History of the German Struggle for Liberty
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
Germany from Luther to Bismarck
University of California at San Diego HIEU 132 GERMANY FROM LUTHER TO BISMARCK Fall quarter 2009 #658659 Class meets Tuesdays and Thursdays from 2 until 3:20 in Warren Lecture Hall 2111 Professor Deborah Hertz Humanities and Social Science Building 6024 534 5501 Readers of the papers and examinations: Ms Monique Wiesmueller, [email protected]. Office Hours: Wednesdays 1:30 to 3 and by appointment CONTACTING THE PROFESSOR Please do not contact me by e-mail, but instead speak to me before or after class or on the phone during my office hour. I check the mailbox inside of our web site regularly. In an emergency you may contact the assistant to the Judaic Studies Program, Ms. Dorothy Wagoner at [email protected]; 534 4551. CLASSROOM ETIQUETTE. Please do not eat in class, drinks are acceptable. Please note that you should have your laptops, cell phones, and any other devices turned off during class. Students do too much multi-tasking for 1 the instructor to monitor. Try the simple beauty of a notebook and a pen. If so many students did not shop during class, you could enjoy the privilege of taking notes on your laptops. Power point presentations in class are a gift to those who attend and will not be available on the class web site. Attendance is not taken in class. Come to learn and to discuss. Class texts: All of the texts have been ordered with Groundworks Books in the Old Student Center and have been placed on Library Reserve. We have a systematic problem that Triton Link does not list the Groundworks booklists, but privileges the Price Center Bookstore. -
Mitteilungen Für Die Presse
Read the speech online: www.bundespraesident.de Page 1 of 6 Federal President Frank-Walter Steinmeier at the inauguration of the Robert-Blum-Saal with artworks depicting Germany’s history of democracy at Schloss Bellevue on 9 November 2020 According to legend, the last words of Robert Blum were “I die for freedom, may my country remember me.” He was executed – shot – by imperial military forces on 9 November 1848, one day before his 41st birthday. The German democrat and champion for freedom, one of the most well-known members of the Frankfurt National Assembly, thus died on a heap of sand in Brigittenau, a Viennese suburb. The bullets ended the life of a man who had fought tirelessly for a Germany unified in justice and in freedom – as a political publicist, publisher and founder of the Schillerverein in Leipzig, as a parliamentarian in the Paulskirche in Frankfurt, and finally with a gun in his hand on the barricades in Vienna. To the very last, Robert Blum fought for a German nation-state in the republican mould, legitimised by parliamentary structures. He campaigned for a brand of democracy in which civil liberties and human rights were accorded to one and all. And he fought for a Europe in which free peoples should live together in peace, from France to Poland and to Hungary. His death on 9 November 1848 marked one of the many turning points in our history. By executing the parliamentarian Robert Blum, the princes and military commanders of the Ancien Régime demonstrated their power and sent an unequivocal message to the Paulskirche National Assembly. -
Some Examples of Veterinarians in Belletrist Literature Hans-Otto Schmidtke
Some examples of Veterinarians in Belletrist Literature Hans-Otto Schmidtke “Second Flush”, Am See 6, 24873 Havetoft, Germany. This essay intends to do exactly what the title says: to look at veterinarians in so-called belletrist, that is non-scientific literature. It excludes the examination of autobiographies written by veterinarians, and thus James Herriot and many others who should normally be mentioned are not. These authors have been discussed in other reviews. "Phol ende Uodan vuorun zi holza du uuart dem Balders volon sin vuoz birenkit..." Translation: "Fol and Wodan rode through the woods when Balder's foal sprained its foot. Whereupon Sintgunt, Sunna's sister, and Frija, Volla's sister, as well as Wodan himself chanted as they knew how: when the bone hurts when the blood hurts when the members hurt: bone to bone, blood to blood, member to member as if glued together..." This is how the second of the 'Merseburger Zaubersprüche' (Merseburg Incantations) begins. It was probably written in the 8th Century and might be the oldest German language reference to the medical treatment of an animal. It is tempting to conclude that not much has changed since this time, considering both the German Veterinary Society and veterinary teaching establishments have institutes and run courses with a non- scientific approach to the treatment of animals - escape from science, indulgence in mysticism. In pre-medical times there is reference to veterinary related topics in the 14th Century manuscript 'Sachsenspiegel' (Saxons' Mirror) [6], and in French 12th Century epics that celebrate mounted men-at-arms; they describe horses in times of health and disease, and elsewhere in the literature horse injuries have been described [3]. -
Literary Clusters in Germany from Mid-18Th to Early-20Th Century
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kuld, Lukas; O'Hagan, John Working Paper Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century TRiSS Working Paper Series, No. TRiSS-WPS-03-2019 Provided in Cooperation with: Trinity Research in Social Sciences (TRiSS), Trinity College Dublin, The University of Dublin Suggested Citation: Kuld, Lukas; O'Hagan, John (2019) : Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century, TRiSS Working Paper Series, No. TRiSS-WPS-03-2019, Trinity College Dublin, The University of Dublin, Trinity Research in Social Sciences (TRiSS), Dublin This Version is available at: http://hdl.handle.net/10419/226788 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
Lay a 5 2020.Qxp Layout 1
Jugend musiziert Wettbewerb für das instrumentale und vokale Musizieren der Jugend unter der Schirmherrschaft des Bundespräsidenten 29. Landeswettbewerb 28. bis 29. März 2020 Ludwigslust Veranstalter Landesmusikrat Mecklenburg-Vorpommern e.V. in Zusammenarbeit mit der Stadt Ludwigslust und dem Landkreis Ludwigslust-Parchim Gefördert vom Ministerium für Bildung, Wissenschaft und Kultur des Landes Mecklenburg-Vorpommern Mit freundlicher Unterstützung der Sparkassen in Mecklenburg-Vorpommern und ihres Ostdeutschen Sparkassenverbandes als Hauptsponsor Liebe Schülerinnen und Schüler, liebe Eltern, liebe Lehrerinnen und Lehrer, liebe Freunde der Musik, im Jahr seines 250. Geburtstags fällt Ludwig van Beethoven wohl nicht mehr in die Kategorie »Jugend musiziert«. Von ihm aber stammt ein Satz, den wohl alle unterschrieben, die selber und mit Leidenschaft Musik machen: »Musik ist das Klima meiner Seele.« Diese Wetterlagen verschiedener Gefühle zu transportieren, sie hörbar zu machen: Das ist das Kunst- volle daran, sein Instrument, seine Stimme und das Zusammenspiel mit anderen zu beherrschen. Wer diesen Landeswettbewerb erreicht hat, verfügt nicht nur über Talent, sondern hat auch sein Können unter Beweis gestellt. Hier dabei zu sein, ist ein echter Erfolg, zu dem ich herzlich gratuliere. Hinter diesem Erfolg steckt eine Menge Arbeit, Fleiß und Disziplin. Aber all das Üben, all die inve- stierte Zeit zahlen sich aus. Der Landeswettbewerb ist eine tolle Chance, am Ende sich und seine Fähigkeiten auf Bundesebene zu präsentieren. Ich drücke allen Teilnehmerinnen und Teilnehmer fest die Daumen, dass sie dieses Ziel erreichen. Zuerst aber heißt es, die Bühne des Landeswettbewerbs zu nutzen und die Jury und vor allem das Publikum teilhaben zu lassen, über die Musik zu ihnen zu sprechen und sie zu berühren. -
Robert Blum Und Die Burschenschaft
Robert Blum und die Burschenschaft von Harald Lönnecker Koblenz 2006 Dateiabruf unter: www.burschenschaft.de Dateiabruf unter: www.burschenschaft.de Robert Blum und die Burschenschaft* von Harald Lönnecker In der Einleitung zur Verfassungsurkunde der Jenaischen Burschenschaft vom Juni 1815 heißt es: „Nur solche Verbindungen, die auf den Geist gegründet sind, auf welchen überhaupt nur Verbindungen gegründet sein sollten, auf den Geist, der uns das sichern kann, was uns nächst Gott das Heiligste und Höchste sein soll, nämlich Freiheit und Selbständigkeit des Vaterlands, nur solche Verbindungen benennen wir mit dem Namen einer Burschenschaft.“1 Die Burschenschaft war die Avantgarde der deutschen Nationalbewegung. Sie wurzelte in den Freiheitskriegen, stand unter dem Einfluß von Friedrich Ludwig Jahn, Ernst Moritz Arndt und Johann Gottlieb Fichte, war geprägt durch eine idealistische Volkstumslehre, christliche Erweckung und patriotische Freiheitsliebe. Diese antinapoleonische Nationalbewegung deutscher Studenten war politische Jugendbewegung und die erste gesamtnationale Organisation des deutschen Bürgertums überhaupt, die 1817 mit dem Wartburgfest die erste gesamtdeutsche Feier ausrichtete und mit rund 3.000 Mitgliedern 1818/19 etwa ein Drittel der Studentenschaft des Deutschen Bundes umfaßte.2 Die zur nationalen Militanz neigende Burschenschaft, zu einem Gutteil hervorgegangen aus dem Lützowschen Freikorps, setzte ihr nationales Engagement in neue soziale Lebensformen um, die das Studentenleben von Grund auf reformierten. Aber nicht nur das: Die Studenten begriffen die Freiheitskriege gegen Napoleon als einen Zusammenhang von innerer Reform, innenpolitischem Freiheitsprogramm und * Zuerst in: Bundesarchiv (Hg.), Martina Jesse, Wolfgang Michalka (Bearb.), „Für Freiheit und Fortschritt gab ich alles hin.“ Robert Blum (1807-1848). Visonär – Demokrat – Revolutionär, Berlin 2006, S. 113-121. 1Paul Wentzcke, Geschichte der Deutschen Burschenschaft, Bd. -
FRENCH KLEINDEUT8CH POLICY in 1848. the University Of
This dissertation has been microfilmed exactly as received 6 8» 724 CHASTAIN, James Garvin, 1939- FRENCH KLEINDEUT8CH POLICY IN 1848. The University of Oklahoma, Ph.D., 1967 History, modern University Microfilms, Inc., Ann Arbor, Michigan ©COPYRIGHT BY JAMES GARVIN CHASTAIN 1968 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FRENCH KLEINDEUTSCH POLICY IN 1848 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY JAMES GARVIN CHASTAIN Norman, Oklahoma 1967 FRENCH KLEINDEUTSCH POLICY IN 1848 APPROVED BY A • l \ ^ DISSERTATION COMMITTEE PREFACE This work is the outgrowth of an interest in French Diplomatic History and 1848 which I experienced under the questioning encourage ment of Professor Brison D. Gooch. I have especially appreciated the helpful suggestions of Professor William Savage. I am indebted to Professors William H. Maehl and Kenneth I, Dailey for their demanding insistence on detail and fact which balanced an earlier training in broad generalization by Professors H. Stuart Hughes, John Gaus and Herbert Spiro. For the idea of the French missionary feeling to export liberty, which characterized Lamartine and Bastide, the two French Foreign Ministers of 1848, I must thank the stimulating sem inar at the University of Munich with Dr. Hubert Rumpel, To all of these men I owe a deep gratitude in helping me to understand history and the men that have guided politics. I want to thank the staff of the French Archives of the Min istry of Foreign Affairs, which was always efficient, helpful and friendly even in the heat of July. Mr. -
The Outlawed Party Social Democracy in Germany
THE OUTLAWED PARTY SOCIAL DEMOCRACY IN GERMANY Brought to you by | The University of Texas at Austin Authenticated Download Date | 4/28/19 5:16 AM Brought to you by | The University of Texas at Austin Authenticated Download Date | 4/28/19 5:16 AM THE OUTLAWED PARTY SOCIAL DEMOCRACY IN GERMANY, 18 7 8- 1 8 9 0 VERNON L . LIDTKE PRINCETON, NEW JERSEY PRINCETON UNIVERSITY PRESS 196 6 Brought to you by | The University of Texas at Austin Authenticated Download Date | 4/28/19 5:16 AM Copyright © i960 by Princeton University Press ALL RIGHTS RESERVED Library of Congress Catalog Card Number: 66-14311 Publication of this book has been aided by the Whitney Darrow Publication Reserve Fund of Princeton University Press. The initials at the beginning of each chapter are adaptations from Feder und Stichel by Zapf and Rosenberger. Printed in the United States of America by Vail-Ballou Press, Inc., Binghamton, New York Brought to you by | The University of Texas at Austin Authenticated Download Date | 4/28/19 5:16 AM CONTENTS PREFACE V I. THE EMERGENCE AND EARLY ORIENTATION OF WORKING-CLASS POLITICAL ACTION 3 The German Social and Political Context 3 Ferdinand Lassalle and the Socialist Movement: An Ambiguous Heritage 18 Political and Social Democracy in the Eisenacher Tradition: The "People's State" 27 Principles and Tactics: Parliamentarism as an Issue of Socialist Politics 32 II. THE MATURATION OF THE SOCIALIST MOVE MENT IN THE EIGHTEEN-SEVENTIES 39 The Quest for Revolutionary Identity and Organizational Unity 40 The Gotha Program as a Synthesis of Traditional Social Democratic Ideas 43 Unity between Social Democratic Theory and Practice in Politics 52 The Quest for Certainty in Economic Thought 59 On the Eve of Catastrophe: Social Democrats and German Society 66 III. -
Metalinguistic Discourses on Low German in the Nineteenth Century*
How to Deal with Non-Dominant Languages – Metalinguistic Discourses on Low German in the Nineteenth Century* Nils Langer (Flensburg/Bristol) and Robert Langhanke (Flensburg/Kiel) Abstract This paper discusses nineteenth-century metalinguistic discussions of Low German, an authochthonous of Northern Germany, which, having lost its status as a written language suitable for formal discourse during the Early Modern period, has since been reduced to the spoken domain. During the nineteenth century the language was on the verge of enjoying a revival, with original poetry being published and extensive discussions as to whether Low German ought to play a role in formal education. As this article shows, this discussion was intense and controversial. Comparing the views of Klaus Groth, the leading proponent of Low German in the second half of the nineteenth century, with the internal debates amongst school teachers - hitherto never discussed by the scholarly literature – this article demonstrates the intellectual and ideological split felt by these educational practioners in their views of Low German: on the one hand, they recognise the cultural value of Low German as the historical language of the North and the native language of the pupils they teach, on the other hand they agree with each other that the language of education and science, as well as national unity, can only be High German. We hope to show with our discussion not only how very similar modern thinking on the use of Low German is to these historical discussions but also how the status and perception of many regional and minority languages across the world has been subject to the same or very similar thoughts and pressures. -
Die Deutschen
Die Deutschen Dokumentarreihe in zehn Folgen Ab 26. Oktober 2008 sonntags um 19.30 Uhr und dienstags um 20.15 Uhr Materialien für den Unterricht – Folge 8: Robert Blum und die Revolution Die Deutschen - Folge 8: Robert Blum und die Revolution 1. Inhalt des Films Im Mittelpunkt der achten Folge der Serie „Die Deutschen“ steht die Revolution von 1848/49. Thematisiert werden kurz die Ursachen, ausführlicher dagegen Verlauf und Begleiterscheinungen sowie die Folgen. Eng verknüpft werden die Ereignisse mit einem wichtigen Protagonisten der damaligen Zeit, dem Revolutionär Robert Blum (1807-1848), einer Symbolfigur der demokratischen Bewegung in Deutschland. Die wichtigsten Schauplätze sind Leipzig, der deutsche Südwesten, Berlin, Frankfurt am Main und schließlich Wien, wo Blum am 9. November 1848 erschossen wurde. Die Verkündung und der Vollzug des Todesurteils bilden die Rahmenhandlung der achten Folge. Die Darstellung beginnt mit einer Szene, die Robert Blum in einer Gefängniszelle beim Schreiben des Abschiedsbriefes an seine Ehefrau Eugenie, genannt „Jenny“, (geb. 1810) zeigt. Bevor das Todesurteil vollstreckt wird, erfolgt ein Rückblick in das Leipzig des Jahres 1844, wo Blum seit 1832 am Stadttheater beschäftigt und wegen eines kritischen Zeitungsartikels schon einmal verhaftet worden war. Als Autor und Herausgeber der regimekritischen Zeitung „Sächsische Vaterlandsblätter“ versuchte er seine Kritik gegen die erstarrte Herrschaftsordnung in den deutschen Ländern durch die Zensur zu bringen. Damit wird auf die innenpolitische Situation -
Full Dissertation All the Bits 150515 No Interviews No
The Practice and Politics of Children’s Music Education in the German Democratic Republic, 1949-1976 By Anicia Chung Timberlake A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Nicholas Mathew Professor Martin Jay Spring 2015 Abstract The Practice and Politics of Children’s Music Education in the German Democratic Republic, 1949-1976 by Anicia Chung Timberlake Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This dissertation examines the politics of children’s music education in the first decades of the German Democratic Republic. The East German state famously attempted to co-opt music education for propagandistic purposes by mandating songs with patriotic texts. However, as I show, most pedagogues believed that these songs were worthless as political education: children, they argued, learned not through the logic of texts, but through the immediacy of their bodies and their emotions. These educators believed music to be an especially effective site for children’s political education, as music played to children’s strongest suit: their unconscious minds and their emotions. Many pedagogues, composers, and musicologists thus adapted Weimar-era methods that used mostly non-texted music to instill what they held to be socialist values of collectivism, diligence, open-mindedness, and critical thought. I trace the fates of four of these pedagogical practices—solfège, the Orff Schulwerk, lessons in listening, and newly-composed “Brechtian” children’s operas—demonstrating how educators sought to graft the new demands of the socialist society onto inherited German musical and pedagogical traditions.