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Newsletter 02/10 • Springthema 2010 Contents News New Website — 4 New Editor's Report — 5 the Gustav Mahler Blog — 5
16 Cristóbal Halffter Premio Fronteras del Conocimiento en Música Contemporéana for his life's work 13 Pierre Boulez Boulez celebrates his 85th birthday on 26 March 21 Manfred Gurlitt Nana at the Theater Erfurt 30 Franz Schreker Die Gezeichneten – US-première of reduced version at the LA Opera 33 Alban Berg 2010 – a Lulu-year Jay Schwartz World première of Music for Eight Double Basses in Frankfurt 1 newsletter 02/10 • springthema 2010 Contents nEws New website — 4 New editor's report — 5 The Gustav Mahler Blog — 5 coMposErs Borisova-Ollas — 7 Wilson — 7 Cerha — 8 Luke Bedford — 8 Haas — 9 Pärt — 10 Schwartz — 10 Rihm — 11 Baltakas — 12 Sotelo — 12 Boulez — 13 Sawer — 14 Birtwistle — 14 Staud — 15 Sotelo — 15 Lentz — 15 Halffter — 16 Kurtág — 17 Feldman — 17 Stockhausen — 18 Meale — 18 Berio — 19 Gurlitt — 21 Ligeti — 22 Liebermann — 22 Schnittke — 22 Weill — 23 Krenek — 24 Milhaud — 24 Casella — 24 Martin — 25 Braunfels — 25 = world première Bartók — 26 2 contents 02/2010 Kodály — 26 Martin� — 27 Shostakovich — 28 Delius — 28 Szymanowski — 29 Dear Readers, Schmidt — 29 Schreker — 30 Zemlinsky — 31 In this modern age it is comforting Webern — 32 to rediscover the excellent radio Berg — 33 programming that is still going Schönberg — 34 strong. France Musique’s Lundis de Mahler — 35 la contemporaine, the BBc’s Hear Janá�ek — 36 and Now, SWR2’s JetztMusik, orF’s Haydn — 37 Zeit-Ton and wDr3’s Studio Neue Musik are just some of the excel- lent programmes available. With all major radio stations now online worlD prEMièrEs — 38 - 39 (i.e. -
Holland Festival Luigi Nono: Trilogie Van Het Sublieme
LUIGI NONO: TRILOGIE VAN HET SUBLIEME VAN TRILOGIE LUIGI NONO: HOLLAND FESTIVAL PROGRAMMA / PROGRAMME do 19.6 / thu 19.6 vr 20.6 / fri 20.6 za 21.6 / sat 21.6 zo 22.6 / sun 22.6 lunchconcerten symposium / conference symposium / conference tentoonstelling / exhibition Rijksmuseum, Passage Universiteitstheater Transformatorhuis Westergasfabriek Luigi Nono 1924–1990 Nono Interventions “... Hay que caminar ...” “... Hay que caminar ...” Maestro di suoni e silenzi Luigi Nono’s musical paths between politics Luigi Nono’s musical paths between politics and art and art tentoonstelling / exhibition concert Westergasfabriek Gashouder Westergasfabriek Gashouder tentoonstelling / exhibition Luigi Nono 1924–1990 Westergasfabriek Gashouder Caminantes … Ayacucho Maestro di suoni e silenzi Kyrie uit from Sacrae Symphoniae Luigi Nono 1924–1990 No hay caminos, hay que caminar … Andrej Maestro di suoni e silenzi Tarkowski concert Gloria uit from Sacrae Symphoniae Westergasfabriek Gashouder concert Prometeo. Tragedia dell’ascolto Westergasfabriek Gashouder Il canto sospeso Non consumiamo Marx Como una ola de fuerza y luz concert Westergasfabriek Gashouder La lontananza nostalgica utopica futura 2 3 INHOUD CONTENT programma context programme context Prometeo Tentoonstelling Prometeo Exhibition Info, credits, programma 6 Luigi Nono 1924–1990 Info, credits, programme 6 Luigi Nono 1924–1990 Toelichting 8 Maestro di suoni e silenzi Programme notes 10 Maestro di suoni e silenzi Info en credits 76 Info and credits 76 Il canto sospeso Il canto sospeso Info, credits, programma 12 Luigi Nono: symposium Info, credits, programme 12 Luigi Nono: symposium Toelichting 14 “... Hay que caminar ...” Programme notes 17 “... Hay que caminar ...” Info, programma 77 Info, programme 77 La lontonanza nostalgica Samenvattingen 78 La lontonanza nostalgica Abstracts 82 utopica futura utopica futura Info, credits, programma 20 Info, credits, programme 20 Toelichting 22 Programme notes 23 Caminantes .. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Ibermúsica I7/I8 Serie Barbieri
IBERMÚSICA I7/I8 SERIE BARBIERI B.7 EVGENY KISSIN KOPELMAN QUARTET SERIE BARBIERI 2017.2018 Auditorio Medio colaborador Nacional de Música © SASHA GUSOV B.7 EVGENY KISSIN Su profunda y poética calidad interpretativa y su extraordinario virtuosismo le han hecho merecedor de la veneración y admiración reservada a unos pocos. Actúa en escenarios internacionales y con grandes orquestas y directores, como Abbado, Ashkenazy, Barenboim, Dohnányi, Giulini, Levine, Maazel, Muti y Ozawa. Nacido en Moscú en 1971, comenzó a tocar el piano a los dos años. Estudió en la Escuela de Música Gnessin para Niños Prodigio, con Anna Kantor, su única profesora. A los once, dio su primer recital en Moscú. En 1984, interpretó los Conciertos para piano núms. 1 y 2 de Chopin, con la Filarmónica Estatal de Moscú y Kitaenko. Se presentó fuera de Rusia en 1985, en la ex Europa del Este; realizó su primera gira por Japón en 1986 y en 1988 actuó con Karajan y la Berliner Philharmoniker en el Concierto de Año Nuevo. En 1990, debutó en los BBC Proms y en Estados Unidos interpretando ambos conciertos de Chopin con la New York Philharmonic y Mehta. En 2017-2018, dará recitales en solitario en Nueva York, Chicago, Washington DC y Toronto y recitales y conciertos en Europa. Por primera vez, dará giras en Europa y Norteamérica con el Emerson String Quartet con actuaciones en Baden Baden, París, Múnich, Essen, Viena, Ámsterdam, Chicago, Boston, y Carnegie Hall. Sus premios incluyen el Premio Cristal de la Sala Sinfónica de Osaka (1986), Músico del Año de la Academia de Música Chigiana de Siena (1991), «Instrumentista del Año» de Musical America (1995), Premio Triumph de Rusia (1997), doctor honoris causa por la Manhattan School of Music; Shostakóvich de Rusia, miembro honorífico de la Royal Academy of Music de Londres y doctor honoris causa por las universidades de Jerusalén, Negev/Beersheba y Hong Kong. -
Stadtarchiv Wuppertal ND 1 Marie-Luise Baum
Stadtarchiv Wuppertal ND 1 Marie-Luise Baum Inhaltsverzeichnis VORWORT .............................................................................................................................................................. 4 KORRESPONDENZEN ........................................................................................................................................... 5 LEBENSDOKUMENTE ......................................................................................................................................... 23 SAMMLUNGEN UND OBJEKTE .......................................................................................................................... 30 WERKE ................................................................................................................................................................. 43 Vorwort Vorwort Marie-Luise Baum, geb. am 21.05.1887 in Hadersleben, gest. am 07.06.1979 in Wuppertal, Bibliothekarin, Eh- renmitglied des Bergischen Geschichtsvereins und Verfasserin biographischer Arbeiten zur Wuppertaler Ge- schichte. Der Nachlass hat einen Umfang von 12 Archivkartons. Korrespondenzen ND 1 Nr. 81 Korrespondenz, Materialien und Beiträge 1790 - 1816; über Carl Aders (1780-1846) und die Familie Aders; (1823 - 1825; Originalbriefe von Angehörigen der Familie Aders 1923); 1938 - Alte Archivsignatur: NDS 1972 1 Karton 12 Nr. 61 Stammbaum von Johann Kaspar Aders; Kor- respondenz vor allem mit Prof. Dr. Hertha Marquardt betr. einen gemeinsamen Beitrag über Carl Aders, mit -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/S0040298213001940 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4732/ Link to published version: http://dx.doi.org/10.1017/S0040298213001940 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Tempo 68 (268) 1–5 © 2014 Cambridge University Press 1 1 2 3 4 books 5 6 7 Music in Germany Since 1968 by Alastair Williams. Constructing Musicology;1 Williams does not 8 Cambridge: Cambridge University Press, 2013. match the dialectical oppositions within the 9 £60.00. field of enquiry with much of a dialectical sens- 10 ibility of his own. The result is a ‘history’ 11 Musicology has faced many challenges in recent which is in large measure a study of two ‘great 12 decades, including critiques of canons and the men’, Lachenmann and Wolfgang Rihm, with 13 exclusive focus upon ‘great composers’ and other composers and issues viewed relative to 14 autonomous ‘works’, the centrality of Western their work and world-view. -
2015/16 Season Preview and Appeal
2015/16 SEASON PREVIEW AND APPEAL SEASON PREVIEW 2015/16 01 THANK YOU WELCOME THE WIGMORE HALL TRUST WOULD LIKE TO ACKNOWLEDGE AND THANK THE FOLLOWING INDIVIDUALS AND ORGANISATIONS FOR THEIR GENEROUS SUPPORT THROUGHOUT THE 2014/15 SEASON: HONORARY PATRONS DONORS AND SPONSORS Audiences and artists have been coming together at Wigmore Hall for Aubrey Adams Mr Eric Abraham* Charles Green Rothschild André and Rosalie Hoffmann Neville and Nicola Abraham Barbara and Michael Gwinnell Ruth Rothbarth* nearly 115 years. In its intimate and welcoming environment, enthralling Sir Ralph Kohn FRS and Lady Kohn Elaine Adair Mr and Mrs Rex Harbour* The Rubinstein Circle performances of supreme musical works are experienced with a unique Mr and Mrs Paul Morgan Tony and Marion Allen* Haringey Music Service The Sainer Charity The Andor Charitable Trust Havering Music School The Sampimon Trust immediacy. As we look forward to the 2015/16 Season, the Hall is SEASON PATRONS David and Jacqueline Ansell* The Headley Trust Louise Scheuer Aubrey Adams* Arts Council England The Henry C Hoare Charitable Trust Julia Schottlander* delighted to present some of the greatest artists in the world today, as well American Friends of Wigmore Hall Anthony Austin Nicholas Hodgson Richard Sennett and Saskia Sassen* Karl Otto Bonnier* The Austin & Hope Pilkington Trust André and Rosalie Hoffmann The Shoresh Charitable Trust as talented emerging artists who explore repertoire with skill, curiosity and Cockayne‡ Ben Baglio and Richard Wilson Peter and Carol Honey* Sir Martin and -
WH Monthly Diary: May/April 2018
APR/ MAY 2017/18 SEASON www.wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10am – 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. ■ Balcony A – D 2nd highest price No advance booking in the half hour prior to ■ Stalls BB, CC, Q – S 3rd highest price a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts. -
Die Werke Georg Friedrich Händels in Göttingen
Die Werke Georg Friedrich Händels in Göttingen Eine Darstellung der Sammlung G. F. Händels in der Niedersächsischen Staats- und Universitätsbibliothek Göttingen unter Berücksichtigung des identischen Bestandes in weiteren ausgewählten Göttinger Institutionen T e x t von Poupak Amirazodi Göttingen, November 2005 I N H A L T S V E R Z E I C H N I S Seite Vorwort Einleitung 1 1 Allgemeines 1.1 Die Niedersächsische Staats- und Universitätsbibliothek Göttingen 4 1.1.1 Anfänge 5 1.1.2 Das 20. Jahrhundert 9 1.2 Die Musiksammlung 11 1.2.1 Umfang 12 1.2.2 Aufstellung – Signierung 15 2 Übersicht über die Kataloge der Universitätsbibliothek 17 2.1 Der Akzessionskatalog 18 2.2 Alphabetische Kataloge 21 2.3 Systematische und Sachkataloge 24 2.4 Sonderkataloge 26 2.5 Der Ars-Musica-Katalog 28 2.5.1 Der Ars Musica Catalogus realis 29 2.5.2 Der Ars Musica Catalogus alphabeticus 33 2.5.3 Besonderheiten der Katalogisierung im Göttinger Musikalienkatalog 36 3 Musikalien und Musikliteratur 38 3.1 Die Ära Notendrucke und musikalische Literatur 38 3.2 Musiksammlungen und Musikbibliotheken 40 3.3 Musik in der bibliothekarischen Praxis 43 4 Georg Friedrich Händel 45 4.1 Lebensgeschichte 46 4.2 Werke 49 5 Das Projekt G. F. Händel 50 5.1 Bericht über die Arbeit 51 5.2 Händel in der SUB Göttingen 55 5.2.1 Umfang des Händel-Bestandes 55 5.2.2 Aufbau und Erschließung 58 6 Musik und Händel in Göttingen 60 6.1 Musikwissenschaft und Musikpflege in Göttingen 61 6.2 Musikwissenschaftliche Institutionen 63 6.3 Das Musikwissenschaftliche Seminar der Universität Göttingen 64 6.3.1 Die Bibliothek 65 6.3.2 Der Händel-Bestand 67 6.4 Die Göttinger Händel-Gesellschaft 68 6.4.1 Entwicklung der Gesellschaft 69 6.4.2 Die Händel-Festspiele Göttingen 69 6.4.3 Bestandsaufbau und Erschließung 71 6.5 Das Stadtarchiv Göttingen 72 6.5.1 Geschichte des Stadtarchivs 72 6.5.2 Händel im Stadtarchiv 75 6.6 Die Werke Händels im Programm des Göttinger Symphonie Orchesters 75 7 Zusammenfassung 76 8 Literaturverzeichnis 8.1 Literatur 79 8.2 Internet-Veröffentlichungen 85 8.3 Unveröffentlichtes Material 87 9. -
Programa2017.Pdf
l mes de julio trae cada año a Cantabria un nuevo Encuentro de Música y Academia. Son ya 17 las ediciones que cumple una iniciativa que ha convertido la excelencia en su sello Ede garantía al servicio de la formación y la difusión musical. Del 1 al 27 de julio, las aulas del Conservatorio Jesús de Monasterio volverán a acoger a los grandes maestros del panorama internacional para ofrecer un intercambio único a los jóvenes talentos de las doce escuelas europeas más prestigiosas. Un encuentro entre la experiencia de grandísimos artistas consagrados y el entusiasmo y el potencial de las nuevas figuras llamadas a triunfar en los escenarios del futuro. Y junto a la academia, la difusión musical más allá de las aulas para acercar a los cántabros momentos inolvidables en medio centenar de conciertos que llegarán al Palacio de Festivales de Cantabria, al Palacio de La Magdalena y la iglesia de Santa Lucía, en Santander, pero también a otra veintena de localidades cántabras, como Torrelavega, Comillas, Santillana del Mar o Laredo. Tenemos por delante un mes para disfrutar de la Música con mayúsculas, desde el concierto inaugural a cargo de la Orquesta Sinfónica Freixenet, dirigida por el maestro Csaba, a los homenajes al pianista Bashkirov y al maestro Rostropovich, pasando por el concierto extraordinario para familias, que acercará la música de Stravinsky al público de todas las edades. Sobran razones y argumentos para sumarse un año más al Encuentro y estoy seguro de que los cántabros y los muchos visitantes que se encuentran entre nosotros en estas fechas estivales sabrán disfrutarlo y valorarlo como merece. -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet