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Here. the Whispered
Apprentice Writer Vo The Lempuyang Gates of Heaven Chantel Kardous Lincoln, RI l u 38 m e Apprentice Writer www.apprenticewriter.com PRIZES HIGH SCHOOL WRITERS ARE INVITED TO SUBMIT $200 THEIR POETRY, CHOREOPOETRY, SPOKEN WORD to Outstanding Writer POETRY, GRAPHIC FICTION AND NONFICTION, PROSE in fiction, nonfiction, FICTION AND NONFICTION, AND PHOTOGRAPHY and poetry SUBMISSIONS FOR PUBLICATION & PRIZES. CALL FOR SUBMISSIONS: September 15 to March 15 In addition to being published in the 2021 edition, a published author $50 will award selected writers the prize of Outstanding Writer in fiction, to Runners-Up in nonfiction, and poetry as well as Runners-Up in each genre. fiction, nonfiction, and SUBMISSIONS: poetry HTTP://TINYURL.COM/APPRENTICEWRITER2021 Questions? Contact Ashley Houtz at The Writers Institute, Susquehanna University, at [email protected]. Spend a week immersed in writing with Susquehanna’s nationally recognized authors! JULY 18—24, 2021 Live the life of a practicing writer through intensive writing workshops and one-on-one conferences. Concentrate on fiction, poetry, or memoir. The $1025 fee (discount given for early applications submitted by April 15) covers all costs, including room and board. Scholarships are available. APPLY ONLINE AT: WWW.SUSQU.EDU/ WRITERSWORKSHOP The Gates of Heaven been taught better than that), but we didn’t play the be, but I liked the process anyway. game anymore. Instead, I stood on the stump alone, I carried a different name, different are White (Among sometimes with a notebook, sometimes just with the story—a different spoon-fed lie or Other Things) ants. I’d occasionally try to lean back on my own, partial truth, depending on how you Emily Bach but I wouldn’t get very far without falling. -
Textile Colouration
Textile colouration Mr Mac Fergusson RMIT University Wool fibre production § Relatively stable over the past five years. § Some increase in production possible as flocks increase after prolonged drought conditions. § Production of finer qualities increasing as farmers seek to capitalise on higher prices. Dyes for wool § Acid dyes § Level dyeing type § Milling type § Chrome dyes § Premetallised § 1:1 Premetalised § 2:1 Premetalised § Reactive Natural dyes versus synthetic dyes § Natural dyes – generally earthy colours, shades vary with seasons. § Colour fastness generally low. § Very polluting, due to the use of heavy metals. § Synthetic dyes – bright shades of good all- round fastness when applied correctly. Synthetic dyes § William Henry Perkin § discovered mauvine in 1856, § using aniline as § raw material. Classification by application § No universal dye. § Different dyes are required for different fibres. § Therefore, differing dyeing conditions are required when fibre mixtures are used. § Different dyes are used to meet specific requirements. Premetallised dyes § Applied to both polyamide and wool § 1:1 type specifically for wool but can be applied to nylon. Black often falls into this category. When applied to wool dyed at very low pH 2.5-3.0 using H2S04. § Shades generally earthy and dull; no bright blues, reds or greens. § 1:2 type dyed from neutral bath using amphoteric amine ethoxylate as levelling agent. Fast acid dyes § So-called milling dyes - larger molecule, more difficult to dye level, dyed under slightly acid conditions using (NH4)2 S04 and levelling agent. § Full range of shades. § Some not fast enough for washable wool, i.e. wool that has been made shrink resistant. Reactive wool dyes are normally used for this product. -
2015 Leaders Guide
GREAT LAKES SAILING ADVENTURE 2015 Leaders Guide MICHIGAN CROSSROADS COUNCIL, BSA S S L NN DM AT C FINAL RELEASE 03-19-2015 E L R 2 TABLE OF CONTENTS 1. Crew Orientation and Check-in……………………. 4 2. Cruise Planning…………………………………….. 6 3. Destination Planning……………………………….. 7 4. Boarding and Departing Information……….………7 5. Risk Advisory Statement……………………………8 6. Policies………………………………………………8 7. Youth Protection…………………………………… 9 8. Michigan Laws……………………………………..10 9. Medical Information………………….…………….11 10. Recommended Personal Gear………..……………..13 11. Food Planning ………………………………….…..14 12. Menu Planning……………………………………...16 13. Glossary………………………………………….….17 14. Basic Sailboat Rigging………………………….…..27 15. Emergency Procedures………………………….…..34 16. Code of Conduct……………………………….……37 17. Crew Rotation Worksheet…………………………..38 18. Checkout Report…………………………………….39 Ships Store Visit the Ships Store for unique Great Lakes Sailing Adventure Retriever merchandise, including tee shirts, polo shirts, fleece jackets, hats, duffle bags and more. http://www.sgtradingpost.com/sub_cat.php?sub_category_id=183 3 Great Lakes Sailing Adventure Crew Orientation- Check In UNIT#__________ UNIT LEADERS__________________________________ CRUISE DATE__________________ _____________________________________ Initial when completed ____TOUR AND ACTIVITY PLAN SUBMITTED ____BOAT TOUR o ABOVE DECK ORIENTATION o STOWING GEAR PROCEDURES o GALLEY o COOKING GEAR o FREEZER o HEAD – INSTRUCTIONS ON HOW TO USE o LIFE JACKETS o FIRE EXTINGUISHERS o WATER SUPPLY o SAILS o SAILING TERMS ____HEALTH RE-CHECK -
Dress Code Guidelines
Dress Code Guidelines Parents and students carry the primary responsibility to comply with and support the Academy’s dress code. We trust that you will support the guidelines as being representative of the witness that children from a Christian home would exhibit. Modesty, cleanliness, neatness and Christian testimony should guide dress for all occasions. WHAT IS THE DRESS CODE? The dress code has been established in order to contribute to a positive learning environment. Good grooming should be a mark of every FCA student. Students are expected to avoid extremes in clothing, hairstyles and general appearance. Students are expected to wear attire that conforms to the “Non-Uniform” guidelines to school concerts, programs and other specific school activities. FCA students are to arrive at school in uniforms as defined by the following dress code guidelines and are to remain in uniforms until dismissal. Dress code for after school activities is listed under school sponsored events dress guidelines. Clothing may be purchased from various local vendors as long as it is the approved style of School Closet and Educational Apparel. Girl’s plaid jumpers must be purchased through these 2 stores. • All uniforms that you purchase must be standard uniform fabric & style. No cargo pants, denim, skinny pants, etc. are permitted. • No brand name logo is allowed on any shirt or polo. The only exception is the FCA logo. APPROVED UNIFORM BRANDS: FCA’s official Uniform Stores are: School Closet - 4507 North High St. Columbus, Ohio 43214, 614-262-6016 & 73 North Stygler Rd. Gahanna, Ohio 43230, 614-476-4104, www.schoolcloset.com (girl’s plaid jumpers & skirts available here) and Education Apparel - 3906 Brown Park Dr. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
Textile Technology Strands and Standards
STRANDS AND STANDARDS TEXTILE TECHNOLOGY Course Description This course will focus on the importance of textiles in society. Students will explore how textiles are produced and how appropriate performance characteristics are incorporated into materials and products with a focus on sports and outdoor products. This course examines the global impact of the textile industry including production and care. Intended Grade Level 11-12 Units of Credit .5 Core Code 00.00.00.00.000 Concurrent Enrollment Core Code 00.00.00.13.000 Prerequisite Sports and Outdoor Design 2 OR Sewing Construction and Textiles 2 Skill Certification Test Number 354 Test Weight 0.0 License Type CTE and/or Secondary Education 6-12 Required Endorsement(s) Endorsement 1 Family & Consumer Sciences Endorsement 2 Fashion Design/Apparel/Merchandising Endorsement 3 N/A ADA Compliant: July 2020 TEXTILE TECHNOLOGY STRAND 1 Students will explore the characteristics of natural (cotton, hemp, linen, silk, wool) and manufactured fibers (aramid, lyocell, nylon, olefin, polyester, spandex) in the sports and outdoor industry. *Performance Skills for this strand included below. Standard 1 Review basic characteristics of natural and manufactured fibers (see prerequisite courses) Standard 2 Investigate the physical properties of natural and manufactured fibers. • Fiber structure • Length – Staple or filament fibers influences Strength and hand • Diameter – Thickness of the fiber influences stiffness, wrinkle resistance and transparency • Shape – Cross-sectional shape impacts luster, bulk, body, texture, soiling and hand • Surface contour - the outer surface of the fiber • Crimp - refers to the waves, bends, twists, and coils • Hand – How the fiber feels • Cover – The ability of a fiber to hide/protect what is beneath Standard 3 Performance properties of natural and manufactured fibers. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
SHARKSKIN SUITS Karl Schrag, Irving Maranu
Paintings On Display In Stores / 'or the Better Things in Life. Original nil paintings hy a group of distinguished Amer WHITE ican artists have inspired U. S. Rubber Co., new "Ked- ettes Collection of Brilliant ('anvases." FRONT The exhibition currently is being shown by the May Co. Wilshire, with reproductions of the collection being shown in the shoe departments at all other May Co. stores Artists represented in the collection of ten paintings in clude Maurice Freedman, SHARKSKIN Karl Schrag, Irving MaranU. SUITS Mans Moller. Joseph De Mar Where else but White Front does so tini, Walter Meigs, Ben Benn, little money buy so much? Yet every lason Schoener, Victor Can- boy looks like a million in our tradi ilell, and .lulien Binford. tional ivy suits of 2 ply rayon shark- The manufacturer also is Skin, which retain fit and shed sponsoring a nationwide con wrinkles. Lustrous rayon linings test in havi which each of ten top inside pockets. winners will receive the orig Belt loop trousers inal painting of her choice as are smoothly unpleated. Black, olive, part of the prize. Customers blue and burgundy In sizes 8 to 16. only need select the pointing which they would like to own and fill in the entry form. Forms are available at all May Co. stores. There is no obligation of any kind and winners will be selected by drawing. Ten first-place winners also 'STOCK THE VAULT . Officials f Imperial Rank Rot a helping hand from will receive an all-rxpense- city officials nnd the new Miss Tor inrr RS they stocked the vault prior lo l H st paid weekend Thursday's in New York! opening of the Tnrraiu-c 1 rniu-h at 21151 Hnwthorne Blvd. -
DRESS for the JOB Omfortable, Functional Clothing Can Get Proper T E Longevity of Your Boots Is Impacted by Correct T
SPECIAL PROMOTION: APPAREL DRESS FOR THE JOB omfortable, functional clothing can Get proper t e longevity of your boots is impacted by correct t. make the dierence between a hard “1,000 percent, if your foot is sliding around in your boot because day’s work and a miserable one. it’s too big, depending on how you walk, most likely you’re going to C break that boot down and roll it over to the outside,” Miller says. When apparel is designed specically for riding horses or doing ranch chores, you're Clean your boots prepared for any of the day's elements. Depending on the material, Miller says most boots can be cleaned with warm water and saddle soap. But even if you don’t clean your Also, any clothing lasts longer when boots every time you get them dirty, Miller advises to at least cared for properly. is is especially true for knock the dust and dirt o the welting—the stitching surrounding boots, arguably the hardest-working part of the top of the sole that ties the sole to the vamp, or foot, part of the boot—with a small nylon bristle brush. a cowboy’s wardrobe. Clay Miller of Ramb- “e biggest thing you can do to help the longevity of the boot lin’ Trails Custom Boots in Fort Worth, is care for the welt,” Miller says. “We used waxed string to tie it, Texas, likens the care of your cowboy boots and it doesn’t matter if it’s kangaroo or elephant hide, it’s all tied with the same string. -
Mechanical Behavior Characterization of Knitted Textiles a Thesis
Mechanical Behavior Characterization of Knitted Textiles A Thesis Submitted to the Faculty of Drexel University by Mustafa Oncul in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering December 2017 © Copyright 2017 Mustafa Oncul. All Rights Reserved. ii In the Name of Allah, the Entirely Merciful, the Especially Merciful iii TABLE OF CONTENTS LIST OF TABLES .......................................................................................................... v LIST OF FIGURES ........................................................................................................ vi ABSTRACT .................................................................................................................... x CHAPTER 1: INTRODUCTION ................................................................................... 1 1.1 An Overview ............................................................................................................. 1 1.1.1 Knitted Textiles .................................................................................................. 3 1.2 Testing and Characterization of Textiles .................................................................. 7 1.3 Nonlinear Mechanics of Knitted Textiles ................................................................. 9 1.4 Thesis Structure ....................................................................................................... 12 CHAPTER 2: BACKGROUND AND STATE-OF-THE-ART IN MECHANICAL BEHAVIOR CHARACTERIZATION -
Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WIST S3 STREET, NEW YORK 19, N. Y. TILIPHONEi CIRCLE 5-8900 FOR RELEASE: TUESDAY, AUGUST 28, 19^6 PRESS PREVIEW: DAILY NEWCPATERS, MONDAY, AUGUST 27 MAGAZINES, TUESDAY, AUGUST 28 No. 80 11 am - h pm both days TEXTILES U.S.A. OPENS AT MUSEUM OF MODERN ART A delicate-looking mesh fabric used in radar targets, an opulent rayon "cloak" that is actually from the inside of a tire, brilliantly striped cotton and wool upholstery, faded blue denim and regulation Army twill, acetate jersey coated with 2k karat gold, handwoven tapestries and light dacrons, printed dress silks and combed cottons are among the 185 examples of American fabric designs on view at the Museum of Modern Art, 11 West 53 Street, from August 29 through November k in an exhibition, TEXTILES U.S.A. The show, the first at the Museum devoted entirely to American textile design, was selected by a seven-member jury from more than 3500 entries. Aesthetic qualities of construction, color and design were the criteria by which fabrics were chosen in three categories: home furnishings, apparel and industrial uses. Arthur Drexler, Director of the Museum's Department of Architecture and Design, organized the exhibition. Greta Daniel, Associate Curator, was project di rector and Bernard Rudofsky, well-known architect, designed the installation in the Museum's first floor galleries and on the garden terrace. Many of the labels carry swatches and the legend "please touch." Entrance to the exhibition is through screens of yellow and black polyethy lene ropes strung from floor to ceiling. -
Polar Training Course Kit List
POLAR TRAINING COURSE KIT LIST It is essential that you have suitable clothing and equipment for this challenging course. Bring all the items on the list or their equal equivalent (other than those listed as optional). If in doubt, please contact us for further advice. OUTER CLOTHING Number Desirable Features Example Picture Ones I Like Item & description Check needed • Your jacket should be made from a Norrøna windproof, breathable (but not necessarily Trollveggen Pro waterproof) fabric with generous hood and or pockets. Goretex or EVent fabrics are good. Svalbard Expedition Jacket • It should be a bit oversized, not close fitting, to allow air movement between https://www.norrona.com/en- your layers. Tight anything is always wrong. GB/ • It should be long and should come right down over your bottom. Klattermusen • It should have long sleeves that come half Rimfaxe 2.0 Jacket way down over your hands when you elbow is bent up like for skiing. www.klattermusen.com/en It should have fully opening vents under Windproof outer/shell jacket • 1 the arms, you will more often be too warm than too cold. Venting is vital. • It should have a couple of accessible pockets. • It should have a fully incorporated hood,that when fully closed covers the bottom half of your face. it should have pplenty of forward fabric so that you are almost looking out through a short tunnel when it is closed. 1 POLAR TRAINING COURSE KIT LIST Number Desirable Features Example Picture Ones I Like Item & description Check needed Attach to Windproof outer/shell jacket.