The Centenary of the World Première of the Rite of Spring 《春之祭》首演百週年 FOREWORD 前言

MAY 2013 二零一三年五月號

The Centenary of the World Première of The Rite of Spring 《春之祭》首演百週年 FOREWORD 前言

The third anniversary celebration of the RTHK Quartet has been a thrilling 在香港電台弦樂四重奏的三週年慶祝活動中，無論台上台下都感 experience for the players and audiences alike. Here is a picture I took with 覺興奮。這張照片攝於香港大學陸佑堂，在他們火力十足的演出之 the Quartet and guest soloist Loo Sze-wang after their concert at Loke Yew 後。這場音樂會將於5月17日晚上8時播出，敬請留意。三週年活動 Hall at HKU in April. The performance was recorded by Radio 4 and will be 的剪影，刊於第5頁。而最後一場誌慶音樂會為「法國五月」的節目 broadcast on 17 May at 8pm. Remember to tune in! 之一。5月10日晚上在香港演藝學院歌劇院，香港電台弦樂四重奏將聯同曼芙禮弦樂四重奏獻技。兩支組合上一次合作，是在去年12月 For flashback of RTHK Quartet’s third anniversary celebrations, please turn 香港電台弦樂四重奏的歐洲巡迴中於法國演出。 to page 5. The last of the Quartet’s celebration performances will be their collaboration with the Manfred Quartet at this year’s ‘Le French May’. The 5月份，第四台蠻熱鬧哩！無他，華格納的二百週年和《春之祭》的 two ensembles shared the stage in France last December during RTHK 一百週年都同在本月發生。 Quartet’s European tour. Don’t miss their joint concert on 10 May at HKAPA’s 華格納最大型的創作是《尼伯龍的指環》。本月一連四個星期四 Lyric Theatre. 晚上7時，我們會帶來這套分成四部份的巨作。演出來自柏林愛樂 This May, it’s particularly eventful on Radio 4 with the bicentenary of Wagner 廳，當中有多位當時得令的獨唱家，包括飾演佛坦的高烈斯尼、飾 and the centenary of the world première of Stravinsky’s The Rite of Spring. 演布倫希爾德的蘭加和飾演齊格蒙特的史密夫等等，還有由楊諾夫斯基指揮的柏林電台交響樂團及合唱團。 Wagner’s grandest composition is, of course The Ring of the Nibelungs. On four consecutive Thursdays at 7pm, we will bring you the complete four- 在今期《美樂集》中，共有三篇與華格納有關的文章：劉偉霖經常 part cycle from the Berlin Philharmonie. It features a stellar cast of soloists 到各地欣賞演出，他會分享他的華格納回憶。本月新節目重新認識 including Tomasz Konieczny as Wotan, Petra Lang as Brünnhilde, and 華格納 (英語) 的主持人史葛‧ 羅蘭士及四時行樂的新任碟評人尼爾遜 Robert Dean Smith as Siegmund with the Berlin Radio Symphony Orchestra 均為歌劇發燒友，他們各為華格納撰文。 and Chorus, all under the direction of Merek Janowski. 2013年5月29日當晚，《春之祭》在巴黎舉行世界首演一百週年，學 There are three contributions to our Wagner content: William Lau, who 者紀大衛、高爾文，以及香港芭蕾舞團藝術總監區美蓮將與杜格尊 frequently travels to other places for concerts and operas, will give us 暢談這套劃時代的作品。兩天之後，5月31日晚上，我們會現場直播 recollections of his Wagner experiences. On top of that, two great opera 香港管弦樂團在香港文化中心演出《春之祭》的音樂會，由卡塔尼執 fans join us: Laurence Scofield, who presents a special series entitledWho’s 棒。早前，杜格尊與卡塔尼做了一個專訪，部份內容刊於第14頁。 Afraid of Wagner this month, and our newly recruited CD reviewer, Nelson 暫別半年的談天論樂再次與大家見面，這是一個集分享和交流， Lai, have each written an article. 知識及趣味性的節目。本月其中兩集的話題，自然離不開華格納和《春之祭》。 On Wednesday, 29 May 2013, exactly 100 years after the famous Paris world première of The Rite of Spring, academics David Gwilt and Christopher 最後，恭喜林家琦再為人母，新生女兒取名龍天予。在林家琦休假 Coleman, along with Madeleine Onne, Artistic Director of the Hong Kong 期間，劉建婷會代為主持歡樂時光和藝壇快訊。在Coda一文中，讓 Ballet, will talk to Radio 4’s Jonathan Douglas about the legendary work. Two 我們分享林家琦的喜悅。 days later, on Friday, 31 May, we have a live broadcast of a concert from the Hong Kong Cultural Centre that includes The Rite of Spring, performed by 第四台節目總監蕭樹勝 the Hong Kong Philharmonic conducted by Oleg Caetani. Jonathan spoke with the Maestro earlier and part of the interview is transcribed on page 14. SHARE Your LOVE of Music with US, Finally, let’s welcome Berenice, Kathy’s second baby. During Kathy Lam’s well-deserved maternity leave, Gladys Lau is now driving the panel in Become a PATRON『美樂集』of ‘FM’ !

Happy Hour and Artsnews. There is a feature about Kathy’s new arrival in Radio 4 would like to thank the patrons DIAMOND PATRON 鑽石贊助者 Coda. Check it out! for their generous support. If you would Sir Gordon & Lady Wu 胡應湘爵士伉儷 like to become a patron of ‘FM’ Fine PLATINUM PATRON 白金贊助者 Music, please call us on 9073 3474 for M Restaurant Group further information during office hours. GOLD PATRON 黃金贊助者香港電台第四台謹向以下贊助者的慷慨 Anonymous 無名氏支持致以最深謝意。有興趣成為「美樂 SILVER PATRON 白銀贊助者集」贊助者的朋友，可在辦公時間內致電 Ms. Rayne Chai Chih-hui 蔡之慧女士 Jimmy Shiu 9073 3474 查詢有關詳情。 Head, Radio 4 May 2013 | FINE MUSIC 1 CONTENTS 目錄

May 2013 二零一三年五月號

01 FROM THE DESK OF HEAD, R4 掌台人隨筆

SPECIAL FEATURES 特稿 05 RTHK Quartet Flashback 香港電台弦樂四重奏剪影 09 Rite or Wrong? 05 13 New Generation 2013 音樂新一代 2013 09 14 In Conversation with Oleg Caetani

COVER STORY 封面故事 17 Wagner 華格納

COLUMNS 專欄 Gordon Wong

28 Sunday Opera 歌劇世界 © 31 Musical Exchange 談天論樂 33 New Releases 碟碟不休 13 35 Concert Highlights 音樂會轉播精選 39 Friends of Radio 4 第四台之友 41 Main Programme Chart 節目時間表 43 Programme Highlights 節目精華 51 ‘FM’ Classified Board 《美樂集》分類廣告 52 Coda

14 MET Opera Production

May 2013 | FINE MUSIC 3 SPECIAL FEATURES 特稿

Concert at Loke Yew Hall, University of Hong Kong

在香港大學陸佑堂演出

Raymond Chung

Established in the winter of 2009, RTHK Quartet is celebrating its third anniversary with a series of concerts in Hong Kong. Kicking off the celebrations at Lingnan University in March, the four musicians, Le Hoai-nam (violin), Ayako Ichimaru (violin), Elvis Chan (viola), and Laurent Perrin (cello), performed at the University of Hong Kong and the Hong Kong University of Science and Technology in April.

On the evening of 10 April, the Quartet celebrated their 3rd birthday at Loke Yew Hall, the University of Hong Kong, with Hong Kong composer Chan Hing-yan’s As the Wind Goes By (Hong Kong première). The four members teamed up with Sheng player Loo Harry Wong wasn’t just an audience member, he also offered delivery services for his loved one! Sze-wang for the second time after the world première of the work in Rome last winter. Harry哥哥不只是觀眾，也是一丸綾子的「柴可夫」。 The Quartet also performed Haydn’s String Quartet in D minor, Op. 76, No. 2, The Fifths, and Schumann’s String Quartet No. 1 in A minor, Op. 41, No. 1. This concert will be broadcast on RTHK Radio 4 on 17 May (Fri) 8:00pm.

The Quartet also paid their fourth visit to Lingnan University, and made a first appearance at the Hong Kong University of Science and Technology, where they played ‘Scents’ by Galison Lau. Looking ahead, they will team up with the Manfred Quartet on 10 May at HKAPA’s Lyric Theatre for a ‘Le French May’ concert. Book your ticket now!

A word from the composer - Chan Hing-yan 作曲家陳慶恩現身說法

May 2013 | FINE MUSIC 5 SPECIAL FEATURES 特稿

It’s an interestingly mixed audience 台下男女老少濟濟一堂

In conversation with Dr. Maureen Buja, the concert’s organiser 音樂會的策劃人布慕蓮�授與樂手聚談

Concert at Lingnan University 在嶺南大學演出

香港電台弦樂四重奏鍾子豪

香港電台弦樂四重奏成立三年以來走訪各地演出，今個春天，四位成員 (李海南、一丸綾子、陳子信以及貝樂安) 在本地四所大專院校舉行音樂會。

除了演奏傳統的四重奏名曲外，他們更負起推廣本地音樂創作的使命，在音樂會中分別演出兩首香港作曲家的近期創作。

4月10日晚上，四位成員夥拍笙演奏家盧思泓，於香港大學陸佑堂合奏了香港作曲家陳慶恩的《好風過處》 (香港首演)。這場香港電台弦樂四重奏的三週年音樂會深受觀眾歡迎，同場亦演奏了海頓和舒曼的作品。音樂會錄音將於5月17日晚上8時於「第四台音樂會」節目播出，不容錯過。

香港電台弦樂四重奏亦在3月底第四度於香港嶺南大學亮相；4月中在香港科技大學更演出年青作曲家劉泳浲的《氣味》。隨後，四位成員與來自法國的曼芙禮弦樂四重奏 (Manfred Quartet) 再度合作，於5月10日在香港演藝學院歌劇院參與「法國五月」的演出！購票從速！

在香港科技大學演出 Concert at the Hong Kong University of Science and Technology With members behind the scenes: Radio 4’s Tse Hung-fei (1st left), HKUST’s Dr. Matthew Tommasini (4th right), composer Galison Lau (2nd right), and Radio 4’s Raymond Chung (1st right). 部份幕後功臣：(左一)第四台的謝雄飛、(右四)科大的湯文泰博士、(右二)作曲家劉泳浲及(右一)第四台的鍾子豪。

May 2013 | FINE MUSIC 7 SPECIAL FEATURES 特稿

Compiled by Stacey Rodda

Pronounced The Rite Stuff Primitivism Betty Sue Veeblefester By David Gwilt By Christopher Coleman ©

‘ . . . and the prize for the most remarkable piece of music It must have seemed like it had sprung from another world when it was from the 20th Century goes to . . . . Stravinsky, for his amazing first seen and heard in Paris in 1913. AlthoughThe Rite of Spring contains and ground breaking The Rite of Spring!’ Stravinsky would have many Eastern European folk tunes (which Stravinsky rather oddly denied, received such a prize as simply being his due, and yet he would apparently wanting to take full credit for it himself), it was unlike any also have been greatly pleased to have outrun, so to speak, assemblage of folk music ever before. Composed for a large orchestra, all his contemporaries, and even younger colleagues. He was those melodies are broken into tiny shards, pounded by huge blocks of intensely interested in his own image in the public sphere, and sound, twisted by bizarre orchestrations, and superimposed and savagely in the way he was thought of by the public. He knew that he shifted into previously unknown rhythmic patterns. Musicologists quickly was the greatest composer alive, but he was constantly in need gave this new approach the name ‘Primitivism’, partly in honour of its of confirmation of that fact. He was a man of contradictions, unrestrained emotional barbarism, and partly due to Stravinsky’s subject often contradicting himself in his opinions about conductors, matter: a virgin dances herself to death in a Russian pagan ritual directed and about the performances of his own works. Insisting at all by wise Elders. But of course, no music like this had ever existed before - times that what he wrote should be followed exactly, and in the primitivism was a completely modern invention, and Stravinsky’s ill-fated exact tempos he gave, by other interpreters, he himself played virgin an apt harbinger of the violent fate of Europe and the wider world his music as he wanted, altering dynamics and speeds at will. in the monstrous war to begin only a year later. The Rite of Spring was his most astonishing creation, but it was The Rite of Spring pitted avant-garde against bourgeois taste and caused a one-off, and the rest of his life was spent writing remarkable an outcry at its première. Was it Stravinsky’s atrocious dissonances and music, informed by aspects of what he had done in the Rite, strange sounds or Nijinsky’s bizarre choreography, or both, that so stirred but of a different sort. the audience’s emotions?

David Gwilt is a composer, music educator and Honorary Christopher Coleman is a composer and Associate Professor of Hong President of Hong Kong Composers’ Guild. Kong Baptist University. Gordon Wong ©

May 2013 | FINE MUSIC 9 Arts Happenings 藝壇快訊 Roger Mastroianni ©

Boos and Cat Calls errible things have happened in the orchestra pit before, By Madeleine Onne T some of them musical and some involving conductors. Franz Welser-Möst, Music Director of Vienna State Opera The famous impresario Sergei Diaghilev started the company Ballet Russes in and Cleveland Orchestra, was the latest in the news. Paris in 1909 and had a unique way of finding geniuses from different art fields On 31 March, after the long First Act of Wagner’s Parsifal and getting them to collaborate on stage, with his dancers as the main focus. at the Wiener Staatsoper, the 52-year-old maestro found it Stravinsky, the choreographers Marius Petipa, Michel Fokine, and Leonide unbearably painful to raise his baton. He left the pit during Massine as well as the young George Balanchine were all part of this interesting intermission for the hospital and did not return. There he company as was the dancer Vaclav Nijinsky, a great star of the Ballet Russes. was treated for an acute lower back pain and low blood The young Nijinsky began to choreograph, with many of his stagings deemed pressure. divisive. The one that created the most uproar was his choreography for The Rite Compared to Giuseppe Sinopoli, who died of a heart of Spring to Stravinsky’s similarly controversial score. attack while conducting Aida at Deutsche Opera in It was so different from all ballets previous seen on stage that the audience Berlin 2001, or, of late, Olga Enns, the 33-year old acting director of Perm Opera and Ballet in Russia, who fell verbally complained the dancers looked like they were having spasms. The into the pit during a rehearsal of Peer Gynt and died, the noise in the theatre grew so loud that Nijinsky had to stand in the wings and Austrian maestro’s back pain seems minor. The biggest shout the counts of the music to the dancers in order for them to be able to impact thus far has been the necessity for pulling out of perform together. As the divided audience argued, scuffles broke out and the four performances of Carmina Burana with the Cleveland police were called in. Orchestra scheduled for mid-April. Other than that the Since that very first performance the ballet has become as popular as Stravinsky’s conductor is recuperating well at his Austrian home. After fantastic music and there are numerous versions in the ballet repertoire of today. all, he has been in periodic pain since a car accident in Two of the most popular versions are by Maurice Béjart (1970) and Pina Bausch his late-teens. (1975) . The Maurice Bejart version is the one I had the pleasure to dance in at Get well soon, maestro Franz Welser-Möst. the end of the 80s in Sweden. So vivid and physical was this production that I can still remember the ‘taste of blood’ in my mouth at the end. 著名中國指揮家湯沐海有句讓人毛管直豎的名言：「歷史上曾有指揮家在舞台演出時心臟突然停止。我覺得能伴隨 There is still no more influential piece of music in the 20th century. 人間最美好的東西飄遊九霄雲外，這才是最大的幸福！」 is the Artistic Director of the Hong Kong Ballet. Madeleine Onne 維也納歌劇院音樂總監弗朗茲‧ 費爾沙－莫斯特於3月31日指揮完華格納歌劇《帕西發爾》冗長的第一幕後，突然感到不適，連指揮棒也提不起來，隨即送往醫院，證實是背 29 May is the 100th anniversary of the most controversial musical première 傷兼低血壓，並取消4月中四場由他兼任總監的克里夫蘭樂 to date - Igor Stravinsky’s The Rite of Spring. This two-hour special includes 團的音樂會。日後的演出仍有待確實。 informed exchanges by three adept local musical personalities who will answer, among other questions – Was it just a publicity stunt? 在樂池遇上「意外」是確有先例的。2001年4月20日指揮家仙奴浦利在柏林德國歌劇院演出威爾第《阿伊達》期間 The programme will be moderated by Jonathan Douglas and to be broadcast 心臟病發，倒地身亡。今年3月俄羅斯彼爾姆歌劇芭蕾舞劇 on 29 May (Wed) at 8pm. 院執行總監伊恩詩排練《培爾‧ 金特》時，失足墮池，昏迷 5月29日是《春之祭》在巴黎舉行世界首演一百週年。百年後的5月29日兩週後去世，年僅三十三歲。 (星期三)晚上8時，學者紀大衛、高爾文，以及香港芭蕾舞團藝術總監區美蓮在此祝願費爾沙－莫斯特早日康復。與杜格尊暢談這套當時備受爭議之作品。節目以英語播放，敬請留意。

May 2013 | FINE MUSIC 11 SPECIAL FEATURES 特稿

Raymond Chung 鍾子豪

New Generation 2012 去年「音樂新一代」合照

This year, New Generation 2013 celebrates its 25th birthday. 音樂新一代2013門票索取表格 Beginning in 1989, the firstNew Generation concert attracted many young talents. Their works were given its première in a local venue, performed by professional musicians. New Generation 2013 Ticket Request Form Over the past 25 years, many young Hong Kong composers presented their first Date 日期：6/6/2013 (Thu 星期四) compositions at the New Generation concerts. For many years, Hong Kong Composers’ Guild has co-presented this annual event with RTHK Radio 4 and the concerts have Time 時間：7:30pm been recorded and broadcast on RTHK. Venue 地點：Studio One, RTHK, 30 Broadcast Drive, Kowloon This year, we have invited a group of professional percussionists to present the new 九龍塘廣播道30號香港電台一號錄播室 works at RTHK’s Studio one on the evening of 6 June (Thu) at 7:30pm. You are invited to Name 姓名： hear the premières of works by Hong Kong’s New Generation composers. Address 地址：今年，「音樂新一代」慶祝二十五週年。第一屆「音樂新一代」音樂會始於1989年，當年吸引了不少年輕作曲家參加，他們所作的樂曲，有不少是第一首創作，又或是於「音樂新一代」音樂會首次發表。這群作曲家默默耕紜，對本地作曲界甚有貢獻。 E-mail 電郵地址：

多年以來，香港作曲家聯會與香港電台第四 Tel. 電話（Day 日間）（Evening 夜間）

台合作，安排「音樂新一代」於香港電台舉 FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：行，並作錄音以及於第四台廣播，把本地創

作與眾分享。 Number of Tickets 門票數量

二十五週年的「音樂新一代」，將邀請多位 (Please specify the no. of tickets, maximum 4 per session) (請列明數量，每場最多四張) 敲擊樂手演繹本地年輕作曲家的新作。音樂會於6月6日晚上7:30在香港電台一號錄音室 Please return the completed form to: Radio 4, P.O. Box 70200 Kowloon Central Post Office 舉行。誠邀你出席，一同見證本地新音樂的請郵寄至九龍中央郵箱70200號，香港電台第四台誕生。 Winner of last year, Chan Kai-young Fax 傳真：2339 6427 Enquiries 查詢：2339 6425 (2nd from right) with members of the Selection Panel 去年優勝者陳啟揚(右二)與評審委員

Co-presented by 合辦機構 : Sponsored by 贊助機構 :

May 2013 | FINE MUSIC 13 SPECIAL FEATURES 特稿

Acclaimed conductor Oleg Caetani will lead the Hong Kong Philharmonic in The Rite of Spring in May. He delves into the world of Stravinsky’s music with Jonathan Douglas, discussing the influential roles of Rimsky-Korsakov, nature and Russian folk culture in the creation of the groundbreaking work, along with cross references of other significant Russian operas and ballets.

O : Oleg Caetani J : Jonathan Douglas

O : I studied it in Russia, so I had another point of view for this you find in the first act of the Invisible townof Kitezh by piece because it is a very Russian piece. If you lived once in Rimsky-Korsakov. There was a marriage procession traveling Russia during spring you would understand what it means. past a town and he wanted 50 balalaikas. The theatre of St. In Russia, spring is a revolution. The streets become rivers. Petersburg and also the Mariinsky said they couldn’t pay Everything changes. The noise of the ice breaking is huge. for that. Then he found a way to make the strings play like When I studied in Russia for 12 years, each time the spring balalaikas. came was a great experience. St. Petersburg, where I studied I see the piece very much as a mixture of two cultures. It has for two years, was where Stravinsky lived. He was born very its deep roots in Russian folk music, in Russian operatic music near there. He lived in St. Petersburg, where you can hear and even elements of Mussorgsky. It has an element of French the river breaking at the beginning of spring, it’s just a huge impressionism that comes from the Firebird. Stravinsky met scream, and when you hear the horns in The Rite of Spring Debussy in Paris, they became friends and he certainly learnt with glissandi it’s really the same noise. from Debussy. Let’s say at the end of the day you have the There are many things in The Rite of Spring that come from French impressionist, the French salon, you have the French Rimsky-Korsakov. We see it as a manifestation of the music refinement, and you have old Russia, pre Christian Russia of the 20th century. We see its modernity. But it has strong with its quite barbarian elements, and both things make the and deep roots in Russian music and in Rimsky-Korsakov miracle of The Rite of Spring. because Stravinsky studied with him. There are many effects J : Do you feel that Rimsky-Korsakov was more ahead of his time you already find in the last operas by Rimsky-Korsakov. I’ve and more influential than people give him credit for? conducted some: Kashchey the Immortal and the last one, the Golden Cockerel, as well as the Invisible town of Kitezh. O : Absolutely. You’re absolutely right. Composers that are ahead Many orchestral effects and ideas come already from there. of their time are not necessarily the famous ones. Rimsky- For example, the plucked pizzicati played by the strings up Korsakov had an influence on Ravel and on Shostakovich - no and down very quickly are like balalaikas; that is something doubt for Shostakovich. He said himself that so much comes from there. Rimsky had an influence on Scriabin, on so many composers. J : Was it also from Rimsky-Korsakov’s music that Stravinsky drew for his jagged rhythmical energy and drive? O : Surely. Surely the changes of speed, the passing of time between 3, 2 and 1. You already find that in Scheherazade strongly. J : You use the word ‘miracle’ earlier to describe The Rite of Spring. Of course many feel it’s a work of great inspiration and Stravinsky talked about it himself in terms of being in a trance – ‘the vessel’ through which it flows. Do you feel the sense of inspiration when you conduct this music?

May 2013 | FINE MUSIC 14 Arts Happenings 藝壇快訊

O : I feel a likeness in Petrouchka, I must say. I feel that every 5 or 10 bars, there is a great Remembering Sir idea. That’s what I feel, the freshness of a young man in a very special time, where it was possible that in every moment he Colin’s local presence invents something unique, creative or of great expression. Perhaps this feeling of really expressing something very strongly in just one moment is something that he lost later or he didn’t want to have anymore. He later said music doesn’t express Oliver Chou Stephanie Berger

anything, it’s just there for itself, it’s just © © a play on the game of sound and rhythm. In The Rite of Spring and Petrouchka you The house programmes of the LSO concerts in Hong Kong (1964 & 1966) 倫敦交響樂團於1964及1966年訪港音樂會的場刊 can’t feel that. You feel that it expresses pictures, and feelings particularly at the Within a week, two octogenarian Britons passed away and made headline news beginning in the second part of The Rite. around the world. To local music lovers, conductor Sir Colin Davis made his presence In many parts of Petrouchka there is the felt much earlier, in 1964 to be exact, than the late Margaret Thatcher, who oversaw the handover of the crown colony two decades later. feeling of tenderness, sadness, this great joy. All that is very strong. The Surrey-born conductor, who passed away 14 April at age 85, made his Hong Kong debut with the London Symphony Orchestra (LSO). They gave three concerts in a row, on 17-19 November 1964, at the two-year old City Hall Concert Hall. Davis, then 37 - transcribed by Jacqueline Leung years of age, was taking the orchestra on its first worldwide tour in celebration of its 60th anniversary. It was a great success, and they returned two years later for British Week in March 1966. There, Davis and the LSO were joined by Hong Kong pianist Patsy Toh, now Mrs. Fou Tsong, in Beethoven‘s Fourth Piano Concerto. Those overseas tours of Davis and the LSO sealed a lifetime partnership for both parties. Davis was its Principal Conductor for eleven years, covering 1995 to 2006. When he became the Orchestra’s President in 2007, he recalled the tumultuous relationships with the LSO players in the early days: ‘I was a raw young man and they were a pretty ferocious bunch of pirates…and we had lots of battles.’ In addition to directing the LSO, Davis glowed in equal brilliance in his overseas engagements, leading as Boston Symphony Orchestra as Principal Guest Conductor (1972-1984) and the Bavaria Radio Symphony Orchestra as Music Director (1983- 1992). The Sibelius symphony-cycle with the former and the Beethoven cycle with the latter attest to his exceptional artistry. But none would exceed his legendare direction of the Berlioz series with LSO, part of which he showcased here in Hong Kong half a century ago. (Editor’s note: Tune in to Live on 4 on 4 May at 8pm to hear Sir Colin Davis conducting Berlioz’s Requiem at the BBC Proms 2000.)

回憶戴維斯的香港緣

4月14日以八十五高齡辭世的英國著名指揮家歌連‧ 戴維斯在香港留下的印記，遠較在同一週辭世的戴卓爾夫人為早。他與倫敦交響樂團1964年11月首訪香江，在剛滿兩週歲的香港大會堂音樂廳演出三場音樂會，給本地愛樂者帶來非一般的享 The concert, beginning with Mozart’s 受。該次演出乃樂團成立60週年環球巡演的其中一站。不足兩年後，他與樂團重返 ‘Paris’ Symphony, ballet music for Les 香港，參與1966年3月的英國週。最為矚目的，是由香港鋼琴家卓一龍(現為傅聰夫 Sylphides by Chopin, and closing with the 人) 演出貝多芬的第四鋼琴協奏曲。 monumental The Rite of Spring, will be broadcast live on 31 May (Fri) at 8pm. The 戴維斯與倫敦交響樂團兩度訪港看似彼此關係融洽，為戴氏1995 - 2006年間出任首 programme will be played by the Hong 席指揮，以及2007年至逝世成為樂團主席鋪路。可是事實並非如此。他回憶當初出 Kong Philharmonic under the leadership 道時，自己年資甚淺，而樂師們像「一群兇惡的海盜」，「與他經常搏鬥」。 of Italian conductor Oleg Caetani. 戴維斯在英倫以外的指揮成就同樣口碑載道，例如1972 - 1984年間擔任波士頓交響指揮家卡塔尼與香港管弦樂團的音樂會，樂團首席客席指揮時錄下的西貝流士交響曲全集，以及1983 - 1992年巴伐利亞電台節目包括莫扎特的交響曲「巴黎」，蕭交響樂團出任音樂總監的貝多芬交響曲全集都是極品。但真正留世的，是與倫敦交邦的芭蕾舞音樂《林中仙子》，並以史特拉汶斯基的《春之祭》作結。第四台於響樂團錄音的白遼士管弦作品集，其中部份半個世紀前曾在香港演出，留下絕響。 5月31日 (星期五) 晚上8時在「第四台音樂 (編者按：5月4日晚上8時的「第四台音樂會」將播放由戴維斯在英國廣播公司逍遙會」作現場直播。音樂會2000，指揮演出白遼士的《安魂曲》)

May 2013 | FINE MUSIC 15 COVER STORY 封面故事

William Lau

Four Operas in The Ring

Wagner’s Der Ring des Nibelungen (The Ring of the Nibelungs) is probably the most

Triboletpyt/Wikimedia Commons Triboletpyt/Wikimedia revolutionary work in the entire opera repertoire. Four operas lasting 15 hours with dozens of named characters, The Ring places superhuman demands on singers and orchestras. Not only did Wagner design new instruments for The Ring but also had a new opera house built.

True to its nature, The Ring was sparked off by revolutionary fervour. In 1848, the fires of revolution spread across Europe. Dresden, where Wagner was the Court Conductor, was no exception. After Lohengrin, Wagner made plans for a new opera, while writing inflammatory essays against the monarchy. A riot broke out the next year. Wagner took the side of the insurrectionists but the riot was quickly put out.

Das Rheingold, Die Walküre, Siegfried and Götterdämmerung

A wanted man, Wagner fled to Switzerland. By then his ‘poem’ or the libretto of Siegfrieds Tod (The Death of Siegfried), later renamed as Götterdämmerung (Twilight of the Gods), was completed. He felt that one opera was not enough, so he wrote a prequel Der junge Siegfried (The Young Siegfried), known today as Siegfried. Wagner worked his way back with two more operas, Das Rheingold (The Rhinegold) and Die Walküre (The Valkyries). They form the tetralogy we know as The Ring.

Wagner borrowed widely from Greek mythology, various Nordic sagas, the medieval epic poem Die Nibelungenlied (The Song of the Nibelungs), and even some Grimm fairy tales. To make a long story short, an all-powerful magic ring is coveted by gods, humans, giants, and dwarves. After much scheming and killing, the gods are consumed by fire and humans become the lords of the world.

A Drama Composed in Music with Leitmotifs

According to Wagner, an opera should be likened to a musical form, the equivalent of a drama composed in music. He also raises the concept of Gesamtkunstwerk (Total Work of Art), stating that opera is not just a musical form, but the apotheosis of all arts, such as drama, dance, and plastic arts.

Wagner devised a scheme of leitmotifs to identity characters, objects, and even emotions. A leitmotif is a short but distinctive melody or rhythm. Once played by the orchestra, audiences can refresh their memories on what has happened previously and may even get a hint of what is to come.

The Festspielhaus in Bayreuth

Wagner’s big fan, King Ludwig II of Bavaria, supported his dream of building a brand new opera house. The Festspielhaus (Festival Theatre) was built in Bayreuth, a town in southern Germany. The building still stands to this day. The most novel aspect of the house is that the orchestra pit is placed beneath the stage, allowing a perfect blend of singers and the orchestra.

Wagner took 26 years to complete The Ring. The entire work had its first performances in August 1876. They were attended by notable composers such as Liszt, Tchaikovsky, and Bruckner. This was also the prototype of the present Bayreuth Festival, which takes place every summer. To see The Ring in Bayreuth remains the dream of every Wagnerian around the world, and tickets at Bayreuth itself are very hard to get. It is reported that for the 2011 Bayreuth Festival, 320,000 ticket requests were made for total of 53,900 available tickets. Caricature of Wagner

May 2013 | FINE MUSIC 17 COVER STORY 封面故事

劉偉霖

《尼伯龍的指環》中的四齣歌劇

華格納的《尼伯龍的指環》可能是歌劇史中最具革命性的作品，四齣歌劇共長十五小時、數十個登場角色、對樂隊及歌手都有超人要求，華格納為作品訂造了新的樂器，連歌劇院也要新建一座。

《尼伯龍的指環》確實由革命催生，1848年革命浪潮席捲歐洲，華格納身處的德累斯頓也不例外。華格納剛完成《羅恩格林》，一面構思新歌劇，一面發表反對帝制的政治文章。翌年德累斯頓爆發動亂，華格納踴躍參與，但革命迅即被軍隊鎮壓。

《萊茵河的黃金》、《女武神》、《齊格弗里德》及《神界的黃昏》

華格納被通緝，逃到瑞士，期間他已完成《齊格弗里德》(即《神界的黃昏》) 的劇本。他發覺一部歌劇不能說完故事，便寫了「前傳」《少年齊格弗里德》(即《齊格弗里德》)，意猶未盡，再於前面加多兩齣：《萊茵河的黃金》及《女武神》，合成四部曲的《尼伯龍的指環》。

華格納從希臘神話、北歐神話、中古詩歌《尼伯龍之歌》，甚至格林童話取材，構成宏大的神話世界。一隻法力無邊的指環引來神、魔、人的爭鬥，最後指環回歸萊茵河底，神界焚毁，世界終由人類統治。

設有「主導動機」的「樂劇」

華格納將其「樂劇」的概念實踐，歌劇不再是詠歎調、宣敍調、二重唱的串連，而是有如交響曲的音樂結構。華格納又提出「整體藝術」的概念，主張歌劇不單是音樂，而是集戲劇、舞蹈、平面藝術等於一體。

由於規模宏大、人物眾多，華格納以一套「主導動機」系統，為不同人物、物件或情緒冠上簡短的旋律，樂隊奏出某人物的動機，即能令觀眾回想先前的劇情，更能含蓄地預示之後的發展。

拜羅伊特「節日劇院」

華格納認為歐洲的歌劇院，無一達其要求。巴伐利亞國王路德維二世是華格納迷，得其支持，華格納在德國南部小城拜羅伊特，興建新的歌劇院，名為「節日劇院」，屹立至今。「節日劇院」最新穎的設計意念，是把樂隊池放在舞台底下，把樂隊及歌手更好的糅合，並在上面設一弧罩，令觀眾無法見到指揮及樂隊。

《指環》從構思至完成，經過四份一個世紀，全劇於 1876年8月在拜羅伊特節日劇院首演，出席的包括李斯特、柴可夫斯基、布魯克納。《指環》的首演，也是現在每年夏天舉辦的拜羅伊特音樂節的前身，世界各地的華格納迷都以在拜羅伊特看《指環》為榮。《齊格弗里德》第三幕 — 齊格弗里德喚醒布倫希爾德

May 2013 | FINE MUSIC 19 COVER STORY 封面故事

Sundays 10:00am Laurence Scofield, Chairman of the Foundation for the Arts and Music in Asia (FAMA) MET Opera Production ©

The Ring

Have you ever felt the music of Verdi is like fine champagne that you could drink all night, as much as you liked? But, on the other hand, have you worried that Wagner is like a 30-year-old whiskey (rare, but extremely powerful) that would be very exciting on the night, but leave you with a headache in the morning? If you’re part of this exclusive club of whiskey drinkers who imbibe Wagner despite the risks, you’ll enjoy my new four-part series on the works of opera’s most controversial composer of the 19th century, if not all time!

My experience in presenting operas in Hong Kong (both live opera performances and cinema opera presentations), has led me to the conclusion that Wagner’s music is not just a strong alcoholic beverage - it is a dangerous drug that gets people hooked, and that Wagner audiences are different. They are a cult, whereas Verdi (the other giant of 19th-century opera composition) has very broad appeal and can connect with a wide range of different types of people, even if they have little previous exposure to classical singing and opera. Wagner, on the other hand, has a much narrower market. The smaller number of fans are immensely more committed and passionate. They will travel great distances and endure much inconvenience to hear performances of his music. It’s unbelievable the effect that this composer can have on people.

May 2013 | FINE MUSIC 21 COVER STORY 封面故事

I’ll unravel the mysteries of this addiction in the new series of programmes about Wagner’s works specially created for RTHK Radio 4 in celebration of the 200th anniversary of his birth. The programmes will examine all the major works of Wagner’s career, including: Meistersinger, Tannhauser, Lohengrin, Flying Dutchman, Tristan and Isolde, Parsifal and The Ring, and will include superb recordings of highlights from these operas.

I will try to take an objective and balanced view of the composer in this series, although I must admit that emotions run very high when the subject of Wagner is under discussion. Nevertheless, I confess to being a lover of Wagner, though not a full cult member. Jay Hunter Morris as Siegfried A few opera lovers, like myself, are able to taste but escape addiction. We are better able to talk about the habit sensibly without recourse to incendiary comments related to whether Wagner should be a controlled substance, which, in at least one country, he is.

One of the reasons that cult members are small in relation to other composers’ acolytes, is that many members of the audience just don’t have the physical endurance to sit through five or six hours of one opera performance. Wagner is exhausting for the performers and for the audience, which is actually what he intended. People come out of the theatre drained, destabilized, and disoriented. These operas aren’t light entertainment, they are for the hardcore. At the same time, Wagner gives his audience his vision of fantasies and relationships, hard ethical battles and the value of conquering a hard task. Deborah Voigt as Brünhilde

I’ve tried to make this series of programmes an introduction for the general public that is accessible and engaging. You might even enter as an interested opera lover and emerge as a Wagner fan, swept away by his ideas and his music!

Do I worry that making Wagner accessible and easy to understand for a general audience might bring me scorn for widening the addiction and spreading the use of a dangerous substance?

Yes, but life is short. You’ve got to grab the passion and excitement. Wagner is dangerous, but in these programmes we’ll try to be safe.

為慶祝華格納誕生200週年，史葛‧ 羅蘭士會剖析華格納多齣重要歌劇/樂劇，並與聽眾分享其珍貴錄音。英語節目「重新認識華格納」逢星期日上午10時播出。 Bryn Terfel as Wotan Pictures courtesy of MET Opera Production

A Scene from Götterdämmerung

May 2013 | FINE MUSIC 23 COVER STORY 封面故事

尼爾遜

華格納與威爾第這兩位同齡，且各自代表了他們的國家及整個音樂歷史中最偉大的歌劇作曲家，也確實分別將德國歌劇及意大利歌劇的創作推至最高峰，前無古人，後無來者。然而，我們會認為威爾第是把意大利歌劇「發展」至最成熟及最偉大的境界，華格納卻有點是將德國歌劇來一個「革命」。

華格納的「整體藝術」

華格納歌劇的革命，是基於他這位多面天才，而發展出一套深厚的理論來。在寫了幾套今天已鮮為演出的早期作品後，華格納創作了三套重要的歌劇 —《漂泊的荷蘭人》、《湯豪舍》及《羅恩格林》，這三套作品可說將德國浪漫歌劇推至高峰，亦為華格納「浪漫歌劇期」畫上句號。《羅恩格林》後，華格納「閉關」了，他開始寫作，而其中最重要的一篇論文是《音樂與戲劇》，當中他抒發了一個他認為歌劇應該是如何模樣的理論 —「整體藝術」(Gesamtkunstwerk)。簡單來說，即歌劇不應單指是以音樂為主，而應是包含各種藝術元素，如音樂、詩詞、視覺藝術、戲劇藝術，甚至哲學皆綜合於這種他自此稱為「樂劇」（Music Drama）的作品中。要達到這要求，華格納於這「整體藝術」發表後所創造的「樂劇」，以理論化地加進了一些歌劇寫作手法：如「主導動機」(Leitmotif) 的理論，即以一些音樂動機音型去代表着人物、意念、場景等；他強調「樂劇」的作曲家亦該是它的劇本作家，他亦不稱這為「劇本」而稱這為「詩」；「樂劇」的題材應該是神話，而非人世間的故事；當然還有一些較次要的理論，又如樂團在演出「樂劇」時，應該置於一個觀眾看不見的位置等。按這理論發表的，亦是華格納作最重要的作品，一眾華格納迷為其迷癡的包括《尼伯龍的指環》的四套作品(《萊茵河的黃金》、《女武神》、《齊格弗里德》及《神界的黃昏》)、《崔斯坦與伊索爾德》、《紐倫堡之名歌手》及《柏斯法爾》。華格納為實現他的歌劇理想，甚至於拜羅伊特建了他的劇院。

漫畫：《神界的黃昏》在拜羅伊特直至今天，拜羅伊特每年都上演華格納節，我們今天亦常聽到不少華格納癡每年都要到拜羅伊特朝聖，去看看甚至連華格納自己也沒有機會欣賞到作品的真模樣。

歌劇以愛感動世界

根據記載，華格納與威爾第各自咤叱風雲，卻從未碰面。表面看來，他們雖有點互相貶抑，但暗地裡常相互欣賞－威爾第對《崔斯坦》的樂譜愛不釋手，而一般都認為他後期的歌劇如《阿伊達》及《奧賽羅》帶有華格納的影響。至於華格納，他所寫的人聲部素來不易唱，因為這些人聲部在他筆下「是樂團的一部份」。

May 2013 | FINE MUSIC 24 Arts Happenings 藝壇快訊

早前我曾經提過，在華格納的樂劇如《女武神》及《崔斯坦與伊索爾德》中，一些唱段的風格使我想起意大利「美聲」一詞，華格納於《崔斯坦與伊索爾德》後，更以《紐倫堡之名歌手》這齣充滿暖意及人情味的喜劇，感動全世界。在這劇中，我們不再像看《尼伯龍的指環》一樣，從傳說及神鬼世界中看情愛，而是真正感受到有血有肉的人性。華格納以他的才藝去創作人性戲劇，威爾第亦以一齣《法斯塔夫》同樣地驚艷，這齣偉大喜歌劇甚至為這位意大利歌劇巨匠的創作生涯來過輝 To local music lovers, Jing Wang is absolutely new, and a surprise, too, 煌的終結。 when he was announced as the new concertmaster of the Hong Kong Philharmonic for the 2013 - 2014 season. According to the official press release, Wang was born in Guilin, began playing the violin at age three. 兩位歌劇作曲家經歷了人世間的風雨，各自留下精彩感 He made his first public appearance three years later in Marseilles and his 人的作品，讓我們體會箇中精彩獨到之處。 concerto début aged nine with the Quebec Symphony Orchestra. A frequent prize-winner, he has performed in recitals and chamber concerts at major venues in Canada, and in tours in North America and Europe. But what the press release does not say is that Wang is 28 years old and has lived in Quebec with his family for seven years until leaving the family behind for the concertmaster position at Dallas Opera in 2010 - 2011 season. There he has been active by founding the new chamber series ‘Ensemble75’ with local young musicians. He has also served as concertmaster of the Dallas Chamber Orchestra and guest concertmaster of the Kansas City Symphony Orchestra. He has performed with Fort Worth Opera, and has been a frequent guest with the Dallas Symphony led by Jaap van Zweden. Wang replaces Igor Yuzefovich, who was appointed concertmaster in January 2012 (he had been guest concertmaster since September 2011); his contract will expire this summer. Wang is set to be the third Chinese concertmaster after Lin Ke-ting (1974) and Michael Ma (1992 - 1993). 「港樂」的「新團長」王敬

香港管弦樂團宣佈委任王敬為2013 - 2014樂季的團長(即樂團首席)，對香港愛樂者而言，這名字相當陌生。「港樂」所發的新聞稿提及：生於桂林，王敬於三歲習小提琴，三年後於馬賽公開演出，九歲與魁北克交響樂團作協奏曲首演，是多項比賽的得獎者⋯⋯。王敬是一位音樂神童，獲獎無數，亦曾於加拿大及歐洲多個著名演出場地舉行獨奏會及室樂音樂會，也跟加拿大有緊密關係。

新聞稿沒有透露的是，王敬今年二十八歲，與家人在加拿大魁北克居住了七年，2010 - 2011樂季出任達拉斯歌劇院樂團首席後，家人仍留在魁北克。他在達拉斯極為活躍，僅幾年時間便與德州新一代樂手創辦了室樂系列「75合奏組合」，又出任達拉斯室樂團首席、堪薩斯城交響樂團客席首席，亦曾與沃思堡歌劇院合作，更經常獲邀與梵志登掌舵的達拉斯交響樂團演出。

漫畫中的華格納王敬將接替於2012年1月出任團長的尤契夫維奇。尤契夫維奇在正式上任前，曾於2011年9月擔任「港樂」的「客席首席」，在本樂季結束後「約滿」離職。王敬是繼林克定(從樂團業餘時期到職業化)，和馬忠為 (1992 - 1993)後，第三位出任該職位的華裔演奏家。

May 2013 | FINE MUSIC 25 © Midiorama Ent. Media COLUMNS 5 May :Offenbach’s edd o e vrokd y otmoay uiin, critics, musicians, contemporary by and thegeneral publicalike. overlooked be to tended prolific his for output ofsuccessfulcomicoperettasthathisseriouscompositions famous so was (1819-1880) Offenbach Jacques of programme selected May,each of month the For de LaMonnaieofBruxelles. the Symphony Orchestra and Chorus of the National Royal Theatre heroine in the three fantastic stories. Sylvain Cambreling conducts different a portrayingeach Plowright Rosalind and Norman Jessye Serra,Luciana sopranos with Tenorprotagonist, our is Shicoff Neil ecstatic climaxes. The musicisexpressive andmelodiouswithrhapsodicoften suffering thefrustration ofhisown experienceofdisappointedlove. of three fantastic form stories retold the in flashback takes by Hoffmann It himself while admired. deeply Offenbach who T. Hoffmann, A. E. composer and author German the to tribute a is opera The beautiful, originalandfresh. is that much contains and work ambitious most his is Hoffmann) Chénier, thepatrioticvoice oftheFrench Revolution; and Andrea Victorart; Hugo,themasterofGallicRomanticism. dramatic of genius the Shakespeare, William tales; fantastic of author the Hoffmann, T.E. A literature: Sundays 2:00pm Niel Shicoff Jessye Norman 專欄 Rosalind Plowright Les contes d’Hoffman d’Hoffman contes Les Les contes d’Hoffman contes Les Luciana Serra Sylvain Cambreling (The Tales of(The Tales Sunday Opera Sunday

© Marco Borggreve Lo King-man Tempest The Purchase Symphony Orchestra Caliban. was as conducted Benevento by Joshua Hugh Murphy.tenor dramatic and Ariel, as Davey Molly soprano coloratura Miranda, as Prospero, Webber Catherine as soprano Balonek Robert bass-baritone featuring and Trussel Jacque of direction New artistic York,of the University under State Our recording was made by the Opera Division ingenious of Purchase College, and subtle with colourful, orchestration. and rich, lush, melodic, high critical acclaim and the music has been described as intensely in respect of the Bard’s use of the English language. The opera won which shows a deep reverence to Shakespeare’s original, especially Shulgasser Mark by libretto succinct a to set is Hoiby’smusic Lee Naples. of Prince the to Miranda of marriage the and brother usurping his of repentance the about bring end the in which powers, magical Miranda daughter to her rightful place by the use of his wondrous and benevolent his restore to plots Milan, of Prospero, where Duke exiled island, the remote a on set is It 1610-11. in wrote technically brilliantandintellectually progressive. is music his fact, boldly inventive andfullofcontemporary sensibilitiesaswell in but, fashioned; old deemed were qualities lyricism andmelodicexpressionduringatimewhen such The Tempest The etns fTnese Williams’ Tennessee of settings his operas andsongs. Hismostsuccessfulworks werehisoperatic for known best was (1926-2011) Hoiby Lee composer American 12 May :Hoiby’s © Timothy Greenfield-Sanders Shakespeare’s William of and 1971, in première its given Lee Hoiby , completed in 1985 and revised in 2008. He championedHe 2008. in revised and 1985 in completed , is directly inspired by a major talent in world in talent major a by inspired directly is s eivd o e hkser’ ls pa, hc he which play, last Shakespeare’s be to believed is A scenefromLeeHoiby’s The Tempest The

Summer and Smoke and Summer May 2013 The Tempest The |

FINE MUSIC wih was which , The The 28

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

19 May : Giordano’s Andrea Chénier 26 May : Verdi’s Ernani

When Giuseppe Verdi (1813-1901) decided to adapt Victor Hugo’s Hernani into an opera, the play had already achieved a widespread fame and it was taken as the model for Romanticism in French literature. The plot presents a serious treatment of the concepts of chivalry, honour, and patriotic heroism, which Verdi always found inspiring with particular reference to Italy’s struggle for independence from foreign rule and her aspiration to be a unified nation.

Umberto Giordano André Chénier To heighten the effect of the romantic drama, Verdi sought to balance the principal solo voices and inserted powerful choral passages. The opera became extremely popular immediately after its highly successful première at Venice’s La Fenice Theatre in March 1844, and was regarded as a symbol of Italian patriotism and an icon of the spirit of Risorgimento, the nation’s reawakening.

A superb sound recording made at a live performance at La Scala Theatre of Milan will be played, with tenor Plácido Domingo in the title role, soprano Mirella Freni as his beloved Elvira, baritone José Soler Renata Tebaldi Renato Bruson as King Carlo of Spain, and bass Nicolai Ghiaurov as Grand Duke de Silva. Riccardo Muti conducts the chorus and One of the most exciting operas of the verismo school, Andrea orchestra of La Scala, Milan. Chénier by Umberto Giordano (1867-1948), is a wonderful vehicle for great tenors, full of passionate music for singers to exhibit their skill, artistry, and beauty of voice.

The libretto is one of the best of Luigi Illica, who was also a favourite collaborator of Puccini and Mascagni. The story is based on the life of the poet Chénier who was guillotined in Paris at the height of the reign of terror during the French Revolution. Sheila Rock © For this programme we have chosen a magnificent recording made Plácido Domingo Mirella Freni by Radio Italiana (RAI) with the great Spanish tenor José Soler in the title role. Soler is admired by many as the possessor of one of the best high heroic tenor voices and he is partnered here by the exquisite angel-voiced soprano, Renata Tebaldi. Arturo Basile is the conductor of the Orchestra Sinfonica di Torina della RAI. Renato Bruson Renato Bruson © © Renato Bruson Nicolai Ghiaurov

May 2013 | FINE MUSIC 29 COLUMNS 專欄

蕭樹勝

星期一晚上8時正

小別六個月之後，「談天論樂」再度登場；時間提前了兩小時，每週環繞一個特定主題，與樂迷聽聽音樂，談談音樂，在音符之間，悠然增值。

6/5 二人彈鋼琴 20/5 華格納200年

‘Piano duet’ 有兩個解釋 — 兩部鋼琴，由二人彈奏，或者一部鋼華格納的一生充滿傳奇。他的歌劇是連歌詞一起寫的；而「歌劇」琴，由二人排排坐演奏。莫扎特曾為自己和姐姐合奏而譜曲；貝多一詞卻容不下他的藝術概念，他索性將後期作品稱為「樂劇」。他芬也為「四手聯彈」寫過少量作品。著名的「四手聯彈」或雙鋼琴喜歡打身邊朋友的主意，以至債台高築；不過他亦真有辦法，能為作品，還有布拉姆斯的《匈牙利舞曲》、佛瑞為紅顏知己的女兒譜自己的作品蓋搭一座劇院出來，至今仍是華格納迷的「朝勝地」。寫的《洋娃娃組曲》和史達拉汶斯基的《春之祭》。二人彈鋼琴，在他筆下有多套動輒四小時才演完的作品，其吸引人之處何在？經除了在音色、音量和織體上追求變化外，也有經濟效益的考慮呢！常到海外欣賞華格納作品的譚榮邦與你分享，具多元才華的音樂工就這話題談天論樂的，是兩位鋼琴家李嘉齡和周琬婷。作者胡銘堯，則會介紹你認識一些欣賞華格納音樂的必殺技！

李嘉齡周琬婷譚榮邦胡銘堯

13/5 新一代指揮名家 27/5 春之祭100年

三十出頭的尼爾遜 (Andris Nelsons) 在拜羅伊特執棒；同樣史達拉汶斯基的《春之祭》是劃時代的作品。當年，在巴黎香榭是三十來歲，勒薩– 西謹 (Yannick Nézet-Séguin) 成為了費麗舍劇院中，那古怪的節奏和音響效果，以至舞蹈員的舞步，令城樂團的音樂總監。不少新一代指揮名家都是英雄出少年，觀眾難以理解。不知怎的，台下由起初不滿的聲音，變為觀眾間基爾拔 (Alan Gilbert) 二十八歲任克里夫蘭樂團副指揮；杜的對罵，最後更驚動了警察到場。百年過後，《春之祭》已不算達美 (Gustavo Dudamel) 更厲害，二十八歲已領導洛杉磯「新」。在這百年來，這套作品的確深深影響了不少作曲家和觀愛樂。哈丁 (Daniel Harding) 二十一歲指揮柏林愛樂；張弦眾，為音樂史揭開了新一頁。指揮家葉詠詩和作曲家陳慶恩均為在中央歌劇院指揮《費加羅的婚禮》時，只得二十歲。其史達拉汶斯基迷，他們會與你解構《春之祭》，以及作曲家的音實，這種種都不是新鮮事—托斯卡尼尼首次臨危受命擔任指樂風格。揮時，也只得十九歲。兩位樂評人周光蓁和劉志剛與你細語道來。 Yvonne Chan Yvonne ©

葉詠詩陳慶恩

周光蓁劉志剛 May 2013 | FINE MUSIC 31 COLUMNS 專欄

Calvin Lai 賴建群

Monday to Friday 5:30pm 逢星期一至五下午5時30分

Calvin Lai and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

賴建群和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk

May 1-3

May 6-10

May 13-17

May 20-24

May 27-31

May 2013 | FINE MUSIC 33 COLUMNS 專欄

Date 日期 Highlights 重點推介

The Kopelman Quartet 3/5 (Fri 五) Founded by experienced chamber musicians steeped in the standards and style of the classic Russian school, The Kopelman Quartet, four 8:00pm musicians who graduated from the Moscow Conservatoire in 1970s, performs Shostakovich’s String Quartet No. 4, which is infused with the folk music of the Jewish communities of Eastern Europe, followed 8/5 by Brahms’ Second Quartet with its arching Frei aber einsam (Free Musicaglotz Artists Management (Wed 三) 2:00pm © but alone) opening motif. 高寶文四重奏 Repeat 重播 The Kopelman Quartet 高寶文四重奏

上世紀七十年代，莫斯科音樂學院名師雲集，像小提琴家大衛‧ 愛爾斯泰克、大提琴家羅斯卓波維契，作曲家蕭斯達高維契等都在此學院培養接班人。四位當年的學生，今日以「高寶文四重奏」命名繼續展現當地的演奏傳统。在這場音樂會中你可以欣賞到蕭斯達高維契的第四弦樂四重奏，當中融入東歐猶太人的民樂素材；也有布拉姆斯的第二弦樂四重奏，作曲家把好友姚亞幸的座右銘「自由卻孤獨」暗藏其中。

Anna Caterina Antonacci in Italian Vocal Music Concert 10/5 (Fri 五) Soprano Anna Caterina Antonacci and pianist Donald Sulzen perform a programme of Italian vocal music entitled Alba separa dalla luce I’ombra 8:00pm (Dawn Separates the Shadow from the Light), with songs ranging from the Baroque composer Cesti to the lush romantic settings of Respighi and Cilea. 15/5 安東納西演唱意大利聲樂作品 Anna Caterina Antonacci Donald Sulzen

(Wed 三) 2:00pm © © 意大利女高音安東納西的音樂會以《破曉分隔黑暗與光明》為題，與鋼琴 Repeat 重播 Anna Caterina Donald Sulzen, piano 家蘇爾真合作，演出涵蓋巴羅克時期的蔡斯第，至二十世紀的雷史碧基及 Antonacci, soprano 鋼琴：蘇爾真齊里亞等古今精彩的意大利歌曲。女高音：安東納西

RTHK Quartet at the University of Hong Kong 17/5 (Fri 五) Following their successful European tour, the RTHK Quartet is 8:00pm now bringing brilliant music to the universities and academies in Hong Kong. You can listen to their concert at Loke Yew Hall of the University of Hong Kong, classical works of Haydn and Schumann are juxtaposed with Hong Kong composer Chan Hing-yan’s As the Wind 22/5 Goes By. Sheng soloist Loo Sze-wang joins the four members in the (Wed 三) 2:00pm Hong Kong première of Chan’s work. This concert also marks the third Repeat 重播 anniversary of the Quartet. RTHK Quartet 香港電台弦樂四重奏香港電台弦樂四重奏＠香港大學結束歐洲巡迴演出後，香港電台弦樂四重奏最近積極把美樂帶到本港各大專院校。在這場於香港大學陸佑堂舉行的音樂會中，四重奏會演奏海頓和舒曼的傳統曲目，也會聯同笙演奏家盧思泓演出陳慶恩的《好風過處》，以美樂慶祝四重奏成立三週年。

Ashkenazy conducts Hong Kong Philharmonic

24/5 Vladimir Ashkenazy, ‘a musical giant of our time’, conducts our very own (Fri 五) orchestra playing passionate masterworks: Sibelius’ Fifth Symphony, a 8:00pm heroic celebration of Finland’s native wonders, and Richard Strauss’ Don Juan, which captures the blustering romance of a reckless lover. Swedish soprano Camilla Tilling will take part in Richard Strauss’ farewell to life and love – Four Last Songs.

阿殊堅納西指揮香港管弦樂團當今公認的「音樂巨人」 — 阿殊堅納西來港指揮香港管弦樂團。西 Keith Saunders Harrison Parrott 貝流士的第五交響曲包含芬蘭人對祖國的頌讚，而李察‧ 史特勞斯的 © © Vladimir Ashkenazy, Camilla Tilling, soprano 《唐璜》描繪恣意而行、至死不悔的愛情。瑞典女高音汀寧會加入， conductor 女高音：汀寧演唱代表李察‧ 史特勞斯與生命和愛訣別的《最後四首藝術歌曲》。指揮：阿殊堅納西

May 2013 | FINE MUSIC 35 COLUMNS 專欄

Date 日期 Highlights 重點推介

The Centenary of Stravinsky’s The Rite of Spring 31/5 (Fri 五) Exactly 100 years ago, Stravinsky’s The Rite of Spring announced the birth of 20th-century music in spectacular style. The scandal of 8:00pm the première ended in a riot. This programme marks this centenary by recreating the programme that the Paris audience first heard – Chopin’s delightful waltzes Les Sylphides in orchestral form, evoking 5/6 the elegance of classical ballet, followed by the violence and mayhem

(Wed 三) 2:00pm Oleg Caetani of Stravinsky’s master work. The Hong Kong Philharmonic is directed © Repeat 重播 Oleg Caetani, conductor Igor Stravinsky by guest conductor Oleg Caetani. 指揮：卡塔尼史達拉汶斯基名曲百年「春之祭」史達拉汶斯基的《春之祭》在巴黎上演，樂曲標誌著二十世紀音樂的新方向，但對當時的聽眾來說，激烈的樂風卻不容易接受，甚至引起樂迷騷動。今年五月正值此曲誕生一百年，香港管弦樂團在客席指揮卡塔尼領導下，將重奏《春之祭》首演當晚的節目，以蕭邦充滿古典芭蕾韻味、惹人喜愛的圓舞曲《林中仙子》和史氏充滿破壞力和挑釁性的經典之作，作出最強烈的對比。

Intimacy of Creativity 2013 Concerts 18/5, 1/6 (Sat 六) In these Intimacy of Creativity 2013 concerts, leading composer, conductor and pianist Bright Sheng, along with 8:00pm distinguished musicians including violinist Cho-liang Lin and double-bass soloist Edgar Meyer, will present new compositions of six selected young composers. The new works are the fruitful 23/5, 6/6 result of a two-week partnership took place at the Hong Kong Alex Cao Opus 3 Artists (Thu 四) 2:00pm University of Science and Technology, devoted to promoting an © © Repeat 重播 intimate dialogue between composers and performers. Bright Sheng 盛宗亮 Cho-liang Lin, violin 小提琴：林昭亮「創意間的親暱」2013音樂會集作曲家、指揮家和鋼琴家於一身的盛宗亮繼續擔任「創意間的親暱」2013的藝術總監，聯同低音大提琴家艾加‧ 美亞、小提琴家林昭亮等傑出音樂家，在香港科技大學校園內與六位作曲家深入研究各自創作的室樂作品，並在香港大會 IMG Artists 堂劇院首演。 © Edgar Meyer, double bass 低音大提琴：艾加‧ 美亞

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May 2013 | FINE MUSIC 37 www.finemusic.org.hk

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May 2013 | FINE MUSIC 39 節目時間表 RTHK Radio 4 香港電台第四台 MAIN PROGRAMME CHART FM Stereo 97.6-98.9MHz http://www.rthk.org.hk Monday Tuesday Wednesday Thursday Friday Saturday Sunday 星期一星期二星期三星期四星期五星期六星期日 6:00am

Aubade 晨曲 E 7:00am

Sunday Morning 8:00am Music Infusion Morning Call with Jonathan Douglas 樂樂無窮 on 4 週日早晨清晨妙韻杜格尊 Ben Pelletier 彭禮傑 Stacey Rodda 盧迪思 9:00am E E E

Minutes That Matter 10:00am Who’s Afraid of Wagner Play by Ear 重新認識華格納週末隨想 Laurence Scofield 11:00am E Synthia Ko Non-stop Classics with Stacey Rodda 高德儀 Church Service 美樂無休盧迪思 E 主日崇拜 E 12:00pm E Artbeat Gloria Jonathan Douglas 杜格尊 Ciaran Kane 冀世安 E E 1:00pm News at One Piano Exams 2013 Piano Exams 2013 (星期二及四：中樂篇) Music à la Carte (Tue, Thu : Chinese Music) 午間精點鋼琴考試講座 C 鋼琴考試講座 E Tina Ma / Chu Siu-wai 馬盈盈 / 朱紹威 2:00pm Shirley Gwilt 紀莫樹鈴 David Gwilt 紀大衛 Live on 4 Hong Kong Schools R4 Buddies 第四台音樂會 Music Festival 香港學校音樂節 Sunday Opera (Repeat 重播) 四台插班生 (Repeat 重播) B 歌劇世界 3:00pm B Raymond Chung / Carmen Leung Lo King-man (1st b/c: Wed) (1st b/c: Thu) (1st b/c: Fri) (1st b/c: Sat) Music from China 盧景文樂在神州 C 鍾子豪 / 梁倍嘉 (首播：星期三) (首播：星期四) (首播：星期五) (首播：星期六) E Chris Pak 白得雲 C 4:00pm Rupert Chan 陳鈞潤 Collage (1st Sunday 首個週日） Four for Classics with Calvin Lai 點指美樂 C C 5:00pm 四時行樂賴建群 C All or Nothing Children’s Corner 情有獨鍾 B 親親童樂日 C Ben Pelletier / Tina Ma New Releases 碟碟不休 C / E Nancy Loo 羅乃新 6:00pm 彭禮傑 / 馬盈盈 News at Six Arts News 藝壇快訊 C Tunes to All or Nothing Remember 情有獨鍾 B 7:00pm Happy Hour with Gladys Lau 人約黄昏後歡樂時光劉建婷 Cantilena Emma Liu 廖碧楨 C 自投羅網 C Nancy Loo 羅乃新 C 8:00pm Hong Kong Schools Musical Exchange Music Festival Live on 4 香港學校音樂節 B 9:00pm 談天論樂 Jimmy Shiu 第四台音樂會蕭樹勝 B Sunday C Divertimento 10:00pm 星夜樂逍遙 Wendy Ng Chamber 伍穎文 Fragrance C 11:00pm Nocturne with Tina Ma 寫意室樂夜心曲馬盈盈 Ben Pelletier / Rebecca Siu Jazzing Up 彭禮傑 / 蕭程佳明 C C 爵士靈感 B Jackie Ip 葉積奇 12:00am * Reflections 晚禱 Mon-Fri (星期一至五)11:57pm B Bilingual 雙語 C Cantonese 粵語 E English 英語

Music for All Music Exploration Concerts Artnews Education Religion News 適合所有樂迷擴闊音樂領域音樂會時段藝術資訊 �育節目宗�節目新聞

May 2013 | FINE MUSIC 41 PROGRAMME HIGHLIGHTS 節目精華 Programme Highlights 8:00pm LIVE ON 4 第四台音樂會高寶文四重奏節目精華 Royal Concertgebouw Orch. / Leonard Slatkin 蕭斯達高維契：D大調第四弦樂四重奏， Martinů: The Frescoes of Piero della Francesca 19’ 作品83 布拉姆斯：A小調第二弦樂四重奏，作品51， 1/5/2013 (Wed 星期三) 第二首 11:00am KROMMER 克魯瑪 Jörgen van Rijen (tb) Quintet in E flat major, Op. 66 20’ Royal Concertgebouw Orch. / Markus Stenz The Kopelman Quartet Bruno Meier (f) Verbey: Lied 19’ 高寶文四重奏 Prague Quartet 降E大調五重奏，作品66 Anna Larsson (a) Robert Dean Smith (t) 邁亞（長笛） Royal Concertgebouw Orch. / Fabio Luisi 布拉格四重奏 Mahler: Das Lied von der Erde 62’ 2:00pm SIXTY YEARS OF MUSIC CREATIVITY – DOMING LAM (REPEAT) 阿姆斯特丹音樂廳樂團 / 史拉健林樂培創作六十年（重播）馬天奈：弗朗切斯卡的壁畫

8:00pm LIVE ON 4 第四台音樂會利恩（長號） © Musicaglotz Artists Management Anna Markowicz (vocal) 阿姆斯特丹音樂廳樂團 / 史坦斯 4/5/2013 (Sat 星期六) Lutosławski Quartet 費比：歌曲 Mozart: String Quartet No. 15 in D minor, 8:00pm LIVE ON 4 第四台音樂會 K. 421 29’ Stuart Neill (t) 娜桑（女低音） Mykietyn: String Quartet No. 2 12’ Philharmonia Cho. 羅拔‧典‧史密夫（男高音） Markowicz: Verily I Say unto Thee . . . 9’ Symphonic Voices 阿姆斯特丹音樂廳樂團 / 路易斯 Combined Cho. and Orch. of the Guildhall School 馬勒：大地之歌瑪高維契（演唱） of Music and Drama and the Paris Conservatoire / 魯杜斯華夫斯基四重奏 Fabio Luisi Colin Davis 莫扎特：D小調第十五弦樂四重奏，K. 421 路易斯 Berlioz: Requiem 馬基坦：第二弦樂四重奏瑪高維契：我實在告訴你. . . 尼爾（男高音） Anna Markowicz 愛樂合唱團瑪高維契交響合唱團喬凱音樂與戲劇學院與巴黎音樂學院聯合樂團及合唱團 / 哥連‧戴維斯白遼士：安魂曲

Colin Davis 哥連‧戴維斯 © Piotr Bujnowicz 2/5/2013 (Thu 星期四) 11:00am HANDEL 韓德爾 Chandos Anthem No. 10 28’ Lynne Dawson (s) Ian Partridge (t) © Barbara Luisi / BALU Photography The Sixteen / Harry Christophers 3/5/2013 (Fri 星期五) 第十首查恩多斯讚美歌 11:00am VAUGHAN WILLIAMS 佛漢威廉士杜遜（女高音）柏域殊（男高音） Symphony No. 6 in E minor 34’ 十六合唱團及古樂團 / 基斯杜化士 London Sym. Orch. / André Previn E小調第六交響曲 2:00pm LIVE ON 4 (REPEAT) 倫敦交響樂團 / 普列文第四台音樂會（重播） Nelson Freire (p) São Paulo Sym. Orch. / Marin Alsop 2:00pm 65TH HONG KONG SCHOOLS Dvořák: Symphony No. 9 in E minor 40’ MUSIC FESTIVAL (REPEAT) © Stephanie Berger Copland: Fanfare for the Common Man 3’ 第六十五屆香港學校音樂節（重播） 5/5/2013 (Sun 星期日) Tower: Fanfare for the Uncommon Woman 3’ Secondary School Choir Finals – 2:00pm SUNDAY OPERA 歌劇世界 Villa-Lobos: Momoprécoce 23’ Junior (First Division) Offenbach: Les contes d’Hoffmann Ginastera: Estancia 13’ 中學合唱決賽 – 初級（第一組別） (Act 2 to 4) 150’ Hoffmann: Neil Shicoff (t) 費艾亞（鋼琴） 8:00pm LIVE ON 4 第四台音樂會 Olympia: Luciana Serra (s) 聖保羅交響樂圖 / 艾爾梭 The Kopelman Quartet Antonia: Rosalind Plowright (s) 德伏扎克：E小調第九交響曲 Shostakovich: String Quartet No. 4 in Giulietta: Jessye Norman (s) 柯普蘭：普通男人的鼓號曲桃華：非凡女人的鼓號曲 D major, Op. 83 26’ Nicklausse / La Muse: Ann Murray (ms) 魏拉－羅伯士：毛毛培理角斯 Brahms: String Quartet No. 2 in A minor, Orch. Sym. et Cho. de la Monnaie, Bruxelles / 希納斯特拿：留下 Op. 51, No. 2 31’ Sylvain Cambreling May 2013 | FINE MUSIC 43 奧芬巴赫：霍夫曼的故事（第二至四幕）霍夫曼：史確夫（男高音）奧林比亞：西拉（女高音）安東尼雅：保麗（女高音）古麗葉塔：諾曼（女高音）尼克勞斯 / 繆斯：慕利（女中音）布魯塞爾皇家劇院管弦樂團與合唱團 / 甘比齡

8:00pm 65th HONG KONG SCHOOLS MUSIC FESTIVAL 第六十五屆香港學校音樂節 Secondary School Choir Finals – Boys (First Division) 中學合唱決賽 – 男聲（第一組別）

6/5/2013 (Mon 星期一) 11:00am BRUCKNER 布魯克納 Motets 26’ La Chapelle Royale Cho., Collegium Vocale Cho. Ensemble Musique Oblique / Philippe Herreweghe 經文歌皇家聖堂合唱團，根特古樂合唱團奧貝克音樂合奏團 / 賀力韋格

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Prog. as 1/5/2013, 8pm 節目與2013年5月1日晚上8時相同

7/5/2013 (Tue 星期二) 11:00am HUMMEL 亨密爾 String Quartet No. 3 in E flat major, Op. 30 27’ Delme String Quartet 降E大調第三弦樂四重奏，作品30 狄美弦樂四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Prog. as 2/5/2013, 8pm 節目與2013年5月2日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會 Lang Lang (p) Cincinnati Sym. Orch. / Jun Märkl Liszt: Piano Concerto No. 1 in E flat major 19’ Romance in E minor 4’

郎朗（鋼琴）辛辛那提交響樂團 / 馬格李斯特：降E大調第一鋼琴協奏曲 E小調浪漫曲

May 2013 | FINE MUSIC 44 PROGRAMME HIGHLIGHTS 節目精華

8/5/2013 (Wed 星期三) 7:00pm LIVE ON 4 第四台音樂會 11/5/2013 (Sat 星期六) 11:00am VAUGHAN WILLIAMS 佛漢威廉士 Wotan: Tomasz Konieczny (b-br) 8:00pm MEET-THE-ARTIST - Fricka: Iris Vermillion (ms) The Lark Ascending 16’ WITH CHO-LIANG LIN AND Fafner: Timo Riihonen (b) Nicola Benedeti (v) Other vocalists BRIGHT SHEN London Phil. Orch. / Andrew Litton Berlin Radio Sym. Orch. / Marek Janowski 與林昭亮及盛宗亮聚談雲雀高飛 Wagner: Das Rheingold Co-presented by RTHK Radio 4 and the Hong Kong 賓納迪蒂（小提琴） University of Science and Technology as part of ‘The 倫敦管弦樂團 / 李頓佛坦：高烈斯尼（低男中音） Intimacy of Creativity’. Recorded at Studio One, 弗里卡：韋米尼安（女中音） RTHK on 26/4/2013. 2:00pm LIVE ON 4 (REPEAT) 法弗納：韋荷能（男低音）第四台音樂會（重播）其他歌唱家本節目為「創意間的親暱」活動的一部份， Prog. as 3/5/2013, 8pm 柏林電台交響樂團 / 楊諾夫斯基由香港科技大學及香港電台第四台聯合主辦。節目與2013年5月3日晚上8時相同華格納：萊茵河的黃金 2013年4月26日香港電台一號錄播室錄音。 8:00pm LIVE ON 4 第四台音樂會 10/5/2013 (Fri 星期五) Gottfried von der Goltz (v) 11:00am STÖLZEL 史托薩爾 12/5/2013 (Sun 星期日) Jean-Guihen Queyras (vc) Trumpet Concerto in D major 10’ 2:00pm SUNDAY OPERA 歌劇世界 Kristian Bezuidenhout (fp) Maurice André (tr) Hoiby: The Tempest 147’ Freiburg Baroque Orch. / Gottfried von der Goltz English Ch. Orch. / Charles Mackerras Prospero: Robert Balonek (b-br) Beethoven: Piano Concerto No. 5 in D大調小號協奏曲 Miranda: Catherine Webber (s) E flat major, Op. 73 40’ 安狄（小號） Ariel: Molly Davey (s) Symphony No. 5 in C minor, 英國室樂團 / 麥嘉理斯 Ferdinand: Anthony Caputo (br) Op. 67 33’ Caliban: Joshua Benevento (t) 2:00pm 65TH HONG KONG SCHOOLS Triple Concerto for Piano, Violin Purchase Opera and Cello in C major, Op. 56 36’ MUSIC FESTIVAL (REPEAT) 第六十五屆香港學校音樂節（重播） Purchase Sym. Orch. / Hugh Murphy Prog. as 5/5/2013, 8pm 馮特歌斯（小提琴）節目與2013年5月5日晚上8時相同海比：暴風雨奎拉斯（大提琴）普洛斯彼羅：巴羅尼克（低男中音）伯澤丹荷（古鋼琴） 8:00pm LIVE ON 4 第四台音樂會米蘭達：嘉芙蓮‧韋伯（女高音）夫來堡巴洛克樂團 / 馮特歌斯 Anna Caterina Antonacci (s) 愛麗兒：黛維（女高音）貝多芬：降E大調第五鋼琴協奏曲，作品73 Donald Sulzen (p) 費迪南：卡普圖（男中音） C小調第五交響曲，作品67 Cesti: Intorno all’idol mio 4’ C大調鋼琴、小提琴與大提琴三重奏卡利班：貝尼維托（男高音） Cilea: Serenata 協奏曲，作品56 薄薺斯歌劇團 Nel ridestarmi 薄薺斯交響樂團 / 堯‧梅菲 Non ti voglio amar 8’ Hahn: Venezia 16’ 8:00pm 65TH HONG KONG SCHOOLS Refice: Ombra di nube 2’ MUSIC FESTIVAL Respighi: Sopra un’aria antica 6’ 第六十五屆香港學校音樂節 and more Secondary School Choir Finals – Girls (First Division) 安東納西（女高音）蘇爾真（鋼琴）中學合唱決賽 – 女聲（第一組別）蔡斯第：圍繞著我所祟拜的人齊里亞：小夜曲 13/5/2013 (Mon 星期一) 在覺醒中 11:00am STRAVINSKY 史達拉汶斯基我不想念你 Pulcinella Suite 27’ 漢安：威尼斯雷費茲：雲的陰影 Cleveland Orch. / Igor Stravinsky 雷史碧基：關於一首古曲普切內拉組曲 Jean-Guihen 克里夫蘭樂團 / 史達拉汶斯基 Queyras 及其他樂曲奎拉斯 © Jean-Guihen Queyras 2:00pm LIVE ON 4 (REPEAT) 9/5/2013 (Thu 星期四) 第四台音樂會（重播） 11:00am MAHLER 馬勒 Prog. as 8/5/2013, 8pm Symphony No. 3 in D minor (6th movement) 23’ 節目與2013年5月8日晚上8時相同 Vienna Phil. / Pierre Boulez D小調第三交響曲（第六樂章） 14/5/2013 (Tue 星期二) 維也納愛樂樂團 / 布萊茲 11:00am BACH 巴赫 Cello Suite No. 6 in D, BWV1012 32’ 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） Jian Wang (vc) Prog. as 4/5/2013, 8pm Anna Caterina Antonacci D大調第六大提琴組曲，BWV1012 安東納西王健（大提琴）節目與2013年5月4日晚上8時相同 © Anna Caterina Antonacci May 2013 | FINE MUSIC 45 2:00pm Albinoni: Adagio in G minor 7’ Eduard Kaufmann (o) Festival String Lucerne / Rudolf Baumgartner

Haydn: The Seven Last Words of our Saviour on the Cross 66’ Rosamunde Quartet

Beethoven: Symphony No.6 in F major, Op. 68 34’ Berlin Phil. Orch. / Herbert von Karajan

亞賓朗尼：G小調慢板艾活‧裘夫曼（管風琴）琉森節日弦樂團 / 鮑格納

海頓：十架七言羅沙蒙德四重奏

貝多芬：F大調第六交響曲，作品68 柏林管弦樂團 / 卡拉揚

8:00pm LIVE ON 4 第四台音樂會 Lang Lang (p) Cincinnati Sym. Orch. / Yu Long Tan Dun: Internet Symphony No. 1, ‘Eroica’ 5’ Prokofiev: Piano Concerto No. 3 in C major, Op. 26 30’ Tchaikovsky: Symphony No. 6 in B minor, Op. 74, ‘Pathetique’ 46’

郎朗（鋼琴）辛辛那提交響樂團 / 余隆譚盾：第一網路交響曲，「英雄」浦羅歌菲夫：C大調第三鋼琴協奏曲，作品26 柴可夫斯基：B小調第六交響曲，作品74，「悲愴」

Lang Lang 郎朗 © Peter Hönnemann / Sony 15/5/2013 (Wed 星期三) 11:00am RUBBRA 魯貝拉 Sinfonia Concertante, Op. 38 32’ Howard Shelley (p) BBC Nat. Orch. of Wales / Richard Hickox 交響協奏曲，作品38 雪萊（鋼琴）威爾斯英國廣播公司國家樂團 / 希覺斯 May 2013 | FINE MUSIC 46 PROGRAMME HIGHLIGHTS 節目精華

2:00pm LIVE ON 4 (REPEAT) 齊格蒙德：羅伯特‧ 史密夫（男高音） 18/5/2013 (Sat 星期六) 第四台音樂會（重播）齊格林德：甸娜（女高音） 8:00pm LIVE ON 4 第四台音樂會 Prog. as 10/5/2013, 8pm 佛坦：高烈斯尼（男高音） Karlo Margetić (cl) 弗里卡：韋米尼安（女中音）節目與2013年5月10日晚上8時相同 Cho-liang Lin (v) 布倫希爾德：蘭加（女高音） Bright Sheng, Nolan Pearson, Roger Zare, 8:00pm LIVE ON 4 第四台音樂會其他歌唱家 Dai Bo (p) Véronique Gens (ms) 柏林電台交響樂團 / 楊諾夫斯基 Quartetto di Cremona Gottfried von der Goltz (v) 華格納：女武神 Zare: Geometries Freiburg Baroque Orch. / Gottfried von der Goltz Tomasz Konieczny Dai Bo: Kong Gu You Lan Lully: Suite from ‘Roland’ 高烈斯尼 Margeti : Svitac Montéclair: Le dépit généreux ć Bright Sheng: Three Fantasies Rebel: Les Caractères de la danse Dvo ák: Piano Quintet No. 2 in A major, Op. 81 Leclair: Violin Concerto No. 5 in A minor, Op. 7 ř Rameau: Suite and arias from ‘Dardanus’ Presented by the Hong Kong University of Science and Technology. Recorded on 28/4/2013 at the Hong Kong 根絲（女中音） City Hall Theatre. 馮特歌斯（小提琴）夫來堡巴洛克樂團 / 馮特歌斯馬加迪克（單簧管）盧利：羅蘭組曲林昭亮（小提琴）蒙特卡利雅：儘管慷慨盛宗亮，奴蘭‧皮爾遜，撒里，代博（鋼琴）雷布：人物的舞蹈克雷莫納四重奏力基亞：A小調第五小提琴協奏曲，作品7 撒里：幾何拉摩：達耳達諾斯組曲與詠嘆調代博：空谷幽蘭 © Hans-Jörg Michel 馬加迪克：螢火蟲 Véronique Gens /5/2013 (Fri 星期五) 根絲 17 盛宗亮：幻想曲三首 11:00am HAYDN 海頓德伏扎克：A大調第二鋼琴五重奏，作品81 Piano Sonata No. 22 in E major, Hob. XVI:22 15’ Sviatoslav Richter (p) 香港科技大學主辦。2013年4年28日香港大會 E大調第二十二鋼琴奏鳴曲，Hob. XVI:22 堂劇院錄音。力克特（鋼琴） 19/5/2013 (Sun 星期日) 2:00pm 65TH HONG KONG SCHOOLS 2:00pm SUNDAY OPERA 歌劇世界 MUSIC FESTIVAL (REPEAT) Giordano: Andrea Chénier 110’ 第六十五屆香港學校音樂節（重播） Andrea Chénier: José Soler (t) Prog. as 12/5/2013, 8pm Maddalena di Coigny: Renata Tebaldi (s) 節目與2013年5月12日晚上8時相同 Bersi: Ines Marietti (ms) Carlo Gérard: Ugo Savarese (br) 8:00pm LIVE ON 4 第四台音樂會 Coro Cetra © M. Ribes & A. Vo Van Tao / Virgin Classics Tao Van © M. Ribes & A. Vo RTHK Quartet - Ayako Ichimaru, Le Hoai-nam (v) Orch. Sinfonica di Torino della RAI / Arturo Basile 16/5/2013 (Thu 星期四) Elvis Chan (va) Laurent Perrin (vc) Loo Sze-wang (sheng) 11:00am ADAM 阿當佐丹奴：安德雷向聶 Haydn: String Quartet in D minor, Op. 76, No. 2, Act 1, from ‘Giselle’ 28’ 安德雷‧向聶：蘇里（男高音） ‘The Fifths’ Vienna Phil. / Herbert von Karajan 瑪德蓮娜‧蓋妮：狄邦第（女高音） Chang Hing-yan: As the Wind Goes by 第一幕，選自《吉賽爾》伯茜：瑪烈堤（女中音）維也納愛樂樂團 / 卡拉揚 Schumann: String Quartet No. 1 in A minor, 卡奴‧謝拉特：沙法維斯（男中音） Op. 41, No. 1 七弦琴合唱團 2:00pm MEET-THE-ARTIST - WITH 意大利電台都靈交響樂團 / 比撒里 CHO-LIANG LIN AND Presented by the University of Hong Kong & RTHK Radio 4. Recorded at Loke Yew Hall, HKU on 10/4/2013. BRIGHT SHEN (REPEAT) 8:00pm 65th HONG KONG SCHOOLS 與林昭亮及盛宗亮聚談（重播） MUSIC FESTIVAL Prog. as 11/5/2013, 8pm 香港電台弦樂四重奏－一丸綾子、第六十五屆香港學校音樂節節目與2013年5月11日晚上8時相同李海南（小提琴）陳子信（中提琴） Secondary School Choir Finals – 貝樂安（大提琴） Mixed Voice (First Division) 盧思泓（笙） 7:00pm LIVE ON 4 第四台音樂會中學合唱決賽 – 混聲（第一組別） Siegmund: Robert Dean Smith (t) 海頓：D小調弦樂四重奏，作品76，第二首， Sieglinde: Melanie Diener (s) 「五度」 20/5/2013 (Mon 星期一) Wotan:Tomasz Konieczny (t) 陳慶恩：好風過處 11:00am DVO ÁK 德伏扎克 Fricka: Iris Vermillion (ms) 舒曼：A小調第一弦樂四重奏，作品41， Ř A Hero’s Song, Op. 111 23’ Brünnhilde: Petra Lang (s) 第一首 Other vocalists Polish Nat. Radio Sym. Orch. / Antoni Wit Berlin Radio Sym. Orch. / Marek Janowski 由香港大學及香港電台主辦。2013年4月10日英雄之歌，作品111 Wagner: Die Walküre 於香港大學陸佑堂錄音。波蘭國家電台交響樂團 / 韋特 May 2013 | FINE MUSIC 47 PROGRAMME HIGHLIGHTS 節目精華

2:00pm LIVE ON 4 (REPEAT) 22/5/2013 (Wed 星期三) 24/5/2013 (Fri 星期五) 第四台音樂會（重播） 11:00am BERIO 貝里奧 11:00am PROKOFIEV 浦羅哥菲夫 Prog. as 15/5/2013, 8pm Rendering 33’ Waltz Suite, Op. 110 29’ 節目與2013年5月15日晚上8時相同 Orch. Sinfonica di Milano Giuseppe Verdi / Scottish Nat. Orch. / Neeme Järvi Riccardo Chailly 圓舞曲組曲，作品110 21/5/2013 (Tue 星期二) 重構蘇格蘭國家樂團 / 約菲 11:00am MOZART 莫扎特米蘭威爾第交響樂團 / 沙爾 Symphony No. 38 in D major, K. 504 29’ 2:00pm LIVE ON 4 (REPEAT) 2:00pm 65TH HONG KONG SCHOOLS Bavarian Radio Sym. Orch. / Rafael Kubelik 第四台音樂會（重播） MUSIC FESTIVAL (REPEAT) D大調第三十八交響曲，K. 504 Prog. as 17/5/2013, 8pm 第六十五屆香港學校音樂節（重播）巴伐利亞電台交響樂團 / 高伯力節目與2013年5月17日晚上8時相同 Prog. as 19/5/2013, 8pm 2:00pm 8:00pm LIVE ON 4 第四台音樂會節目與2013年5月19日晚上8時相同 Shostakovich: String Quartet No.1 in C major, Collegium Vocale Gent Op.49 14’ Freiburg Baroque Orch. / Marcus Creed 8:00pm LIVE ON 4 第四台音樂會 J.S. Bach: Brandenburg Concerto No. 1 in Camilla Tilling (s) Borodin String Quartet F major, BWV 1046 20’ Hong Kong Phil. / Vladimir Ashkenazy Cantata No. 61, ‘Nun komm, Schubert: Piano Sonata in G major, D.894 48’ der Heiden Heiland’ 4’ R. Strauss: Don Juan Sviatoslav Richter (p) Zelenka: Missa dei Filii 35’ R. Strauss: Four Last Songs Sibelius: Symphony No. 5 in E flat major, Op. 82 Sibelius: Symphony No. 2 in D major, Op.43 45’ 根特聲樂合唱團夫來堡巴洛克樂團 / 馬吉斯‧格伊特 Boston Sym. Orch. / Vladimir Ashkenazy Presented by the Hong Kong Philharmonic. Live from 巴赫：F大調第一布蘭登堡協奏曲，BWV 1046 Hong Kong Cultural Centre Concert Hall. 第六十一清唱劇，「來了，異�徒的蕭斯達高維契：C大調第一弦樂四重奏，救世主」作品49 施蘭卡：最後彌撒曲汀寧（女高音）鮑羅丁四重奏香港管弦樂團 / 阿殊堅納西 Collegium Vocale Gent 根特聲樂合唱團李察‧史特勞斯：唐璜舒伯特：G大調鋼琴奏鳴曲，D. 894 李察‧史特勞斯：最後四首藝術歌曲力克特（鋼琴）西貝遼士：降E大調第五交響曲，作品82

西貝流士：D大調第二交響曲，作品43 香港管弦樂團主辦。香港文化中心音樂廳現場波士頓交響樂團 / 亞殊堅納西直播。

8:00pm LIVE ON 4 第四台音樂會 25/5/2013 (Sat 星期六) Stephanie Blythe (ms) © Michiel Hendrickx 8:00pm MEET-THE-ARTIST - Women of the May Festival Cho. 23/5/2013 (Thu 星期四) WITH EDGAR MEYER 11:00am VERMEULEN 維美倫 Cincinnati Boy Cho. 與艾加‧美亞聚談 Cincinatti Sym. Orch. / Rafael Frühbeck de Burgos Symphony No. 2, ‘Prélude à la nouvelle journée’ 26’ Co-presented by RTHK Radio 4 and the Hong Kong Mahler: Symphony No. 3 in D minor 99’ Residentie Orkest Den Haag / University of Science and Technology as part of ‘The Gennady Rozhdestvensky Intimacy of Creativity’. Recorded at Studio One, 布拉芙（女中音）第二交響曲，「新一天的前奏曲」 RTHK on 1/5/2013. 五月節女聲合唱團，辛辛那提男童合唱團海牙交響樂團 / 羅狄士雲斯基辛辛那提交響樂團 / 費伯克狄保高士本節目為「創意間的親暱」活動的一部份，馬勒：D小調第三交響曲 2:00pm LIVE ON 4 (REPEAT) 由香港科技大學及香港電台第四台聯合主辦。第四台音樂會（重播） Rafael Fruhbeck de Burgos Prog. as 18/5/2013, 8pm 2013年5月1日香港電台一號錄播室錄音。費伯克狄保高士節目與2013年5月18日晚上8時相同 26/5/2013 (Sun 星期日) 8:00pm LIVE ON 4 第四台音樂會 2:00pm SUNDAY OPERA 歌劇世界 Siegfried: Stephen Gould (t) Verdi: Ernani 128’ Mime: Christian Elsner (t) Ernani: Plácido Domingo (t) Wotan: Juha Uusitalo (br) Brünnhilde: Violeta Urmana (s) Don Carlo: Renato Bruson (br) Other vocalists Don Ruy Gomez de Silva: Nicolai Ghiaurov (b) Berlin Radio Sym. Orch. / Marek Janowski Elvira: Mirella Freni (s) Wagner: Siegfried Coro e Orch. del Teatro alla Scala / Riccardo Muti

齊格弗里德：史堤芬‧古特（男高音）威爾第：埃爾納尼米梅：埃斯納（男高音）埃爾納尼：杜鳴高（男高音）佛坦：烏斯他奴（男中音）唐‧卡羅：布魯遜（男中音）布倫希爾德：烏瑪娜（女高音）其他歌唱家戈麥斯：基亞洛夫（男低音）柏林電台交響樂團 / 楊諾夫斯基艾維拉：費蘭妮（女高音）

8:00pm 65TH HONG KONG SCHOOLS 泰娜 ‧ 羅便臣（女高音） 30/5/2013 (Thu 星期四) 奧康娜（女中音） MUSIC FESTIVAL 11:00am BARTÓK 巴托莫里斯‧羅便臣（男高音）第六十五屆香港學校音樂節 Sonata for Solo Violin, Sz. 117 27’ 比塔斯（男低音） Prize-winners’ Concert 五月節合唱團 Gyorgy Pauk (v) 優勝者音樂會辛辛那提交響樂團 / 路易‧蘭格利小提琴獨奏奏鳴曲，Sz. 117 荀伯克：華沙幸存者，作品46 鮑格（小提琴） 27/5/2013 (Mon 星期一) 貝多芬：D小調第九交響曲，作品125， 11:00am TCHAIKOVSKY 柴可夫斯基「合唱」 2:00pm MEET-THE-ARTIST - Violin Concerto in D major, Op. 35, WITH EDGAR MEYER (REPEAT) Louis Langrée 1st movement 18’ 路易‧蘭格利與艾加‧美亞聚談（重播） Vladimir Spivakov (v) Prog. as 25/5/2013, 8pm Philharmonia Orch. / Seiji Ozawa 節目與2013年5月25日晚上8時相同 D大調小提琴協奏曲，作品35，第一樂章史柏華歌夫（小提琴） 7:00pm LIVE ON 4 第四台音樂會愛樂樂團 / 小澤征爾 Siegfried: Lance Ryan (t) Brünnhilde: Petra Lang (s) 2:00pm LIVE ON 4 (REPEAT) Hagen: Matti Salminen (b) 第四台音樂會（重播） Other vocalists Prog. as 22/5/2013, 8pm Berlin Radio Sym. Orch. / Marek Janowski © Ben Ealovega Wagner: Götterdämmerung 節目與2013年5月22日晚上8時相同 29/5/2013 (Wed 星期三) 11:00am ADÈS 亞迪斯 28/5/2013 (Tue 星期二) Piano Quintet 20’ 齊格弗里德：賴恩（男高音） 11:00am ENESCO 艾尼斯高 Thomas Adès (p) Arditti Quartet 布倫希爾德：蘭加（女高音） Violin Sonata No. 3 in A minor, Op. 25 25’ 鋼琴五重奏哈根：石敏能（男低音） Anne Solomon (v) Dominic Saunders (p) 亞迪斯（鋼琴）亞迪提四重奏其他歌唱家 A 小調第三小提琴奏鳴曲，作品25 柏林電台交響樂團 / 楊諾夫斯基所羅門（小提琴）桑達斯（鋼琴） 8:00pm LIVE ON 4 第四台音樂會華格納：神界的黃昏 Gottfried von der Goltz (v) Freiburg Baroque Orch. / Gottfried von der Goltz 2:00pm 31/5/2013 (Fri 星期五) Marais: Suite in D minor 17’ 11:00am BEETHOVEN 貝多芬 Byrd: Mass for Five Voices 42’ J.S. Bach: Sonata in G major for Viola da String Quartet in C sharp minor, Op. 131 39’ The Sixteen / Harry Christophers gamba and Harpsichord, BWV1027 12’ Takács Quartet Mozart: Trio for Clarinet, Viola and Piano, Stravinsky: Suite Italienne 17’ 升C小調弦樂四重奏，作品131 K. 498 20’ Franck: Sonata in A major 26’ 塔克斯四重奏 The Nash Ensemble Kreisler: Liebslied 3’ 2:00pm 65TH HONG KONG SCHOOLS Berlioz: Symphonie fantastique, Op.14 46’ 馮特歌斯（小提琴） MUSIC FESTIVAL (REPEAT) 夫來堡巴洛克樂團 / 馮特歌斯 Boston Sym. Orch. / Seiji Ozawa 第六十五屆香港學校音樂節（重播）馬雷士：D小調組曲 Prog. as 26/5/2013, 8pm 巴赫：G大調古大提琴及古鍵琴奏鳴曲，節目與2013年5月26日晚上8時相同拜爾特：五聲部彌撒曲 BWV1027 十六合唱團 / 基斯杜化士史達拉汶斯基：意大利組曲 8:00pm LIVE ON 4 第四台音樂會法蘭克：A大調奏鳴曲 Hong Kong Phil. / Oleg Caetani 莫扎特：單簧管，中提琴與鋼琴三重奏，K. 498 克賴斯勒：愛之歌 Mozart: Symphony No. 31 in D major, ‘Paris’, 尼斯合奏團 Gottfried von der Goltz K. 297 馮特歌斯白遼士：幻想交響曲，作品14 Chopin: Les Sylphides 波士頓交響樂團 / 小澤征爾 Stravinsky: The Rite of Spring

8:00pm LIVE ON 4 第四台音樂會 Presented by the Hong Kong Philharmonic. Live from Twyla Robinson (s) Hong Kong Cultural Centre Concert Hall. Kelley O’Connor (ms) Morris Robinson (t) 香港管弦樂團 / 卡塔尼 Dmitri Pittas (b) 莫扎特：D大調第三十一交響曲，「巴黎」， May Festival Cho. K. 297 Cincinnati Sym. Orch. / Louis Langrée 蕭邦：林中仙子 Schoenberg: A Survivor from Warsaw, 史特拉汶斯基：春之祭 Op. 46 7’ Beethoven: Symphony No. 9 in D minor, 香港管弦樂團主辦。香港文化中心音樂廳現場直播。

May 2013 | FINE MUSIC 49 PROGRAMME HIGHLIGHTS 節目精華

1/6/2013 (Sat 星期六) 2/6/2013 (Sun 星期日) 驪歌祖德（管風琴） 8:00pm LIVE ON 4 第四台音樂會 2:00pm SUNDAY OPERA 歌劇世界聖佐治禮拜堂合唱團 / 羅便臣 Katie Hyun (v) Wagner: Das Rheingold 137’ Edgar Meyer (db) Wotan: Theo Adam (b-br) 2:00pm Charles Halka, Nolan Pearson (p) Fricka: Annelies Burmeister (ms) LIVE ON 4 (REPEAT) 第四台音樂會（重播） Quartetto di Cremona Freia: Anja Silja (s) Prog. as 29/5/2013, 8pm Steven Snowden: The Devil’s Nine Questions Froh: Hermin Esser (t) 節目與2013年5月29日晚上8時相同 Eli Marshall: Duo: in cerca Loge: Wolfgang Windgassen (t) Charles Halka: Round and Round Donner: Gerd Nienstedt (b-br) Orch. of the Bayreuth Festival / Karl Böhm Bright Sheng: String Quartet No. 3 Edgar Meyer: Concert Duo 華格納：萊茵河的黃金 Dvořák: String Quintet No. 2 in G major, Op. 77 佛坦：亞當（低男中音） K E Y 弗里卡：布米斯達（女中音） TO ABBREVIATIONS Presented by the Hong Kong University of Science and 弗萊亞：斯亞（女高音） PER PERCUSSION Technology. Recorded on the 5/5/2013 at the Hong Kong A ALTO FH FRENCH HORN 弗羅：艾沙（男高音） ACAD. ACADEMY FP FORTEPIANO PHIL. PHILHARMONIC City Hall Theatre. 洛戈：溫格辛（男高音） ARR. ARRANGED BY FEST. FESTIVAL R RECORDER 多納：連斯迪（低男中音） B BASS GHM GLASS HARMONICA S SOPRANO BN BASSOON G GUITAR SX SAXOPHONE Katie Hyun（小提琴）拜羅伊特節日樂團 / 布恩 BR BARITONE H HARP SYM. SYMPHONY 艾加‧美亞（低音大提琴） CH. CHAMBER HC HARPSICHORD T TENOR 8:00pm 65TH HONG KONG SCHOOLS CHO. CHOIR, CHORALE, HM HARMONICA TB TROMBONE 哈卡，奴蘭‧皮爾遜（鋼琴） CHORUS L LUTE TR TRUMPET 克雷莫納四重奏 MUSIC FESTIVAL CL CLARINET MS MEZZO﹣SOPRANO TRAD. TRADITIONAL 史奈丹：魔鬼的九難題第六十五屆香港學校音樂節 COMP COMPOSER N NARRATOR TRANS. TRANSCRIBED BY Prize-winners’ Concert COND CONDUCTOR NAT. NATIONAL TY TIMPANI 馬歇爾：尋找中的二重奏 CT COUNTERTENOR O ORGAN V VIOLIN 哈卡：百轉千迴優勝者音樂會 CV CLAVICHORD OB OBOE VC VIOLONCELLO 盛宗亮：第三弦樂四重奏 DB DOUBLE BASS ORCH. ORCHESTRA VA VIOLA EH ENGLISH HORN P PIANO VIGA VIOLA DA GAMBA 艾加‧美亞：音樂會二重奏 3/6/2013 (Mon 星期一) F FLUTE PC PICCOLO VIH VIHUELA 德伏扎克：G大調第二弦樂五重奏，作品77 11:00am PARRY 柏利 Songs of Farewell 31’ 香港科技大學主辦。2013年5年5日香港大會堂 Roger Judd (o) BBC RADIO RADIO NETHERLANDS INTERNATIONAL 劇院錄音。 Cho. of St. Georges Chapel / Christopher Robinson

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50 FINE MUSIC | May 2013 CLASSIFIED BOARD 分類廣告

專業音樂治療中心 Piano Tuition Piano Tutoring on Steinway 五月至九月份音樂治療課程 Classic; Pop; Jazz 英國皇家音樂學院畢業，主修演奏 MA Music HKBU; BA(Hons) Music Singapore; PGDip (Piano Performing), ABRSM, 由註冊音樂治療師伍偉文先生任� DipABRSM (Teaching), BA, MA Experienced Tutors; Causeway Bay; 一、老年癡呆症長者— Ms Wong 98877981 實用音樂活動帶領技巧證書課程 Ms Poon 6038 9486 [email protected] [email protected] 二、音樂心靈導航及應用工作坊 20 years experience, 三、音樂治療— Finest artistic tuition on two Grand Pianos 海外專業進修課程介紹工作坊報名及查詢： www.mtpro.com.hk 3175 8591 Contact Us SINGING 廣告查詢： Miss Wong 黃小姐 EdD (Mus) candidate, UK; MEd, B.A.(Hons.) 帕多瓦鋼琴工藝坊 Head of Secondary School Music, 18 years Tel 電話： 9073 3575 Delightful, resourceful, methodical Padua Piano Technology Workshop Email 電子郵箱： Details: www.holaiman-sophia.com 演奏廳調音師專業維修翻新 9812 9612 Sophia Ho 買賣歐洲古董日本二手鋼琴 [email protected] Concert Tuner/Servicing/ Tuning/ Rebuilding Japanese Used & European Antique Pianos Piano, Theory, Aural, Accompaniment 2345-7950 / 9783-3929 The United Academy of Music Experienced bilingual tutor with www.paduapiano.com Music Lessons for Instruments, FRSM, BA(Hons.) Music, AMusTCL Singing and Theory All levels / ages. Director: Yiu Hon Fai Come Join Us! 6076 7454 Causeway Bay / Tin Hau All levels / ages. [email protected] Hong Kong Youth Philharmoniker (Vienna Conservatory, HKAPA, LRSM) Music Director: Kalvin Chau 7/F, 280 Lockhart Road, Wanchai Music Tours, Masterclasses, Concerts 2575 5772 / 9436 0167 Professional rehearsal venue & facilities Piano Teaching unitedacademymusic.com BA(Hon) HKU, LTCL, CTABRSM http://www.facebook.com/HKYPhil 2566 7171 [email protected] 9360 7410 Mr. Chiu

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May 2013 | FINE MUSIC 51 COLUMNS 專欄

A family of three is turning to a family of four 從此一家三口變四口林家琦 Kathy Lam

Ambrose is a caring brother. He likes kissing and touching mommy’s belly. 哥哥天允很愛錫妹妹，一有空便會摸摸媽媽的肚皮和親親妹妹！

On 10 April 2013, I gave birth to my second child, baby 親愛的妹妹： Berenice. She joins Ambrose, who was born 17 months ago. 2013年4月10日，早上9時，當上班族紛紛 There is much to be thankful for in the past 38 weeks, which was 踏入辦公室，為一天的忙碌作準備；與此同 full of un-expectancies and surprises. I am grateful that I passed 時，一群醫生亦走進手術室，為一新生命的 a threaten miscarriage. Those two weeks of complete bed rest 到臨作預備。不消多久，妳便呱呱落地，投 was no fun at all, and every moment was full of worry. Then it was the Oscar test of Down’s Syndrome. When the doctor told 入這世界的懷抱。 me and my husband that my baby is of high risk and suggested 我和妳爸爸給妳起名作「天予」，即天主所 that we do more tests, we decided to turn the option down. It was because we will never give up on our child. We put our 給予的意思。因我們深信生命是天賜的，而 worries in our prayers and are thankful that the baby was born 整個懷孕期，亦正好見證了這點。回想懷孕 healthy and fine. 初期，因胎兒「陀」得不穩而有兩星期「作小產」跡象，給我們心驚膽跳了好一陣子。 Much gratitude also goes to my colleagues and senior management for their care, accommodations, and special 情況穩定下來之後，便接受唐氏綜合症檢查。富有經驗的醫生在告訴我妳是個女 arrangements at work. Special thanks to my doctor and the 孩的同時，也告知妳是高危一族，並建議我們作進一步檢查。我和妳爸爸藉著禱 medical team at the hospital for the safe delivery of my girl. I 告把妳交在天父手中，深信我們是不會把妳遺棄的。後來，在結構性檢查中，醫 am most thankful for my family and mostly to my husband, who 生很有信心的說妳患上唐氏的機會不高，我們也就信了，只希望妳出生後會是個 has treated me as a queen for the past 10 months. I am also 健全、健康的孩子！ proud of myself for being brave and courageous in this journey. Whenever I see the cheer and joy on the faces of my family, 五個月的嘔吐期後，是工作最忙碌的階段。感謝妳合作，令我能順利應付「2012 Berenice and I feel much loved! 十大樂聞齊齊選」和「樂壇新秀2012」兩項大工程。就算之後看多場香港藝術節的表演，妳也很乖巧。然而，為何妳不像哥哥一樣，對音樂和節奏有反應？是我少給妳聽耳筒的關係，還是妳另有天才？

Berenice, is not an opera in three acts 至懷孕後期，妳的公公居然跟上次我懷哥哥時一樣，因急病而要住院。挺著四十 by Handel, but a new addition to the Lung’s 吋的九個月大肚子，在醫院、辦公室和家中往來奔走，是一件累人的事。可幸公 family. It is a Greek name, whose Latin 公現已跨過這一關，更欣喜的看到妳的出生。 form is Veronica. St. Veronica or Berenice wiped the face of Jesus 在整個懷孕過程中，除了要多謝電台上下各同事對我的貼心照顧外，還要多謝醫 in the Stations of the Cross. We wish our little girl 護人員的細心看顧，令妳能平安的來到世上。另外，我最要多謝妳爸爸的幫助， a caring heart and love of God. 讓我作了十個月的女皇。因我們每次上街，都是他把十七個月大的哥哥、奶粉袋爸媽給龍小妹取名作天予，因她是上天所給予的。和所有隨行物品往身上背，這真的令我很感動！最後，我也要稱讚自己，因我在人生路上又作了勇敢的一次！

愛妳的媽媽上 52 FINE MUSIC | May 2013