“The Alternative Afrikaans Music Movement” and Afrikaner Identity
VOËLVRY AND THE “OUTLAWED” AFRIKANERS: AN ANALYSIS OF “THE ALTERNATIVE AFRIKAANS MUSIC MOVEMENT” AND AFRIKANER IDENTITY. By Clara Pienaar Student number: 0611021J. A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts. Johannesburg, 2012. DECLARATION I declare that this research report is my own unaided work. It is submitted for the degree of Master of Arts in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. ------------------------------------ Clara Pienaar 9 March 2012. 2 ACKNOWLEDGEMENTS To both my supervisors, Clive and Maria, I owe you an enormous thank you for the long hours spent on careful inspection and constructive advice. I appreciate the fruitful guidance that you made readily available. I would also like to thank my friends and family for their patient, generous and valuable assistance at all stages of this process. To James, thank you for, among other things, the litres of tea and coffee, the piles of toast, and the calm reassurance; your incredible munificence sustained me. To both my parents, the hours of advice, comfort, translation and information that you have given me, have been vital in making this report come into being. To Mia and Dioné, thanks for helping me to vasbyt! 3 TABLE OF CONTENTS INTRODUCTION 5 CHAPTER ONE 18 CHAPTER TWO 29 CHAPTER THREE 39 CONCLUSION 71 4 Introduction Afrikaner nationalism and the Afrikaner people bear a heavy historical responsibility for the monstrous crimes of apartheid.
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