upon her conversion to Catholicism and because she felt herself better suited to a man’s name. -
The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
The Membership of the Independent Labour Party, 1904–10
DEI AN HOP KIN THE MEMBERSHIP OF THE INDEPENDENT LABOUR PARTY, 1904-10: A SPATIAL AND OCCUPATIONAL ANALYSIS E. P. Thompson expressed succinctly the prevailing orthodoxy about the origins of the Independent Labour Party when he wrote, in his homage to Tom Maguire, that "the ILP grew from bottom up".1 From what little evidence has been available, it has been argued that the ILP was essentially a provincial party, which was created from the fusion of local political groups concentrated mainly on an axis lying across the North of England. An early report from the General Secretary of the party described Lancashire and Yorkshire as the strongholds of the movement, and subsequent historical accounts have supported this view.2 The evidence falls into three categories. In the first place labour historians have often relied on the sparse and often imperfect memoirs of early labour and socialist leaders. While the central figures of the movement have been reticent in their memoirs, very little literature of any kind has emerged from among the ordinary members of the party, and as a result this has often been a poor source. The official papers of the ILP have been generally more satisfactory. The in- evitable gaps in the annual reports of the party can be filled to some extent from party newspapers, both local and national. There is a formality, nevertheless, about official transactions which reduces their value. Minute books reveal little about the members. Finally, it is possible to cull some information from a miscellany of other sources; newspapers, electoral statistics, parliamentary debates and reports, and sometimes the memoirs of individuals whose connection 1 "Homage to Tom Maguire", in: Essays in Labour History, ed. -
From Pacifist to Anti-Fascist? Sylvia Pankhurst and the Fight Against War and Fascism
FROM PACIFIST TO ANTI-FASCIST? SYLVIA PANKHURST AND THE FIGHT AGAINST WAR AND FASCISM Erika Marie Huckestein A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2014 Approved By: Susan Pennybacker Emily Burrill Susan Thorne © 2014 Erika Huckestein ALL RIGHTS RESERVED ii ABSTRACT Erika Marie Huckestein: From Pacifist to Anti-Fascist? Sylvia Pankhurst and the Fight Against War and Fascism (Under the direction of Susan Pennybacker) Historians of women’s involvement in the interwar peace movement, and biographers of Sylvia Pankhurst have noted her seemingly contradictory positions in the face of two world wars: she vocally opposed the First World War and supported the Allies from the outbreak of the Second World War. These scholars view Pankhurst’s transition from pacifism to anti-fascism as a reversal or subordination of her earlier pacifism. This thesis argues that Pankhurst’s anti-fascist activism and support for the British war effort should not be viewed as a departure from her earlier suffrage and anti-war activism. The story of Sylvia Pankhurst’s political activism was not one of stubborn commitment to, or rejection of, a static succession of ideas, but one of an active engagement with changing politics, and confrontation with the new ideology of fascism, in a society still struggling to recover from the Great War. iii TABLE OF CONTENTS CHAPTER I: INTRODUCTION ....................................................................................................1 -
South Riding, Documentary Writing, and the Cinematic Gaze Ashlie Sponenberg Tulane University
65 The Long Arm of Discipline: South Riding, Documentary Writing, and the Cinematic Gaze Ashlie Sponenberg Tulane University [Sarah] is of great interest thematically in her opposition to conservative forces, and the narra- tive of her love story is an important structuring device running through the novel’s episodes, but it is only one thread among several…Her presence is justifi ed less on account of her emotional life than as a vantage point from which a social landscape can be viewed. --Marion Shaw, The Clear Stream: A Life of Win- ifred Holtby (242) Winifred Holtby’s panoramic Yorkshire novel South Riding (1936) follows in the tradition of Victorian social problem narratives such as Eliot’s Mid- dlemarch, but has also been identifi ed as simultaneously taking a modern approach, positioning itself as a “topical fi ction of fact” that is “saturat[ed] in detail…in the spirit of Storm Jameson’s call for documentary fi ction” (Trodd 116, 101).1 Holtby’s dual modes of realism, Victorian and modern, make up an appropriate form for a novel that dramatizes clashes between polarized opponents. These include union leader Joe Astell and the proto-Fascist Alderman Snaith, as well as the novel’s central romantic fi gures, Leftist headmistress Sarah Burton and failing aristocrat Robert Carne, themselves symbols of competing traditional and modernist forces, a confl ict Holtby also dramatized in Anderby Wold’s (1923) battle between labor socialism and feudal paternalism. This article will discuss Holtby’s documentary approach and use of cinematic tropes.2 Holtby’s reliance upon the literary equivalent of framed shots—repeatedly placing a socialist observer, Sarah Burton, both above and hidden from the view of the working-class objects of her concerned gaze—creates a narrative perspective that is at once politi- cally progressive and dangerously voyeuristic: Sarah’s intense focus often generates sexualized interpretations for the behaviors of those whom she secretly observes, while her own troubled erotic life is shielded from such public scrutiny. -
Centenary Issue
REGISTERED AT THE G.P.O. Vol. 9. No. 52. [ AS A NEWSPAPER ] MAY 14, 2020. Weekly Price 6d. FEMINISM DIVIDED .... .... .... .... .... .... .... .... .... .... WINIFRED HOLTBY RETROSPECT—A Short Story .... .... .... .... .... .... .... .... E. M. DELAFIELD NOTES ON THE WAY .... .... .... .... .... .... .... .... .... .... .... LADY RHONDDA THE MARCH OF THE WOMEN .... .... .... .... .... .... .... .... .... ETHEL SMYTH CENTENARY ISSUE A souvenir edition of Time and Tide (1920–1979) to mark the centenary of its first issue, including original contributions by an interwar generation of women writers and journalists, and a Foreword by Polly Toynbee. [February 22, 1929] [February May 14, 2020 TIME AND TIDE ii Time and Tide—A Foreword By POLLY TOYNBEE. hundred years ago might seem an age away, and right-wing News of the World and the Sunday Express. yet here women’s writings leap fresh from these Lady Rhondda, though, in TIME AND TIDE, was Apages, their causes all too familiar today. magnificently excoriating of Lord Rothermere, founder Feminism gets remade for each generation, but core of the Daily Mail, Nazi supporting in the 1930s. questions barely change. Great victories are won, laws For all classes, motherhood is still career and pay are passed, women’s rights advance, and yet, and yet destiny. Fathers may help more in a semi-cultural shift, so many everyday fundamentals stay the same. but the numbers tell the story of who steps back when TIME AND TIDE launched in 1920 as the only weekly a child is born and who takes a part-time job below their review magazine owned and edited by a woman, Lady qualifications to fit family life, damaging their future Rhondda. -
Issue 3 Autumn 2011 Agatha Christie's Disappearance
The Yorkshire Journal Issue 3 Autumn 2011 In this issue: Agatha Christie’s Disappearance Yorkshire’s Seaside Piers Wharram Percy a Lost Medieval Village Winifred Holtby: A Reappraisal The Disappearance of a Roman Mosaic Withernsea Pier Entrance Towers Above: All that remain of the Withernsea Pier are the historic entrance towers which were modelled on Conwy Castle. The pier was built in 1877 at a cost £12,000 and was nearly 1,200 feet long. The pier was gradually reduced in length through consecutive impacts by local sea craft, starting with the Saffron in 1880 then the collision by an unnamed ship in 1888. Then following a collision with a Grimsby fishing boat and finally by the ship Henry Parr in 1893. This left the once-grand pier with a mere 50 feet of damaged wood and steel. Town planners decided to remove the final section during sea wall construction in 1903. The Pier Towers have recently been refurbished. In front of the entrance towers is a model of how the pier would have once looked. Left: Steps going down to the sands from the entrance towers. 2 The Yorkshire Journal TThhee YYoorrkksshhiirree JJoouurrnnaall Issue 3 Autumn 2011 Above: Early autumn in the village of Burnsall in the Yorkshire Dales, which is situated on the River Wharfe with a five-arched bridge spanning it Cover: The Royal Pump Room Museum, Harrogate Editorial n this autumn issue we look at some of the things that Yorkshire has lost, have gone missing and disappeared. Over the year the Yorkshire coast from Flamborough Head right down to the Humber estuary I has lost about 30 villages and towns. -
The Ohio State University
MAKING COMMON CAUSE?: WESTERN AND MIDDLE EASTERN FEMINISTS IN THE INTERNATIONAL WOMEN’S MOVEMENT, 1911-1948 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charlotte E. Weber, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Leila J. Rupp, Adviser Professor Susan M. Hartmann _________________________ Adviser Professor Ellen Fleischmann Department of History ABSTRACT This dissertation exposes important junctures between feminism, imperialism, and orientalism by investigating the encounter between Western and Middle Eastern feminists in the first-wave international women’s movement. I focus primarily on the International Alliance of Women for Suffrage and Equal Citizenship, and to a lesser extent, the Women’s International League for Peace and Freedom. By examining the interaction and exchanges among Western and Middle Eastern women (at conferences and through international visits, newsletters and other correspondence), as well as their representations of “East” and “West,” this study reveals the conditions of and constraints on the potential for feminist solidarity across national, cultural, and religious boundaries. In addition to challenging the notion that feminism in the Middle East was “imposed” from outside, it also complicates conventional wisdom about the failure of the first-wave international women’s movement to accommodate difference. Influenced by growing ethos of cultural internationalism -
Women of Leeds Resources in Our Collection, Which Also Include Reference Books
Other useful resources to explore Local newspapers Our collection includes many local papers, including full archives of the Yorkshire Post, Yorkshire Evening Post and Leeds Mercury. One particularly relevant title is Leeds Other Paper/Northern Star (1974-1994) – an independent, left-of-centre newspaper, which gave an alternative perspective on the news of the day. It covered stories on local politics, race relations, the women’s movement, trade unions, community projects and campaigns. See shelf mark LQ 335 L51 for bound copies; we also have it on microfilm. Literature from local societies and organisations We hold a diverse collection of material relating to locally-based societies and organisations, some of which were set up for and run by women. Check our catalogues for further information. Prints collection Our prints are catalogued in our card index in the Local and Family History Library reading room. Material includes posters for public meetings and events, and local and general elections. Interesting examples include: Election ephemera relating to early women councillors, such as Local and Family History Leonora Cohen and Jessie Beatrice Kitson. A WSPU poster publicising the May 1914 demonstration in Armley Research Guides against the treatment of suffragist Lilian Lenton. Playbills and theatre programmes See our Leeds Theatres Research Guide for an overview of the many Women of Leeds resources in our collection, which also include reference books, photographs and a number of brochures and scripts. You can view our playbills online at: http://www.leodis.net/playbills Our Research Guides list some of the most useful, interesting and A prominent Leeds actress of the Edwardian era was Lily Elsie, unique items in Local and Family History at Leeds Central Library. -
The Descendants of William Whitelock 1
The Descendants of William Whitelock 1 William Whitelock was born on 15 Dec 1705 and died in 1774 in Sheepscar, Leeds, Yorkshire. Basic notes: He worked as a Merchant of Sheepscar, Leeds in Sheepscar, Leeds, Yorkshire. He lived at Sheepscar, Leeds, Yorkshire. William married Martha Jackson on 13 Jul 1732 in FMH Warmsworth. Martha was born on 10 Nov 1709 in Armley, Leeds, Yorkshire. They had four children: Martha, Deborah, Sarah and Isaac. Martha Whitelock. Deborah Whitelock was born on 7 Nov 1749 and died on 3 May 1827. Deborah married John Elam, son of John Elam and Mary Frankland, on 18 Jun 1778 in FMH Gildersome. John was born on 30 Dec 1748 in Leeds, Yorkshire and died on 17 Jan 1790. They had one son: John William. Basic notes: He worked as an Of Leeds. John William Elam was born on 9 Dec 1779 in Leeds, Yorkshire. Sarah Whitelock was born in 1754 and died in 1830. Sarah married James Arthington,1 son of Robert Arthington and Phebe Morley,. James was born on 9 Feb 1752 in Armley, Leeds, Yorkshire and died on 24 Apr 1833 in Hunslet Lane, Leeds, Yorkshire. Basic notes: He worked as a Linen Draper in Leeds, Yorkshire. Isaac Whitelock2 was born in 1742 and died in 1789 in Sheepscar, Leeds, Yorkshire. General Notes: Bishop Thornton? Basic notes: He worked as a Merchant of Sheepscar, Leeds. Isaac married Hannah Arthington,2 daughter of Robert Arthington and Phebe Morley, about 1786. Hannah was born in 1756 in West Halton, Craven, Yorkshire and died in 1840 in York, Yorkshire. -
The Volunteer
The Volunteer The Newsletter for all Ashdown Forest Volunteers Issue 17 – September / October / November / December Well, that was all a bit weird!! Probably the oddest summer weather we can recall. The Forest has been a quagmire with endless days of rain suddenly followed by the odd hot sunny day! Luckily one of those days happened to coincide with the BBQ IN THIS ISSUE: and we were able to eat outside! Thank you for all your very positive feedback, we are really pleased you enjoyed the evening! • Introduction… • Recipe of the season… • Grazing Update – enter the Hairy Cows… • Forest History - Dame Margery Corbett Ashby • Health Walks… • Wag Log… • Conservation Group… The wet weather had one benefit – we were able to ‘fire’ up the Jubilee • Conservation and Beacon, without setting anything else alight! Here are a couple of rather Management News… nice pictures. • From the Director’s Chair… • Forthcoming events and exhibitions… • Events review… • Coffee morning… • Christmas Party… • Christmas Trees… We also had a very successful opening night for Mervyn Hathaway’s lovely exhibition. Over 100 guests enjoyed a glass of wine and nibbles. Sales on • Barn – Christmas and the night were brisk. The photographer who attended took some really Winter Opening… nice shots of the barn – here is just one from the early part of the evening! A very big thank you • Uniform… must go to Richard and • Mileage expenses… Julie Lowe and Jane Withey for their help • Length of service… setting up, behind the bar, washing up, sales and car park/traffic management – you were great guys! Succulent braised venison… This Scottish venison recipe, by well-known TV chef Nick Nairn, really does benefit from long, slow cooking, and develops a beautifully earthy sweetness - try it as an al ternative to turkey, or for Hogmanay. -
Accident: the Death of General Sikorski
David Irving The Death of General Sikorski [Publisher’s note: This is the original 1967 text. In about 1990 a revised edition was prepared but never published. We shall post that soon. Many official files on the crash have since been opened.] Sikorski’s crashed Liberator Never before published, this photograph taken on the morning after the crash from a low-flying aircraft shows the main wingspan and its four engines lying intact on the seabed in thirty feet of water, with the tail assembly broken off and to its right. The landing wheels are not fully retracted and large patches of petrol are floating away on the sea’s surface. This PDF version: © Focal Point Publications 2000 Report errors First published in 1967 by William Kimber and Co. Limited 6 Queen Anne’s Gate, London, S.W.1 © William Kimber and Co. Ltd. 1967 Standard Book Number 7183 0420 9 BY THE SAME AUTHOR: The Destruction of Dresden The Mare’s Nest The Virus House This PDF version: © Focal Point Publications 2000 Report errors Contents Acknowledgements 5 List of Persons 6 part one 1: “Soldiers Must Die” 9 2: Six weeks too Soon 39 part two: 49 THE DISASTER 49 3: Farce and Tragedy 51 4: Search and Inquire 69 5: Mr Churchill Kneels in Prayer 101 6: Mailbags and Manifests 105 part three 127 THE UNANSWERED QUESTIONS 127 7: The Unmentioned Issue 129 8: Post Mortem 153 9: Open Verdict 153 Notes and Sources 163 1: “Soldiers Must Die” 163 2: Six Weeks too Soon 170 3: Farce and Tragedy 172 4: Search and Inquire 176 5: Mr Churchill Kneels in Prayer 187 6: Mailbags and Manifests 188 7: The Unmentioned Issue 194 8: Postmortem 200 9: Open Verdict 203 This PDF version: © Focal Point Publications 2000 Report errors This PDF version: © Focal Point Publications 2000 Report errors Acknowledgements The author wishes to thank the many people who, with memo- ries or information concerning the tragic event at Gibraltar on July 4, 1943, have generously made available to him both their time and their records; their names will be found in the notes at the end of this book.