Friedrich Schiller - Poems
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Goethe's Götz Von Berlichingen and Schiller's Fiesco
Durham Research Online Deposited in DRO: 28 June 2021 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Nitschke, Claudia (2021) 'Metaphorical Contracts and Games: Goethe's G¤otzvon Berlichingen and Schiller's Fiesco.', Law and literature. Further information on publisher's website: https://doi.org/10.1080/1535685X.2021.1885158 Publisher's copyright statement: c 2021 The Author(s). Published by Informa UK Limited, trading as Taylor Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Law & Literature ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rlal20 Metaphorical Contracts and Games: Goethe’s Götz von Berlichingen and Schiller’s Fiesco Claudia Nitschke To cite this article: Claudia Nitschke (2021): Metaphorical Contracts and Games: Goethe’s Götz vonBerlichingen and Schiller’s Fiesco, Law & Literature, DOI: 10.1080/1535685X.2021.1885158 To link to this article: https://doi.org/10.1080/1535685X.2021.1885158 © 2021 The Author(s). -
Leseprobe-13769.Pdf
Friedrich Schiller 1759 – 1805 Joseph Kiermeier-Debre Schillers Frauen 42 Porträts aus Leben und Dichtung Deutscher Taschenbuch Verlag Prof. Dr. Joseph Kiermeier-Debre ist Leiter des Antoniter-/Strigelmuseums und der MEWO Kunsthalle in Memmingen, Dozent für Neuere Deutsche Literatur an der Universität München und Autor und Herausgeber zahlreicher Veröffentlichungen, darunter Gedichtbände von Eichendorff (dtv 13600) und Klabund (dtv 20641). Seit 1997 betreut er als Herausgeber die dtv Bibliothek der Erstausgaben. Dort erschienen bisher 80 Bände, unter anderem acht mit den Hauptwerken Schillers. (www.bibliothekdererstausgaben.de) Originalausgabe Mai 2009 Deutscher Taschenbuch Verlag GmbH & Co. KG, München www.dtv.de © Deutscher Taschenbuch Verlag, München Umschlagkonzept: Balk & Brumshagen Gesetzt aus der Stempel Garamond 9,7/12· Satz: Greiner & Reichel, Köln Druck und Bindung: Druckerei C.H. Beck, Nördlingen Gedruckt auf säurefreiem, chlorfrei gebleichtem Papier Printed in Germany · isbn 978-3-423-13769-0 Inhalt Vorbemerkung ............................. 9 Elisabetha Dorothea Schiller (1732–1802) ....... 11 Christophine Schiller (1757–1847) ............. 17 Luise Schiller (1766–1836) ................... 21 Caroline Christiane Schiller (1777–1796) ....... 25 Franziska von Hohenheim (1748–1811) ........ 29 Amalia: Die Räuber (1781) ................... 35 Louise Dorothea Vischer (1751–1794) .......... 41 Leonore: Fiesco (1783) ....................... 47 Julia Imperiali: Fiesco (1783) ................. 55 Henriette von Wolzogen (1745–1788) -
Friedrich Schiller Aus Anlass Seines 250. Geburtstages – Der Einfluss Von Krankheit Und Leiden Auf Sein Leben Und Schaffen1
Von den Wurzeln unseres Fachs 453 „Dem Leiden war er, war dem Tod vertraut“ Friedrich Schiller aus Anlass seines 250. Geburtstages – Der Einfluss von Krankheit und Leiden auf sein Leben und Schaffen1 „He was Familiar with Suffering, was Familiar with Death“ Commemorating the 250th Anniversary of Friedrich Schiller’s Death – The Influence of Diseases and Sorrows on Life and Works of Friedrich Schiller Autor H.-D. Göring Institut Tumorzentrum Anhalt am Städtischen Klinikum Dessau e.V., Dessau Bibliografie Zusammenfassung Jahre seines früh vollendeten Lebens hat er sein DOI 10.1055/s-0029-1215170 ! gewaltiges Werk seinem leidenden Körper förm- Akt Dermatol 2009; 35: Am 10. November 2009 begehen wir den 250. Ge- lich abgerungen. Schiller hat seine Krankheiten – 453 456 © Georg Thieme burtstag des größten deutschen Dramatikers, be- nicht nur als Patient erlitten, sondern gleicherma- Verlag KG Stuttgart · New York deutenden Dichters, idealistischen Philosophen ßen auch als Arzt erlebt, der er nach seinem Me- ISSN 0340-2541 und Historikers Friedrich Schiller. Sein Leben und dizinstudium an der Carlsschule in Stuttgart ge- Korrespondenzadresse Schaffen wurde durch Krankheit und Leiden in wesen ist. Prof. Dr. med. nahezu unerträglicher Weise beeinträchtigt. Viele Hans-Dieter Göring Tumorzentrum Anhalt am Städtischen Klinikum “ Dessau e.V. Im Jahr 2009 gedenken wir des 250. Geburtstages gen am 17. 11. 1780 wurde Friedrich Schiller am Auenweg 38 Friedrich Schillers, des größten deutschen Drama- 15. 12. 1780 aus der Militärakademie in den 06847 Dessau tikers, des bedeutenden Dichters, Autors grundle- Dienst als Militärarzt des Grenadierregiments [email protected] gender historischer und philosophischer Schrif- Augé in Stuttgart entlassen [1,3]. -
A German Classic: Schiller's Maria Stuart Essay Prize for Sixth-Formers Further Resources
A German Classic: Schiller’s Maria Stuart Essay Prize for Sixth-Formers Further Resources For some resources listed below, we are not aware of current links to official recordings but you may wish to search for what is available online. Maria Stuart and Mary, Queen of Scots A BBC documentary explores the entangled lives of Elizabeth and Mary, using their correspondence to help reconstruct their relationship: Bloody Queens: Elizabeth and Mary (BBC Two, 2016) Maria Stuart on screen and radio A slightly shorted version of the play, performed in German, was produced by the television network ZDF in 1985. The 2007 Thalia Theater in Hamburg put on a production was performed in modern dress. The German is spoken fairly quickly, so don’t worry if you can’t untangle it. This is a good example of the drama performed in a modern setting. A radio adaptation of the play by David Farrower, adapted for radio by Robin Brooks, was produced for the BBC Radio 3 ‘Drama on 3’ strand in 2012. Maria Stuart on stage Here is a selection of reviews of recent productions of Schiller’s play. New York, 2009 https://www.nytimes.com/2009/04/20/theater/reviews/20mary.html?pagewanted=all Stratford, Ontario (Canada), 2013 https://www.theglobeandmail.com/arts/theatre-and-performance/theatre- reviews/stratfords-mary- stuart-both-thought-provoking-and-edge-of-your-seat-suspenseful/article12314431/ London, 2016 (see here for a synopsis of this production) https://www.theguardian.com/stage/2016/dec/18/mary-stuart-almeida-robert-icke-observer-review-lia- williams-juliet-stevenson London, 2018 (West End transfer of the production from 2016) https://www.telegraph.co.uk/theatre/what-to-see/lia-williams-juliet-stevensongo-head-to-head-mary- stuart- review/ Maria Stuart and music Gaetano Donizetti’s opera, Maria Stuarda (1835). -
Novalis's Magical Idealism
Symphilosophie International Journal of Philosophical Romanticism Novalis’s Magical Idealism A Threefold Philosophy of the Imagination, Love and Medicine Laure Cahen-Maurel* ABSTRACT This article argues that Novalis’s philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources – J. G. Fichte’s idealism and Friedrich Schiller’s classicism – into a new and original philosophy. It demonstrates that Novalis’s views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but even more philosophically coherent and innovative than have been recognised up to now. Keywords: magical idealism, productive imagination, love, medicine, Novalis, J. G. Fichte, Schiller RÉSUMÉ Cet article défend l’idée selon laquelle trois éléments centraux composent ce que Novalis nomme « idéalisme magique » pour désigner sa philosophie propre : la conception d’une imagination créatrice ou productrice, une doctrine de l’amour et une théorie de la médecine transcendantale. L’idéalisme magique est en cela la synthèse en une philosophie nouvelle et originale de deux sources philosophiques contemporaines, à la fois adjacentes et divergentes : l’idéalisme de J. G. Fichte et le classicisme de Friedrich Schiller. L’article montre que les vues de Novalis tant sur la magie que sur l’idéalisme sont non seulement réellement rationnelles et compréhensibles, mais philosophiquement plus cohérentes et novatrices qu’on ne l’a admis jusqu’à présent. Mots-clés : idéalisme magique, imagination productrice, amour, médecine, Novalis, J. G. -
Don Carlos and Mary Stuart 1St Edition Pdf Free
DON CARLOS AND MARY STUART 1ST EDITION PDF, EPUB, EBOOK Friedrich Schiller | 9780199540747 | | | | | Don Carlos and Mary Stuart 1st edition PDF Book Don Carlos and Mary Stuart , two of German literature's greatest historical dramas, deal with the timeless issues of power, freedom, and justice. Showing It is an accessible Mary Stuart for modern audiences. Rather, the language is more colloquial and the play exhibits some extensive cuts. The title is wrong. I have not read much by Schiller as of yet, but I feel really inspired to pick up more plays now. A pair of tragedies from Friedrich Schiller, buddy to Goethe, and child of the enlightenment. June Click [show] for important translation instructions. As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Don Carlos and Mary Stuart. I am particularly impressed by Schiller, a Protestant, for his honest account of the good Queen Mary and the Roman religion. I've read several translations of this text, but this is the one I can most readily hear in the mouths of actors, especially Act 3, when the two women come face to face. This article on a play from the 18th century is a stub. Please contact our Customer Service Team if you have any questions. These are two powerful dramas, later turned into equally powerful operas. The Stage: Reviews. Help Learn to edit Community portal Recent changes Upload file. Peter Oswald London: Oberon Books, , 9. Mary Stuart. Don Carlos is a bit too long, I think, though it is fantastic. Archived from the original on September 8, Jan 01, Glenn Daniel Marcus rated it really liked it. -
SCHILLER, NOVALIS, and the CONCEPT of AUFHEBUNG Hammam Aldouri
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 BEFORE HEGEL: SCHILLER, NOVALIS, AND THE CONCEPT OF AUFHEBUNG Hammam Aldouri ABSTRACT: Philosophical explorations of the concept of Aufhebung (sublation, supersession) immediately prior to its formulation in Hegel’s work have remained relatively absent within the context of both Hegel scholarship and German Idealism studies. Hegel is often simply represented as the originator of the concept and the latter is understood almost exclusively within his oeuvre. This essay addresses this lack by offering an exposition of the notion as it unfolds in two works from 1795-1796: Friedrich Schiller’s Letters on the Aesthetic Education of Man and Novalis’ Fichte Studies. In these works, we find distinctive examinations of Aufhebung understood as the name of a process in which a subject comprehends itself in relation to its own processual development. My guiding premise is that without an adequate comprehension of the way in which Aufhebung is constructed and comprehended in the last years of the eighteenth century, we cannot establish the vantage point from which to reconstruct Hegel’s early conception of the notion, a conception which begins to emerge in his earliest Frankfurt writings in 1797, as a contribution to the constellation of post-Kantian conceptions. Keywords: Aufhebung, Schiller, Novalis, Aesthetic Education, Fichte Studies INTRODUCTION The concept of Aufhebung (sublation, supersession) is, without question, one of the most contested and discussed concepts of Hegel’s philosophical enterprise th th 1 and its critical reception in the 19 and 20 centuries. One distinctive 1 So much so, in fact, that it has led philosopher’s such as Jean-Luc Nancy to state that there is “no great study of Hegel that is not a study on the Aufhebung.” Nancy 2001, 158n7. -
Philosophy Sunday, July 8, 2018 12:01 PM
Philosophy Sunday, July 8, 2018 12:01 PM Western Pre-Socratics Fanon Heraclitus- Greek 535-475 Bayle Panta rhei Marshall Mcluhan • "Everything flows" Roman Jakobson • "No man ever steps in the same river twice" Saussure • Doctrine of flux Butler Logos Harris • "Reason" or "Argument" • "All entities come to be in accordance with the Logos" Dike eris • "Strife is justice" • Oppositional process of dissolving and generating known as strife "The Obscure" and "The Weeping Philosopher" "The path up and down are one and the same" • Theory about unity of opposites • Bow and lyre Native of Ephesus "Follow the common" "Character is fate" "Lighting steers the universe" Neitzshce said he was "eternally right" for "declaring that Being was an empty illusion" and embracing "becoming" Subject of Heideggar and Eugen Fink's lecture Fire was the origin of everything Influenced the Stoics Protagoras- Greek 490-420 BCE Most influential of the Sophists • Derided by Plato and Socrates for being mere rhetoricians "Man is the measure of all things" • Found many things to be unknowable • What is true for one person is not for another Could "make the worse case better" • Focused on persuasiveness of an argument Names a Socratic dialogue about whether virtue can be taught Pythagoras of Samos- Greek 570-495 BCE Metempsychosis • "Transmigration of souls" • Every soul is immortal and upon death enters a new body Pythagorean Theorem Pythagorean Tuning • System of musical tuning where frequency rations are on intervals based on ration 3:2 • "Pure" perfect fifth • Inspired -
Marbacher Schiller-Bibliographie 2011
NICOLAI RIEDEL In Zusammenarbeit mit Herman Moens MARBACHER SCHILLER-BIBLIOGRAPHIE 2011 und Nachträge Vorbemerkung Die großen Schiller-Jubiläumsjahre 2005 und 2009 haben ihre langen Schatten vorausgeworfen und eine ungewöhnliche Reichhaltigkeit wissenschaftlicher Ver- öffentlichungen hervorgebracht, sie haben aber auch ein dichtes Netzwerk von Spuren hinterlassen und verzweigte Gleissysteme in die Forschungslandschaften gelegt. Waren in der Bibliographie für das Berichtsjahr 2010 »nur« etwa 460 Titel dokumentiert, was ziemlich genau dem Durchschnitt des vorangegangenen De- zenniums entspricht, so sind es für 2011 genau 801 Nachweise. Diese hohe Zahl mag zunächst Erstaunen hervorrufen, denn es handelt sich um eine Steigerung von rund 43 %. Die statistischen und quantifizierenden Überlegungen, wie sie in den Vorbemerkungen von 2010 formuliert wurden, sollen hier aber nicht weiter- geführt werden, denn es hat sich herausgestellt, dass eine personenbezogene For- schung in den seltensten Fällen messbar und prognostizierbar ist. Die Summe der Nachweise setzt sich im Wesentlichen aus vier Faktoren zusammen, die im Fol- genden knapp umrissen werden sollen: 1. Im Berichtsjahr 2010 wurde absichtlich darauf verzichtet, solche Titel aufzunehmen, die erst nach Redaktionsschluss der Bibliographie verifiziert werden konnten, um Buchstabenzusätze bei den Refe- renznummern zu vermeiden. Auf diese Weise gelangten schon sehr viele Titel aus der Warteschleife in die Basis-Datei für 2011. – 2. Für das Berichtsjahr 2011 ist dieses Prinzip zugunsten eines verbesserten Informationsflusses wieder auf- gegeben worden. Nach Redaktionsschluss wurden noch einmal 26 autopsierte Nachweise in die Systematik integriert. Diese sind nun (aus typographischen Er- wägungen) nicht mehr mit a, b und c gekennzeichnet, sondern mit dezenten hoch- gestellten Ziffern (z. B. 5121, 5122). – 3. Der Redaktionsschluss der Bibliographie wurde um einen Monat nach hinten verschoben, d. -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
Titelseite Mit Rücken 10 Mm Und Anschnitt.Cdr
45. Landeswettbewerb Nordrhein-Westfalen 2008 5. - 9. März 2008 in Münster LandesMusikRat Nordrhein-Westfalen e.V. 45. Landeswettbewerb “Jugend musiziert” NRW Wertungen 5. bis 9. März 2008 in Münster Landesabschlusskonzerte (mit WDR-Aufnahmen): I. Sonntag, 4. Mai 2008, 16 Uhr, Tonhalle Düsseldorf mit Verleihung der Urkunden und Preise sowie der Kulturpartner Förderpreise der nordrhein-westfälischen Sparkassen Moderation: Christian Schruff II. Sonntag, 1. Juni 2008, 11 Uhr, Kölner Philharmonie Konzert der Bundespreisträger aus Nordrhein-Westfalen Wettbewerbsbüro: Westfälische Schule für Musik, Münster, Himmelreichallee 50, 48149 Münster Telefon (0211) 862064-20 (Weiterschaltung) Das Wettbewerbsbüro ist nur an den Wertungstagen (von 8.30 bis 18 Uhr) besetzt! Veranstalter: Landesmusikrat Nordrhein-Westfalen e. V., Landesausschuss JUGEND MUSIZIERT, gemeinsam mit der Westfälischen Wilhelms-Universität Münster, der Stadt Münster, der Westfälischen Schule für Musik Münster und dem Westdeutschen Rundfunk. Ein Förderprojekt des Ministerpräsidenten des Landes Nordrhein-Westfalen und der nordrhein-westfälischen Sparkassen. LandesMusikRat Nordrhein-Westfalen e.V. Zeitplan des 45. Landeswettbewerbs „Jugend musiziert“ NRW 2008 in Münster (Änderungen vorbehalten) Mittwoch, 5. 3. Donnerstag, 6 3. Freitag, 7. 3. Samstag, 8. 3. Sonntag, 9. 3. Westfälische Klavier solo Klavier solo Klavier solo Klavier solo Klavier solo Schule für Musik AG II: 10 - 17 h AG II: 10 - 17 h AG II: 10 – 15.10 h AG V: 10 – 16.40 h AG V: 10 – 16.20 h Mozartfoyer Hochschule für -
Incantations Analytical Commentary Graham Waterhouse
Incantations Concerto da Camera for Piano and Ensemble (2015) The balance of traditional and progressive musical parameters through the concertante treatment of the piano Analytical Commentary Graham Waterhouse A thesis submitted in partial fulfilment of the requirements of Birmingham City University for the degree of Doctor of Philosophy March 2018 The Faculty of Arts, Design and Media, Birmingham City University (Royal Birmingham Conservatoire) Abstract The aim of this research project is to investigate concertante techniques in composition with reference both to traditional models and recent works in the genre, and to redefine a contemporary understanding of concertante writing in preparation for the principal work of this thesis, Incantations for Piano and Ensemble. Starting with the contradictory meanings of the word “concertare” (to compete and to unite), as well as with a fleeting, non-musical vision of combining disparate elements, I investigate diverse styles and means of combining soloist (mainly piano) and ensemble. My aim is to expand my compositional “vocabulary”, in order to meet the demands of writing a work for piano and ensemble. This involved composing supporting works, both of concerto-like nature (with more clearly defined functions of soloist and tutti), as well as chamber music (with material equally divided between the players). Part of the research was to ascertain to what extent these two apparent opposites could be combined to create a hybrid concerto/chamber music genre in which the element of virtuosity transcends the purely bravura, to embrace a common adaptability, where soloist and ensemble players are called upon to assume a variety of roles, from the accompanimental to the soloistic.