DOCSLIB.ORG

Scabal Viewer Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scabal Viewer Catalogue Fabric : 853010 Colour :Other Red Bunch : TAORMINA (C2542) Composition : 60 % LINEN 40 % WOOL Weave : Sharkskin Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 853009 Colour :Other Green Bunch : TAORMINA (C2542) Composition : 60 % LINEN 40 % WOOL Weave : Sharkskin Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Page 1/10 Fabric : 853008 Colour :Blue Light Bunch : TAORMINA (C2542) Composition : 44 % WOOL 38 % LINEN 18 % COTTON Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 853007 Colour :Other Red Bunch : TAORMINA (C2542) Composition : 44 % WOOL 38 % LINEN 18 % COTTON Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 2/10 Fabric : 853006 Colour :Brown Light Bunch : TAORMINA (C2542) Composition : 44 % WOOL 38 % LINEN 18 % COTTON Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 853005 Colour :Blue Medium Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 3/10 Fabric : 853004 Colour :Blue Dark Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 853003 Colour :Brown Dark Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 4/10 Fabric : 853002 Colour :Blue Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 853001 Colour :Grey Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 5/10 Fabric : 853000 Colour :Grey Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Plain weave Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 852999 Colour :Blue Dark Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 6/10 Fabric : 852998 Colour :Other Red Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Hopsack Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 852997 Colour :Other Red Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Hopsack Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Page 7/10 Fabric : 852996 Colour :Blue Medium Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Hopsack Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 852995 Colour :Blue Medium Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : Hopsack Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Page 8/10 Fabric : 852994 Colour :Brown Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : 2/2 Twill Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 852993 Colour :Blue Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 9/10 Fabric : 852992 Colour :Blue Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : 2/2 Twill Design : Check Weight : light (<260gr) G Width : 150 CM Fabric available Fabric : 852991 Colour :Blue Light Bunch : TAORMINA (C2542) Composition : 38 % WOOL 34 % SILK 28 % LINEN Weave : 2/2 Twill Design : Glen check Weight : light (<260gr) G Width : 150 CM Fabric available Page 10/10.
Load more

Recommended publications
  • Here. the Whispered
    Apprentice Writer Vo The Lempuyang Gates of Heaven Chantel Kardous Lincoln, RI l u 38 m e Apprentice Writer www.apprenticewriter.com PRIZES HIGH SCHOOL WRITERS ARE INVITED TO SUBMIT $200 THEIR POETRY, CHOREOPOETRY, SPOKEN WORD to Outstanding Writer POETRY, GRAPHIC FICTION AND NONFICTION, PROSE in fiction, nonfiction, FICTION AND NONFICTION, AND PHOTOGRAPHY and poetry SUBMISSIONS FOR PUBLICATION & PRIZES. CALL FOR SUBMISSIONS: September 15 to March 15 In addition to being published in the 2021 edition, a published author $50 will award selected writers the prize of Outstanding Writer in fiction, to Runners-Up in nonfiction, and poetry as well as Runners-Up in each genre. fiction, nonfiction, and SUBMISSIONS: poetry HTTP://TINYURL.COM/APPRENTICEWRITER2021 Questions? Contact Ashley Houtz at The Writers Institute, Susquehanna University, at [email protected]. Spend a week immersed in writing with Susquehanna’s nationally recognized authors! JULY 18—24, 2021 Live the life of a practicing writer through intensive writing workshops and one-on-one conferences. Concentrate on fiction, poetry, or memoir. The $1025 fee (discount given for early applications submitted by April 15) covers all costs, including room and board. Scholarships are available. APPLY ONLINE AT: WWW.SUSQU.EDU/ WRITERSWORKSHOP The Gates of Heaven been taught better than that), but we didn’t play the be, but I liked the process anyway. game anymore. Instead, I stood on the stump alone, I carried a different name, different are White (Among sometimes with a notebook, sometimes just with the story—a different spoon-fed lie or Other Things) ants. I’d occasionally try to lean back on my own, partial truth, depending on how you Emily Bach but I wouldn’t get very far without falling.
    [Show full text]
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
    [Show full text]
  • Checklist for Textiles U.S.A
    THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans­ parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.
    [Show full text]
  • SHARKSKIN SUITS Karl Schrag, Irving Maranu
    Paintings On Display In Stores / 'or the Better Things in Life. Original nil paintings hy a group of distinguished Amer­ WHITE ican artists have inspired U. S. Rubber Co., new "Ked- ettes Collection of Brilliant ('anvases." FRONT The exhibition currently is being shown by the May Co. Wilshire, with reproductions of the collection being shown in the shoe departments at all other May Co. stores Artists represented in the collection of ten paintings in­ clude Maurice Freedman, SHARKSKIN Karl Schrag, Irving MaranU. SUITS Mans Moller. Joseph De Mar­ Where else but White Front does so tini, Walter Meigs, Ben Benn, little money buy so much? Yet every lason Schoener, Victor Can- boy looks like a million in our tradi­ ilell, and .lulien Binford. tional ivy suits of 2 ply rayon shark- The manufacturer also is Skin, which retain fit and shed sponsoring a nationwide con­ wrinkles. Lustrous rayon linings test in havi which each of ten top inside pockets. winners will receive the orig Belt loop trousers inal painting of her choice as are smoothly unpleated. Black, olive, part of the prize. Customers blue and burgundy In sizes 8 to 16. only need select the pointing which they would like to own and fill in the entry form. Forms are available at all May Co. stores. There is no obligation of any kind and winners will be selected by drawing. Ten first-place winners also 'STOCK THE VAULT . Officials f Imperial Rank Rot a helping hand from will receive an all-rxpense- city officials nnd the new Miss Tor inrr RS they stocked the vault prior lo l H st paid weekend Thursday's in New York! opening of the Tnrraiu-c 1 rniu-h at 21151 Hnwthorne Blvd.
    [Show full text]
  • Australian Superfine Wool Growers Association Inc
    AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it.
    [Show full text]
  • Mechanical Behavior Characterization of Knitted Textiles a Thesis
    Mechanical Behavior Characterization of Knitted Textiles A Thesis Submitted to the Faculty of Drexel University by Mustafa Oncul in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering December 2017 © Copyright 2017 Mustafa Oncul. All Rights Reserved. ii In the Name of Allah, the Entirely Merciful, the Especially Merciful iii TABLE OF CONTENTS LIST OF TABLES .......................................................................................................... v LIST OF FIGURES ........................................................................................................ vi ABSTRACT .................................................................................................................... x CHAPTER 1: INTRODUCTION ................................................................................... 1 1.1 An Overview ............................................................................................................. 1 1.1.1 Knitted Textiles .................................................................................................. 3 1.2 Testing and Characterization of Textiles .................................................................. 7 1.3 Nonlinear Mechanics of Knitted Textiles ................................................................. 9 1.4 Thesis Structure ....................................................................................................... 12 CHAPTER 2: BACKGROUND AND STATE-OF-THE-ART IN MECHANICAL BEHAVIOR CHARACTERIZATION
    [Show full text]
  • Textiles U.S.A
    THE MUSEUM OF MODERN ART 11 WIST S3 STREET, NEW YORK 19, N. Y. TILIPHONEi CIRCLE 5-8900 FOR RELEASE: TUESDAY, AUGUST 28, 19^6 PRESS PREVIEW: DAILY NEWCPATERS, MONDAY, AUGUST 27 MAGAZINES, TUESDAY, AUGUST 28 No. 80 11 am - h pm both days TEXTILES U.S.A. OPENS AT MUSEUM OF MODERN ART A delicate-looking mesh fabric used in radar targets, an opulent rayon "cloak" that is actually from the inside of a tire, brilliantly striped cotton and wool upholstery, faded blue denim and regulation Army twill, acetate jersey coated with 2k karat gold, handwoven tapestries and light dacrons, printed dress silks and combed cottons are among the 185 examples of American fabric designs on view at the Museum of Modern Art, 11 West 53 Street, from August 29 through November k in an exhibition, TEXTILES U.S.A. The show, the first at the Museum devoted entirely to American textile design, was selected by a seven-member jury from more than 3500 entries. Aesthetic qualities of construction, color and design were the criteria by which fabrics were chosen in three categories: home furnishings, apparel and industrial uses. Arthur Drexler, Director of the Museum's Department of Architecture and Design, organized the exhibition. Greta Daniel, Associate Curator, was project di­ rector and Bernard Rudofsky, well-known architect, designed the installation in the Museum's first floor galleries and on the garden terrace. Many of the labels carry swatches and the legend "please touch." Entrance to the exhibition is through screens of yellow and black polyethy­ lene ropes strung from floor to ceiling.
    [Show full text]
  • Innovation and New-Season Styles Added to Heritage Brands'
    Press February 2018 Press Release Liam Rodden Tel +852 2230 9217 Intertextile Shanghai Apparel Fabrics – Spring Edition 2018 [email protected] China International Trade Fair for Apparel Fabrics and Accessories www.messefrankfurt.com.hk www.intertextileapparel.com National Exhibition and Convention Center (Shanghai) ITSAS18 PR3 eng Shanghai, China, 14 – 16 March 2018 Innovation and new-season styles added to heritage brands’ collections in Intertextile Shanghai’s Premium Wool Zone Growing affluence in China drives demand for premium wool fabrics Buyers looking for premium wool fabrics will be spoilt for choice at next month’s Intertextile Shanghai Apparel Fabrics. The epicentre for those with this product on their sourcing checklist is the Premium Wool Zone, with mills from the UK, Italy, France, Peru and elsewhere located here, while the Italy Pavilion also includes a number of quality wool suppliers. Rounding out the sourcing options, and adding further quality and price variety, are the 180-plus domestic wool suppliers in hall 6.1. Some of the notable overseas brands participating this edition include Abraham Moon & Sons, Aris Industrial, Dechamps, Dormeuil, Dugdale Bros & Co, Ferla, Fratelli Piacenza, Holland & Sherry, Huddersfield Fine Worsteds, Lanificio F.lli Cerruti DAL 1881 and Scabal. The Spring Edition of the industry’s most comprehensive sourcing platform for the spring / summer season, Intertextile Shanghai Apparel Fabrics, will feature some 3,300 exhibitors from around 20 countries covering all apparel fabrics and accessories product groups. Messe Frankfurt (HK) Ltd 35/F, China Resources Building 26 Harbour Rd, Wanchai, Hong Kong The Premium Wool Zone is the fair’s epicentre of high-end wool fabrics Growing affluence in China drives demand for premium wool fabrics While a true global marketplace for the industry’s order writers with buyers from around 100 countries expected at Intertextile Shanghai next month, much of the demand for high-end wool at the fair comes from Chinese buyers thanks to growing affluence in the country.
    [Show full text]
  • Global Material Sourcing for the Clothing Industry
    International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Source it English copyright.pdf 1 2/17/2014 5:07:03 PM Source it English copyright.pdf 2 2/17/2014 5:07:18 PM International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Geneva 2005 Source it English copyright.pdf 3 2/17/2014 5:07:18 PM ii ABSTRACT FOR TRADE INFORMATION SERVICES 2005 SITC 84 SOU INTERNATIONAL TRADE CENTRE UNCTAD/WTO Source-it – Global material sourcing for the clothing industry Geneva: ITC, 2005. xvi, 201 p. Guide dealing with dynamics of the global textiles and clothing supply chain, and why and how garment manufacturers need to develop alternative sourcing and supply management approaches – reviews historical background; discusses Chinese advantage in the international garment industry; explains different stages involved in material sourcing process; deals with fabric and trim sourcing; discusses politics of trade; includes case studies; appendices cover preferential access to the EU, summary of United States rules of origin, measures and conversions, and shipping terms/Incoterms; also includes glossary of related terms. Descriptors: Clothing, Textiles, Textile fabrics, Supply chain, Supply management, Value chain, Agreement on Textiles and Clothing English, French, Spanish (separate editions) ITC, Palais des Nations, 1211 Geneva 10, Switzerland The designations employed and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of the International Trade Centre UNCTAD/WTO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • Australian Wool Innovation Limited Annual Report 2015/16
    AUSTRALIAN WOOL INNOVATION LIMITED ANNUAL REPORT 2015/16 2 UP FRONT ABOUT AWI WHAT AWI DOES Established in 2001, AWI is a not-for-profit company owned by more than 24,000 wool levy payers who have registered as AWI shareholders. AWI’S MISSION The company invests along the global supply chain for Australian wool – from woolgrowers through to retailers. AWI’s mission is to make AWI’s vision is for it to be a highly valued contributor to a vibrant, strategically targeted profitable and sustainable Australian wool industry. investments to: AWI’s goal is to increase the profitability, and support the 1. enhance the profitability, sustainability of the Australian wool industry through strategically international competitiveness targeted investments in research, development and marketing and sustainability of the designed to optimise return on investment. In working towards this Australian wool industry goal AWI always strives to deliver an appropriate return on woolgrowers’ and Government’s investment of levies. 2. increase demand and market access for Australian wool. AWI invests in: • Research, Development, Extension and skills training from farm to fashion • Marketing CONTENTS • Global Business Services. AWI is not a peak industry body, does not create or execute UP FRONT industry policy, and is not an advocate on issues outside its core 2 About AWI functions. 4 Highlights of 2015/16 HOW AWI IS FUNDED 5 Financial summary 6 AWI Board of Directors AWI investments are funded through a wool levy paid by 8 Chairman’s report woolgrowers (currently two per cent of the sale price received for 9 CEO’s report their shorn greasy wool) and a matching contribution from the Australian Government for eligible R&D activities, capped at 0.5 per cent of the value of gross national value of wool production.
    [Show full text]
  • Effects of Lignin Type and Total Polymer Concentration
    polymers Article Fabrication and Characterization of Electrospun Poly(acrylonitrile-co-Methyl Acrylate)/Lignin Nanofibers: Effects of Lignin Type and Total Polymer Concentration Suchitha Devadas 1 , Saja M. Nabat Al-Ajrash 1 , Donald A. Klosterman 1 , Kenya M. Crosson 2,3, Garry S. Crosson 4 and Erick S. Vasquez 1,3,* 1 Department of Chemical and Materials Engineering, University of Dayton, Dayton, OH 45469, USA; [email protected] (S.D.); [email protected] (S.M.N.A.-A.); [email protected] (D.A.K.) 2 Department of Civil and Environmental Engineering and Engineering Mechanics, University of Dayton, Dayton, OH 45469, USA; [email protected] 3 Integrative Science and Engineering Center, University of Dayton, Dayton, OH 45469, USA 4 Department of Chemistry, University of Dayton, Dayton, OH 45469, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-(937)-229-2627 Abstract: Lignin macromolecules are potential precursor materials for producing electrospun nanofibers for composite applications. However, little is known about the effect of lignin type and blend ratios with synthetic polymers. This study analyzed blends of poly(acrylonitrile-co-methyl acrylate) (PAN-MA) with two types of commercially available lignin, low sulfonate (LSL) and alkali, Citation: Devadas, S.; kraft lignin (AL), in DMF solvent. The electrospinning and polymer blend solution conditions were Al-Ajrash, S.M.N.; Klosterman, D.A.; optimized to produce thermally stable, smooth lignin-based nanofibers with total polymer content Crosson, K.M.; Crosson, G.S.; of up to 20 wt % in solution and a 50/50 blend weight ratio. Microscopy studies revealed that AL Vasquez, E.S. Fabrication and blends possess good solubility, miscibility, and dispersibility compared to LSL blends.
    [Show full text]
  • Cool Culture
    InsPIrIng you to reach your dreams #20 /OCTOBER 2010 COOL CULTURE JACK VETTRIANO An artist speaks SUITS YOU, SIR! Win a unique Scabal made-to-measure suit SENSUAL SECRETS Introducing ‘Belle de Bruxelles’ DRIVING FORCE Stéphane Ratel www.togethermag.eu EDITORIAL Enriching entertainment If the purpose of living is Another scoop for this edition? From now on, to enrich the lives of others, you can be inspired every day by checking the purpose of Together is to out our new and much-improved online offerings at www.togethermag.eu, which enrich yours. website editor Jeremy slater and Brussels- based morris & chapman have honed to n each edition, we aim to achieve perfection to complement our magazine, with this by providing you with daily updates on all the latest entertainment, inspirational content to help you fashion, dining out and gossip in the capital reach your dreams. We feel sure that of Europe and beyond – do drop us a line you have all moved past the and let us know what you think, won’t you? Icustomary back-to-work blues – 2010 still has a lot of excitement to offer, and we hope And so, it remains only for Together to thank that our usual mixture of features on you for joining us once again – we wish you self-development, culture, fashion, politics, very happy reading. events, as well as our customary exclusive interviews in which stars share the secrets of their success, will put that little bit of extra spice in your life. In this edition, allow us to inspire you with our meetings with world-famous artist Jack (The Singing Butler) Vettriano and motoring Maestro stéphane ratel, who has recently launched FIA GT1 racing, and let the new star of our popular sensual secrets column, Belle de Bruxelles, tantalize you with her insights into the world of l’amour.
    [Show full text]