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5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Ibermúsica I7/I8 Serie Barbieri
IBERMÚSICA I7/I8 SERIE BARBIERI B.7 EVGENY KISSIN KOPELMAN QUARTET SERIE BARBIERI 2017.2018 Auditorio Medio colaborador Nacional de Música © SASHA GUSOV B.7 EVGENY KISSIN Su profunda y poética calidad interpretativa y su extraordinario virtuosismo le han hecho merecedor de la veneración y admiración reservada a unos pocos. Actúa en escenarios internacionales y con grandes orquestas y directores, como Abbado, Ashkenazy, Barenboim, Dohnányi, Giulini, Levine, Maazel, Muti y Ozawa. Nacido en Moscú en 1971, comenzó a tocar el piano a los dos años. Estudió en la Escuela de Música Gnessin para Niños Prodigio, con Anna Kantor, su única profesora. A los once, dio su primer recital en Moscú. En 1984, interpretó los Conciertos para piano núms. 1 y 2 de Chopin, con la Filarmónica Estatal de Moscú y Kitaenko. Se presentó fuera de Rusia en 1985, en la ex Europa del Este; realizó su primera gira por Japón en 1986 y en 1988 actuó con Karajan y la Berliner Philharmoniker en el Concierto de Año Nuevo. En 1990, debutó en los BBC Proms y en Estados Unidos interpretando ambos conciertos de Chopin con la New York Philharmonic y Mehta. En 2017-2018, dará recitales en solitario en Nueva York, Chicago, Washington DC y Toronto y recitales y conciertos en Europa. Por primera vez, dará giras en Europa y Norteamérica con el Emerson String Quartet con actuaciones en Baden Baden, París, Múnich, Essen, Viena, Ámsterdam, Chicago, Boston, y Carnegie Hall. Sus premios incluyen el Premio Cristal de la Sala Sinfónica de Osaka (1986), Músico del Año de la Academia de Música Chigiana de Siena (1991), «Instrumentista del Año» de Musical America (1995), Premio Triumph de Rusia (1997), doctor honoris causa por la Manhattan School of Music; Shostakóvich de Rusia, miembro honorífico de la Royal Academy of Music de Londres y doctor honoris causa por las universidades de Jerusalén, Negev/Beersheba y Hong Kong. -
Schubert's Flights of Fantasie
Kristian Chong & Friends Schubert’s Flights of Fantasie LOCAL Monday, 2 May 2016 6pm, Salon HEROES Presented by Melbourne Recital Centre and Kristian Chong & Friends ARTISTS Sophie Rowell, violin Kristian Chong, piano PROGRAM WOLFGANG AMADEUS MOZART Sonata for Piano and Violin in B-flat, K.454 I Largo - Allegro II Andante III Rondo: Allegretto ANDREW SCHULTZ Night Flight (2003) FRANZ SCHUBERT Fantasie for Piano and Violin in C, D.934 Andante molto–Allegretto–Andantino–Tempo I–Allegro vivace–Allegretto–Presto ABOUT THE MUSIC As was customary at the time, Mozart termed his early examples “sonatas for piano with violin ad libitum” but not the later Sonata K454, which he characterised as a “sonata for piano with violin accompaniment”. Yet this is a true chamber partnership, with K454 demanding a violinist of consummate skill. The opening commences with a stately Largo; it quickly retreats into a tender statement before launching into a swift Allegro with many conversational imitations and parallel lines. An Andante follows in which Mozart achieves a masterly blend of cantabile and beauty. A minor episode darkens the mood while maintaining enchanting lyricism. The concluding movement opens with a statement first spoken by the violin, with intervening episodes sandwiched between reprises of the theme giving opportunities to express Mozart’s penchant for unexpected and delectable melodic twists and turns. Night Flight was originally written as the fourth movement from a sextet called Mephisto in 1990. Ukranian violinist Dmitri Tkachenko commissioned this transcription and debuted it with Kristian Chong in London in 2003. The piece is a danse macabre for the modern age. -
I.," American String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the AMERICAN STRING QUARTET PETER WINOGRAD, VIOLIN LAURIE CARNEY, VIOLIN DANIEL AVSHALOMOV, VIOLA MARGO TATGENHORST, CELLO THURSDAY OCTOBER 17, 2002 8:00P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY I.," THIS PROJECT IS FUNDED IN PART BY TIIE CITY OF HOUSTON ~: AND THE TEXAS COMMISSION ON TIIE ARTS THROUGH TIIE CULTURAL ARTS COUNCIL OF IIOUSTON/lL-\RRJS COUNTY. AMERICAN STRING QUARTET -PROGRAM- WOLFGANG AMADEUS MOZART (1756-1791) • Quartet in E-flat Major, K. 42 8 Allegro non troppo Andante con moto Menuetto: Allegro Allegro vivace DMITRI SHOSTAKOVICH (1906-1975) Quartet No. 3 in F Major, Op. 73 (1946) Allegretto Moderato con moto Allegro non troppo Adagio Moderato - INTERMISSIO - MAURICE RAVEL (1875-1937) String Quartet in F Major Allegro moderato: Tres doux Assez vif: Tres rhythme Tres lent .,... Vif et agite WOLFGANG AMADEUS MOZART (1756-1791) Quartet in E-flat Major, K. 428 . t • Until the great quartets of Haydn and Mozart, eighteenth century · t r chamber music had been written primarily for the private use of ama - r teurs. As the century progressed, the dominance of complex, Baroque compositional methods had diminished and the style of writing had been simplified, making it easier for an amateur to master. Yet, at the same time in Vienna, the public performance of larger-scale, symphonic music came into vogue. And as this was written for professionals, the composer could explore greater complexity, even bringing back some of the intricate devices of baroque music such as fugues. Furthermore, in the last decades of the century, a full-time, professional quartet was maintained in Vienna by Count Razumovsky for performances at the great houses. -
Whlive0012 Booklet 14/8/06 12:12 Pm Page 2
WHLive0012 booklet 14/8/06 12:12 pm Page 2 WHLive0012 Also Available Made & Printed in England NASH ENSEMBLE Beethoven Clarinet Trio in Bb Mendelssohn Octet SIR THOMAS ALLEN baritone WHLive0001 MALCOLM MARTINEAU piano Songs by Beethoven, Wolf, Butterworth Vaughan Williams and Bridge 0002 ARDITTI QUARTET WHLive Nancarrow String Quartet No. 3 Ligeti String Quartet No. 2 DAME FELICITY LOTT soprano Dutilleux String Quartet ‘Ainsi la nuit’ GRAHAM JOHNSON piano 0003 WHLive Fallen Women and Virtuous Wives Songs by Haydn, Strauss, Brahms and Wolf WHLive0004 ACADEMY OF ANCIENT MUSIC Concerti and Concerti Grossi by Handel, JS Bach and Vivaldi PETER SCHREIER tenor WHLive0005 ANDRÁS SCHIFF piano Schubert Songs WHLive0006 NASH ENSEMBLE Schumann Märchenerzählungen Moscheles Fantasy, Variations & Finale DAME MARGARET PRICE soprano Brahms Clarinet Quintet in B minor GEOFFREY PARSONS piano WHLive0007 Songs by Schubert, Mahler and R Strauss JOYCE DIDONATO mezzo-soprano WHLive0008 JULIUS DRAKE piano Songs by Fauré, Hahn and Head KOPELMAN QUARTET Arias by Rossini and Handel Schubert String Quartet in D minor 0009 WHLive ‘Death and the Maiden’ Tchaikovsky String Quartet in Eb minor WHLive0010 SOILE ISOKOSKI soprano MARITA VIITASALO piano Songs by Sibelius, Strauss and Berg WHLive0011 Available from all good record shops and from www.wigmore-hall.org.uk/live WHLive0012 booklet 14/8/06 12:12 pm Page 3 Ysaÿe Quartet Debussy String Quartet in G minor Stravinsky Concertino Three Pieces for String Quartet Double Canon Fauré String Quartet in E minor WHLive0012 booklet 14/8/06 12:12 pm Page 4 Ysaÿe Quartet CLAUDE DEBUSSY String Quartet in G minor Op. 10 (1893) 01 Animé et très décidé 07.04 02 Assez vif et bien rythmé 03.50 03 Andantino, doucement expressif 08.17 04 Très modéré – Très mouvementé avec passion 07.24 IGOR STRAVINSKY 05 Concertino (1920) 07.00 Three Pieces for String Quartet (1914) 06 ‘Dance’ 00.49 07 ‘Eccentric’ 01.51 08 ‘Canticle’ 04.46 09 Double Canon (1959) 02.16 GABRIEL FAURÉ String Quartet in E minor Op. -
Digital Booklet Porgy & Bess
71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i. -
WH Monthly Diary: May/April 2018
APR/ MAY 2017/18 SEASON www.wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10am – 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. ■ Balcony A – D 2nd highest price No advance booking in the half hour prior to ■ Stalls BB, CC, Q – S 3rd highest price a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts. -
Programa2017.Pdf
l mes de julio trae cada año a Cantabria un nuevo Encuentro de Música y Academia. Son ya 17 las ediciones que cumple una iniciativa que ha convertido la excelencia en su sello Ede garantía al servicio de la formación y la difusión musical. Del 1 al 27 de julio, las aulas del Conservatorio Jesús de Monasterio volverán a acoger a los grandes maestros del panorama internacional para ofrecer un intercambio único a los jóvenes talentos de las doce escuelas europeas más prestigiosas. Un encuentro entre la experiencia de grandísimos artistas consagrados y el entusiasmo y el potencial de las nuevas figuras llamadas a triunfar en los escenarios del futuro. Y junto a la academia, la difusión musical más allá de las aulas para acercar a los cántabros momentos inolvidables en medio centenar de conciertos que llegarán al Palacio de Festivales de Cantabria, al Palacio de La Magdalena y la iglesia de Santa Lucía, en Santander, pero también a otra veintena de localidades cántabras, como Torrelavega, Comillas, Santillana del Mar o Laredo. Tenemos por delante un mes para disfrutar de la Música con mayúsculas, desde el concierto inaugural a cargo de la Orquesta Sinfónica Freixenet, dirigida por el maestro Csaba, a los homenajes al pianista Bashkirov y al maestro Rostropovich, pasando por el concierto extraordinario para familias, que acercará la música de Stravinsky al público de todas las edades. Sobran razones y argumentos para sumarse un año más al Encuentro y estoy seguro de que los cántabros y los muchos visitantes que se encuentran entre nosotros en estas fechas estivales sabrán disfrutarlo y valorarlo como merece. -
Estate-Musicale-GRESSONEY-2018
XXXVIII ESTATE MUSICALE DI GRESSONEY INCONTRI INTERNAZIONALI DI MUSICA DA CAMERA 28 LUGLIO - 25 AGOSTO 2018 – Consiglio regionale della Valle d’Aosta – Assessorato regionale Istruzione e Cultura – Comune di Gressoney-Saint-Jean – Comune di Gressoney-La-Trinité – Comune di Champorcher – Comune di Gaby Organizzazione ASSOCIAZIONE AMICI DELLA MUSICA DI GRESSONEY Consiglio direttivo Silvano Minella - presidente e direttore artistico Roberta Aluffi Beck Peccoz - Giuliano Bertoni - Flavia Brunetto - Angelo Silvestri Informazioni Ufficio Regionale del Turismo di Gressoney-Saint-Jean Tel. 0125 355185 Ufficio Regionale del Turismo di Gressoney-La-Trinité Tel. 0125 366143 Vendita dei biglietti prima dei concerti presso le sedi dei Concerti Prezzi dei biglietti: posto unico =C 9,00 ridotto =C 5,00 [email protected] – www.gressoneymusica.it Sabato 28 Luglio - ore 21,15 - Chiesa Parrocchiale di Gressoney-Saint-Jean CONCERTO INAUGURALE DELLA XXXVIII ESTATE MUSICALE DI GRESSONEY “LA GRANDE LIRICA” – I Solisti dell’Orchestra Filarmonica Italiana – Soprano GABRIELA NURCHIS Musiche di W. A. Mozart, P. Mascagni, J. Massenet, G. Puccini, G. Rossini, G. Donizetti, G. Verdi, V. Bellini Martedì 31 Luglio - ore 21,15 - Gressoney-Saint-Jean, Salone d’Onore del Castel Savoia “LA SUITE E IL VALZER IN DEBUSSY E RAVEL” – Pianista GIOVANNI UMBERTO BATTEL Sabato 4 Agosto - ore 21,15 - Salone Palatz di Gaby “IL TANGO NUEVO” – ACCORDION QUARTET 2.0 di Aosta Musiche di F. Mocata, R. Ratier, A. Piazzolla, R. Galliano Domenica 5 Agosto - ore 21,15 - Gressoney-Saint-Jean, Salone d’Onore del Castel Savoia AÏGHETTA GUITAR QUARTETT di Montecarlo Chitarristi FRANÇOIS SZÖNYI – ALEXANDRE DEL FA – PHILIPPE LOLI – OLIVIER FAUTRAT Musiche di F. -
The String Quartet
The Cambridge Companion to THE STRING QUARTET ............ edited by Robin Stowell published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge, CB2 2RU, UK 40 West 20th Street, New York, NY 10011–4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Minion 10.75/14 pt. SystemLATEX2ε [tb] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge Companion to the string quartet / edited by Robin Stowell. p. cm. – (Cambridge companions to music) Includes bibliographical references and indexes. ISBN 0 521 80194 X (hardback) – ISBN 0 521 00042 4 (paperback) 1. String quartet. I. Stowell, Robin. II. Series. ML1160.C36 2003 785.7194 – dc21 2003043508 ISBN 0 521 80194 X hardback ISBN 0 521 00042 4 paperback Contents List of illustrations [page viii] Notes on the contributors [ix] Preface [xii] Acknowledgements [xiv] Note on pitch [xv] r Part I Social -
I Concerti Di Primavera 2015
I CONCERTI DI PRIMAVERA 2015 SASSARI 11 MARZO - 29 GIUGNO ORE 21 Con il patrocinio del I CONCERTI DI PRIMAVERA 2015 SASSARI 11 MARZO – 29 GIUGNO MERCOLEDÌ 11 MARZO – ORE 21 – Sala “Pietro Sassu” CONSERVATORIO Luigi Canepa FRANCESCO MANARA, violino – ALESSANDRO TRAVAGLINI, clarinetto – MARIA PIA CAROLA, pianoforte Musiche di Milhaud, Chačaturjan, Bartók, Sollima LUNEDÌ 23 MARZO - ORE 19 – Sala “Pietro Sassu” CONSERVATORIO Luigi Canepa ORCHESTRA DA CAMERA ELLIPSIS - Eckart Altenmüller, flauto - Cihat Askin, violino LUNEDÌ 30 MARZO – ORE 21 – Chiesa di San Giacomo VIVALDI AND FRIENDS - SONATE E TRIOSONATE NEL BAROCCO EUROPEO COLLEGIUM PRO MUSICA Stefano Bagliano, flauto diritto e maestro di concerto - Fabiano Martignago, flauto diritto - Silvia De Rosso, viola da gamba - Nicola Lamon, clavicembalo Musiche di Hotteterre, Bach, Vivaldi, Telemann LUNEDÌ 13 APRILE – ORE 21 – Sala “Pietro Sassu” CONSERVATORIO Luigi Canepa LEONARDO SINI, tromba - MICHELE NURCHIS, pianoforte Musiche di Bitsch, Stevens, Enesco, Bruch, Schumann, Brahms, Fauré, Poulenc MERCOLEDÌ 22 APRILE – ORE 21 – Sala “Pietro Sassu” CONSERVATORIO Luigi Canepa MARIO MAZZULLA, clarinetto - LUIGI STILLO, pianoforte Musiche di Weber, Poulenc, Saint- Saëns, Bassi LUNEDÌ 27 APRILE – ORE 21 – Sala “Pietro Sassu” CONSERVATORIO Luigi Canepa ENARMONIA MUNDI NEW MADE ENSEMBLE Raffaello Negri, violino - Raffaele Bertolini, clarinetto - Alessandro Calcagnile, pianoforte - Rossella Spinosa, pianoforte Musiche di Casella, Rota, Morricone, Bacalov, Cipriani, Carpi VENERDÌ 8 MAGGIO – ORE 21 – Sala