Lady Thatcher Celebrated Her 80Th Birthday Last
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The Profumo Affair in Popular Culture: the Keeler Affair (1963) and 'The
Contemporary British History ISSN: 1361-9462 (Print) 1743-7997 (Online) Journal homepage: http://www.tandfonline.com/loi/fcbh20 The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer To cite this article: Richard Farmer (2016): The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’, Contemporary British History, DOI: 10.1080/13619462.2016.1261698 To link to this article: http://dx.doi.org/10.1080/13619462.2016.1261698 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 29 Nov 2016. Submit your article to this journal Article views: 143 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fcbh20 Download by: [University of East Anglia Library] Date: 16 December 2016, At: 03:30 CONTEMPORARY BRITISH HISTORY, 2016 http://dx.doi.org/10.1080/13619462.2016.1261698 OPEN ACCESS The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer Department of Film, Television and Media Studies, University of East Anglia, Norwich, UK ABSTRACT KEYWORDS This article demonstrates that the Profumo affair, which obsessed Profumo affair; satire; Britain for large parts of 1963, was not simply a political scandal, but cinema; Christine Keeler; was also an important cultural event. Focussing on the production scandal of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. -
The Player and the Playing: an Interpretive Study of Richard
DOCUMENT RESUME ED 442 143 CS 510 330 AUTHOR Henry, Mallika TITLE The Player and the Playing: AA Interpretive Study of Richard Courtney's Texts on Learning through Drama. PUB DATE 1999-00-00 NOTE 411p.; Doctoral dissertation, School of Education, New York University. PUB TYPE Dissertations/Theses Doctoral Dissertations (041) EDRS PRICE MFO1 /PC17 Plus Postage. DESCRIPTORS *Drama; *Learning Processes; Metaphors; Qualitative Research; *Scholarship ABSTRACT Using qualitative and interpretive methodologies, this dissertation analyzed Richard Courtney's writings to interpret his basic ideas on learning through drama. It focused on later writings (1989, 1990, 1995, 1997) in which Courtney distilled ideas he had been working on for as many as 30 years. It approached Courtney's texts using dramatistic metaphors which concretized his predominantly abstract writings. These metaphors focused on finding the basic elements of a drama: the setting, the act, the actor, and the Other. Through the lenses afforded by these metaphors, the thesis examined Courtney's wide-ranging, eclectic and often imprecise ideas to distill major themes. Courtney used notions like metaphor, symbol, ritual, Being, mind, perspective, oscillation and quaternity with apparently shifting definitions and loosely circumscribed meanings. It collected and analyzed Courtney's meanings recursively, both distilling Courtney's meanings and expanding them through concrete hypothetical examples. Courtney wrote about drama in abstract terms, using notions he had garnered from other disciplines to describe the process of learning through drama. The final construction that emerged in this dissertation represents the experience of the actor/learner: it is concentric, radiating from a nub which represents the feelings and imagination of the actor. -
NASAT 2013 Round #5
NASAT 2013 Round 5 Tossups 1. In this novel, a priest who has a marvelous collection of masks is found beheaded in a patch of hyacinths. That character, Father Huismans, teaches the son of Zabeth, a magician. The servant Ali takes the name Metty before coming to work with the protagonist of this novel, whose friend Indar says that his home country is not strong since they do not have a flag. The protagonist of this novel has an affair with Yvette, whose husband Raymond works in an area called the Domain for a ruler called the Big Man. For 10 points, name this novel in which Salim sets up a shop in an unnamed African country, written by V. S. Naipaul. ANSWER: A Bend in the River 192-13-83-05101 2. In one piece, this composer memorialized an incident in which a crowd waiting at a train station spontaneously broke out into song. Nicholas Slonimsky instructed part of his ensemble to play four measures in the same time that another part played three to evoke dueling bands in his rendition of another "orchestral set" by this composer. He instructed the pianist to create a tone cluster by hitting the keys with a piece of wood in the "Hawthorne" movement of another work. This composer used minor thirds in his quotations of songs like "Old Black Joe" in the first movement of his most famous piece, which depicts the Robert Gould Shaw Memorial. For 10 points, name this American composer of Concord Sonata and Three Places in New England. -
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make up a Christian Heart
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make Up a Christian Heart. Matthew 6:21 says, “For where your treasure is, there your heart will be also.” This verse is saying that you must have honesty within your heart. Be true to yourself and those around you – and you’ll discover that your heart will guide you when you’re feeling left astray or at bay from everything that’s near and dear to you. Always listen to your heart because it will help to cultivate your decisions between right and wrong. Proverbs 3:5 says, “Trust in the Lord with all your heart and lean not on your own understanding,” This verse is conveying the desperate need for faith within your heart. There will be challenging times that cause you to question your faith and your overall belief system; however, it’s important to have faith within your heart. When you find yourself in doubt, look to your heart to guide you into the right direction. If you have these seven elements within your heart, you’ll find that your life is much fuller – full of happiness, love and the Lord. Everyone’s heart has many other qualities and attributes that furnish their individuality however, these seven elements are the core to a Christian heart. Christine Keeler obituary: the woman at the heart of the Profumo affair. There were many victims of the Profumo affair, the sex and spying scandal that dominated the headlines in 1963, contributed to the resignation of the then prime minister, Harold Macmillan, soon afterwards, and still looms disproportionately large in the history of modern Britain. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Unsent Love Letters Meditations on Erik Satie
ELENA KATS-CHERNIN unsent love letters meditations on Erik Satie TAMARA-ANNA CISLOWSKA PIANO The sound of dreams on velvet In this age where no-one has any time, diaries are chock-a-block, schedules bursting and calendars stuffed, it could be said that what is missing is the space to miss things, even space. This album is a first step to redressing some of the balance between the time to think that we know we don’t have, and the frenzy of saving the dates, must-dos and urgent deadlines. I would like to suggest we wind back the clock a moment, or throw out the clock. Taking Satie’s life and work as a central theme, the album is a collection of personal ruminations from Elena Kats-Chernin on the great eccentric Erik Satie. You could think of it as a musical memoir from one composer to another. A folding and unfolding of Elena’s thoughts and observations. The 26 pieces outline the concerns, convictions and loves of a man who was sensitive, singular and contradictory. He was also brilliant, unguarded and unconventional, and able to mix the devil-may-care with the stiff-upper-lip. Satie’s life was a fascinating, fervoursome affair; from the first strike of love and then lifelong estrangement with artist and muse Suzanne Valadon, to the unexpected celebrity and conflict of his last ten years. After he died, friends gaining access to his apartment, for the first time in almost three decades, found conditions both perplexing and romantically fastidious in their own way: two grand pianos one atop the other, one chair, one table, seven velvet suits and the love letters – many, many unsent love letters. -
Cabinet Office – Annual Report and Accounts 2020-21
Annual Report and Accounts 2020-21 HC 391 Annual Report and Accounts 2020-21 (for period ended 31 March 2021) Accounts presented to the House of Commons pursuant to Section 6 (4) of the government Resources and Accounts Act 2000 Annual Report presented to the House of Commons by Command of Her Majesty Ordered by the House of Commons to be printed on 15 July 2021 HC 391 This is part of a series of departmental publications which, along with the Main Estimates 2021-22 and the document Public Expenditure: Statistical Analyses 2019, present the government’s outturn for 2020-21 and planned expenditure for 2021-22. © Crown copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-Government-licence/version/3 Where we have identified any third-party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at: www.gov.uk/official-documents Any enquiries regarding this publication should be sent to us at: [email protected] ISBN – 978-1-5286-2550-0 CCS – CCS0421468362 07/21 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office. Contents Directors’ Report 7 Foreword 8 Ministers and Board Members 10 Permanent Secretary’s perspective on performance 14 Cabinet Office Lead Non-Executive’s Report 17 Performance Report 19 Cabinet Office Overview 20 Long Term Expenditure Trends 24 Supporting the Government response to COVID-19 27 Strategic Objectives 32 Governance Report 55 Statement of Accounting Officer’s responsibilities 56 Governance Statement 58 Accountability Report 75 Remuneration and staff report 76 1. -
Terrorism Knows No Borders
TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS October 2019 his is a special initiative for SEFF to be associated with, it is one part of a three part overall Project which includes; the production of a Book and DVD Twhich captures the testimonies and experiences of well over 20 innocent victims and survivors of terrorism from across Great Britain and The Republic of Ireland. The Project title; ‘Terrorism knows NO Borders’ aptly illustrates the broader point that we are seeking to make through our involvement in this work, namely that in the context of Northern Ireland terrorism and criminal violence was not curtailed to Northern Ireland alone but rather that individuals, families and communities experienced its’ impacts across the United Kingdom, Republic of Ireland and beyond these islands. This Memorial Quilt Project does not claim to represent the totality of lives lost across Great Britain and The Republic of Ireland but rather seeks to provide some understanding of the sacrifices paid by communities, families and individuals who have been victimised by ‘Republican’ or ‘Loyalist’ terrorism. SEFF’s ethos means that we are not purely concerned with victims/survivors who live within south Fermanagh or indeed the broader County. -
JULY–SEPTEMBER 2009 Meet the 2009 'Kapustin' Scholars
JULY–SEPTEMBER 2009 Meet The 2009 ‘Kapustin’ Scholars (Page 3) Why Do Emergency Evacuation Slides Fail? (Page 8) Accident Investigation—A Complete Service? (Page 13) Cockpit ‘Conversations’: Pilot Error or Communications Failure (Page 18) Council Meets in Spring Session (Page 22) CONTENTS Volume 42, Number 3 FEATURES Publisher Frank Del Gandio Editorial Advisor Richard B. Stone 3 Meet The 2009 ‘Kapustin’ Scholars Editor Esperison Martinez Incorporated into “President’s View” are the three 1000-word essays selected Design Editor William A. Ford as the best of the 12 submitted in the competition to win the 2009 ISASI Rudolph Associate Editor Susan Fager Kapustin Memorial Scholarship award, which memorializes all ISASI members Annual Report Editor Ron Schleede who have “flown west.” ISASI Forum (ISSN 1088-8128) is pub- lished quarterly by International Society of Air Safety Investigators. Opinions ex- 8 Why Do Emergency Evacuation Slides Fail? pressed by authors do not necessarily rep- By Gerard van Es, Senior Consultant, NLR-Air Transport Safety Institute, resent official ISASI position or policy. Amsterdam, the Netherlands—The author presents an analysis of historical Editorial Offices: Park Center, 107 East emergency evacuations in which slides were used. The factors that have hampered Holly Avenue, Suite 11, Sterling, VA 20164- the use of emergency evacuation slides are identified from these data and are 5405. Telephone (703) 430-9668. Fax (703) analyzed in-depth. 430-4970. E-mail address isasi@erols. com; for editor, [email protected]. Internet website: www.isasi.org. ISASI Forum is not responsible for unsolicited 13 Accident Investigation—A Complete Service? manuscripts, photographs, or other ma- By Phil Taylor, Senior Inspector of Air Accidents, UK AAIB—Using examples from terials. -
Planting 2.0 Time Friday Afternoon
Search for The Westfield News Westfield350.comTheThe Westfield WestfieldNews News Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75 cents $1.00 SATURDAY, JULY 25, 2020 VOL. 89 NO. 178 High-speed New Westfield internet could be coming COVID to Southwick By HOPE E. TREMBLAY cases drop Editor By PETER CURRIER SOUTHWICK – The High- Staff Writer Speed Internet Subcommittee WESTFIELD- The rate of coronavirus spread in reported its findings July 21 to the Westfield continues to slow down after a couple of weeks Southwick Select Board. of slightly elevated growth. The group formed in 2019 to The city recorded just five new cases of COVID-19 in research the town’s options regard- the past week, bringing the total number of confirmed ing internet service after being cases to 482 as of Friday afternoon. This is the lowest approached by Whip City Fiber, weekly number of new cases in more than a month in part of Westfield Gas & Electric, Westfield. Health Director Joseph Rouse said that there are on bringing the service to a new eight active cases in the city. development on College Highway. Fifty-five Westfield residents have died due to COVID- Select Board Chairman Douglas 19 since the beginning of the pandemic. Moglin, who served on the sub- The Town of Southwick had not released its weekly committee, said right now the only report on the number of new COVID-19 cases as of press real choice is Comcast/Xfinity. -
Losing an Empire, Losing a Role?: the Commonwealth Vision, British Identity, and African Decolonization, 1959-1963
LOSING AN EMPIRE, LOSING A ROLE?: THE COMMONWEALTH VISION, BRITISH IDENTITY, AND AFRICAN DECOLONIZATION, 1959-1963 By Emily Lowrance-Floyd Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson Dr. Victor Bailey . Dr. Katherine Clark . Dr. Dorice Williams Elliott . Dr. Elizabeth MacGonagle . Dr. Leslie Tuttle Date Defended: April 6, 2012 ii The Dissertation Committee for Emily Lowrance-Floyd certifies that this is the approved version of the following dissertation: LOSING AN EMPIRE, LOSING A ROLE?: THE COMMONWEALTH VISION, BRITISH IDENTITY, AND AFRICAN DECOLONIZATION, 1959-1963 . Chairperson Dr. Victor Bailey Date approved: April 6, 2012 iii ABSTRACT Many observers of British national identity assume that decolonization presaged a crisis in the meaning of Britishness. The rise of the new imperial history, which contends Empire was central to Britishness, has only strengthened faith in this assumption, yet few historians have explored the actual connections between end of empire and British national identity. This project examines just this assumption by studying the final moments of decolonization in Africa between 1959 and 1963. Debates in the popular political culture and media demonstrate the extent to which British identity and meanings of Britishness on the world stage intertwined with the process of decolonization. A discursive tradition characterized as the “Whiggish vision,” in the words of historian Wm. Roger Louis, emerged most pronounced in this era. This vision, developed over the centuries of Britain imagining its Empire, posited that the British Empire was a benign, liberalizing force in the world and forecasted a teleology in which Empire would peacefully transform into a free, associative Commonwealth of Nations. -
Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.