Unsent Love Letters Meditations on Erik Satie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pocketmail® Composer™
AUGUST 2001 PKTM010 PocketMail® Composer™ CUSTOMER Order toll-free in the U.S.: Call 877-877-BBOX (outside U.S. call 724-746-5500) SUPPORT FREE technical support 24 hours a day, 7 days a week: Call 724-746-5500 or fax 724-746-0746 INFORMATION Mailing address: Black Box Corporation, 1000 Park Drive, Lawrence, PA 15055-1018 Web site: www.blackbox.com • E-mail: [email protected] FCC AND IC RFI STATEMENTS FEDERAL COMMUNICATIONS COMMISSION and INDUSTRY CANADA RADIO FREQUENCY INTERFERENCE STATEMENTS Class B Digital Device. This equipment has been tested and found to comply with the limits for a Class B computing device pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. However, there is no guarantee that interference will not occur in a particular installation. This equipment generates, uses, and can radiate radio frequency energy, and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. If this equipment does cause harmful interference to radio or telephone reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult an experienced radio/TV technician for help. Caution Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. -
Melbourne Welsh News No. 21 August 2018
Melbourne Welsh News No. 21 www.melbournewelshchoir.com.au August 2018 Melbourne Welsh Male Choir’s We, as a choir get great satisfaction from seeing the progress 2018 Singer of the Year Competition of our Singer of the Year winners and runners-up, so we were A packed house (with extra chairs being required for late delighted to see the great reviews which our 2012 winner, arrivals), at the MLC’s James Tatoulis Auditorium on Lee Abrahmsen received for her role of Marschallin in the Sunday afternoon 12th August enjoyed a wonderful and recent Melbourne Opera production of Der Rosenkavalier extremely varied afternoon of solo and choral singing. by Richard Strauss. Well done Lee. This beautiful auditorium provided a perfect environment Recent Choir concerts for the finalists of the Choir’s 2018 Singer of the Year competition to be heard and evaluated. On a cold and wintry July Friday in Nunawading a group of similarly dressed gentlemen with navy suits and yellow ties This year there was an additional reason to attend this event. descended on two car dealerships and made music! Our MD’s “other Choir” - the Ashton Smith Singers joined us on this very special occasion. The choir performed a mini concert to the audience of customers and staff at the Eastside Mitsubishi dealership The audience was able to hear the differences between and received an enthusiastic reception. After an hour-long a mixed choir and a traditional Welsh male choir in this concert, the choir moved 300 metres down the road to magnificent environment Nunawading Toyota and after appropriate sustenance and lubrication (water only!) supplied by our hosts, we repeated the performance for an enthusiastic audience of clients and staff of the Toyota dealership to a similar ovation. -
“Voice of Ireland”. Today Tommy Is One of Ireland’S Top Entertainers with Over 6.5 Million Youtube Hits and Over 3.5 Million Album Sales Worldwide
TOMMY FLEMING BIOGRAPHY With his powerfully distinctive voice, Tommy Fleming has been described as the “Voice of Ireland”. Today Tommy is one of Ireland’s top entertainers with over 6.5 million YouTube hits and over 3.5 million album sales worldwide. The youngest of six children, Tommy was born in 1971 in Aclare, County Sligo. His natural singing ability was evident at a young age whilst participating in local talent competitions. While still at school, Tommy formed his first rock band, The Face of February, and embarked on gigging in local pubs. After leaving school Tommy joined a quartet, Jarog, gaining a legion of fans. However, despite this success, record companies weren’t exactly knocking on Tommy’s door. Then a chance encounter with renowned producer and composer Phil Coulter changed all that. In July 1993, Phil heard Tommy performing at a charity event in Westport, County Mayo. Within days Tommy was guesting with Phil and his orchestra at the Opera House (Cork), the National Concert Hall (Dublin) and The University Concert Hall (Limerick). Four months later he was playing to huge audiences across the US and Canada, culminating in two shows in the Boston Symphony Hall and the legendary Carnegie Hall in New York. Tommy’s career then took another leap forward when he was invited by Galway traditional group De Danann, to join them as lead vocalist, following in the footsteps of living legends as Mary Black, Maura O’Connell, Dolores Keane and Paul Brady. The collaboration lasted three years and introduced Tommy to a worldwide audience touring Australia, Hong Kong, China and the US. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
32 DNA OUR STRAIGHT MATES with Matthew Myers
“I’d“I’d bebe gaygay ifif II didn’tdidn’t likelike girlsgirls soso much…much…”” 32 DNA OUR STRAIGHT MATES With Matthew Myers Scott Irwin is one of Australia’s leading men of the stage. and all of the characters were played by men. His latest role as Hairspray’s Corny Collins is proving a I auditioned for the boyfriend in The Boy swingingly good time for all involved! From Oz and I guess kissing a man on stage might be something someone has to get their DNA: Have you seen the movie Hairspray? surrounded by beautiful and talented women head around, but by the same token kissing a Scott Irwin: Yes, I love the most recent version who were often available. I used to be going, girl that you’re not actually going out with is and have watched it close to a hundred times “Hey, don’t forget about me…” something to get your head around as well. because my three-year-old daughter is obsessed So you sometimes get mistaken as gay? What’s the campest thing in your house? with it. I’ll do the show here eight times a week Yeah, sometimes. It used to happen a lot in the Apart from the fact that for 20 years I’ve made and then go home and she’ll want me to sing early days. But the assumption outside of this my living in musicals, everything else is very and play the character for her. industry is more prevalent. My mates outside straight. I was always into sport and my music So she gets an exclusive performance. -
Key Personnel Bios
2018 TMO COMPOSER DEVELOPMENT PROGRAM KEY PERSONNEL BIOS a) THE METROPOLITAN ORCHESTRA Under the Baton of Founding Artistic Director & Chief Conductor Sarah-Grace Williams, The Metropolitan Orchestra(TMO) is recognised as one of the country’s most versatile orchestras delivering accessiBle, first-class and viBrant concert experiences. TMO’s annual season includes a variety of events tailored to different demographics from their highly acclaimed and regularly sold-out Met Concert series, to audience outreach programs, development programs for composers and performers, performances for young audiences and newly arrived refugees, interstate tours, free concerts and more. The orchestra’s sparkling eight year history includes a star-studded array of special events including performances with Sumi Jo (Opera House), David Helfgott (City Recital Hall), Elaine Paige (State Theatre), John Farnham with Olivia Newton-John (Entertainment Centre and Tempus Two), James Morrison (The Concourse), Kate CeBerano (Opera House); special events such as BBC’s Blue Planet and Planet Earth in Concert (Opera House), Doctor Who Symphonic Spectacular (Opera House and Entertainment Centre), Opera in the Vineyards (Wyndham Estate and Roche Estate), the National RugBy League Grand Final and sailing the South Pacific annually as resident orchestra aboard the Bravo! Cruise of the Performing Arts. Other renowned artists who have appeared with TMO include Jose Carreras, Kiri Te Kanawa, Anthony Warlow, Teddy Tahu Rhodes, Antoinette Halloran, David HoBson, Marina Prior, -
2020 Carols by Candlelight Song Book
Vision Australia presents Carols by Candlelight 2020 SOUVENIR SONG BOOK THIS CHRISTMAS EVE DONATE givetocarols.com DEC 24TH Christmas Eve 8pm AEST, Channel 9 Broadcast Partner DEC DEC DEC 24TH 24TH 24TH Carols by Candlelight 2020 3 Season’s greetings elcome to Vision Australia’s WCarols by Candlelight. Each year Carols by Candlelight brings families together to share in the joy of Christmas, something more important than ever this year. While 2020 has been full of surprises, one thing that hasn’t changed is the support Vision Australia provides to children who are blind or have low vision and their families. We’ve again been there for thousands of children across Australia, helping them to succeed at school, develop important life skills, learn to use technology to be independent, and enjoy all the wonders childhood has to offer. This year, we hope you can join The sounds the spirit of Christmas by enjoying Carols by Candlelight and helping us to raise funds so we can continue to provide our services for children. of Your generosity will help Vision Australia make the future as bright as possible for children who are blind or have low vision and their Christmas families. Merry Christmas! ince its inception in Ron Hooton, Vision Australia CEO 1938, Vision Australia’s Changing lives for more than 80 years SCarols by Candlelight hannel 9 is proud to be has become a much-loved Banks MBE, a veteran of radio. included special messages from Hobson, Lucy Durack, Debra Cpartnering once Christmas tradition and this On Christmas Eve in 1937, he the lord mayors of London and Byrne, Delta Goodrem, Rob again with Vision year is no exception. -
Aida Program
PRESENTS UMMTA’s Production of Elton John and Tim Rice’s AIDA Book by Music by Originally Directed by LINDA WOOLVERTON ELTON JOHN ROBERT FALLS and ROBERT FALLS & Lyrics by Originally Produced by DAVID HENRY HWANG TIM RICE DISNEY THEATRICAL PRODUCTIONS Assisted by Union House Theatre, The University of Melbourne Theatre Board & MU Student Union Ltd By arrangement with Hal Leonard Australia Pty Ltd, Exclusive agent for Music Theatre International (NY) THE UMMTA COMMITTEE Company Manager – Katie Possingham Publicity & Sponsorship Officer– Annie Nelson Artistic Director – Ruben Clark General Committee – Chris Dempsey, Treasurer – Tom Fellowes Jenni Rowbottom, Catriona Nguyen-Robertson Communications Officer – Patrick Paevere Social Events Officer – Chenez Dyer Bray SYNOPSIS Elton John and Tim Rice’s Aida is a contem- With a pop-rock score that features stirring porary musical take on a grand classic tale ballads and rousing choral numbers, Elton John of the timeless bond between an enslaved and Tim Rice’s Aida is larger-than-life in its Nubian princess and an Egyptian soldier. As themes and conflict, displayed through exuber- forbidden love blossoms between them, the ant dancing, staging and singing. young lovers are forced to face death or part forever. Together, they set a shining example of true devotion that ultimately transcends the vast cultural differences between their warring nations, heralding a time of unprecedented peace and prosperity. DIRECTOR’S NOTE Why do we always return to tragedies? You tragic destinies. This seems to be what keeps would think that as many times as we’ve heard us coming back to certain legendary tragedies the story of Romeo and Juliet, we’d tire of it. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON -
Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away. -
Radio Starz Karaoke Song Book
Radio Starz Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID Aerosmith Barenaked Ladies Angel RSZ613-12 What A Good Boy RSZ604-11 Baby, Please Don't Go RSZ613-01 When I Fall RSZ604-09 Back In The Saddle RSZ613-16 Beatles, The Big Ten Inch Record RSZ613-13 All You Need Is Love RSZ623-08 Cryin' RSZ613-17 And I Love Her RSZ623-06 Dream On RSZ613-04 And Your Bird Can Sing RSZ622-17 Dude (Looks Like A Lady) RSZ613-06 Another Girl RSZ621-16 I Don't Want To Miss A Thing RSZ613-10 Back In The USSR RSZ622-02 Jaded RSZ613-07 Birthday RSZ622-05 Janie's Got A Gun RSZ613-14 Can't Buy Me Love RSZ622-09 Last Child RSZ613-03 Come Together RSZ621-14 Love In An Elevator RSZ613-09 Day Tripper RSZ621-07 Mama Kin RSZ613-11 Do You Want To Know A Secret RSZ623-11 Same Old Song And Dance RSZ613-15 Don't Let Me Down RSZ623-09 Sweet Emotion RSZ613-05 Eight Days A Week RSZ623-05 Train Kept A Rollin' RSZ613-18 Eleanor Rigby RSZ622-13 Walk This Way RSZ613-08 From Me To You RSZ623-15 What It Takes RSZ613-02 Get Back RSZ622-04 Alanis Morissette Golden Slumbers, Carry That Weight, The End RSZ621-20 All I Really Want RSZ626-13 Good Day Sunshine RSZ621-06 Everything RSZ626-11 Hard Days Night, A RSZ623-03 Forgiven RSZ626-12 Hello Goodbye RSZ622-06 Hand In My Pocket RSZ626-05 Help! RSZ621-04 Hands Clean RSZ626-08 Helter Skelter RSZ622-08 Hands Clean RSZ626-08A Here, There & Everywhere RSZ623-18 Hands Clean RSZ626-08B Hey Jude RSZ622-01 Head Over Feet RSZ626-07 I Feel Fine RSZ622-10 Ironic RSZ626-02 I Saw Her Standing There RSZ621-01 Precious Illusions